\version "2.10.33" \header { title = \markup \center-align { \bigger "La Traviata" " "} subtitle = "Scena e duetto" subsubtitle = \markup {\italic "«Pura siccome un angelo»"} composer = "G. Verdi" arranger = "Transcripción de N. Toledo" piece = "Nº 7" %copyright = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" % Mutopia headers mutopiatitle = "La Traviata - N7 Scena e duetto" mutopiacomposer = "VerdiG" mutopiainstrument = "Piano" source = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" style = "Romantic" copyright = "Public Domain" maintainer = "Alberto Corella" maintainerEmail = "ppiano@telefonica.net" footer = "Mutopia-2008/04/21-1400" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } % Definiciones stemExtend = { \once\override Stem #'Y-extent = #'(0 . -1) \once\override Stem #'length = #14 } stemExtendOn = { \override Stem #'Y-extent = #'(0 . -1) \override Stem #'length = #14 } stemExtendOff = { \revert Stem #'Y-extent \revert Stem #'length } noFlag = \once \override Stem #'flag-style = #'no-flag noFlagOn = \override Stem #'flag-style = #'no-flag noFlagOff = \revert Stem #'flag-style upper = \relative c'' { \clef treble \key c \major \time 4/4 8-.^\markup{\column{\bold "Moderato" " "}} -. -. r 8-. -. -. r | \once\override DynamicLineSpanner #'staff-padding = #3 \repeat "tremolo" 4 {f16(-3^\> e)\!} f4 r | 8-. -. -. r 8-. -. -. r | \repeat "tremolo" 4 {f16(^\> e)\!} f4 r | % 1.1 - 4 << {d'2 r4 aes!8 g} \\ {2 r2} >> | g8 f r4 r8 aes16 aes aes8 g | g8 f r f16 f f4 e!8 f | aes8 g r4 r c8.-3 des16 | % 1.2 - 8 c4( bes8)[ r16 bes] \stemDown aes8-.\( aes-. bes-. c-.\) \stemNeutral | c4 g r8 c-2 d e | f4(\< f,8) r f'4-5 f8. e16 | e4 d8[ r16 d-2] d8-.-1 e-. f-. g-.-1\! | % 1.3 - 12 \once\override Fingering #'extra-offset = #'(0 . 4.5) \once\override TextScript #'extra-offset = #'(0 . 1) a1^\markup{\bold "Allegro"}_5 ~ | \times 2/3 {a8\( bes a} \times 2/3 {\once\override DynamicLineSpanner #'staff-padding = #2.5 f8\pp d c\)} \times 2/3 {\once\override TextScript #'extra-offset = #'(0 . -1) a8_\markup{\italic "allarg."} d c} \times 2/3 {g8 bes a} | << {g2^\markup{\finger "25"}( f4)} \\ {r4 \set fingeringOrientations = #'(left) } >> r4 | % 1.4 - 15 c'4-3 b!8. c16 e4. d8 | d4 c r8 c-2 c c | ees4 r r | ees2 r\fermata | % 1.5 - 19 \bar "||" \key aes \major \time 4/4 R1^\markup{\column {\line {\bold "Allegro moderato. ("\note #"4" #1 \bold " = 84)"} " "}} | \phrasingSlurDown c'4-5\(^\markup{\italic "dolciss."} aes8 ees\) \phrasingSlurNeutral c'4-5 c-3 | c4..\( des16 c4\) r | % 2.1 - 22 \phrasingSlurDown c4\( aes8 ees\) \phrasingSlurNeutral c'4 c | c4..\( des16 c4\) r | bes4-2\(\< a8 bes c4 des\) | des4.-5\(\!\> c8 bes4 aes\)\! | % 2.2 - 26 aes4.\(_2 bes16 c bes4 aes\) | g2(_2 des'!4-4) r | c4\(-5 aes8 ees c'4-. c-.