Music Listing - without preview images

Giacea nel proprio sangue, Cantata di Basso by A. Amendola (?–?)    
for Voice (Bass) and Basso Continuo 1715 Baroque
Manuscript 1710-1740 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/09/08
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Il Ratto di Proserpina, Cantata di Basso by O. A. Ariosti (1666–1729)    
for Voice (Bass), Basso Continuo   Baroque
18th century manuscript, Museo internazionale e biblioteca della musica di Bologna Creative Commons Attribution-ShareAlike 3.0 More Information 2010/04/04
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Geliebter Jesu - From Cantata No. 16 by J. S. Bach (1685–1750) BWV 16  
for Oboe da Caccia or English Horn or Viola, Tenore, Basso Continuo 1726 Baroque
Hauptmann, 1852. Bach Gesellschaft Volume 2. Creative Commons Attribution 3.0 More Information 2009/09/05
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B Minor Mass - Aria by J. S. Bach (1685–1750) BWV 232  
for Ensemble: Horn, 2 Bassoons, Bass, Continuo 1749 Baroque
BGA Band 6 pp.118-125, 1900 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/06/15
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Ouverture Coriolan by L. V. Beethoven (1770–1827) O62  
for Orchestra: Flutes, Oboes, Clarinets, Bassoons, French Horns, Trumpets, Percussion (Timpani), Violins, Violas, 'Cello, Double Bass 1807 Classical
Beethoven's Werke, Ouverturen fuer Orchester: No. 18-21, 26-27, Breitkopf and Haertel, Leipzig, n.d. [1862-1865] Public Domain More Information 2013/02/06
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Fidelio Overture by L. V. Beethoven (1770–1827) Op. 72b  
for Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Tenor Trombone, Bass Trombone, Timpani, Violins, Viola, 'Cello, Bass 1814/May/26 Romantic
Eulenburg, 1919 Public Domain More Information 2014/03/24
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Sextet for 2 horns and 4 strings by L. V. Beethoven (1770–1827) Op. 81b  
for Horn, 2 Bassoons, Bass, Continuo 1795 Classical
Ludwig van Beethovens Werke, Serie 5. Kammermusik für fünf und mehrere Instrumente, No.33 Leipzig: Breitkopf & Härtel, 1862-1890. Plate B.33 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/11/01
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Overture to Egmont - Opus 84 by L. V. Beethoven (1770–1827) Op. 84 n/a
for Orchestra: Flutes, Oboe, Clarinet, Bassoon, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass   Classical n/a
Breitkopf and Hartel Public Domain More Information 2005/04/10
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Symphony No. 7 in A Major (1st Movement: Poco sostenuto - Vivace) by L. V. Beethoven (1770–1827) Op. 92  
for Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass 1812 Classical
Breitkopf and Hartel (1862-1865) Public Domain More Information 2006/12/21
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Symphony No. 7 in A Major (2nd Movement: Allegretto) by L. V. Beethoven (1770–1827) Op. 92 n/a
for Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass 1811-12 Classical n/a
Litolff Verlag Public Domain More Information 2005/08/21
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Sonata I. by J. B. de Boismortier (1689–1755) Op. 40, No. 1  
for 2 Bassoons   Baroque
facsimile of first printing 1732 Creative Commons Attribution-ShareAlike 3.0 More Information 2013/07/28
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Sonata II. by J. B. de Boismortier (1689–1755) Op. 40, No. 2  
for 2 Bassoons   Baroque
facsimile of first printing 1732 Creative Commons Attribution-ShareAlike 3.0 More Information 2013/08/11
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Sonata Ⅲ. by J. B. de Boismortier (1689–1755) Op. 40, No. 3  
for 2 Bassoons   Baroque
facsimile of first printing 1732 Creative Commons Attribution-ShareAlike 3.0 More Information 2013/08/11
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Sonata IV. by J. B. de Boismortier (1689–1755) Op. 40, No. 4  
for 2 Bassoons   Baroque
facsimile of first printing 1732 Creative Commons Attribution-ShareAlike 3.0 More Information 2013/08/11
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Membra Jesu nostri by D. Buxtehude (c.1637–1707)    
for SSATB, 2 Violini, 5 Viole da gamba, Violone e Basso Continuo 1680 Baroque
manuscript voices and tabulatura Duben Collection Creative Commons Attribution-ShareAlike 3.0 More Information 2010/01/08
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Ciaconna: Laudate pueri Dominum by D. Buxtehude (c.1637–1707) BuxWV 69  
for 2 Soprano, 5 Viola di gamba, Violone, Basso Continuo   Baroque
manuscript, Duben collection Creative Commons Attribution-ShareAlike 3.0 More Information 2009/10/14
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Vorrei baciarti by G. Ceresini (1584–1659)    
for Voice (TB), Basso Continuo   Baroque
