\version "2.10.33" \header { title = \markup \center-align { \bigger "La Traviata" "Atto Terzo" " " } subtitle = "Scena ed Aria" subsubtitle = \markup {\italic "«Addio del passato»"} composer = "G. Verdi" arranger = "Transcripción de N. Toledo" piece = "Nº 15" %copyright = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" % Mutopia headers mutopiatitle = "La Traviata - N15 Scena ed Aria" mutopiacomposer = "VerdiG" mutopiainstrument = "Piano" source = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" style = "Romantic" copyright = "Public Domain" maintainer = "Alberto Corella" maintainerEmail = "ppiano@telefonica.net" footer = "Mutopia-2008/08/12-1516" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } stemExtend = \once \override Stem #'length = #22 noFlag = \once \override Stem #'flag-style = #'no-flag upper = \relative c'' { \clef treble \key ees \major \time 4/4 << {\set fingeringOrientations = #'(left) 2^\markup{\line {\bold "Andante. ("\note #"4" #1 \bold " = 60)"}} b4 c} \\ {\set fingeringOrientations = #'(left) 1} >> | \set fingeringOrientations = #'(right) 2 \set fingeringOrientations = #'(up) \( | 4 -> | 2 ~ 4\) r | \override Fingering #'avoid-slur = #'inside 2\( 4 | % 1.1 - 5 << {\set fingeringOrientations = #'(left) 2 \once\override Fingering #'extra-offset = #'(-0.5 . -1) d4-5 \once\override Fingering #'extra-offset = #'(-0.5 . -1.5) c-4} \\ {\set fingeringOrientations = #'(left) 2 fis,-2} >> | << {c'2-5 b} \\ {f!-1 r} >> | bes!2.-3\)\(_\markup{\italic "dolente."} \once\override Script #'avoid-slur = #'inside c4-> | bes2 aes4\) r | g-2\( aes g f\) | % 1.2 - 10 f2-3( ees4) r | << {ees2.-3\(\< f8 g\!} \\ {1} >> | << {\set PianoStaff.connectArpeggios = ##t bes'2\arpeggio aes4\) r} \\ {2\arpeggio( )} >> | << {ees4.( d16-2)\< ees f8 g aes bes\!} \\ {2 r} >> | 4\>( 4.) \revert Fingering #'avoid-slur c'8-.-5\( c-. c-.\)\! | % 1.3 - 15 c4-5 b ~b8-. bes-.\( bes-. bes-.\) | bes4_\markup{\italic "dim."} a-1 ~ a8 aes-.-3\( aes-. aes-.\) | aes8\(\> g4 f ees d!8\)\!( | des2) aes'4. des,8 | c2\( bes'4._\markup{\italic "cres."} aes8 | % 1.4 - 20 f4-1_\markup{\italic "poco a poco"} aes4. f'8 ees des | des4->\)( c8[) r16 ges] bes4.(\> aes8)\! | f4 aes4. f'8-5 ees des ~ | des16\> c-2 ees8-4 ~ees16 bes-2 des8-4 ~ des16 aes c8 ~ c16 ges-2 c aes\! | % 1.5 - 24 f4-1 r \once \override Script #'script-priority = #-100 \afterGrace g!2\trill^\markup{\finger "34"}( {\once\override Fingering #'extra-offset = #'(-0.5 . -3) f16[-2 g]} | aes4) \once\override TextScript #'padding = #1.5 r_\markup{\italic "cresc."} \once \override Script #'script-priority = #-100 \afterGrace b2\trill^\markup{\finger "34"}( {a16[ b]} | c4) \once\override TextScript #'padding = #1.5 r_\markup{\italic "sempre"} \afterGrace d2\trill( {cis16[ d]} | ees4)\( e f fis\) | % 2.1 - 28 \once\override Staff.OttavaBracket #'padding = #2 #(set-octavation 1) g4.