\version "2.18.2" \language "deutsch" \include "defn.ily" %% wenn erforderlich linken Abstand ändern RH= \relative c'' { \time 2/4 \key g \major \partial 8 \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Staff.beatStructure = #'(4) %% abhängig vom Takt \set fingeringOrientations = #'(left) %% für Akkorde! \override Fingering.direction = #UP %% für Einzelnoten! \override Fingering.padding = #0.2 \override Fingering.staff-padding = #'() \override Fingering.avoid-slur = #'inside \override Slur.direction = #UP \set Staff.printKeyCancellation = ##f \posTextC \omitDynamic e8-1\p-\markup { \whiteout \center-align { \concat { \hspace #3 \dynamic p \italic " dol." } } } ( g-3^\markup { \center-align \huge "Allegretto grazioso" } d h' g fis-2 a d, fis \set Staff.beatStructure = #'(2 2) g-3 \slashedGrace a8 g16 fis g8-1 h-2 ) d-4-.[ d-. d-. d-.] c-2 ( d16 e d8 c h-1[ g'-5 d-3 h-2] a-1 e'-5 d16 c h a g-3 fis a g fis8-. )\noBeam d ( \set Staff.beatStructure = #'(4) g d h' g fis a d, fis \set Staff.beatStructure = #'(2 2) g \slashedGrace a8 g16 fis g8 h ) d-.[ d-. d-. d-.] \ottava #1 d16-1 ( fis-3 a-5 g fis e d-1 c-2 ) h8 ( g'-. ) a, ( e'-. ) \ottava #0 g,-. g-. \slashedGrace h8-3 a16-2 ( fis a h g8[ h g] ) \bar ".|:" \break d'16-4 ( cis e8-5-.[ ) d-. cis-. h-.] a4-1 ( d16-5 cis h a-2 ) g8-1 ( a16 h a8-. ) g-1-. eis-2 ( fis-3 ) \omitDynamic fis4\p \omitHairpin r8\< d'16-5_\markup { \center-align \italic "cresc." } ( cis h a g-1 fis-2 \set Staff.beatStructure = #'(4) dis8-2 e-1 g-3 h-5 ) \set Staff.beatStructure = #'(2 2) d,!-1 ( e32-4 d-3 cis-1 d-1 fis8-3 ) e( \set Staff.beatStructure = #'(4) \omitHairpin\omitDynamic d\mf\> d'-5 c!-4 a-3 ) \omitDynamic g-2\p ( d h' g-3 fis a d, fis \set Staff.beatStructure = #'(2 2) g \slashedGrace a8 g16 fis g8 h ) \omitHairpin d[\< d d d] \omitDynamic c-1\f \shpSlurD a'16-5 ( g fis e d-1 c-4 h a g-1 fis-4 e d c-1 h-2 ) \omitDynamic a8-.[\p e' ( d-. ) fis,-2] g4-. r8^\markup "Fine." \bar ":..:" \break %\autoBeamOff f,,8_\markup { \italic \small "cresc." } f8 f8 f8 \autoBeamOn \mark \markup \fontsize #-1.5 { \bold "G Moll." \italic "(Sol mineur)" } \key b \major \posTextB d8~\p < d b' >-.[_( q r < c es a >-.] ) r < b d g >[_( r < a d fis >-.] ) r < g'^2 d'^5 >-._( [ r < d a' c >-. ] r q-.[ r < d fis a^4 >-. ) ] ) ] \posHairpinA g-1\< ( g'-5 ) f!-4 ( es ) \posHairpinA es-3\> ( d ) c-1 ( b-3\! ) \break b_3_( a ) \once \override Slur.positions = #'(-2 . 0) b_( g ) \stemUp b4_( a8 ) \stemNeutral \bar ":..:" d-2 \set Staff.beatStructure = #'(4) d8. ( es32 f es8 d c4.-1 d8-2 es8.-3 f32 g f8 es \omitHairpin d4.-1\< ) d'8-3 ( es d ) d d \omitDynamic d4-5\sf ( c16 b a g fis8-2 g-3 fis g ) a4 r8 d,,~ < d b' >-._([\p q-. r < c es a >-. ] ) r < b d g > [ r < a d fis > ] r < g' d' > [ r < d a' c > ] \set fingeringOrientations = #'(up) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! r < d g b > [ r < fis-2 a-4 > ] \set Staff.beatStructure = #'(2 2) \once \override Slur.positions = #'(1 . -2) \override TextScript.extra-offset = #'(0 . -4) \posTextD g^\markup { \whiteout \dynamic "sf" } ( g' ) f!\p ( es ) es ( d ) c ( b ) b_( a ) c-5_( fis,-2 ) a4_( g8 ) \bar ":..:" %} } LH = \relative c' { \clef bass \key g \major \partial 8 \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn \set fingeringOrientations = #'(left) %% für Akkorde! \override Fingering.direction = #UP %% für Einzelnoten! \override Fingering.padding = #0.2 \override Fingering.staff-padding = #'() \override Fingering.avoid-slur = #'inside \set Staff.printKeyCancellation = ##f %\override Slur.direction = #UP \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Staff.beatStructure = #'(4 4 ) %% abhängig vom Takt %\slashedGrace s8 r4 %% für den Fall, dass das Stück mit einem Vorschlag beginnt! %% Lilypond Bug, Workaround \omitDynamic r8\p \clef treble < h-5 g'-2 >4 r8 %\offsetPositions #'(0 . 