Madrigali concertati a due, tre e quattro voci con il basso continuo [...] Opera Quatra, Venezia, Alessandro Vincenti, 1627 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/05/31
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Sancta Maria by Arcangelo Crotti (15??–1606)    
for Voice (S), 2 Cornetts (Violins), Trombone, Basso Continuo   Baroque
Il Primo Libro de' Concerti Ecclesiastici à 1. à 2. à 3 à 4. & à 5. Parte con voci sole, & parte con voci, & Instrumenti di Fr. Archangelo Crotti da Ferrara Agostiniano Eremita Osseruante. Nuouamente composti & dati in luce. - In Venezia, Appresso Giacomo Vincenti 1608. Creative Commons Attribution-ShareAlike 3.0 More Information 2009/09/05
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Sinfonia by Friedrich II of Prussia (1712–1786)    
for Ensemble: Flutes, Oboes, Horns, Strings, Basso Continuo   Baroque
Gieddes Samling X,1 U150 mu 6208.0485 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/11/04
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Litania by A. Grandi (1577–1630)    
for Voices (SSA), Basso Continuo 1626 Baroque
Raccolta di D. Lorenzo Calvo. - Rosarium Litaniarium Beatae V. Mariae ternis, quaternis, quinis, senis, septenis, et octonis vocibus Concinendarum. Vna cum Basso ad Organum a D. Laurentio Calvo in aede Cathedrali Paviae Musico, ex Varijs Auctoribus desumptum Nunc primum in lucem aeditum. Cum Privilegio. - Venetiis, apud Alexandrum, Vincentium. 1626. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/04/04
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Cara sposa, amanta cara , Aria from Rinaldo by G. F. Handel (1685–1759) HWV 7 Giacomo Rossi
for Voice (Soprano), String Ensemble, Basso Continuo 1711 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 58, 1874 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/05/18
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Solo dal brando , Aria from Rinaldo by G. F. Handel (1685–1759) HWV 7 Giacomo Rossi
for Voice (Alto), String Ensemble, Basso Continuo 1711 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 58, 1874 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Sulla ruota di fortuna , Aria from Rinaldo by G. F. Handel (1685–1759) HWV 7 Giacomo Rossi
for Voice (Alto) and Basso Continuo 1711 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 58, 1874 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/01/07
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La vendetta e un cibo , Aria from Silla by G. F. Handel (1685–1759) HWV 10  
for Voice (Alto), String Ensemble, Basso Continuo 1713? Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 61, 1875 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Giulio Cesare by G. F. Handel (1685–1759) HWV 17 Nicola Francesco Haym
for Dramatis Personae (Voice: 2 Sopranos, 3 Alto Castratos, Contralto, 2 Basses) and Orchestra (2 Recorders, Flute, 2 Oboes, 2 Bassoons, 4 Horns, Solo Violin, Violins, Violas, Viola da Gamba, Cellos, Harp, Theorbo (Large Lute), Continuo) 1724 Baroque
Dover unaltered reprint of Deutschen Handelgesellschaft edition, volume 68, 1875 Creative Commons Attribution 2.5 More Information 2006/05/10
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Agitato da fiere tempeste , Aria from Riccardo primo by G. F. Handel (1685–1759) HWV 19 Paolo Antonio Rolli (1687-1765)
for Voice (Alto), Oboes, String Ensemble, Basso Continuo 1727 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 74, 1877 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Io già t'amai , Aria from Rodelinda by G. F. Handel (1685–1759) HWV 19  
for Voice (Tenor), String Ensemble, Basso Continuo 1724-25 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 70, 1876 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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No! Risolvo abbandonar , Aria from Alessandro by G. F. Handel (1685–1759) HWV 21  
for Voice (Alto), String Ensemble, Basso Continuo 1726 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 72, 1877 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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La gloria sola , Aria from Admeto by G. F. Handel (1685–1759) HWV 22 Nicola Haym (1678-1729)
for Voice (Bass), Oboes, String Ensemble, Basso Continuo 1727 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 73, 1877 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Non pensi quell'altera , Aria from Lotario by G. F. Handel (1685–1759) HWV 26 Giacomo Rossi
for Voice (Tenor), String Ensemble, Basso Continuo 1729 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 77, 1879 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/05/18
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Impara, ingrata , Aria from Atalanta by G. F. Handel (1685–1759) HWV 35  