-3\(_\markup{\italic "assai" \dynamic ff} aes8\noBeam aes16 g d ees f ees c aes\) #(set-octavation 0) | \override Fingering #'avoid-slur = #'inside aes4.\(_\markup{\italic "dim"} g8\noBeam aes16 g d-1 ees g f d ees\) | c16 r ees'8(\f\>->[ d16)] r des8->([ c16)] r ces8->([ bes16)] r aes8\! | % 2.2 - 31 aes8-3([_\markup{\dynamic "pp" \italic " morendo."} g16]) r aes8[( g16]) r aes8[( g16]) r aes8[(-4 g16])-3 r | c,16 r ees'8(\>->[ d16)] r des8->([ c16)] r ces8->([ bes16)] r aes8\! | aes16-4(\< g) aes( g) aes( g) aes( g)\! aes(\> g) fis( g) f( g) d( g)\! | % 2.3 - 34 c,16\pp r \acciaccatura b'8-3 c16-4 r r8 \acciaccatura b8 c16 r r8 \acciaccatura b8 c16 r r8 b16-3 r | c16-4 r \acciaccatura b8 c16 r r8 \acciaccatura b8 c16 r r8 \acciaccatura b8 c16 r r8 b16 r | \once\override TextScript #'extra-offset = #'(0 . -3) \once\override TrillSpanner #'padding = #1 c1\startTrillSpan ^\markup{\finger "34"} ~ | % 2.4 - 37 c1 ~ | \phrasingSlurDown \once\override DynamicLineSpanner #'padding = #2 \afterGrace c1\stopTrillSpan\ppp {b16[-2\( c]-3} | c,2\) \phrasingSlurNeutral r\fermata | \bar "|." \once\override TextScript #'padding = #2 r4_\markup {"Rec" \super "vo"} r8 g aes g r g16 g | d'8 c r ees\noBeam d c r4 | % 2.5 - 42 \bar "||" << {c'2\( b4 c\)} \\ {\once\override TextScript #'padding = #2 g1_\markup{"1º tempo"}} >> | 2 | 4 -> | 2 r4 r8 g,^\markup{Rec.} | aes8 g r16 g g a c8 b r d16 d | % 2.6 - 47 d4 g,8 g16 g g8.[ g16 g8. g16] | aes!4 r ees_2 f8_1 g | bes aes r4 r8 c bes aes | aes4 ges8. ges16 ges8.[ ges16 bes8. aes16] | % 3.1 - 51 f4 r8 aes_2\( aes f'-5 ees des\) | des4-3( c8-1)[ r16 ges-2] bes4. aes8 | ges\( f aes4 ~aes8 f' ees des\) | des c ees-5 c aes-2 a-5 bes8.-> ges16 | % 3.2 - 55 \acciaccatura aes8 ges8 f r4 r8 aes-2 aes aes | a a r4 a8 a16 a a8 b | c4 r c b8. fis16 | a8 g r4 b8.[ b16 c8. d!16] | % 3.3 - 59 ees!2-5( fis,8-1) r r4 | \bar "||" \time 3/8 \key g \major \once\override MultiMeasureRestText #'padding = #3.5 R4.^\markup{\line {\bold "Andantino. ("\note #"8" #1 \bold " = 96)"}} | \noBreak \once\override TextScript #'extra-offset = #'(-3 . -4) g'4^\markup{\dynamic "pp"}-5\( fis16. e32 | fis4 e16. d32\) | b8\( c a\) | b8.-3\( a16 g8\) | % 3.4 - 65 g'4\( fis16. e32 | fis4 e16. d32\) | b8\( c a | b4 g8\) | \override Fingering #'avoid-slur = #'outside ees'8-.-4\( ees-. ees-.\) | d4( g,8) | ees'-.\( ees-. ees-.\) | % 3.5 - 72 d4( g8) | b8-5( a16) r \times 2/3 {\acciaccatura a8-4 g16-. fis-. e-.} | e8( d16) r \times 2/3 {d16-. g-. b,-.} | ees8 d16 r r8 | \bar "||" \key c \major \time 4/4 s1 | r4^\markup{Rec\super"vo"} r8. a16 a4 fis8[ r16 a] | % 3.6 - 78 a4( fis8) r a16 a b8.[ fis!] | \stemUp g8 e16-3 \change Staff = lower e,-1 \change Staff = upper e' \change Staff = lower e, \change Staff = upper e'\change Staff = lower e, \change Staff = upper e' \change Staff = lower e, \change Staff = upper e' \change Staff = lower e, \change Staff = upper e' \change Staff = lower e, \change Staff = upper e' \change Staff = lower e, \change Staff = upper | e'4->-4 \stemNeutral d' c8-. b-. a-. gis-.