12) q \once \override Slur.positions = #'(-1 . -4) q ( < d-4 a'-1 >4 ) r8 \once \override Slur.positions = #'(-1 . -3) q ( < g-2 h-1 >4 ) r8 \once \override Slur.positions = #'(-1 . -2) q ( < d a' >2 ) \clef bass < fis, a d >4 r8 < fis a d >8 < g h d >4 r << { e4 ( a h a8 ) } \\ { < c, e >2 d4. } >> r8 \clef treble < h' g' >4 r8 q < d a' >4 r8 q < g h >4 r8 q < d a' >2 \clef bass < fis, a d >4. < fis a d >8 < g h d > r \clef treble < c e a > r < d g h >4 < d fis c' > << \relative c' { \voiceOne \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn \set fingeringOrientations = #'(down) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! \override Fingering.staff-padding = #'() \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Staff.beatStructure = #'(3 ) %% abhängig vom Takt h'8 d h s \set Staff.beatStructure = #'(4) \clef bass g, < h d > q q fis < a d > q q e < a cis > q q \stemDown d, < a' d > q q \stemUp \omitHairpin fis\< < a d > q q g < h e > q q \clef treble a < d fis > a < cis g' >\! } \\ \relative c' { \voiceTwo \set fingeringOrientations = #'(down) \override Fingering.direction = #LEFT \override Fingering.staff-padding = #'() g'4. h8\rest g,2 fis e s2 \omitHairpin fis\< g a4 a4\! } >> \omitDynamic \grace { s8\mp } %to set volume \omitHairpin < d fis >4\> r \omitDynamic < h g' >\p r8 q ( < d a' >4 ) r8 q ( < g h >4 ) r8 q ( \omitHairpin < d a' >2\< ) \clef bass \omitDynamic < fis, a d >\f < g h d >4 r \omitDynamic < c, e a >\p < d a' c > \stemDown < g h >8 \stemUp \once \override Slur.positions = #'(-2 . -1) d[ ( g, ] ) \key b \major \override Fingering.direction = #DOWN %% für Einzelnoten! \omitDynamic r8\p g4-5^( c-2 d c-2 b-5 \stemNeutral fis'^2 g^1 d^5 ) << \relative c { \voiceOne \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn \set fingeringOrientations = #'(left) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! \override Fingering.staff-padding = #'() \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Staff.beatStructure = #'(4 ) %% abhängig vom Takt \omitDynamic s2\p s2 < es-2 >4 ( < e-1 > < g-2 > fis8-3 ) d8\rest \clef treble b' f' f f a, f' f f a, f' f f \omitHairpin b,\< f' f f a, < c fis > q q \clef bass \stemDown \omitDynamic g\sf < b d > q q es, < g cis > q q } \\ \relative c { \voiceTwo \set fingeringOrientations = #'(left) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! \override Fingering.staff-padding = #'() \omitDynamic \grace { s8\p } \omitHairpin < b g' >4^(\< < c g' > \omitHairpin < b g' >\> < es-1 g-2 > ) \stemDown < c-4 >\! < cis-3 > < d-5>4. s8 b'2 a a \omitHairpin b\< a \stemUp \omitDynamic g\sf es } >> \stemDown \omitDynamic < d fis >8\f ( d' c! a ) \stemUp \override Fingering.padding = #0.1 \omitDynamic g,4\p ( c d c b-3 fis-5 g-4 ) << \relative c { \voiceOne \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn \set fingeringOrientations = #'(left) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! \override Fingering.staff-padding = #'() \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Staff.beatStructure = #'(4 ) %% abhängig vom Takt d8 c'-1 s2 s2 s2 4 b8 } \\ \relative c { \voiceTwo \set fingeringOrientations = #'(up) %% für Akkorde! \override Fingering.direction = #DOWN %% für Einzelnoten! \override Fingering.staff-padding = #'() \omitDynamic \grace { s8\p } \shpSlurU d4-5\<_( \omitDynamic es8-5\sf ) d8\rest \omitDynamic \posSlurPriority \shpSlurT < c-5 g'-2>4\p ( < fis-3 a-1 > < g-4 d'-1 > ) \override Fingering.avoid-slur = #'inside \set fingeringOrientations = #'(left) %% für Akkorde! < c,-5 es-3 >^( < d a' c > ) < g-4 >4._\markup "D.C. sino al fine." } >> } dynamics = { \partial 8 s8 s2*23 %24 \posHairpinA s2\> s2\!_\markup { \dynamic "p" \italic "dol." } s2*2 %28 s2\< s2\!^\markup { \concat { \italic "r" \dynamic "f" } } s2 %31 s2\p s2*8 s4. s8-\markup { \italic "dol." } s2*3 %42 s2-\markup { \hspace #2 \italic "cresc." } s2 s2\sf }