for Voice (Basso), String Ensemble, Basso Continuo 1736 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 87, 1882 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Corri, vola, a' tuoi trofei , Aria from Giustino by G. F. Handel (1685–1759) HWV 37  
for Voice (Soprano), Oboes, String Ensemble, Basso Continuo 1736/37 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 88, 1883 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Sol la brama di vendetta , Aria from Faramondo by G. F. Handel (1685–1759) HWV 39  
for Voice (Basso), String Ensemble, Basso Continuo 1737 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 91, 1884 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Vado a recar la morte , Aria from Faramondo by G. F. Handel (1685–1759) HWV 39  
for Voice (Basso), String Ensemble, Basso Continuo 1737 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 91, 1884 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Voglio che sia l'indegno, Aria from Faramondo by G. F. Handel (1685–1759) HWV 39  
for Voice (Soprano), String Ensemble, Basso Continuo 1737 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 91, 1884 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Se potessero i sospir' miei , Aria from Imeneo by G. F. Handel (1685–1759) HWV 41  
for Voice (Alto), String Ensemble, Basso Continuo 1738-1740 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 93, 1885 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Al tardar della vendetta , Aria from Deidamia by G. F. Handel (1685–1759) HWV 42 Paolo Antonio Rolli (1687-1765)
for Voice (Bass), String Ensemble, Basso Continuo 1740 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 94, 1885 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Grecia tu offendi , Aria from Deidamia by G. F. Handel (1685–1759) HWV 42 Paolo Antonio Rolli (1687-1765)
for Voice (Alto), String Ensemble, Basso Continuo 1740 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 94, 1885 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/01/04
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Marche from Deidamia by G. F. Handel (1685–1759) HWV 42 Paolo Antonio Rolli (1687-1765)
for Trumpets, Horns, Kettledrum, String Ensemble, Basso Continuo 1740 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 94, 1885 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Nelle nubi intorno al Fato , Aria from Deidamia by G. F. Handel (1685–1759) HWV 42 Paolo Antonio Rolli (1687-1765)
for Voice (Bass), String Ensemble, Basso Continuo 1740 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 94, 1885 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/02/19
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Ecco il sol , Aria from La Resurrezione by G. F. Handel (1685–1759) HWV 47  
for Voice (Tenor), String Ensemble, Basso Continuo 1708 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 39, 1887 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/01/04
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Fra l'ombre e gl'orrori , Aria from Aci, Galatea e Polifemo by G. F. Handel (1685–1759) HWV 72 Nicola Giuvo (1680-1748)
for Voice (Bass), String Ensemble, Basso Continuo 1708 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 53, 1892 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/01/04
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Precipitoso nel mar , Aria from Aci, Galatea e Polifemo by G. F. Handel (1685–1759) HWV 72 Nicola Giuvo (1680-1748)
for Voice (Bass), String Ensemble, Basso Continuo 1708 Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 53, 1892 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/01/04
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Tanti strali, Duetto XII by G. F. Handel (1685–1759) HWV 197  
for 2 Voices (Soprano, Alto), Basso Continuo 1710-12? Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 32a, 1880 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Nine German Arias by G. F. Handel (1685–1759) HWV 202-210 B.H. Brockes
for Soprano, Violin/Oboe/Flute, Basso Continuo 1724-26 Baroque
Autograph British Library RM 20f 13 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/09/13
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Sonata II, from Op. 1 by G. F. Handel (1685–1759) HWV 360  
for Recorder and Basso Continuo   Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 27, 1879 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Sonata VII, from Op. 1 by G. F. Handel (1685–1759) HWV 365  
for Recorder and Basso Continuo   Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 27, 1879 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Sonata XI, from Op. 1 by G. F. Handel (1685–1759) HWV 369  
for Recorder and Basso Continuo   Baroque
G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 27, 1879 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/04/21
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Gloria in Excelsis Deo by G. F. Handel (1685–1759) HWV deest.  
