% Entered on Nov 8, 2007
\version "2.11.34"
%#(set-global-staff-size 17)
\paper {
% #(set-paper-size "a4")
% #(set-paper-size "letter")
left-margin = 0.75 \in
line-width = 7.0 \in
between-system-padding = #2.0
between-system-space = #2.0
ragged-last-bottom = ##t
ragged-bottom = ##f
}
\header {
title = "Nº. 29. Scotch Air. “Donald.”"
subtitle = ""
subsubtitle = "60 National Airs of Different Nations"
composer = \markup{\column \right-align
{\line {Felix Horetzky} 1796-1870}}
meter = ""
% MUTOPIA
mutopiatitle = "Nº. 29. Scotch Air. “Donald.”"
mutopiacomposer = "HoretzkyF"
mutopiapoet = ""
mutopiaopus = ""
mutopiainstrument = "Classical Guitar"
date = "unk"
source = "Boije collection #268"
style = "Classical"
copyright = "Public Domain"
maintainer = "Stan Sanderson"
moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/"
footer = "Mutopia-2007/11/17-1119"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%
%% Source & comments
%%
%% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796.
%% Little is known about he came to the guitar. He traveled to Vienna
%% to study under master guitarrist, Mauro Giuliani. He traveled
%% extensively in Europe as a concert performer and teacher. He wrote
%% between 100 and 150 pieces for the guitar. He died in Edinburgh
%% on October 6, 1870.
%%
%% This piece is from #268, "60 National Airs of Different Nations",
%% in the Boije collection and is in the public domain.
%%
%%
%% Publisher: Chappell (London), no date given.
%%
%% Carl Boije (1849-1923) was an amateur guitarist whose vast collection
%% was donated to the State Library of Sweden after his death.
%%
%% The dynamic markings for the most part follow the original score; obvious
%% notation errors have been corrected.
%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\include "english.ly"
%%%% shortcuts
dol = \markup { \smaller\italic "dolce."}
cres = \markup{\smaller\italic"cresc:"}
cress = \markup{\tiny\smaller\italic"cresc:"}
espr = \markup{\smaller\italic"espres:"}
rit = \markup{\smaller\italic"ritart:"}
atem = \markup{\smaller\italic"a tempo:"}
smz = \markup{\smaller\italic"smorz:"} % smorzando
showTup = { \override TupletNumber #'transparent = ##f
\override TupletBracket #'transparent = ##f }
hideTup = { \override TupletNumber #'transparent = ##t
\override TupletBracket #'transparent = ##t }
seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"}
cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"}
toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" }
fin = \markup {\smaller \smaller \bold \italic "Fine."}
I = \once \override NoteColumn #'ignore-collision = ##t
sdu = \once \override Stem #'direction = #UP
sdd = \once \override Stem #'direction = #DOWN
%% End shortcuts
%%%%%%%%%%
%% Reminders
%
% \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5)
% \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 )
% \once \override Stem #'length-fraction = #0.8
% \once \override Beam #'positions = #'(-2.2 . -3.0)
%
%%%%%%%%%%
upper = \relative c''{
\set Staff.instrumentName=\markup{ \center-align
{\smaller\bold "Nº. 29 " \smaller\smaller\italic "ANDANTE. "
\tiny\smaller\italic "con molta esp: "}}
\partial 4*1 g'8. a16 |
%% segno
b4. \times 2/3 {a16 g fs} \grace a16 g4. d8 |
fs[ e] d[ c] c16 b8. r8 d |
b16[ d8.] g8[ a] b4 a8. g16 |
4 r g8 a |
b4. \times 2/3 {a16 g fs}\I g4 r8 16 g |
fs8[ e] d[ c] \grace d16 c b8. r8 d |
b16 d8. g8 b d16 b8. a8. b16 |
g4\fermata \grace{\slurDown a16[( g fs])}
\times 2/3{g8 a b} 8 \bar "||"
d'4 |
8 16 8.
<<{\times 2/3{a8 b c}}\\{fs,4}>> |
8[ ] e[ c'] b8. c32 b 8 b \noBeam |
c4 g8 b16 a c b a8 |
2\fermata \grace{fs32[ g a]} 4\fermata g8. a16 |
b4. \times 2/3 {a16 g fs} \grace a16 g4. d8 |
fs[ e] d[ c] c16 b8. r8 d |
b16[ d8.] g8[ a] b4 a8. g16 |
4 r g8 a |
b4. \times 2/3 {a16 g fs}\I g4 r8 16 g |
fs8[ e] d[ c] \grace d16 c b8. r8 d |
b16 d8. g8 b d16 b8. a8. b16 |
g4\fermata \grace{\slurDown a16[( g fs])}
\times 2/3{g8 a b} 8
}
lower = \relative c' {
\override Staff.NoteCollision
#'merge-differently-headed = ##t
\set fingeringOrientations = #'(left)
\partial 4*1 r4 |
%% segno
4 |
g4. g,8 |
g'4. 8 4 |
r d, 8 |
4 <<{
\once \override Beam #'positions = #'(1.6 . 1.0)b8[ g]}
\\{e4}>> 4 |
|
g |
_\fermata r d,8 g
r4 |
\once \override DynamicText #'extra-offset = #'(-2.2 . 1.0)
d2 d4 ds |
e 8 4 d,8 r |
r e'[ ef d] 4.
\once \override DynamicText #'extra-offset = #'(-2.75 . 1.5) cs,8_\sf |
d2 4 r |
4 |
g4. g,8 |
g'4. 8 4 |
r d, 8 |
4 <<{
\once \override Beam #'positions = #'(1.6 . 1.0)b8[ g]}
\\{e4}>> 4 |
|
g |
_\fermata r d,8 g
}
staffClassicalGuitar = \new Staff {
\time 4/4
\key g \major
\set Staff.connectArpeggios = ##t
\set Staff.midiInstrument="acoustic guitar (nylon)"
<<
\new Voice = A { \voiceOne \upper }
\new Voice = C { \voiceFour \lower }
>>
\bar "||" %% "|."
}
\score {
<<
\staffClassicalGuitar
>>
}
\layout {\context {
\Staff
\consists Span_arpeggio_engraver
} }
\score {
%% \unfoldRepeats
\staffClassicalGuitar
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 90 4)
}
\context {
\Voice
\remove "Dynamic_performer"
}
}
}