| Composer | Title | Opus | Instrument(s) |
|---|
| F. Abt | When the Swallows Homeward Fly (Agathe) | | Voice, Piano |
| A. Adam | Giselle - Pas de deux (1er Acte) | | Piano |
| A. Adam | Minuit Chrétiens | | Voice, Piano |
| S. Adams | The Blue Alsatian Mountains | | Voice, Piano |
| I. M. F. Albéniz | Rumores de la Caleta | 71 | Piano |
| A. Alyabyev | Cherubic Hymn | | Voice (SATB) |
| J. André | Sonatine | O 34, I | Piano |
| T. Arbeau | Pavan: Belle qui tiens ma Vie | Orchésographie | Voice (SATB) |
| A. Archangelsky | To the Mother of God Let Us Earnestly Hasten | | Voice (SATB) |
| T. Arne | Hymn of Eve (Uxbridge) | | Voice (SATB) |
| J. Ascher | Alice, Where Art Thou? | | Voice, Piano |
| J. Ascher | Alice, Where Art Thou? | | Piano |
| C. P. E. Bach | Sonata in a minor for solo flute | Wq 132 | Flute |
| C. P. E. Bach | Rondo | | Harpsichord, Piano |
| J. S. Bach | Polonaise in F major | BWV Anh. 117a | Piano |
| J. S. Bach | Aus meines Herzens Grunde (Chorale 1) | BWV 269 | Harpsichord, Piano |
| J. S. Bach | Ich dank dir, lieber Herre | BWV 347 | Harpsichord, Piano |
| J. S. Bach | Aria Bist Du Bei Mir | BWV 508 | Trumpet |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in F major | BWV 510 | piano |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in D minor | BWV 511 | piano |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in E minor | BWV 512 | piano |
| J. S. Bach | Aria | BWV 515 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Trio Sonata IV in e minor | BWV 528 | Organ |
| J. S. Bach | Trio Sonata V in C major BWV 529 | BWV 529 | Organ |
| J. S. Bach | Prélude et fugue en la majeur | BWV 536 | Organ |
| J. S. Bach | Fantasia et Fuga in g | BWV 542 | Organ |
| J. S. Bach | Prélude de Prélude et Fugue en Ut mineur | BWV 549 | Organ |
| J. S. Bach | Passacaglia | BWV 582 | Organ |
| J. S. Bach | Nun komm' der Heiden Heiland | BWV 599 | Organ |
| J. S. Bach | Gott durch deine Güte | BWV 600 | Organ |
| J. S. Bach | Herr Christ der ein'ge Gottes Sohn | BWV 601 | Organ |
| J. S. Bach | Lob sey dem allmächtigen Gott | BWV 602 | Organ |
| J. S. Bach | Puer natus in Bethlehem | BWV 603 | Organ |
| J. S. Bach | Gelobet seist Du, Jesu Christ | BWV 604 | Organ |
| J. S. Bach | Der Tag der ist so freudenreich | BWV 605 | Organ |
| J. S. Bach | Vom Himmel hoch, da komm' ich her | BWV 606 | Organ |
| J. S. Bach | Vom Himmel kam der Engel Schaar | BWV 607 | Organ |
| J. S. Bach | In dulci jubilo | BWV 608 | Organ |
| J. S. Bach | Lobt Gott, ihr Christen allzugleich | BWV 609 | Organ |
| J. S. Bach | Lobt Gott, ihr Christen allzugleich | BWV 609 | Organ |
| J. S. Bach | Jesu, meine Freude | BWV 610 | Organ |
| J. S. Bach | Christum wir sollen loben schon | BWV 611 | Organ |
| J. S. Bach | Wir Christenleut | BWV 612 | Organ |
| J. S. Bach | Helfft mir Gottes Güte preisen | BWV 613 | Organ |
| J. S. Bach | Das alte Jahr vergangen ist | BWV 614 | Organ |
| J. S. Bach | In dir ist Freude | BWV 615 | Organ |
| J. S. Bach | Mit Fried und Freud ich fahr dahin | BWV 616 | Organ |
| J. S. Bach | Herr Gott nun schleuß den Himmel auf | BWV 617 | Organ |
| J. S. Bach | O Lamm Gottes, unschuldig | BWV 618 | Organ |
| J. S. Bach | Christe, du Lamm Gottes | BWV 619 | Organ |
| J. S. Bach | Christus der uns seelig macht | BWV 620 | Organ |
| J. S. Bach | Da Jesus an dem Kreuze stund | BWV 621 | Organ |
| J. S. Bach | O Mensch, bewein dein' Sünde gross | BWV 622 | Organ |
| J. S. Bach | Wir danken dir, Herr Jesu Christ | BWV 623 | Organ |
| J. S. Bach | Hilf Gott, dass mir's gelinge | BWV 624 | Organ |
| J. S. Bach | Christ lag in Todesbanden | BWV 625 | Organ |
| J. S. Bach | Christ lag in Todesbanden | BWV 625 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 626 | Organ |
| J. S. Bach | Christ ist erstanden | BWV 627 | Organ |
| J. S. Bach | Erstanden ist der Heil'ge Christ | BWV 628 | Organ |
| J. S. Bach | Erschienen ist der herrliche Tag | BWV 629 | Organ |
| J. S. Bach | Heut triumphieret Gottes Sohn | BWV 630 | Organ |
| J. S. Bach | Komm Gott Schöpfer, Heiliger Geist | BWV 631a | Organ |
| J. S. Bach | Herr Jesu Christ, dich zu uns wend | BWV 632 | Organ |
| J. S. Bach | Liebster Jesu, wir sind hier | BWV 633 | Organ |
| J. S. Bach | Liebster Jesu, wir sind hier | BWV 634 | Organ |
| J. S. Bach | Dies sind die Heilgen zehn Gebot | BWV 635 | Organ |
| J. S. Bach | Vater unser im Himmelreich | BWV 636 | Organ |
| J. S. Bach | Durch Adams Fall ist ganz verderbt | BWV 637 | Organ |
| J. S. Bach | Es ist das Heil uns kommen her | BWV 638 | Organ |
| J. S. Bach | Ich ruf' zu dir, Herr Jesu Christ | BWV 639 | Organ |
| J. S. Bach | Ich ruf' zu dir, Herr Jesu Christ | BWV 639 | Organ |
| J. S. Bach | In dich hab' ich gehoffet, Herr | BWV 640 | Organ |
| J. S. Bach | Wenn wir in höchsten Nöten sein | BWV 641 | Organ |
| J. S. Bach | Wer nur den lieben Gott lässt walten | BWV 642 | Organ |
| J. S. Bach | Alle Menschen müssen sterben | BWV 643 | Organ |
| J. S. Bach | Ach wie nichtig, ach wie flüchtig | BWV 644 | Organ |
| J. S. Bach | Wachet auf, ruft uns die Stimme | BWV 645 | Organ |
| J. S. Bach | Wo soll ich fliehen hin ? | BWV 646 | Organ |
| J. S. Bach | Wer nur den lieben Gott lässt walten | BWV 647 | Organ |
| J. S. Bach | Meine Seele erhebt den Herren | BWV 648 | Organ |
| J. S. Bach | Ach bleib bei uns, Herr Jesu Christ | BWV 649 | Organ |
| J. S. Bach | Kommst du nun, Jesu, vom Himmel herunter | BWV 650 | Organ |
| J. S. Bach | Fantasia super: Komm Heiliger Geist, Herre Gott | BWV 651 | Organ |
| J. S. Bach | Komm, heiliger Geist, Herre Gott | BWV 652 | Organ |
| J. S. Bach | An Wasserflüssen Babylon | BWV 653 | Organ |
| J. S. Bach | An Wasserflüssen Babylon | BWV 653b | Organ |
| J. S. Bach | Schmücke dich, o liebe Seele | BWV 654 | Organ |
| J. S. Bach | Herr Jesu Christ, dich zu uns wend' | BWV 655 | Organ |
| J. S. Bach | O Lamm Gottes unschuldig | BWV 656 | Organ |
| J. S. Bach | Nun danket alle Gott | BWV 657 | Organ |
| J. S. Bach | Von Gott will ich nicht lassen | BWV 658 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 659 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 660 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 661 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 662 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 663 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 664 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 665 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 666 | Organ |
| J. S. Bach | Komm Gott Schöpfer, Heiliger Geist | BWV 667 | Organ |
| J. S. Bach | Vor deinen Thron tret' ich | BWV 668 | Organ |
| J. S. Bach | Kyrie, Gott Vater in Ewigkeit | BWV 669 | Organ |
| J. S. Bach | Christe, aller Welt Trost | BWV 670 | Organ |
| J. S. Bach | Kyrie, Gott heiliger Geist | BWV 671 | Organ |
| J. S. Bach | Kyrie, Gott Vater in Ewigkeit | BWV 672 | Organ |
| J. S. Bach | Christe, aller Welt Trost | BWV 673 | Organ |
| J. S. Bach | Kyrie, Gott heiliger Geist | BWV 674 | Organ |
| J. S. Bach | Allein Gott in der Höh sei Ehr | BWV 675 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 676 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 677 | Organ |
| J. S. Bach | Dies sind die heil'gen zehn Gebot' | BWV 678 | Organ |