\) | c4-3 ~ c16^\markup{\italic "legg."}\( b c des\) c4 r | % 2.3 - 30 c4\( aes8 ees c'4-. c-. | c4 ~ c16\( b c des\) c4 r | bes4-2\(\< a8 bes c4 des\)\! | f4.-5\( ees8 des \override Fingering #'avoid-slur = #'inside c-1 bes-3 aes\) |% 2.4 - 34 \revert Fingering #'avoid-slur bes4.-3\( c16 des\) f,8 g c bes | aes4.\( c16 bes aes4\) r | g4_1 g8 g aes4 g | bes4..\( aes16 aes4\) r | % 2.5 - 38 bes4-2 bes8. bes16 c4 \appoggiatura ees8 des4 | c4.-3 c8 c-.\( c-. c-. c-.\) | c8.-3 des16-4 c8 c c-.\( c-. c-. c-.\) | c4..\< c16\!\>\ff ees8. des16 ees8. des16\! | % 2.6 - 42 c16 ees,-2 d\pp ees c'8-4_\markup{\italic "ritar."}^\markup{\italic "sten."} des-5 bes16-3 ees,-2 d! ees bes'8-4^\markup{\italic "sten."} c-5 | 4 r8 << {\override TextSpanner #'edge-text = #'("animando" . "poco a poco") \once\override TextSpanner #'extra-offset = #'(0 . 2) \phrasingSlurDown g16-1\(\startTextSpan aes bes4\)( aes8) \slurDown g16( aes)} \\ {s4 \noFlagOn \stemExtendOn 8 \once \override NoteColumn #'force-hshift = #-1.7 \noBeam \noFlagOff \stemExtendOff s8 } >> | << {\slurUp bes4( aes8) \slurDown g16( aes) bes4\stopTextSpan ~ bes16 \phrasingSlurDown c\( des ees\) } \\ {s8 \noFlagOn \stemExtendOn \noBeam s4 8 \noBeam \noFlagOff \stemExtendOff s8} >> | % 3.1 - 45 << {ges'4-5( f8-5) a,16-1_( bes) c4( bes8) a16_( bes)} \\ {r8 r s \noFlagOn \stemExtendOn 8 \once \override NoteColumn #'force-hshift = #-1.7 \noBeam \noFlagOff \stemExtendOff s8} >> | << {c'4( bes8) a16_( bes) c4 ~ c16 d-1 ees f} \\ {\noFlagOn \stemExtendOn s8 8 \noBeam s4 8 \noBeam s8 } >> | << {aes''4( g!8) b,16-2 c des4( c8) b16_( c)} \\ {r8 r s \noFlagOn \stemExtendOn \once \override NoteColumn #'force-hshift = #-1.7 \noBeam s \noFlagOff \stemExtendOff } >> | % 3.2 - 48 << {des'4( c8) b16_( c) d4^\markup{\finger "41"} ~ d16 \phrasingSlurDown e\( f g\) \phrasingSlurNeutral} \\ {\noFlagOn \stemExtendOn s8 8 \noBeam s s \noBeam s \noFlagOff \stemExtendOff } >> | \once\override Fingering #'avoid-slur = #'inside c'16-2\p\( \once\override Fingering #'avoid-slur = #'inside c-1 aes'-5 \once\override Fingering #'avoid-slur = #'inside c,-1\) c\( c aes' c,\) c\( c aes' c,\) c\( c aes' c,\) | c\( c f-4 c\) c\( c f c\) c\( c f c\) c\( c f c\) | % 3.3 - 51 \override Fingering #'avoid-slur = #'inside c16-2\( c-1 ees-3 c\) c\( c ees c\) c\( c ees c\) c\( c ees c\) | \revert Fingering #'avoid-slur \phrasingSlurDown r16 fis,\(-2 d'-5 fis,\) r fis\( d' fis,\) r fis\( d' fis,\) r fis\( d' fis,\) | r16\< g\(-1 d'-5 g,\) r fis-2\( d' fis,\) r g\( d' g,\) r fis\( d' fis,\) | % 3.4 - 54 r16 g\( d' g,\) r fis\( d' fis,\) r g\( d' g,\) r fis\( d' fis,\) | \phrasingSlurNeutral g16-1\( \override Fingering #'avoid-slur = #'inside fis-2 g-1 a b-1 a b c d cis-3 d-1 ees-2 f-3 e-1 f g\) | \repeat "tremolo" 4 {16\!