for Soprano, 2 Violins, Basso Continuo   Baroque
manuscript, Royal Academy of Music MS 139, foils 111-122 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/09/13
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Hallelujah Chorus from Messiah by G. F. Handel (1685–1759)   Unknown
for Voice (SATB), Orchestra: Strings (Violins, Viola, Cello, Bass), Oboes, Bassoons, Trumpet, Timpani 1741/Sep/06 Baroque n/a
Unknown Public Domain More Information 2004/08/02
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Se del fiume , Aria from Artaserse by J. A. Hasse (1699–1783)    
for Voice (Soprano), String Ensemble, Basso Continuo 1730 Baroque
Copy, 1760-1790 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/16
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Sonata a due viola da gamba n°6 by A. Kuhnel (1645–1700)    
for Ensemble: Basso, viola da gamba, viola da gamba 1698 Baroque n/a
Facsimile Creative Commons Attribution-ShareAlike 2.5 More Information 2005/08/07
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Misero pargoletto, Aria from Demofoonte by L. Leo (1694–1744)    
for Voice (Soprano), String Ensemble, Basso Continuo 1735 Baroque
Copy, 1740-1760 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/16
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Acte II, Scene III from Armide by J. B. Lully (1632–1687) LWV 71 P. Quinault (1635-1688)
for Voice (Tenor), String Ensemble, Basso Continuo   Baroque
Ballard, 1686 Public Domain More Information 2013/02/21
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Ebra d'Amor fuggia, Cantata a voce sola di Soprano by F. Mancini (1672–1737)    
for Voice (Soprano) and Basso Continuo   Baroque
Conservatorio S. Pietro a Majella, DM90132501375 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/11/25
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Ciaccona by B. Marcello (1686–1739) Op. 2, No. 13  
for Recorder and Basso Continuo   Baroque
Gieddes Samling I,51 mu 6208.0385 U68 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/11/25
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Symphonie en sol mineur by E. N. Méhul (1763–1817)    
for Orchestra: Flute, Oboe, Clarinet, Bassoon, Horn, Timpani, Violin, Alto, Cello, DoubleBass   Romantic
Meysenberg - Paris - circa 1825 Public Domain More Information 2009/03/24
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Ein Sommernachtstraum - No.5 by F. Mendelssohn-Bartholdy (1809–1847) O 61  
for Orchestra: Flute, Oboe, Clarinet, Bassoon, French Horn, Violins, Viola, 'Cello, Double Bass   Romantic
Unknown Public Domain More Information 2013/02/17
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Duo Seraphim by C. Monteverdi (1567–1643)    
for Voices (TTT), Basso Continuo 1610 Baroque
Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae, cum nonnullis sacris concentibus, ad Sacella sive Principum Cubicula accommodata. Opera a Claudio Monteverde nuper effecta ac Beatiss. Paulo V. Pont. Max. consecrata. - Venetiis, apud Ricciardum Amadinum. 1610. - in 4°. Cantus, Tenor, Altus, Bassus, Quintus, Sextus, Septimus, et Bassus Generalis Creative Commons Attribution-ShareAlike 3.0 More Information 2010/02/01
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Musiche per la Maddalena by C. Monteverdi (1567–1643)    
for Voices (SSATTB), Strings, Basso Continuo   Baroque
Musiche de alcuni eccellentissimi Musici composte per la Maddalena, Sacra Rappresentazione di Gio. Battista Andreini Fiorentino. - Stampa del Gardano. Venetia 1617. Appresso Bartholomeo Magni. Creative Commons Attribution-ShareAlike 3.0 More Information 2009/09/08
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Laudate Dominum, Motet for Soprano or Tenor by C. Monteverdi (1567–1643)    
for Voice (S/T), Basso Continuo   Baroque