-4 | f!4( e8) r r4 b'8. b16 | c8 b r b16 b b4 b8 b16 b | << {d4-5( c8-4) r r4 r} \\ {r 4\< ~ ~ \!} >> | % 4.1 - 84 << {2( gis4.) gis8} \\ {f!2 r} >> | b8( a) 4(^\markup{\italic "adagio."} 8) r16 b_3 ais-._2[ b-._1 c-. d-.] | e1->\fermata( | \bar ".|" \time 6/8 \once\override TextScript #'padding = #'1.5 e,4-1)^\markup{\line {\bold "Andante mosso ("\note #"4" #1 \bold " = 60)"}} f'8->-5 e b d | \noBreak c8-.-3 a16\( b c a\) b8-.-4 gis16\( a b gis\) | % 4.2 - 89 a8 r r r4 \once\override TextScript #'padding = #'1.5 e8^\markup{\italic "legato è dolente è" \dynamic "pp"} | \noBreak c'8-.-4 c4-> ~ c8 a16\( b c a\) | c8-. c4-> ~ c8 a16\( b c a\) | b8 b4->-4 ~ b8 gis16-2\( a b gis\) | a4.-3 ~ a8 e' e, | % 4.3 - 94 c'8-.-4 c4-> ~ c8 a16\( b c a\) | c8-. c4-> ~ c8 a16\( b c a\) | b8 b4-> ~ b8 gis16\( a b gis-2\) | a4.-1 ~ a8\( b c\) | 4.\(\pp 4 8\) | % 4.4 - 99 4.\( 8-^ -^ -^\) | 4.->\( 8-^ -^ -^\) | \set doubleSlurs = ##t 4.( 8) r g,-1 | \unset doubleSlurs 4.\( 4 8\) | 4.\( 8-^ -^ -^\) | 4.\( 8 -> \) | % 4.5 - 105 8 e4->-5\> ~ e8 d4-> ~ | d8 c4-> ~ c8\!\pp 16\( \) | 8 4 r8 a,16-2\( b c a\) | b8-3 e,4 r8 16\( \) | 8 4 r8 a,16-2\( b c a\) | b4.-1 \once \override Script #'script-priority = #-100 bis-2\fermata | % 4.6 - 111 cis8-3_\markup{\dynamic "pp" \italic "e legg."} cis4-> ~ cis8 a16\( b cis a\) | cis8_\markup{\italic "cresc."} cis4-> ~ cis8 a16\( b cis a\) | cis8->\< cis4 ~ cis8 bis16\( cis d cis\)\! | e4.->-5^\markup{\italic "con fuoco"}( d4)( cis8) | cis4.( b8)-1\< ais16-2\( b-1 cis d\)\! | % 5.1 - 116 fis4.->-5( e4) a,8 | fis'4.-5\> ~ fis8 e d\! | cis8 a'4->-5 ~ a8 a16-4( g!-3) f!8-2 ~ | f8-4 e16-3( d-2) c8->-1 ~ c8 b16-2\( c-3 d b\) | a8 a'4-> ~ a8 a16( g!) f!8-> ~ | % 5.2 - 121 f8 e16( d) c8-> ~ c b16\( c d b\) | \stemDown a8-.-1 a16\( b c a\) \stemNeutral e'8-. a,16\(^\markup{\italic "allarg."} b c a\) | e'8-.^\markup{\italic "morendo"} a,16\( b c a\) e'8-. a,16\( b c a\) | \once\override DynamicLineSpanner #'padding = #2 a'2.-5\ppp | % 5.3 - 125 \once\override Staff.OttavaBracket #'padding = #2 #(set-octavation 1) 8->\arpeggio\ff #(set-octavation 0) r f^\markup{"1º Tempo"} \once\override DynamicLineSpanner #'padding = #1.5 e(\pp b) d-. | c8-. a16\( b c a\) b8-. gis16\( a b gis\) | a8 r r r4 \once\override TextScript #'padding = #'1.5 e8^\markup{\italic "legato è dolente è" \dynamic "pp"} | \noBreak c'8-. c4-> ~ c8 a16\( b c a\) | % 5.4 - 129 c8-. c4-> ~ c8 a16\( b c a\) | b8 b4-> ~ b8 gis16\( a b gis\) | a4. ~ a8 e' e, | c'8-. c4-> ~ c8 a16\( b c a\) | % 5.5 - 133 c8-. c4-> ~ c8 a16\( b c a\) | b8 b4-> ~ b8 gis16\( a b gis\) | a4. ~ a8\( b c\) | 4.\(\pp 4 8\) | 4.\( 8-^ -^ -^\) | % 5.6 - 138 4.->\( 8-^ -^ -^\) | \set doubleSlurs = ##t 4.( 8) r g, | \unset doubleSlurs 4.\( 4 8\) | 4.\( 8-^ -^ -^\) | 4.\( 8 -> \) | % 6.1 - 143 8 e4->\> ~ e8 d4-> ~ | d8 c4-> ~ c8\!