\ff c16} \tieDown \repeat "tremolo" 4 {16 c16 ~} \tieNeutral | % 3.5 - 57 8 r 4-> r2 | 8 r 4-> r2\fermata | R1^\markup{\musicglyph #"scripts.ufermata"}_\markup{\italic "lunga"} | \bar "||" \key ees \major \time 6/8 \partial 4 c8-.-1^\markup{\column {\line {\bold "Vivace. ("\note #"4" #1 \bold " = 102)"} " "}} d-. | % 3.6 - 61 \noBreak ees16->-3\(\pp d c4\) r8 c-. d-. | ees16->\( d c4\) r8 c-. d-. | \once\override TextScript #'extra-offset = #'(0 . -2) ees16->-5_\markup{\dynamic ff}\( f g4\) ~ g8 f ees | d16-2( g-5) g,4-1 r8 c-.-1 d-. | % 4.1 - 65 ees16->\( d c4\)_\markup{\dynamic p} r8 c-. d-. | ees16->\( d c4\) r8 c-. d-. | \once\override TextScript #'extra-offset = #'(0 . -2) ees16->_\markup{\dynamic ff}\( f g4\) ~ g8 f ees | d16( g) g,4 r8 _\markup{\italic "á piacere"} | % 4.2 - 69 4. f'8 ees d | c4( bes8_\markup{\italic "a tempo."} bes4^\markup{\italic "dim"}( aes8 | aes4( g8) g4( f8) | \set fingeringOrientations = #'(up) << {ees8 g \set fingeringOrientations = #'(up) } \\ {ees4 s8} >> 8 | % 4.3 - 73 4 r8 r c-. d-. | ees16->\( d c4\)\pp r8 c-. d-. | ees16->\( d c4\) r8 c-. d-. | ees16->\( f\f g4\) ~ g8 f ees | % 4.4 - 77 d16\( g g,4\) r8 des'-3 des | des16\( c c4\) ces8-.-1\( ces-. ces-.\) | ces16\( bes bes4\) r8 g-1 g | g4 ees'8 d4 c8 | % 4.5 - 81 b8-1 d4\fermata-3 ~ d8 d-3 dis-4 | \bar "|." \key c \major << {e4-5^\markup{"Ancora piú vivo"} e8-5 e4 e8} \\ {e,8-1 e e e e e} >> << {e'4 e8 e4 e8} \\ {e,8\< e e e e e } >> | << {e'4 e8 e4 e8} \\ {e,8 e e e e e\!} >> | % 4.6 - 85 e'4. d4\p r8 | \override TextSpanner #'edge-text = #'("con 8ª" . "") \once\override TextSpanner #'extra-offset = #'(0 . 2) f4.->\startTextSpan ~ f8 e d | c4.-> ~ c8 c d | c4\(-> b8 a4-> g8\) | % 5.1 - 89 g'4.-> fis-> | f!-> e-> | e8\( cis d\) e4-> d8 | c!4.( b) | % 5.2 - 93 g'4.-> fis-> | f!-> e->\stopTextSpan | \repeat "unfold" 6 8 | \repeat "unfold" 6 8 | % 5.3 - 97 << {bes'4-5\( \override Fingering #'avoid-slur = #'inside a8-5 g4-5 \revert Fingering #'avoid-slur f8-5\)} \\ {r8 r8 } >> | << {e4\( \override Fingering #'avoid-slur = #'inside d8-5 cis4-4 \revert Fingering #'avoid-slur d8-5\)} \\ {r8 r \set fingeringOrientations = #'(left) } >> | r8 ( ) r ( ) | % 5.4 - 100 r8 ( ) r ( ) | 8 \repeat "unfold" 5 8 | \cadenzaOn \set Staff.connectArpeggios = ##t << {a'2-5\arpeggio ~ \times 2/3 {a4 g f} } \\ {4\arpeggio s2.} >> \stemUp \times 2/3 {e4 f_4 d} \stemDown b16 r g'4\fermata \cadenzaOff \bar "|" \set Score.currentBarNumber = #103 4 r8 \acciaccatura {g,,16[ a b]} c4 r8 | % 5.5 - 104 r8 r4 r8 c'4 | des4.-5\(_\markup{\italic "a piacere"} bes | g f | e!4\) r8 r4 r8 | r4 r8 r4 c'8 | % 5.6 - 109 \stemNeutral des4.\( bes | g f | e!4 ~ e16 f e4\) r8 | R2.