Selva Morale e Spirituale di Claudio Monteverde Maestro di Capella della Serenissima Republica Di Venetia Dedicata alla Sacra Cesarea Maesta dell'Imperatrice Eleonora Gonzaga Con Licenza de Superiori & Priuilegio. - In Venetia 1640 Appresso Bartolomeo Magni. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/02/01
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O come sei gentile, Madrigale a 2 Soprani by C. Monteverdi (1567–1643)    
for Voice (SS), Basso Continuo   Baroque
Concerto. Settimo Libro di Madrigali a l. 2. 3. 4. & Sei voci, con altri generi de Canti, di Claudio Monteverde Maestro di Capella della Serenissima Republica Nouamente Dato in Luce. Dedicato alla Serenissima Madama Caterina Medici Gonzaga Duchessa di Mantoua di Monferrato &c. Stampa del Gardano. In Venetia. 1619. Appresso Bartolomeo Magni. Creative Commons Attribution-ShareAlike 3.0 More Information 2009/09/05
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T'amo mia vita by C. Monteverdi (1567–1643) SV 105  
for Voices (SSATB), Basso Continuo 1605 Baroque
Il Quinto Libro de Madrigali a cinque voci. Di Claudio Monteverde Maestro della Musica del Serenissimo Sig. Duca di Mantoa. Col Basso continuo per il Clavicembalo Chittarone od altro simile istromento, fatto particolarmente per li sei vltimi, & per li altri a beneplacito. Di nouo ristampato. - In Venetia, Appresso Ricciardo Amadino. 1608. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/05/17
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Sestina by C. Monteverdi (1567–1643) SV 111  
for Voice (SSATB), Basso Continuo 1614 Baroque
II Sesto Libro de Madrigali a cinque voci, con vno Dialogo a Sette, Con il suo Basso continuo per poterli concertare nel Clauacembano, & altri Stromenti. Di Claudio Monteverde Maestro di Cappella della Sereniss. Sig. di Venetia in S. Marco. Nuouamente composti, & dati in luce. Con Privilegio. - In Venetia appresso Ricciardo Amadino, 1614. Creative Commons Attribution-ShareAlike 3.0 More Information 2009/10/14
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Et resurrexit by C. Monteverdi (1567–1643) SV 260  
for Voices (SS or TT), 2 Violins, Basso Continuo 1641 Baroque
Selva Morale e Spirituale di Claudio Monteverde Maestro di Capella della Serenissima Republica Di Venetia Dedicata alla Sacra Cesarea Maesta dell'Imperatrice Eleonora Gonzaga Con Licenza de Superiori & Priuilegio. - In Venetia 1640 Appresso Bartolomeo Magni. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/05/17
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Beatus vir by C. Monteverdi (1567–1643) SV 268  
for Voices (SSATTB), 2 Violins, Basso Continuo 1641 Baroque
Selva Morale e Spirituale di Claudio Monteverde Maestro di Capella della Serenissima Republica Di Venetia Dedicata alla Sacra Cesarea Maesta dell'Imperatrice Eleonora Gonzaga Con Licenza de Superiori & Priuilegio. - In Venetia 1640 Appresso Bartolomeo Magni. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/01/31
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Ecce sacrum paratum convivium by C. Monteverdi (1567–1643) SV 299  
for Voice (T), Basso Continuo 1625 Baroque
Raccolta di Leonardo Simonetti. - Ghirlanda sacra scielta da diuersi Eccellentissimi Compositori de uarij Motetti à Voce sola Libro Primo Opera Seconda per Leonardo Simonetti Musico nella Capella del Ser.mo Prencipe di Venezia in S. Marco. - Stampa del Gardano. In Venezia 1625. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/01/31
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Salve Regina by C. Monteverdi (1567–1643) SV 327  
for Voice (T), Basso Continuo 1625 Baroque
Raccolta di Leonardo Simonetti. - Ghirlanda sacra scielta da diuersi Eccellentissimi Compositori de uarij Motetti à Voce sola Libro Primo Opera Seconda per Leonardo Simonetti Musico nella Capella del Ser.mo Prencipe di Venezia in S. Marco. - Stampa del Gardano. In Venezia 1625. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/01/31
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Concerto for Bassoon and Orchestra in B flat major by W. A. Mozart (1756–1791) KV 191  