| J. S. Bach | Dies sind die heil'gen zehn Gebot' | BWV 679 | Organ |
| J. S. Bach | Wir glauben all an einen Gott | BWV 680 | Organ |
| J. S. Bach | Wir glauben all an einen Gott | BWV 681 | Organ |
| J. S. Bach | Aus tiefer Noth schrei' ich zu dir. | BWV 687 | Organ |
| J. S. Bach | Ach Gott und Herr | BWV 693 | Organ |
| J. S. Bach | Ein' feste Burg ist unser Gott | BWV 720 | Organ |
| J. S. Bach | Erbarm dich mein, o Herre Gott | BWV 721 | Organ |
| J. S. Bach | Gelobet seist du, Jesu Christ | BWV 723 | Organ |
| J. S. Bach | Gottes Sohn ist kommen | BWV 724 | Organ |
| J. S. Bach | Herzlich thut mich verlangen | BWV 727 | Organ |
| J. S. Bach | Nun freut euch, lieben Christen g'mein | BWV 734 | Organ |
| J. S. Bach | Valet will ich dir geben | BWV 735 | Organ |
| J. S. Bach | In Dulci Jubilo | BWV 751 | Organ |
| J. S. Bach | Vom Himmel hoch, da komm ich her | BWV 769 | Organ |
| J. S. Bach | Invention 1 | BWV 772 | Harpsichord, Piano |
| J. S. Bach | Invention 2 | BWV 773 | Harpsichord, Piano |
| J. S. Bach | Invention 3 | BWV 774 | Harpsichord, Piano |
| J. S. Bach | Invention 4 | BWV 775 | Harpsichord, Piano |
| J. S. Bach | Invention 5 | BWV776 | Harpsichord,Clavichord |
| J. S. Bach | Invention 6 | BWV 777 | Harpsichord, Piano |
| J. S. Bach | Invention 7 | BWV778 | Harpsichord,Clavichord |
| J. S. Bach | Invention 8 | BWV 779 | Harpsichord, Piano |
| J. S. Bach | Invention 9 | BWV 780 | Harpsichord, Piano |
| J. S. Bach | Invention 10 | BWV781 | Harpsichord,Clavichord |
| J. S. Bach | Invention 11 | BWV782 | Harpsichord,Clavichord |
| J. S. Bach | Invention 12 | BWV 783 | Harpsichord, Piano |
| J. S. Bach | Invention 13 | BWV784 | Harpsichord,Clavichord |
| J. S. Bach | Invention 14 | BWV785 | Harpsichord,Clavichord |
| J. S. Bach | Invention 15 | BWV786 | Harpsichord,Clavichord |
| J. S. Bach | Sinfonia 1 | BWV 787 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 2 | BWV 788 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 3 | BWV 789 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 4 | BWV 790 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 5 | BWV 791 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 6 | BWV 792 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 7 | BWV 793 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 8 | BWV 794 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 9 | BWV 795 | Piano, Harpsichord |
| J. S. Bach | Sinfonia 10 | BWV 796 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 11 | BWV 797 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 12 | BWV 798 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 13 | BWV 799 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 14 | BWV 800 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 15 | BWV 801 | Harpsichord, Piano |
| J. S. Bach | Duetto II (from the Clavierübung Part III) | BWV 803 | Harpsichord, Organ, Piano |
| J. S. Bach | English Suite I: Bourree I | BWV 806 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite I: Bourree II | BWV 806 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Bourree I | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Bourree II | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Gigue | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | French Suite no. 3 in B minor | BWV 814 | Harpsichord, Piano |
| J. S. Bach | French Suite no. 5 in G major | BWV 816 | Harpsichord, Piano |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 1 | BWV 825 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 2 | BWV 826 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Keyboard partita in A minor | BWV 827 | Piano |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 5 | BWV 829 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga I | BWV 846 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium I | BWV 846 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium II | BWV 847 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium III | BWV 848 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga III | BWV 848 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium IV | BWV 849 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga IV | BWV 849 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga VI | BWV 851 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium VI | BWV 851 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium VIII | BWV 853 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga VIII | BWV 853 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium X | BWV 855 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga X | BWV 855 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XI | BWV 856 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XI | BWV 856 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XV | BWV 860 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XV | BWV 860 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XVI | BWV 861 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XVI | BWV 861 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XVII | BWV 862 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XVII | BWV 862 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XX | BWV 865 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XX | BWV 865 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga I | BWV 870 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga II | BWV 871 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Praeludium II | BWV 871 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Praeludium VI | BWV 875 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga IX | BWV 878 | Harpsichord, Piano |
| J. S. Bach | Preludio con Fuga | BWV 895 | Harpsichord, Piano |
| J. S. Bach | 9 Little Preludes - 1 - C Major | BWV 924 | Clavier |
| J. S. Bach | 9 Little Preludes - 1 - C Major (Alternate) | BWV 924a | Clavier |
| J. S. Bach | Prelude | BWV 924a | Harpsichord, Piano |
| J. S. Bach | Praeludium 2 | BWV 926 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Praeludium 10 | BWV 928 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Petite Prélude No. 9 | BWV 928 | Harpsichord, Piano |
| J. S. Bach | Fugue in C major | BWV 953 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Goldberg Variations - 3 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 4 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 5 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 6 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 7 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 8 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 9 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 10 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 11 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 12 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 15 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 21 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 24 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 27 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - Aria | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - Variation 1 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - Variation 2 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - Variation 18 | BWV 988 | Clavier |