^\markup{\musicglyph #"scripts.ufermata"} | \bar "|." \key aes \major \time 2/4 aes16-3[^\markup{\column {\line {\bold "Andante piúttosto mosso. ("\note #"4" #1 \bold " = 96)"} " "}} aes r aes] g[ f r f] | % 6.1 - 114 \noBreak c'8.._( f,32) f8[ r16 aes] | g16[ f r c'] c8[ r16 c] | f4( f,8)[ r16 c'] | des16 des r8 bes8. bes16 | ees8. aes,16 aes8[ r16 aes] | % 6.2 - 119 g16[ f r f] f'8. f16\< | e16-4([ c)] 64 g, 16 r32 64 fis, 16 r32 64 f 16 r32\! | 64 e 16 r32 64 bes, 16 r32 64 fis,_\markup{\italic "cresc"} 16 r32 64 f, 16 r32 | % 6.3 - 122 64 g, 16 r32 64 g 16 r32 64 fis 16 r32 64 f 16 r32 | 64 e 16 r32 64 bes, 16 r32 64 a, 16 r32 64 aes, 16 r32 | 4 g | % 6.4 - 125 c, r8\fermata 8 | 16^\markup{\italic "con semplicita"} r r r r | 32\( b'-4 c-5 aes-3\) f8-2 r 16 r | 16 r r r r | % 6.5 - 129 32\( b' c aes\) f8 r 8 | 16 r r r r | 32\( d ees c\) aes8 r16. aes,32-3\noBeam aes16. g32 | % 6.6 - 132 f4 r8.. g32-2 | c4( c,16) r r | 16 r r r r | 32\( b' c aes\) f8 r 16 r | % 7,1 - 136 16 r r r r | 32\( b' c aes\) f8 r 16 r | 16 r r r r | % 7.2 - 139 \override TextSpanner #'edge-text = #'("con 8ª ad libitum" . "") \once\override TextSpanner #'extra-offset = #'(0 . 2) f'8-4\startTextSpan[ ~ f32 ees\( des c]\) c8-4[ ~ c32 des-5\( f, bes-4]\) | aes8[ ~ aes32 ees-2\( d ees]\) fes8._( ees16) | aes4\stopTextSpan r8 | 8\([ \)] | % 7.3 - 143 \set fingeringOrientations = #'(left) 32\ppp\( aes g! bes\) \set fingeringOrientations = #'(up) 4 f,8-1 | aes32\( ges f aes\) g4 aes8 | f8.-1\( g16 aes8\) \noBeam | 8\([\> \)]\! | % 7.4 - 147 32\ppp\( aes g bes\) 4( des,8) | aes32\([ ges f aes ges16\) ees'-5] ~ \stemUp ees8.[ ges,32-2 aes] \stemNeutral | << {f16\([ aes r ces-5] ces-5-. ces-. ces-. ces-.\) } \\ {r4 \set fingeringOrientations = #'(left) -1 ~ } >> | << {ces'16.-5\([ bes32-4 bes16 des-5\)] des-4-.\( des-. des-. des-.\)} \\ {8 r bes4} >> | % 7.5 - 151 8. ees'16-3\( ees-. ees-. ees-. ees-.\) | << {ges16.-5 f32 s8} \\ {ees16.[ des32 ees16.-3 des32]} >> c16.[ bes32 c16. bes32] | \appoggiatura bes8-3 aes32\([ g! aes f\) des'8-5] r16 des-3-. des-. ees-. | des-3 c-1 bes-3 aes g! aes f'16.\fermata-5 ees32 | % 7.6 - 155 \override TextSpanner #'edge-text = #'("con 8ª " . "") des8 \once\override TextSpanner #'extra-offset = #'(0 . 2) fes4->\startTextSpan\( ees16. des32\) | fes4.\( ees16. des32\) | % 8.1 - 157 ees4.\( des16. c32\) | des4( aes8) r | % 8.2 - 159 fes'4.\( ees16. des32\) | fes4.\( ees16. des32\) | % 8.3 - 161 ees4.\( des16. c32\) | des4( aes8) r | % 8.4 - 163 ces4.\( des16. ees32\) | ges4.\( fes16. des32\) | % 8.5 - 165 bes4.\( ces16. des32\) | fes8->( ees16) r aes,8\( bes16. ces32\) | % 9.1 - 167 ees8( des16) r g,!8\( aes16. bes32\) | \once\override DynamicLineSpanner #'Y-offset = #-6 ces16\f[ ees8-> ees-> ees-> ees16] | % 9.2 - 169 ees8\stopTextSpan[_\markup{\italic "á piacere con forza"} ges->-4 f-> ees]-> | \noBreak d8.