\pp 16\( \) | 8 4 r8 a,16\( b c a\) | b8 e,4 r8 16\( \) | 8 4 r8 a,16\( b c a\) | % 6.2 - 148 b4. \once \override Script #'script-priority = #-100 bis\fermata | cis8_\markup{\dynamic "pp" \italic "e legg."} cis4-> ~ cis8 a16\( b cis a\) | cis8_\markup{\italic "cresc."} cis4-> ~ cis8 a16\( b cis a\) | cis8->\< cis4 ~ cis8 bis16\( cis d cis\)\! | % 6.3 - 152 e4.->^\markup{\italic "con fuoco"}( d4)( cis8) | cis4.( b8)\< ais16\( b cis d\)\! | fis4.->( e4) a,8 | fis'4.\> ~ fis8 e d\! | % 6.4 - 156 cis8 a'4-> ~ a8 a16( g!) f!8 ~ | f8 e16( d) c8-> ~ c8 b16\( c d b\) | a8 a'4-> ~ a8 a16( g!) f!8-> ~ | f8 e16( d) c8-> ~ c b16\( c d b\) | \stemDown a8-. a16\( b c a\) \stemNeutral e'8-. a,16\(^\markup{\italic "allarg."} b c a\) | % 6.5 - 161 e'8-.^\markup{\italic "morendo"} a,16\( b c a\) e'8-. a,16\( b c a\) | \once\override DynamicLineSpanner #'padding = #2 a'2.\ppp | % \once\override Staff.OttavaBracket #'padding = #2 #(set-octavation 1) 8->\arpeggio\f\noBeam #(set-octavation 0) -.\pp\([ -. -. -. -.\)] | 2.\fermata | % fin \bar "|." } lower = \relative c { \clef bass \key ees \major \time 4/4 \clef treble 2 4 ees | 1\( ~ | 2. 4 | 2\) ~ 4 r | << {2\( 4 } \\ {s1} >> | % 1.1 - 5 << {\once\override Fingering #'extra-offset = #'(0 . -2) g2-1 \once\override Fingering #'extra-offset = #'(0 . -2.5) d-1} \\ {c2-5 a4-3 aes-4} >> | << {d2\)} \\ {g,2-5} >> r2 | \clef bass c,,8-.-5 r -. r c,-. r -. r | f-. r -. r f-. r -. r | g-. r -. r g-. r -. r | % 1.2 - 10 c,8-. r -. r c, r -. r | bes,-. r -. r bes,-. r -. r | aes,-. r -. r aes,-. r -. r | -. r -. r -. r -. r | -. r -. r f,-. r -. r | % 1.3 - 15 g-. r -. r c,-. r -. r | f,-. r -. r b, r -. r | \set fingeringOrientations = #'(up) r r r r | -.\( -. -. -.\) -.\( -. -. -.\) | -.\( -. -. -.\) -.\( -. -. -.\) | % 1.4 - 20 8-.\( aes'-._4 \set fingeringOrientations = #'(down) \once\override Fingering #'extra-offset = #'(0 . -2) -. aes-.\) -.\( aes-. -. aes-.\) | 8-.\( aes'-._5 \once\override Fingering #'extra-offset = #'(0 . -2) -. aes,-.\) -.\( aes-. -. aes-.\) | 8-.\( aes'-. -. aes-.\) -.\( aes-. -. aes-.\) | 8-.\( aes'-. -. aes-.\) -.\( aes-. -. aes-.\) | % 1.5 - 24 8 << {\override Staff.NoteCollision #'merge-differently-headed = ##t e2} \\ {e8-5 } >> | << {f2 g} \\ {f8-5 g } >> | << {aes2 b} \\ {aes8-4 b } >> | << {c8[ ] bes a[ ] aes } \\ {c4 bes! a aes} >> | % 2.1 - 28 8 8 | | r r4 8 r r4 | % 2.2 - 31 g,,8 r r g, r r | r r4 8 r r4 | g,,8 r \once\override TextScript #'padding = #1.5 r^\markup {\italic "allag."} g, r r | % 2.3 - 34 16 r r8 16 r r8 16 r r8 16[ r ] r | 16 r r8 16 r r8 16 r r8 16[ r ] r | \set fingeringOrientations = #'(right) 4\arpeggio r8. 16 8 r r | % 2.4 - 37 4\arpeggio r8. 16( 8) r r | 4\arpeggio r \arpeggio r | 2\arpeggio r\fermata | \bar "|." R1 | R1 | % 2.5 - 42 \bar "||" \clef treble 2\( 4 ees\) | 1 ~ | 2. 4-> | 2 r | R1 | % 2.6 - 47 \clef bass R1 | 1 ~ | 2 r | R1 | % 3.1 - 51 des,8-.-^-5 aes'-.-5 -. aes-. -. aes-. -. aes-. | des,-.