| J. S. Bach | Applicatio | BWV 994 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Prelude to Suite in C Major | BWV 997 | Guitar |
| J. S. Bach | Lute Suite BWV 997: 1. Prelude | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 2. Fuga | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 3. Sarabande | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 4. Gigue | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 5. Double | BWV 997 | Lute, Guitar |
| J. S. Bach | Prelude in D Minor | BWV 999 | Lute, Guitar |
| J. S. Bach | Partita I for Solo Violin | BWV 1002 | Violin, Viola, 'Cello |
| J. S. Bach | Suite I for Cello Solo | BWV 1007 | Cello, Viola |
| J. S. Bach | Suite No. 3 in C Major | BWV 1009 | Cello |
| J. S. Bach | Suite IV for Cello Solo | BWV 1010 | Cello, Viola |
| J. S. Bach | Sonata in B minor for flute and harpsichord | BWV 1030 | Flute, Harpsichord/Piano |
| J. S. Bach | Concerto in E major for violin and strings | BWV 1042 | Violin and String Orchestra: Two Violins, Viola, 'Cello |
| J. S. Bach | Concerto in D minor for two violins and strings | BWV 1043 | Violin Duet and String Orchestra: Two Violins, Viola, 'Cello |
| J. S. Bach | Brandenburg Concerto No. 1 (First Movement - Allegro) | BWV 1046 | Corno, Oboe, Fagotto, Violino piccolo, Violino, Viola, Violoncello, Violone grosso, Continuo |
| J. S. Bach | Brandenburg Concerto No. 5 (3rd Movement: Allegro) | BWV 1050 | Flute, Two Violins, Violas, 'Cello, Bass and Harpsichord |
| J. S. Bach | Air, from Suite No.3 in D | BWV 1068 | Trombone Quartet |
| J. S. Bach | Air | BWV 1068, Mvmt. 2 | Orchestra |
| J. S. Bach | Musicalisches Opfer, Ricercare | BWV 1079 | Harpsichord, Piano |
| J. S. Bach | Musikalisches Opfer, Ricercare a 6 | BWV 1079 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus I | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus II | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus III | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus IV | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus IX | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus V | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VI | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VII | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VIII | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus X | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XI | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XII - Canon alla Ottava | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIII - Canon alla Duodecima | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIV - Canon alla Decima | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIX, Fuga a 3 Soggetti | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XV - Canon per Augmentationem in Contrario Motu | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVI a 3 (rectus, inversus) | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVII - Fuga a 2 Clav. (rectus, inversus) | BWV 1080 | Harpsichord, piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVIII a 4 (rectus, inversus) | BWV 1080 | String Ensemble |
| J. S. Bach | Contrapunctus XVI | BWV 1080 | Recorder trio |
| J. S. Bach | Menuet | BWV Anh. 113 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet | BWV Anh. 114 | Transcribed for Trumpet Duet |
| J. S. Bach | Menuet in G | BWV Anh. 114 | Guitar |
| J. S. Bach | Menuet | BWV Anh. 114 | Guitar |
| J. S. Bach | Menuet | BWV Anh. 114 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet | BWV Anh. 115 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet | BWV Anh. 116 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Polonaise in F major | BWV Anh. 117b | Piano |
| J. S. Bach | Minuet in B-flat major | BWV Anh. 118 | Piano |
| J. S. Bach | Polonaise in G minor | BWV Anh. 119 | Piano |
| J. S. Bach | Musette | BWV Anh. 126 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Air | BWV Anh. 131 | Piano |
| J. S. Bach | 28. Nun komm, der Heiden Heiland. | | Voice (SATB) |
| J. S. Bach | Matthäus Passion, Choral "O Haupt voll Blut und Wunden" | | Voice (SATB), Piano |
| J. L. M. Bain | Brother James' Air Air (hymntune) | | Voice (SATB) |
| T. Baltzar | A Prelude for the Violin | | Violin |
| A. Banchieri | SUONATA PRIMA, FVGA PLAGALE From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA SECONDA, FVGA TRIPLICATA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA TERZA, FVGA GRAVE From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA QUARTA, FVGA CROMATICA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA QUINTA, FVGA HARMONICA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA SESTA, FVGA TRIPLICATA From Primo Registro of the Organo Suonarino | | Organ |
| J. Banister | A Division upon a Ground | | Violin |
| J. K. Banks | Alas! and Did My Savior Bleed? | | Voice (SATB) |
| J. K. Banks | Opus Dexter in C major | | Percussion, Bells/Glockenspiel |
| J. K. Banks | Opus Sinister in G minor | | Percussion, Bells/Glockenspiel |
| J. K. Banks | Prelude in G minor | | Percussion, Bells, Xylophone |
| E. Barbella | Sonata a Due Mandolini (Gimo 12) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 13) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 14) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 15) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini e Basso (Gimo 18) | | 2 Mandolins and Bass |
| L. V. Beethoven | Sonata No. 1 (1st Movement: Allegro) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 1 (3rd Movement: Allegretto) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 1 (4th Movement: Prestissimo) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 5 (1st Movement: Allegro molto e con brio) | Op. 10, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 5 (3rd Movement: Prestissimo) | Op. 10, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 6 (1st Movement: Allegro) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 6 (2nd Movement: Allegretto) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 6 (3rd Movement: Presto) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Piano Trio Opus 11 (1st Movement) | Op. 11 | Clarinet, 'Cello and Piano |
| L. V. Beethoven | Piano Trio Opus 11 (3rd Movement) | Op. 11 | Clarinet, 'Cello and Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (1st Movement: Grave, Allegro molto e con brio) | Op. 13 | Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (2nd Movement: Adagio cantabile) | Op. 13 | Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (3rd Movement: Rondo) | Op. 13 | Piano |
| L. V. Beethoven | Sonata for Piano with Horn, Op. 17 | Op. 17 | Horn, Piano |
| L. V. Beethoven | Quartet No. 4 in C Minor: 1. Allegro ma non tanto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 2. Andante scherzoso quasi allegretto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 3. Menuetto. Allegretto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 4. Allegro - Prestissimo | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Sonata No. 14 “Moonlight” | Op. 27, No. 2 | Piano |
| L. V. Beethoven | Violin Sonata No. 7 in C Minor, 1st Movement: Allegro con brio | Op. 30, No. 2 | Violin |
