\version "2.14.0" conductormA = \relative c { \commonConductor \tag #'score \override Score.SpacingSpanner #'shortest-duration-space = #1.5 \tag #'part \override Score.SpacingSpanner #'shortest-duration-space = #1.7 % Relative to the original score, the durations are doubled so that the beat % is the more common quarter-note rather than an eighth note. % A vi replacement pattern to help restore the original durtions : % .,/allegroMolto/s#\([a-grRs!,'>:]\)\(\d\+\)#\=submatch(1).submatch(2)*2#g \time 4/4 \tag#'part \tempo "Adagio" \tag#'score \tempo "Adagio" 4 = 63 << s1*23 \tag#'score {s1*8 \scoreBreak s1*14 \scoreBreak s1 } >> \once\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \once\override Score.RehearsalMark #'self-alignment-X = #RIGHT \mark\markup\small\italic"attacca" \newSpacingSection \barNumberCheck#allegroMolto \time 2/4 % end beams over 1/8th notes at end of measure \set Timing.beamExceptions = #'( (end . ( ((1 . 8) . (4)) ((1 . 12) . (3 3)) ))) \repeat volta 2 { \tag#'part \tempo "Allegro Molto" \tag#'score \tempo "Allegro Molto" 4 = 136 << s2*35 \tag#'score { s2*15 \scoreBreak \grace s8 % synchronize with Violin's grace note s2*20 } >> \mark \default \barNumberCheck#rehearsalOne s2*18 \scoreBreak \mark \default \barNumberCheck#rehearsalTwo s2*14 \mark \default \barNumberCheck#rehearsalThree s2*30 \mark \default \barNumberCheck#rehearsalFour s2*28 \mark \default \barNumberCheck#rehearsalFive << s2*28 \tag#'score { s2*22 \scoreBreak \grace s8 % synchronize with Violins' grace note s2*6 } >> } \alternative { { \repeat unfold 4 { \noBreak s2 } } { \mark \default \barNumberCheck#rehearsalSix s2 } } s2*31 \mark \default \barNumberCheck#rehearsalSeven s2*32 \mark \default \barNumberCheck#rehearsalEight s2*32 \mark \default \barNumberCheck#rehearsalNine << s2*31 \tag#'score { s2*26 \scoreBreak s2*5 } >> \mark \default \barNumberCheck#rehearsalTen \bar "||" << s2*34 \tag#'score { s2*16 %\scoreBreak s2*18 } >> \mark \default \barNumberCheck#rehearsalEleven \bar "||" s2*12 \bar "||" << s2*20 \tag#'score { s2*4 \repeat unfold 6 {\noBreak s2} s2*10 } >> \mark \default \barNumberCheck#rehearsalTwelve << s2*26 \tag#'score { s2*22 \scoreBreak s2*4 } >> \mark \default \barNumberCheck#rehearsalThirteen \bar "||" s2*53\bar "|." } timpanimA = \relative c { \clef bass \tag #'part \mark\markup\concat{"in A, E, B"\natural} R1*5 << \tag #'part { \clef treble \cueWhile "flute1mA" "flute" #UP { s1*3 s2 } \clef bass \cueWhile "violin1mA" "strings" #UP { s2 r16 } } { R1*4 r16 } >> a32\< a a16\ff r16 r4 r2 | r16 a32\< a a16\ffz r16 r4 r2 | r16 a32 a a16 r16 r4 r16 a32 a a16 r16 r4 | R1*6 \cueWhile "trombone1mA" "winds" #UP { R1*2 } r8 e'16\mf\< e e e e e e2*7/8\startTrillSpan s16\stopTrillSpan r8\! e\ffz r b\ffz\> b2\startTrillSpan b4\stopTrillSpan\p r r2 \barNumberCheck#allegroMolto R2*12 \tag #'part \clef treble \trCueWhile "flute1mA" "flute 8va" #UP c R2*3 \tag #'part \clef bass b2\startTrillSpan\ff ~ b8\stopTrillSpan r r4 e2\startTrillSpan\ff ~ e8\stopTrillSpan r r4 b2\startTrillSpan\ff ~ b8\stopTrillSpan r r4 e2\startTrillSpan\ff ~ e8\stopTrillSpan r r4 R2*6 r4 e-.\ff r e-. r e-. r e-. | b2\startTrillSpan\p ~ b2*7/8 s16\stopTrillSpan \barNumberCheck#rehearsalOne e2\startTrillSpan\ff e e e e4\stopTrillSpan r8 b8 | e4 r8 b8 | e8 r r4 | r4 r8 e\f | e4 r | r4 r8 e | e4 r | r4 r8 e | b4 r | r4 r8 b | e4\startTrillSpan\f e8\stopTrillSpan r8 R2 e4\startTrillSpan\f e8\stopTrillSpan r8 R2 \barNumberCheck#rehearsalTwo R2*14 R2*26 \tag#'part \clef treble \trCueWhile "violin1mA" "violin 8va" #UP c R2*4 \tag#'part \clef bass \barNumberCheck#rehearsalFour e2\startTrillSpan\f e\> e e e8\stopTrillSpan\p r r4 R2*23 \barNumberCheck#rehearsalFive R2*18 \tag#'part \clef treble \trCueWhile "violin1mA" "violin 8va" #UP c R2*4 \tag#'part \clef bass b2\startTrillSpan\ff b b b2*7/8 s16\stopTrillSpan e8 b b e b b b e | b8 r b r b16-> b16-> r8 r4 R2*2 \barNumberCheck#rehearsalSix b8 r b r R2*31 \partPageBreak \barNumberCheck#rehearsalSeven R2*28 \tag#'part \clef treble \trCueWhile "violin1mA" "violin 8va" #UP c R2*4 \tag#'part \clef bass \barNumberCheck#rehearsalEight e2\startTrillSpan\ff e e e e4\stopTrillSpan\f r8 e16 e | e4 r8 e16 e |e4 r8 e16 e | e4 r8 e16 e | e8 r r4 R2*23 \barNumberCheck#rehearsalNine \cueWhile "horn3mA" "horn" #UP R2*4 e4\pp r8 b8 e4 r8 b8 e4 r8 b8 e4 r4 R2*7 b2\startTrillSpan\ff b8\stopTrillSpan r8 r4 R2*14 \barNumberCheck#rehearsalTen R2*34 \barNumberCheck#rehearsalEleven R2*32 \barNumberCheck#rehearsalTwelve R2*22 \trCueWhile "horn1mA" "horn 8va" #UP c R2*4 \barNumberCheck#rehearsalThirteen \override PercentRepeatCounter #'direction = #DOWN << { e2\startTrillSpan\fff e e e e e e e } \tag #'part { \repeat percent 8 s2 } >> R2*4\stopTrillSpan b2\startTrillSpan\ff b b b2*7/8 s16\stopTrillSpan << { e2\startTrillSpan e e e e e e e } \tag #'part { \repeat percent 8 s2 } >> e4\stopTrillSpan r e r e r e r \repeat unfold 4 { e8 r e r} e8 r e8.->\ff e16 | e8 r b8.-> b16 | e8 r e8.-> e16 | e8 r b r | e4 r8 b16 b | e4 r8 b16 b | \repeat unfold 4 { e8 b } e2\startTrillSpan\ff e e e e e e e e8\stopTrillSpan r e r | r4 e8. e16 | \repeat unfold 3 { e8 r r4 } }