-^ aes'-. -. aes-. -. aes-. -. aes-. | des,-.-^ aes'-. -. aes-. -. aes-. -. aes-. | des,-.-^ aes'-. -. aes-. -. aes-. -. aes-. | % 3.2 - 55 4 r r2 | 2 r | 4 r r | 4 r r2 | % 3.3 - 59 4 r r2 | \bar "||" \time 3/8 \key g \major \once\override DynamicLineSpanner #'padding = #3 \repeat "tremolo" 12 {64^\ppp d} | \once\override TextScript #'padding = #3.5 \repeat "tremolo" 12 {64^\markup{\italic "sotto voce."} d} | \noBreak \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 d} | % 3.4 - 65 \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 d} | \set fingeringOrientations = #'(up) \repeat "tremolo" 12 {64 ees-1} | \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 ees} | | % 3.5 - 72 \repeat "tremolo" 12 {64 d} | \repeat "tremolo" 12 {64 c} | \repeat "tremolo" 12 {64 b} | 8 r r | \bar "||" \key c \major \time 4/4 << {1} \\ {1->} >> | R1 | % 3.6 - 78 1\pp | \stemDown e,4. f!16 fis g4._1 a16_3 ais | << {\stemExtend gis'4} \\ {4->} >> r r2 | R1*2 | r4 c'-1 b a | % 4.1 - 84 2 r | \set doubleSlurs = ##t r4 ( 8) r r4 | R1^\markup{\musicglyph #"scripts.ufermata" } | \bar ".|" \time 6/8 r4 r8 r r | r r r r | % 4.2 - 89 a,8 -. -. -. r r | a,8 -. -. -. r r | a,8 -. -. -. r r | e,8 -. -. -. r r | a,8 -. -. -. r r | % 4.3 - 94 a,8 -. -. -. r r | a,8 -. -. -. r r | e,8 -. -. -. r r | a,8 -. -. -. r r | c8 -. -. c, -. -. | % 4.4 - 99 g, -. -. g, -. -. | g, -. -. g, -. -. | c, c, | c, -. -. c, -. -. | g, -. -. g, -. -. | g, -. -. g, -. -. | % 4.5 - 105 c, -. -. b, -. -. | a, -. -. f -. -. | e -. -. e -. -. | e -. -. e -. -. | e -. -. e -. -. | 8 r r r4\fermata r8 | % 4.6 - 111 8-.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | % 5.1 - 116 -.\( -. -.\) -.\( -. -.\) | r r | r r r r | r r r r | r r r r | % 5.2 - 121 r r r r | r r r r | r r r r | R2. | % 5.3 - 125 \stemNeutral 8-> r r \stemDown r r | r r r r | a,8 -. -. -. r r | a,8 -. -. -. r r | % 5.4 - 129 a,8 -. -. -. r r | e,8 -. -. -. r r | a,8 -. -. -. r r | a,8 -. -. -. r r | % 5.5 - 133 a,8 -. -. -. r r | e,8 -. -. -. r r | a,8 -. -. -. r r | c8 -. -. c, -. -. | g, -. -. g, -. -. | % 5.6 - 138 g, -. -. g, -. -. | c, c, | c, -. -. c, -. -. | g, -. -. g, -. -. | g, -. -. g, -. -. | % 6.1 - 143 c, -. -. b, -. -. | a, -. -. f -. -. | e -. -. e -. -. | e -. -. e -. -. | e -. -. e -. -. | % 6.2 - 148 8 r r r4\fermata r8 | 8-.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | % 6.3 - 152 -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | -.\( -. -.\) -.\( -. -.\) | r r | % 6.4 - 156 r r r r | r r r r | r r r r | r r r r | r r r r | % 6.5 - 161 r r r r | R2. | \stemUp 8-> \stemDown a-.\([ a-. a-. a-. a-.\)] | \stemUp a2.\fermata | % fin \bar "|." } \score { \new PianoStaff << \new Staff = upper { \upper } \new Staff = lower { \lower } >> \layout { \context { \Staff \consists Span_arpeggio_engraver } } \midi { } } \paper { first-page-number = 112 print-first-page-number = ##t ragged-last-bottom = ##f %#(set-paper-size "a4") }