| L. V. Beethoven | Violin Sonata No. 7 in C Minor, 4th Movement: Finale: Allegro | Op. 30, No. 2 | Violin |
| L. V. Beethoven | Piano Concerto No. 3 in C Minor (1st Movement: Allegro con brio) | Op. 37 | Piano and Orchestra |
| L. V. Beethoven | Romanze - Opus 40 | Op. 40 | Violin, Orchestra |
| L. V. Beethoven | Violin Sonata No. 9 in A Minor, 1st Movement: Adagio sostenuto - Presto - Adagio | Op. 47 | Violin, Piano |
| L. V. Beethoven | Violin Sonata No. 9 in A Major, 3rd Movement: Presto | Op. 47 | Violin, Piano |
| L. V. Beethoven | Sonata No. 19 (1st Movement: Andante) | Op. 49, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 19 (2nd Movement: Rondo-Allegro) | Op. 49, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 20 (1st Movement: Allegro, ma non troppo) | Op. 49, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 20 (2nd Movement: Tempo di Menuetto) | Op. 49, No. 2 | Piano |
| L. V. Beethoven | Romanze | Op. 50 | Violin, Orchestra |
| L. V. Beethoven | String Quartet Opus 53 No. 3 - Part II | Op. 53 | String Quartet |
| L. V. Beethoven | Sonata No. 23 “Appassionata” (2nd Movement: Andante con moto) | Op. 57 | Piano |
| L. V. Beethoven | Sonata No. 23 “Appassionata” (3rd Movement: Allegro, ma non troppo - Presto) | Op. 57 | Piano |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (1st Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (2nd Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (3rd Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Ouverture Coriolan | Op. 62 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, French Horns, Trumpets, Percussion (Timpani), Violins, Violas, 'Cello, Double Bass |
| L. V. Beethoven | Variations - Opus 66 | Op. 66 | 'Cello, Piano |
| L. V. Beethoven | Symphony No. 5 - Opus 67 (1st Movement) | Op. 67 | Orchestra |
| L. V. Beethoven | Symphony no. 5, Piano reduction | Op. 67 | Piano |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Fidelio Overture | Op. 72b | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Tenor Trombone, Bass Trombone, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Six Variations | Op. 76 | Piano |
| L. V. Beethoven | Sonata No. 24 (1st Movement: Adagio cantabile) | Op. 78 | Piano |
| L. V. Beethoven | Sonata No. 24 (2nd Movement: Allegro vivace) | Op. 78 | Piano |
| L. V. Beethoven | Sonata No. 25 (1st Movement: Presto alla tedesca) | Op. 79 | Piano |
| L. V. Beethoven | Sonata No. 25 (2nd Movement: Andante) | Op. 79 | Piano |
| L. V. Beethoven | Sonata No. 25 (3rd Movement: Vivace) | Op. 79 | Piano |
| L. V. Beethoven | Overture to Egmont - Opus 84 | Op. 84 | Orchestra: Flutes, Oboe, Clarinet, Bassoon, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Sonata No. 27 (1st Movement: Mit Lebhaftigkeit) | Op. 90 | Piano |
| L. V. Beethoven | Sonata No. 27 (2nd Movement: Nicht zu geschwind) | Op. 90 | Piano |
| L. V. Beethoven | Symphony No. 7 in A Major (1st Movement: Poco sostenuto - Vivace) | Op. 92 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Symphony No. 7 in A Major (2nd Movement: Allegretto) | Op. 92 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Sonata No. 32 (1st Movement) | Op. 111 | Piano |
| L. V. Beethoven | Rondo A Capriccio | Op. 129 | Piano |
| L. V. Beethoven | Quartet No. 14 in C Sharp Minor | Op. 131 | String Quartet: Two Violins, Viola, 'Cello |
| L. V. Beethoven | Fuge - Opus 137 | Op. 137 | String Quintet: Violins, Violas, 'Cello |
| L. V. Beethoven | Marsch - WoO 29 | WoO 29 | Wind Ensemble |
| L. V. Beethoven | Prelude Op. WoO 55 | WoO 55 | Piano |
| L. V. Beethoven | Fur Elise | WoO 59 | Piano |
| L. V. Beethoven | Seven Variations - Opus WoO 78 | WoO 78 | Piano |
| L. V. Beethoven | Menuett Op. WoO 82 | WoO 82 | Piano |
| L. V. Beethoven | Ode To Joy | | Voice (SATB) |
| J. A. Benda | 3. Satz aus der Sonate in G-Dur | | Piano |
| H. R. Bishop | Home, Sweet Home | | Voice, Piano |
| G. Bizet | Entr'acte | | Piano |
| G. Bizet | Carmen - Prelude | | Piano |
| P. P. Bliss | Ville de Havre (hymntune) | | Voice (SATB) |
| J. Blumenthal | Les Deux Anges | | Piano |
| D. Bortniansky | Kontakion of Christmas | | Voice (SATB) |
| W. B. Bradbury | Bradbury (hymntune) | | Voice (SATB) |
| W. B. Bradbury | He Leadeth Me (hymntune) | | Voice (SATB) |
| W. B. Bradbury | Woodworth (hymntune) | | Voice (SATB) |
| J. Brahms | Cancion de Cuna | | Recorder, Guitar |
| J. Brahms | Vals no. 3 | O 39 | Guitar |
| J. Brahms | Vals no. 9 | O 39 | Guitar |
| J. Brahms | Waltz | Op.39, No. 15 | Piano |
| J. Brahms | Brahms Horn Trio | O 40 | Horn, Violin, Piano |
| J. Brahms | Wiegenlied | Op. 49, No. 4 | Voice, Piano |
| J. Brahms | Sapphische Ode | O 94 | Piano, Voice |
| J. Brahms | Nachtwache 1 | O 104 | Voice (SATB) |
| J. Brahms | 2. Intermezzo | Op. 118, No. 2 | Piano |
| C. Brey | Cadenza for Haydn Cello Concerto in D major, 1st movement | | 'Cello |
| C. J. Brown | In a Summer Garden | | Flute |
| C. J. Brown | A Tango Trifle | | Flute |
| C. J. Brown | Ebb and Flow | | Flute, Piano |
| M. Bruch | Waisenklage | | Choir (SATB) |
| M. Bruch | Wiegenlied der Hirten | | Choir (SATB) |
| J. F. F. Burgmüller | La Candeur | O 100 | Piano |
| J. F. F. Burgmüller | l'Arabesque | O 100 | Piano |
| J. F. F. Burgmüller | La Pastorale | O 100 | Piano |
| J. F. F. Burgmüller | La Petite Réunion | O 100 | Piano |
| J. F. F. Burgmüller | Innocence | O 100 | Piano |
| J. F. F. Burgmüller | Progrès | O 100 | Piano |
| J. F. F. Burgmüller | Le Courant Limpide | O 100 | Piano |
| J. F. F. Burgmüller | La Gracieuse | O 100 | Piano |
| J. F. F. Burgmüller | La Chasse | O 100 | Piano |
| J. F. F. Burgmüller | Tendre Fleur | O 100 | Piano |
| J. F. F. Burgmüller | La Bergeronnette | O 100 | Piano |
| J. F. F. Burgmüller | L'Adieu | O 100 | Piano |
| J. F. F. Burgmüller | Consolation | O 100 | Piano |
| J. F. F. Burgmüller | La Styrienne | O 100 | Piano |
| J. F. F. Burgmüller | Ballade | O 100 | Piano |
| J. F. F. Burgmüller | Douce Plainte | O 100 | Piano |
| J. F. F. Burgmüller | La Babillarde | O 100 | Piano |
| J. F. F. Burgmüller | Inquiétude | O 100 | Piano |
| J. F. F. Burgmüller | EL PERDÓN DE PLOËRMEL | | Piano |
| M. Carcassi | Etude 1 | O 60 | Guitar |
| M. Carcassi | Etude 3 | O 60 | Guitar |
| M. Carcassi | Etude 7 | O 60 | Guitar |
| M. Carcassi | Etude 8 | O 60 | Guitar |
| M. Carcassi | Etude 9 | O 60 | Guitar |
| M. Carcassi | Etude 15 | O 60 | Guitar |
| H. Carey | Sally in Our Alley | | Voice, Piano |
| F. Carulli | Duet in G | | Guitar Duet |
| F. Carulli | Fughetta | | Guitar, Guitar |
| D. Caudioso | Concerto di mandolino a solo con Violini e Basso (Gimo 58) | | Mandolin, 2 Violins, 'Cello |
| C. Cecere | Concerto di Mandolino con Violini, e Basso (Gimo 60) | | Mandolin, 2 Violins, 'Cello |
| E. A. Chabrier | Larghetto for Horn and Orchestra | | Horn, Piano |
| F. F. Chopin | Nocturne No. 1 in B-flat minor | Op. 9, No. 1 | Piano |
| F. F. Chopin | Etüde a-moll | Op. 10, No. 2 | Piano |
| F. F. Chopin | Etüde f-moll | Op. 10, No. 9 | Piano |
| F. F. Chopin | Etüde C-Dur | Opus 10, No. 1 | Piano |
| F. F. Chopin | Etüde Ges-Dur | Opus 10, No. 5 | Piano |
| F. F. Chopin | Etüde c-moll | Opus 10, No. 12 | Piano |
| F. F. Chopin | Etüde f-moll | Op. 25, No. 2 | Piano |
| F. F. Chopin | Etüde As-Dur | Op. 25, No. 1 | Piano |