for Bassoon and Orchestra: Horns, Oboes, Violins, Viola, Cello and Bass 1774 Classical
Breitkopf und Härtel, 1880s Public Domain More Information 2006/02/25
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Divertimento II by W. A. Mozart (1756–1791) KVA 229  
for Ensemble: Oboe, Clarinet, Bassoon   Classical
Boosey & Hawkes Public Domain More Information 2014/03/24
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Serenade in D by W. A. Mozart (1756–1791) KV250  
for Flute, Oboe, Bassoon, Horn, Trumpet, Violin, Viola, Cello 21.7.1776 Classical
Leipzig: Breitkopf & Härtel, n.d. Plate Orch.B. 4390. (IMSLP #54423) Public Domain More Information 2014/04/21
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Die Zauberflöte (The Magic Flute) - Ouverture by W. A. Mozart (1756–1791) KV 620  
for Orchestra: Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Trombone, Violins, Viola, Cello, Double Bass 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 4 Arie by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Oboe, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Soprano) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 7 Duett by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Clarinet, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice duet (Soprano and Bass) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 9 Marsch der Priester by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Flute, Bass French Horn, Bassoon, French Horn, Tenor Trombone, Alto Trombone, Bass Trombone, Violins, Viola, Cello, Double Bass 1791 Classical
Kretschmar & Nunns n.d. (estimated between 1834-1836), J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 13 Arie by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Piccolo, Flute, Clarinet, Bassoon, Violins, Viola, Cello, Double Bass, Voice (Soprano) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 14 Arie by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Flute, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Soprano) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 15 Arie by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Flute, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Soprano) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Die Zauberflöte (The Magic Flute) - No. 17 Arie by W. A. Mozart (1756–1791) KV 620 E. Schikaneder and C. L. Giesecke
for Orchestra: Flute, Oboe, Bassoon, Violins, Viola, Cello, Double Bass, Voice (Soprano) 1791 Classical
J. L. Peters 1875, C. F. Peters 18??, Lee & Walker 1870, North & Co. 1879 Public Domain More Information 2013/03/24
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Clarinet concerto by W. A. Mozart (1756–1791) KV 622  
for Orchestra: Flute, Bassoon, Horn, Violin, Alto, Cello, DoubleBass   Classical
Breitkopf - Leipzig (1877-1910 Plate B.517) Public Domain More Information 2009/06/03
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Dies Irae by W. A. Mozart (1756–1791) KV 626  
for Voice (SATB), Orchestra: Basset Horns in F, Bassoon, Trumpet in D, Timpani, Violins, Viola, Cello, Organ/Bass 1791 Classical
Breitkopf & Haertel, 1877 Public Domain More Information 2014/03/24
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Bel piacer, Aria from Semiramide riconosciuta by N. Porpora (1686–1768)    
for Voice (Soprano), String Ensemble, Basso Continuo 1729 Baroque
Copy of various copyists, 1710-1740 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/01
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Calcante ed Achille, Cantata a due Voci per Soprano e Basso by N. Porpora (1686–1768)    
for Voice (Soprano), Basso, String Ensemble, Basso Continuo   Baroque
Conservatorio S. Pietro a Majella, DM90133200439 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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Parto ti lascio, Aria from Il Germanico by N. Porpora (1686–1768)    