| F. F. Chopin | Nocturne 8 in Db Major | Op. 27 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 1 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 2 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 4 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 4 (from Peters source) | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 6 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 7 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 15 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 20 | Op. 28 | Piano |
| F. F. Chopin | Ballade number 4 | O 52 | Piano |
| F. F. Chopin | Valse Op. 64, No. 1 ('Minute Waltz') | Op. 64 | Piano |
| F. F. Chopin | Walzer h-moll | Op. 69, No. 2 | Piano |
| F. F. Chopin | Nocturne No. 19 in E minor | Op. 72, No. 1 | Piano |
| Claribel [C. A. Barnard | I Cannot Sing the Old Songs | | Voice, Piano |
| F. S. Clark | Marche aux Flambeaux | | Harmonium |
| M. Clementi | Sonatina | O 36 | Piano |
| G. Cocchi | Sinfonia a due mandolini e Basso (Gimo 76) | | 2 Mandolins, Bass |
| O. Comeau | Ellen's Song | | Piano |
| A. Corelli | Concerto grosso op.6 no.8 Christmas concerto | Op. 6, No. 8 | String Quartet: Violins, Viola, 'Cello |
| P. Cornelius | Grablied | Op. 9, No. 4 | Voice (TTBB) |
| P. Cornelius | Ein Ton | | Piano, Voice |
| F. Couperin | L'Art de toucher le clavecin | | Harpsichord |
| F. Couperin | Aspiratio mentis ad Deum | | Haute-contre, Taille, Basse Continue |
| F. Couperin | Dialogus inter Jesum et hominem | | Haute-contre, Basse, Basse Continue |
| F. Couperin | Precatio ad Deum | | Basse-tailles, Basse, Basse Continue |
| F. Couperin | Salve Regina | | Haute-contre, Basse Continue |
| F. Couperin | Salvum me fac Deus | | Basse, Violons, Flûtes, Basse Continue |
| F. Couperin | Usquequo Domine | | Haute-contre, Basse Continue |
| W. Croft | St. Anne (hymntune) | | Voice (SATB) |
| J. Cruger | Jesus, meine Zuversicht (hymntune) | | Voice (SATB) |
| J-F. Dandrieu | Offertoire | | Organ |
| J-F. Dandrieu | Fugue sur l'hymne de la Vierge, Ave Maris Stella | | Organ |
| P. Delmet | Envoi de Fleurs | | Organ |
| A. Diabelli | 28 melodische Übungsstücke (No. 1) | Opus 149-1 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 2) | Opus 149-2 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 3) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 4) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 5) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 6) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 7) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 8) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 9) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 10) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 11) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 12) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 13) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 14) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 15) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 16) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 17) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 18) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 19) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 20) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 21) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 22) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 23) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 24) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 25) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 26) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 27) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 28) | Op. 149 | Piano Duet |
| C. J. Dickinson | Agape (hymntune) | | Voice (SATB) |
| W. H. Doane | Near the Cross | | Piano, Vocal |
| W. H. Doane | To God be the Glory | | Voice (SATB) |
| W. H. Doane | I Am Thine (hymntune) | | Voice (SATB) |
| W. H. Doane | More Love to Thee (hymntune) | | Voice (SATB) |
| W. H. Doane | To God Be the Glory (hymntune) | | Voice (SATB) |
| G. Donizetti | String Quartet nr. 18 in E minor | | String Quartet: Two Violins, Viola, 'Cello |
| S. C. Doonan | Abstract 1 | | Piano |
| S. C. Doonan | Arabesque 1 | | Piano |
| S. C. Doonan | Enchanted Island | | Piano |
| J. Dowland | Unquiet Thoughts | ALS1 | Voice (SATB) |
| P. Dukas | Villanelle | | Horn, Piano |
| A. Dvořák | Als die alte Mutter | O 55 | Piano, Voice |
| J. B. Dykes | Melita (hymntune) | | Voice (SATB) |
| J. B. Dykes | Nicaea (hymntune) | | Voice (SATB) |
| J. B. Dykes | St. Agnes (hymntune) | | Voice (SATB) |
| H. Eccles | Sonata in G minor | | Violin |
| J. Ellor | Diadem | | Voice (SATB) |
| G. J. Elvey | Diademata | | Voice (SATB) |
| D. D. Emmett | Oh! Boatman, Haste! | | Voice, Piano, Mixed Voices |
| G. Fauré | Les matelots | O 2 | Voice, Piano |
| G. Fauré | Après un Rêve | Op. 7 | Voice, Piano |
| G. Fauré | Les Djinns | O 12 | Voice, Piano |
| G. Fauré | Sicilienne | O 78 | Guitar |
| J. K. F. Fischer | Erato Allemande | | Harpsichord, Piano |
| J. K. F. Fischer | Erato Praeludium | | Harpsichord, Piano |
| S. C. Foster | Hard Times Come Again No More | | Voice, Piano |
| S. C. Foster | Slumber My Darling | | Voice, Piano |
| C. Franck | Prélude | FWV 30 | Organ |
| R. Franz | Gute Nacht! | O 5 | Piano, Voice |
| R. Franz | Es hat die Rose sich beklagt | Op 42, No 5 | Piano, Voice |
| Friedrich II of Prussia | Sinfonia | | Flutes, Oboes, Horns, Strings, Basso Continuo |
| J. J. Froberger | Suite VII in E minor | | Harpsichord |
| G. Gabellone | Concerto di mandolino con Violini e Basso obligati (Gimo 88) | | Mandolin, 2 Violins, 'Cello |
| V. Galilei | Saltarello | | Guitar |
| H. J. Gauntlett | Irby (hymntune) | | Voice (SATB) |
| G. Gershwin | Rialto Ripples | | Guitar |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 141) | | Mandolin, Bass |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 142) | | Mandolin, Bass |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 144) | | Mandolin, Bass |
| G. B. Gervasio | Sonata per Mandolino e Basso (Gimo 145) | | Mandolin, Bass |
| G. B. Gervasio | Duetto à Due Mandolini (Gimo 147) | | 2 Mandolins |
| G. B. Gervasio | Sonata per Camera di Mandolino è Basso (Gimo 149) | | 2 Mandolins, Bass |
| G. B. Gervasio | Trio a Due Mandolini e Basso (Gimo 150) | | 2 Mandolins, Bass |
| Felice de Giardini | Italian Hymn (hymntune) | | Voice (SATB) |
| O. Gibbons | The Silver Swan | | Voice |
| G. Giordano | Caro Mio Ben (Come Once Again) | | Voice, Piano |
| M. Giuliani | Étude 1 | Opus 1 | Guitare |
| M. Giuliani | Étude 2 | Opus 1 | Guitare |
| M. Giuliani | Étude 3 | Opus 1 | Guitare |
| M. Giuliani | Étude 4 | Opus 1 | Guitare |
| M. Giuliani | Étude 5 | Opus 1 | Guitare |
| M. Giuliani | Étude 6 | Opus 1 | Guitare |
| M. Giuliani | Opus 50 No. 1 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 2 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 3 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 4 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 5 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 6 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 7 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 8 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 9 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 10 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 11 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 12 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 13 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 14 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 15 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 16 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 17 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 18 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 19 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 20 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 21 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 22 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 23 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 24 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 25 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 26 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 27 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 28 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 29 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 30 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 31 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 32 | Op. 50 | Guitar |
| M. Giuliani | Serenade op.127 No. 1: Maestoso | O 127 | Flute or Violin, accompanied by Guitar |
| G. Giuliano | Sonata in E Per Mandolino, e Basso | | Mandolin, Bass |
| G. Giuliano | Sonata in Ess Per Mandolino, e Basso | | Mandolin, Bass |
| G. Giuliano | Sinfoni per Mannolino con Più Istromenti (Gimo 153) | | Mandolin, Violin, 'Cello, Bass |
| C. G. Glaser | Azmon (hymntune) | | Voice (SATB) |
| C. W. Glover | Do They Think of Me At Home? | | Voice, Piano |
| J. Goss | Lauda Anima (hymntune) | | Voice (SATB) |
| F.-J. Gossec | Symphonie n°2 | | Orchestra: Oboe, Horn, Violin, Alto, Bass |
| F.-J. Gossec | Symphonie n°1 | | Orchestra: Oboe, Horn, Violin, Alto, Bass |
| L. M. Gottschalk | The Dying Swan | Op. 100 | Piano |
| C. Gounod | Ave Maria: Meditation on the First Prelude of J. S. Bach | | Transcribed for Trumpet |
| M. A. Granato | Melodia Op. 1 No. 1 | Op. 1 | Piano |
| M. A. Granato | Melodia Op. 1 No. 2 | Op. 1 | Piano |
| M. A. Granato | Minueto Op. 3 | Op. 3 | Piano |
| M. A. Granato | Noturno Op. 4 No. 1 | Op. 4 | Piano |
| M. A. Granato | Preludio Op. 2 | Op. 2 | Piano |
| H. W. Greatorex | Gloria Patri (Greatorex) (hymntune) | | Voice (SATB) |
| M. Greiter | Old 113th (hymntune) | | Voice (SATB) |
| E. Grieg | Ich liebe dich | O 5 | Piano, Voice |
| E. Grieg | Aase's Death from Peer Gynt Suite I | O 46, No. 2 | String Quartet: Violins, Viola, Cello, Double Bass |
| E. Grieg | Ases Tod | O 46, No. 2 | Piano |
| E. Grieg | Anitra's Dance (Tanz) from Peer Gynt Suite I | O 46, No. 3 | Violins, Violas, Cello, Double Bass, Triangle |
| E. Grieg | Wedding-day at Troldhaugen | O 65 | Piano |
| N. de Grigny | Fugue à 5 | | Organ |
| F. X. Gruber | Stille Nacht | | Guitar |
| F. X. Gruber | Stille Nacht | | Voice (SA), Guitar |
| F. X. Gruber | Stille Nacht (hymntune) | | Voice (SATB) |
| G. F. Handel | Ouvertüre | | Harpsichord, Piano |
| G. F. Handel | Entrée | | Harpsichord, Piano |
| G. F. Handel | Gavotte | | Harpsichord, Piano |
| G. F. Handel | Toccata | | Harpsichord, Piano |
| G. F. Handel | Fuga | | Harpsichord, Piano |
| G. F. Handel | Impertinence | | Harpsichord, Piano |
| G. F. Handel | Concerto | | Harpsichord, Piano |
| G. F. Handel | Ouvertuere | | Harpsichord, Piano |
| G. F. Handel | Menuet I | | Harpsichord, Piano |
| G. F. Handel | Menuet II (Trio) | | Harpsichord, Piano |
| G. F. Handel | Allegro | | Harpsichord, Piano |
| G. F. Handel | Menuet | | Harpsichord, Piano |
| G. F. Handel | Air | | Harpsichord, Piano |
| G. F. Handel | Menuet I | | Harpsichord, Piano |
| G. F. Handel | Menuet II | | Harpsichord, Piano |
| G. F. Handel | Air | | Harpsichord, Piano |
| G. F. Handel | Allemande | | Harpsichord, Piano |
| G. F. Handel | Passepied (et Menuet) | | Harpsichord, Piano |
| G. F. Handel | Menuet (Trio) | | Harpsichord, Piano |
| G. F. Handel | Sonatina | | Harpsichord, Piano |
| G. F. Handel | Cara sposa, amanta cara , Aria from Rinaldo | HWV 7 | Voice (Soprano), Strings, Basso Continuo |
| G. F. Handel | Solo dal brando , Aria from Rinaldo | HWV 7 | Voice (Alto), Strings, Basso Continuo |
| G. F. Handel | La vendetta e un cibo , Aria from Silla | HWV 10 | Voice (Alto), Strings, Basso Continuo |
| G. F. Handel | Giulio Cesare | HWV 17 | Dramatis Personae (Voice: 2 Sopranos, 3 Alto Castratos, Contralto, 2 Basses) and Orchestra (2 Recorders, Flute, 2 Oboes, 2 Bassoons, 4 Horns, Solo Violin, Violins, Violas, Viola da Gamba, Cellos, Harp, Theorbo (Large Lute), Continuo) |
| G. F. Handel | Agitato da fiere tempeste , Aria from Riccardo primo | HWV 19 | Voice (Alto), Oboes, Strings, Basso Continuo |
| G. F. Handel | Io già t'amai , Aria from Rodelinda | HWV 19 | Voice (Tenor), Strings, Basso Continuo |
| G. F. Handel | No! Risolvo abbandonar , Aria from Alessandro | HWV 21 | Voice (Alto), Strings, Basso Continuo |
| G. F. Handel | La gloria sola , Aria from Admeto | HWV 22 | Voice (Bass), Oboes, Strings, Basso Continuo |
| G. F. Handel | Non pensi quell'altera , Aria from Lotario | HWV 26 | Voice (Tenor), Strings, Basso Continuo |
| G. F. Handel | Gavotta from Atalanta | HWV 35 | Trumpets, Timpani |
| G. F. Handel | Impara, ingrata , Aria from Atalanta | HWV 35 | Voice (Basso), Strings, Basso Continuo |
| G. F. Handel | Corri, vola, a' tuoi trofei , Aria from Giustino | HWV 37 | Voice (Soprano), Oboes, Strings, Basso Continuo |
| G. F. Handel | Sol la brama di vendetta , Aria from Faramondo | HWV 39 | Voice (Basso), Strings, Basso Continuo |
| G. F. Handel | Vado a recar la morte , Aria from Faramondo | HWV 39 | Voice (Basso), Strings, Basso Continuo |
| G. F. Handel | Voglio che sia l'indegno, Aria from Faramondo | HWV 39 | Voice (Soprano), Strings and Basso Continuo |
| G. F. Handel | Se potessero i sospir' miei , Aria from Imeneo | HWV 41 | Voice (Alto), Strings, Basso Continuo |
| G. F. Handel | Al tardar della vendetta , Aria from Deidamia | HWV 42 | Voice (Bass), Strings, Basso Continuo |
| G. F. Handel | Grecia tu offendi , Aria from Deidamia | HWV 42 | Voice (Alto), Strings, Basso Continuo |
| G. F. Handel | Marche from Deidamia | HWV 42 | Trumpets, Horns, Kettledrum, Strings, Basso Continuo |
| G. F. Handel | Nelle nubi intorno al Fato , Aria from Deidamia | HWV 42 | Voice (Bass), Strings, Basso Continuo |
| G. F. Handel | Ecco il sol , Aria from La Resurrezione | HWV 47 | Voice (Tenor), Strings, Basso Continuo |
| G. F. Handel | Fra l'ombre e gl'orrori , Aria from Aci, Galatea e Polifemo | HWV 72 | Voice (Bass), Strings, Basso Continuo |
| G. F. Handel | Precipitoso nel mar , Aria from Aci, Galatea e Polifemo | HWV 72 | Voice (Bass), Strings, Basso Continuo |
| G. F. Handel | Tanti strali, Duetto XII | HWV 197 | 2 Voices (Soprano, Alto), Basso Continuo |
| G. F. Handel | Sonata II, from Op. 1 | HWV 360 | Recorder and Basso Continuo |
| G. F. Handel | Sonata for Violin and Piano HWV 361 | HWV 361 | Violin, Piano |