for Soprano, Strings, Basso Continuo 1732 Baroque
Biblioteca Statale del Monumento Nazionale di Montecassino - IT-FR0084 - 1-A-16 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/11/30
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Passaggier che su la sponda, Aria from Semiramide riconosciuta by N. Porpora (1686–1768)    
for Voice (Soprano), String Ensemble, Basso Continuo 1729 Baroque
Copy of various copyists, 1710-1740 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/16
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Semiramide riconosciuta by N. Porpora (1686–1768)   Pietro Metastasio
for Dramatis personae (Voice: 2 Soprano Castratos, Soprano, Alto Castrato, Contralto, Tenor) and Orchestra (2 Flutes, 2 Oboes, 2 Trumpets, 2 Horns, Strings, Basso Continuo) 1729 Baroque
Copy of various copyists, 1710-1740 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/03/10
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Senti se l'ingannai, Aria from Agrippina by N. Porpora (1686–1768)    
for Voice (Alto), String Ensemble, Basso Continuo 1708 Baroque
Copy of various copyists, 1700-1710 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/16
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Solfeggio by N. Porpora (1686–1768)    
for Voice (Soprano) and Basso Continuo   Baroque
Levesque, Bêche: Solfèges d'Italie avec la basse chiffrée (ca. 1800) Creative Commons Attribution-ShareAlike 3.0 More Information 2008/01/04
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Ave dulcissima Maria by G. Priuli (15??–16??)    
for Voice (S), Basso Continuo 1625 Baroque
Raccolta di Leonardo Simonetti. - Ghirlanda sacra scielta da diuersi Eccellentissimi Compositori de uarij Motetti à Voce sola Libro Primo Opera Seconda per Leonardo Simonetti Musico nella Capella del Ser.mo Prencipe di Venezia in S. Marco. - Stampa del Gardano. In Venezia 1625. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/05/17
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Allegro by J. J. Quantz (1697–1773)    
for Flute and Basso Continuo   Baroque
Gieddes Samling I,17 mu 6310.0860 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/11/25
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Eduardo e Cristina, ouverture by G. Rossini (1792–1868)    
for Orchestra: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombon, Timpani, Drum, Violin, Alto, Cello, DoubleBass   Romantic
Dufaut et Dubois - Paris - circa 1825 Public Domain More Information 2009/02/22
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Dialogo a due. Pastor e Ninfa by G. F. Sances (1600–1679)    
for Voice (Soprano, Tenor) and Basso Continuo 1649 Baroque
Capricci poetici di Gioan Felice Sances, Venetia, Gardano, 1649 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/06/15
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Cantata. Non sia chi mi riprende by G. F. Sances (1600–1679)    
for Voice (Soprano) and Basso Continuo 1636 Baroque
Il quarto libro delle cantate et arie a voce sola, Venetia, Vincetini, 1636 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/06/15
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Violin Concerto in D Major (All three movements) by P. I. Tchaikovsky (1840–1893) Op. 35 n/a
for Violin, Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass 1878 Romantic n/a
Eulenburg, 1920 Public Domain More Information 2004/07/25
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Vulnerasti cor meum by G. Valentini (1582/83–1649)    
for Voices (TTB), Basso Continuo 1615 Baroque
Raccolta di Gio. Battista Bonometti bergamasco. - Parnassus Musicus Ferdinandaeus in quo Musici nobilissimi, quà suavitate, quà arte prorsus admirabili & diuina ludunt: 1. 2. 3. 4. 5. Vocum. A Joanne Baptista Bonometti Bergomate Serenissimi Ferdinandi Archiducis Austriae, &c. Musico congestus, eidemque Serenissimo in grati animi symbolum dicatus, & consecratus. Cum Privilegio. Creative Commons Attribution-ShareAlike 3.0 More Information 2010/05/17
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Brevi concerti ecclesiastici by L. G. Valvasensi (1585–1661)    
for Voise (S), Basso Continuo 1620 Baroque
Brevi concerti ecclesiastici alla romana commodi per cantarsi nel clavicembalo chitarone, over organo con una voce sola accuta ó grave à compiacenza delli cantanti, Venezia, Bartolomeo Magni, 1620 Creative Commons Attribution-ShareAlike 3.0 More Information 2009/06/13
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Al fiero mio sospetto, Aria from Caduta dei Decemviri by L. Vinci (1690–1730)    
for Voice (Bass), Viola, Bassoon and Basso Continuo 1727 Baroque
Copy, 1710-1740 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/16
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Di rabbia, di sdegno, Aria from Semiramide by L. Vinci (1690–1730)    
for Ensemble: Alto, Strings, Basso Continuo   Baroque
Conservatorio S. Pietro a Majella, DM02032202162 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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Ride il ciel per me sereno, Aria from Siface by L. Vinci (1690–1730)    
for Voice (Soprano), String Ensemble, Basso Continuo   Baroque
Conservatorio S. Pietro a Majella, DM02032202163 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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Voi che le mie vicende, Aria from Semiramide by L. Vinci (1690–1730)    
for Voice (Tenor), String Ensemble, Basso Continuo   Baroque
Conservatorio S. Pietro a Majella, DM02032202162 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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T'amo mia vita by F. Vitali (ca. 1599–1653)    
for Voice (SS), Basso Continuo   Baroque
Concerto di Filippo Vitali madrigali et altri generi di canti a 1. 2. 3. 4. 5. & 6. voci, Libro primo, Venezia: Bartolomeo Magni, 1629 Creative Commons Attribution-ShareAlike 3.0 More Information 2010/04/04
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Concerto in D Minor for Viola d'amore and Lute by A. Vivaldi (1678–1741)    
for Viola d'amore, Lute, String Ensemble: Violins, Viola, Cello, Basso Continuo 18th Century Baroque
Ricordi Public Domain More Information 2013/02/17
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Quell'alma superba, Aria from Serenata a tre by A. Vivaldi (1678–1741) RV 690  
for Voice (Tenor), Bassoon, String Ensemble, Basso Continuo 1718? Baroque
Autograph, 1718? Creative Commons Attribution-ShareAlike 3.0 More Information 2007/03/24
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Del destin non vi lagnate, Aria from L'Olimpiade by A. Vivaldi (1678–1741) RV 725 P. Metastasio (1698-1782)
for Voice (Tenor), String Ensemble, Basso Continuo 1734 Baroque
Autograph, 1734 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/04/01
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Mentre dormi amor, Aria from L'Olimpiade by A. Vivaldi (1678–1741) RV 725 P. Metastasio (1698-1782)
for Voice (Soprano), Horn, String Ensemble, Basso Continuo 1734 Baroque
Autograph, 1734 Creative Commons Attribution-ShareAlike 3.0 More Information 2008/09/28
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Siam navi all'onde algenti, Aria from L'Olimpiade by A. Vivaldi (1678–1741) RV 725 P. Metastasio (1698-1782)
for Voice (Soprano), String Ensemble, Basso Continuo 1734 Baroque
Autograph, 1734 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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Sta piangendo la tortorella, Aria from L'Olimpiade by A. Vivaldi (1678–1741) RV 725 P. Metastasio (1698-1782)
for Voice (Soprano), Horns, String Ensemble, Basso Continuo 1734 Baroque
Autograph, 1734 Creative Commons Attribution-ShareAlike 3.0 More Information 2007/12/02
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