| G. F. Handel | Sonata VII, from Op. 1 | HWV 365 | Recorder and Basso Continuo |
| G. F. Handel | Sonata XI, from Op. 1 | HWV 369 | Recorder and Basso Continuo |
| G. F. Handel | Sonata for Violin and Piano HWV 370 | HWV 370 | Violin, Piano |
| G. F. Handel | Sonatina in B flat minor for piano | HWV 585 | Piano |
| G. F. Handel | Antioch (hymntune) | | Voice (SATB) |
| G. F. Handel | Hallelujah Chorus from Messiah | | Voice (SATB), Orchestra: Strings (Violins, Viola, Cello, Bass), Oboes, Bassoons, Trumpet, Timpani |
| J. A. Hasse | Se del fiume , Aria from Artaserse | | Voice (Soprano), Strings, Basso Continuo |
| T. Hastings | Toplady | | Voice (SATB) |
| J. Hatton | Duke Street | | Voice (SATB) |
| F. J. Haydn | Austria | | Voice (SATB) |
| F. J. Haydn | Das Lied der Deutschen | | Choir (SATB) |
| F. J. Haydn | Der Greis | | Choir (SATB) |
| F. J. Haydn | Sonate I, I - Allegro con brio | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate I, II - Menuetto | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate I, III - Presto | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, I - Allegro moderato | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, II - Menuetto | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, III - Presto | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | String Quartet in G major | Op. 76 No. 1 | String Quartet |
| F. J. Haydn | String Quartet in D minor | Op. 76 No. 2 | String Quartet |
| F. J. Haydn | String Quartet in C major | Op. 76 No. 3 | String Quartet |
| F. J. Haydn | String Quartet in B-flat major | Op. 76 No. 4 | String Quartet |
| F. J. Haydn | String Quartet in D major | Op. 76 No. 5 | String Quartet |
| F. J. Haydn | String Quartet in E-flat major | Op. 76 No. 6 | String Quartet |
| F. J. Haydn | Tantum Ergo Sacramentum | | Voice (SATB) |
| J. M. Haydn | Lyons (hymntune) | | Voice (SATB) |
| E. Hildach | Im Volkston | O 13 | Piano, Voice |
| G. T. Holst | Thaxted | | Voice (SATB) |
| G. T. Holst | Cranham (hymntune) | | Voice (SATB) |
| F. Horetzky | Nº. 1. March by Rossini. | | Classical Guitar |
| F. Horetzky | Nº. 2. Russian Air. | | Classical Guitar |
| F. Horetzky | Nº. 3. Andante by Beethoven. | | Classical Guitar |
| F. Horetzky | Nº. 4. The Last Rose of Summer. | | Classical Guitar |
| F. Horetzky | Nº. 5. French Air. | | Classical Guitar |
| F. Horetzky | Nº. 6. Un Noel. | | Classical Guitar |
| F. Horetzky | Nº. 7. Le Petit Tambour. | | Classical Guitar |
| F. Horetzky | Nº. 8. Russian Air. | | Classical Guitar |
| F. Horetzky | Nº. 9. Polish National Air. | | Classical Guitar |
| F. Horetzky | Nº. 10. Untitled. | | Classical Guitar |
| F. Horetzky | Nº. 11. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 12. Russian Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 13. John Anderson, My Jo. | | Classical Guitar |
| F. Horetzky | Nº. 14. Tyrolian Air. | | Classical Guitar |
| F. Horetzky | Nº. 15. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 16. Cherubini's Air. | | Classical Guitar |
| F. Horetzky | Nº. 17. Polish Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 18. Kelvin Grove. | | Classical Guitar |
| F. Horetzky | Nº. 19. Podolian Air. | | Classical Guitar |
| F. Horetzky | Nº. 20. Fra Tante Angoscie. | | Classical Guitar |
| F. Horetzky | Nº. 21. Au Clair De la Lune. | | Classical Guitar |
| F. Horetzky | Nº. 22. Dutch Air. | | Classical Guitar |
| F. Horetzky | Nº. 23. Portuguese Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 24. Air by Gelinek. | | Classical Guitar |
| F. Horetzky | Nº. 25. Pyrenese Melody. | | Classical Guitar |
| F. Horetzky | Nº. 26. Polish Air. | | Classical Guitar |
| F. Horetzky | Nº. 27. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 28. Pleyel's Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 29. Scotch Air. “Donald.” | | Classical Guitar |
| F. Horetzky | Nº. 30. Sicilian Mariner's Hymn | | Classical Guitar |
| F. Horetzky | Nº. 31. Auld Lang Syne. | | Classical Guitar |
| F. Horetzky | Nº. 32. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 33. Scots Wha Hae Wi' Wallace Bled. | | Classical Guitar |
| F. Horetzky | Nº. 34. Vive Henri Quatre. | | Classical Guitar |
| F. Horetzky | Nº. 35. Air from the Ballet of Nina. | | Classical Guitar |
| F. Horetzky | Nº. 36. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 37. Post Horn Waltz. | | Classical Guitar |
| F. Horetzky | Nº. 38. Old German Air. | | Classical Guitar |
| F. Horetzky | Nº. 39. Air. | | Classical Guitar |
| F. Horetzky | Nº. 40. Polish Air . Krakoviak. | | Classical Guitar |
| F. Horetzky | Nº. 41. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 42. Swedish Air. | | Classical Guitar |
| F. Horetzky | Nº. 43. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 44. Il Pleut, Il Pleut, Bergère. | | Classical Guitar |
| F. Horetzky | Nº. 45. Rule Britannia. | | Classical Guitar |
| F. Horetzky | Nº. 46. “C'est L'Amour” a French Air. | | Classical Guitar |
| F. Horetzky | Nº. 47. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 48. An Alexis. | | Classical Guitar |
| F. Horetzky | Nº. 49. March by Rossini. | | Classical Guitar |
| F. Horetzky | Nº. 50. Je Suis Lindor. | | Classical Guitar |
| F. Horetzky | Nº. 51. Scotch Air. Kelso. | | Classical Guitar |
| F. Horetzky | Nº. 52. Polish Air. Krakoviak. | | Classical Guitar |
| F. Horetzky | Nº. 53. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 54. March by Gallenberg. | | Classical Guitar |
| F. Horetzky | Nº. 55. Rousseau's Dream. | | Classical Guitar |
| F. Horetzky | Nº. 56. Chanson Des Marseillois. | | Classical Guitar |
| F. Horetzky | Nº. 57. Old Saxon Air. | | Classical Guitar |
| F. Horetzky | Nº. 58. Sul Margine D'un Rio. | | Classical Guitar |
| F. Horetzky | Nº. 59. Venetian Air. “La Biondina”. | | Classical Guitar |
| F. Horetzky | Nº. 60. Care Pupille By Blangini. | | Classical Guitar |
| C. E. Horsley | All My Heart This Night Rejoices | | Voice (SATB), Organ |
| J. Hughes | Cwm Rhondda | | Voice (SATB) |
| J. Hullah | The Three Fishers | | Voice, Piano |
| J. Hullah | The Storm | | Voice, Piano |
| E. Humperdinck | Ein geistlich Abendlied | | Choir (SATB) |
| E. Humperdinck | Mädchenpreis | | Choir (SATB) |
| G. K. Iliev | A Child's Wish | | Piano |
| J. Inalls | Fillmore (hymntune) | | Voice (SATB) |
| M. Ippolitov-Ivanov | Divine Liturgy of St. John Chrysostom | Op. 37, No. 1 | Voice (SATB) |
| J. James | Hen Wlad Fy Nhadau | | Voice |
| C. Janequin | Le Chant des Oyseaux | (Attaignant 1529(?) ) | Choir |
| T. Jarman | Lyngham (Nativity) | | Voice (SATB) |
| J. Jeffreys | Dyfrdwy | | Quartet and Piano |
| D. Johnson | Receive The Body Of Christ | | Voice (SATB) |
| D. Johnson | The Wise Thief | | Voice (SSA) |
| S. Joplin | A Breeze From Alabama | | Piano |
| S. Joplin | Bethena | | Piano |
| S. Joplin | The Entertainer | | Piano |
| S. Joplin | Eugenia | | Piano |
| S. Joplin | Magnetic Rag | | Piano |
| S. Joplin | Maple Leaf Rag | | Piano |
| S. Joplin | Original Rags | | Piano |
| S. Joplin | Peacherine Rag | | Piano |
| S. Joplin | Search-Light Rag | | Piano |
| S. Joplin | Solace | | Piano |
| S. Joplin | Sugar Cane | | Piano |
| S. Joplin | Sun Flower Slow Drag | | Piano |
| S. Joplin | The Easy Winners | | Piano |
| W. H. Jude | Galilee (hymntune) | | Voice (SATB) |
| G. F. Kiallmark | The Old Oaken Bucket | | Voice, Piano |
| P. P. Knapp | Blessed Assurance (hymntune) | | Voice (SATB) |
| F. Knjze | Six Progressive Studies: No. I | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. II | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. III | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. IV | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. V | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. VI | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 1 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 2 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 3 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 4 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 5 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 6 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 7 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 8 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 9 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 10 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 11 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 12 | | Classical Guitar |
| C. Kocher | Dix (hymntune) | | Voice (SATB) |
| J. B. Koenig | Franconia (hymntune) | | Voice (SATB) |
| G. Kopprasch | 60 Studies for Low Horn | Op.6 | Horn |
| A. Kopylov | Gladsome Light | | Voice (SATB) |
| Anonymous | La Native | | Piano |
| F. Kuhlau | Sonatine I - Allegro | O 20, No. 1: 1 | Piano |
| F. Kuhlau | Sonatine I - Andante | O 20, No. 1: 2 | Piano |
| F. Kuhlau | Sonatine I - Rondo | O 20, No. 1: 3 | Piano |
| J. Kuhnau | Uns ist ein Kind geboren: 2. Coro | BWV 142 | Voice (SATB) |
| J. Kuhnau | Uns ist ein Kind geboren: 4. Coro | BWV 142 | Voice (SATB) |
| J. Kuhnau | Uns ist ein Kind geboren: 8. Choral | BWV 142 | Voice (SATB) |
| A. Kuhnel | Sonata a due viola da gamba n°6 | | Basso, viola da gamba, viola da gamba |
| R. Kumar | Prelude | | Piano |
| R. Kumar | Flat | | Piano |
| R. Kumar | Jumelle qui joue | | Piano |
| R. Kumar | Lace | | Piano |
| R. Kumar | Lani | | Piano |
| R. Kumar | Unfixed | | Piano |
| R. Kumar | Valse | | Piano |
| R. Kumar | Vase | | Piano |
| E. Lalo | L'Esclave | | Piano, Voice |
| L. Leo | Misero pargoletto, Aria from Demofoonte | | Voice (Soprano), Strings, Basso Continuo |
| F. Liszt | Second Ballade | | Piano |
| R. Lowry | Hanson Place (hymntune) | | Voice (SATB) |
| J. B. Lully | Le ballet de la revente des habits du ballet et comédie | LWV05 | Orchestra, Voice |
| J. B. Lully | Ballet de l'amour malade | LWV08 | Orchestra, Voice |
| J. B. Lully | Le Bourgeois Gentilhomme | LWV43 | Voice, Orchestra |
| J. B. Lully | Psyché | LWV56 | Voice, Orchestra |
| J. B. Lully | Acte II, Scene III from Armide | LWV 71 | Strings, Tenor, Basso Continuo |
| J. B. Lully | Armide | LWV71 | Voice, Orchestra |
| M. Luther | Ein' Feste Burg (hymntune) | | Voice (SATB) |
| M. Luther | Luther | | Voice (SATB) |
| S. Magnenat | To hope | | SATB choir a capella |
| S. Magnenat | Variations d'automne | | Piano |
| J. Major | Britain's Favored Isle | | Piano, Voice |
| F. Mancini | Ebra d'Amor fuggia, Cantata a voce sola di Soprano | | Soprano, Basso Continuo |
| A. H. Mann | Angel's Story (hymntune) | | Voice (SATB) |
| B. Marcello | Ciaccona | Op. 2, No. 13 | Recorder, Basso Continuo |
| S. B. Marsh | Martyn (hymntune) | | Voice (SATB) |
| L. Mason | Boylston (hymntune) | | Voice (SATB) |
| L. Mason | Nearer My God to Thee | | Voice (SATB) |
| L. Mason | Olivet (Mason) (hymntune) | | Voice (SATB) |
| W. T. Matiegka | Nº. 2. Rondo | | Classical Guitar |
| W. T. Matiegka | Nº. 3. Andante | | Classical Guitar |
| W. T. Matiegka | Nº. 4. Menuetto. | | Classical Guitar |
| W. T. Matiegka | Nº. 5. Siciliano. | | Classical Guitar |
| F. Mendelssohn-Bartholdy | Inquiétude | Op. 19, No. 5 | Piano |
| F. Mendelssohn-Bartholdy | Octet | O 20 | Violin, Viola, 'Cello |
| F. Mendelssohn-Bartholdy | Allein Gott in der Höh sei Ehr | O 36 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Dir, Herr, dir will ich mich ergeben | O 36 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge c-Moll | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge G-Dur | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge d-Moll | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Es ist bestimmt in Gottes Rat | Op. 47 | Voice (TTBB) |
| F. Mendelssohn-Bartholdy | Lied Ohne Worte - Opus 53, No. 5 - Volkslied | Op. 53 | Piano |
| F. Mendelssohn-Bartholdy | Ein Sommernachtstraum - No.5 | O 61 | Orchestra: Flute, Oboe, Clarinet, Bassoon, French Horn, Violins, Viola, 'Cello, Double Bass |
| F. Mendelssohn-Bartholdy | Final de la sixième sonate | Opus 65 n°6 | Organ |
| F. Mendelssohn-Bartholdy | Wer bis an das Ende beharrt | Opus 70, Nr. 32 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Lied Ohne Worte - Opus 102, No. 3 | Op. 102 | Piano |
| F. Mendelssohn-Bartholdy | Consolation (Mendelssohn) (hymntune) | | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Mendelssohn (hymntune) | | Voice (SATB) |
| S. Mercadante | Nel seggio placido | From Opera Andronico (1821) | 2 Voices, Piano |
| J. K. Mertz | Etude in A minor | | Guitar |
| A. H. Messiter | Marion (hymntune) | | Voice (SATB) |
| A. Methfessel | Deutsches Weihelied | | Choir (SATB) |
| L. Milan | Pavan 2 | | Vihuela, Guitar |
| L. A. Minkus | La Bayadère - Acte II | | Piano |
| L. A. Minkus | La Bayadère - Allegretto delicato | | Piano, Flute |
| L. A. Minkus | La Bayadère - Variation de Nikya | | Piano, Flute, Horn |
| L. A. Minkus | La Bayadère - Variation des Ombres | | Piano, Flute, Percussion |
| W. H. Monk | Eventide (hymntune) | | Voice (SATB) |
| T. Moore | The Last Rose of Summer (Martha) | | Voice, Piano |
| C. Moreland | My Mother's Old Red Shawl | | Voice, Piano |
| W. A. Mozart | Fugue fragment Anh. 41 (375g) | Anh. 41 (375g) | Piano |
| W. A. Mozart | Sonata in C major (fragment) | K6 deest | Piano |
| W. A. Mozart | Symphony nr. 18 in F major K. 130 | KV 130 | Orchestra: Flutes, Horns, Violins, Viola, Cello and Bass |
| W. A. Mozart | Fugue in E-flat Major KV 153/375f | KV 153/375f | Piano |
| W. A. Mozart | Fugue in G Minor KV 154/385k | KV 154/385k | Piano |
| W. A. Mozart | Funftes Quartett | KV 158 | String Quartet |
| W. A. Mozart | Symphony No. 25 - KV183 (1st Movement) | KV 183 | Orchestra: Oboes, Horns, Violins, Viola, 'Cello, Bass |
| W. A. Mozart | Symphony No. 25 - KV183 (2nd Movement) | KV 183 | Orchestra: Oboes, Horns, Violins, Viola, 'Cello, Bass |
| W. A. Mozart | Concerto for Bassoon and Orchestra in B flat major | KV 191 | Bassoon and Orchestra: Horns, Oboes, Violins, Viola, Cello and Bass |
| W. A. Mozart | Divertimento II | KVA 229 | Oboe, Clarinet, Bassoon |
| W. A. Mozart | Concerto in C for Flute and Harp | K.299 | Flute, Harp |
| W. A. Mozart | Piano Sonata in C Major - KV 309 (1st Part) | KV 309 | Piano |
| W. A. Mozart | Andante in C Major K. 315 | KV 315 | Flute and Orchestra: Violins, Viola, Cello, Horns, Oboes and Bass |
| W. A. Mozart | Sonate Opus KV 331 - Tema | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 1 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 2 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 3 | KV 331 | Pian |