-1 ees16-2 ees4-5 ~ | ees8[ ges,-2\( f-1 ees-2\)] | bes16-1\([\p \override Script #'avoid-slur = #'inside \once\override Fingering #'extra-offset = #'(0 . 2) 8-> -> \once\override Fingering #'extra-offset = #'(0 . 2) -> \revert Script #'avoid-slur 16->\)] ~ | % 9.3 - 173 16\([ \override Script #'avoid-slur = #'inside \once\override Fingering #'extra-offset = #'(0 . 1) 8-> \once\override Fingering #'extra-offset = #'(0 . 1) -> -> 16\)]( | 16)[\(_\markup{\italic "dim."} \once\override Fingering #'extra-offset = #'(0 . 2) 8 -> -> 16\)] ~ | 16\([ \once\override Fingering #'extra-offset = #'(0 . 1) 8-> \once\override Fingering #'extra-offset = #'(0 . 1) -> -> 16\)] | \revert Script #'avoid-slur 8 r bes'4\fermata | % 9.4 - 177 \bar "|." \key ees \major \time 6/8 g4.-1^\markup{\column {\line {\bold "Andantino cantabile. ("\note #"4" #1 \bold " = 50)"} " "}} g4 g8 | \noBreak aes4 ~ aes16. g32 aes4 r8 | aes4. aes4 aes8 | bes4-2 ~ bes16. a32 bes4 r8 | % 10.1 - 181 bes4.-2 c4 c8 | << {d4-4 d8 ees4.} \\ {bes2.-2 ~} >> | << {d4. c8 d ees} \\ {bes4. a4.-1} >> | << {d4-4 ~ \phrasingSlurDown d16.\( c32 bes4\) \phrasingSlurNeutral r8} \\ {bes4-2 r8 r4 r8 } >> | % 10.2 - 185 f'4.-5 ees8\(-4 c ees\) | bes4-2\( g8 bes\)[ r bes-4] | c8-.-5 c-. c-. \phrasingSlurDown c-5\( d,-1 c'\) \phrasingSlurNeutral | bes4 g8 bes4 r8 | % 10.3 - 189 << {aes'4.\( g4 d8-2\)} \\ {aes4. g} >> | << {f'8-5\( ees d c-5 bes aes\)} \\ {g4.-1 f} >> | << {g8-2 c8.-5 bes16 f8-2 ces'8.-5 bes16} \\ {ees,4. d8 r r} >> | ees8-1\> ->[( )] r ->\!( )] | % 10.4 - 193 des,4-4\p( ces8) \stemDown bes16-2[\( ces f,8-1 bes-4\)] \stemNeutral | ees,8\> ->[( )] r ->\!( )] | des,4\p( ces8) \stemDown bes16[( ces) f,8-. bes-4-.] \stemNeutral | ges4-2 ees8-1 ces'-5-.\([ ces-. ces-.\)] | % 10.5 - 197 ces4-4(^\> bes8-3)\! bes\([ ces des\)] | ges,8.-2 ees16-1 ges8 ces-.\( ces-. ces-.\) | ces4-3( bes8-2) des\([ ees des\)] | % 10.6 - 200 ces4-3 ges8_1 \phrasingSlurDown bes-3^\pp\(-. bes-. aes-.\) \phrasingSlurNeutral | aes8.-2 ges16-1 ges8 des'-.-4\(_\markup{\italic "cresc."} des-. ces-.\) | ces4( bes8) \(_\markup{\italic "con forza"} \) | \(\> -> \) \( -> \) | % 11.1 - 204 \( \) \( c-1 d-2\)\! | << {\set fingeringOrientations = #'(right) 4. g4-3 g8} \\ {\set fingeringOrientations = #'(right) 4 r8 r4 r8} >> | aes4-1 ~ aes16. g32 aes4 r8 | aes4.\( aes4 aes8 | % 11.2 - 208 bes4 ~ bes16. a32 bes4\) r8 | << {\stemDown \override Fingering #'avoid-slur = #'inside bes4.-3\( c4-4 c8 \stemNeutral} \\ {s2.} >> | << {d4-5 d8-5 \revert Fingering #'avoid-slur ees4.-5\)} \\ {r8 bes-3 aes-2 g-1 bes-2 c-1} >> | << {\once\override DynamicLineSpanner #'staff-padding = #2 f4.-5^\> f4-5 ees8-4\!} \\ {d8-3 d-3 d ees-4 g,-1 a-1} >> | % 11.3 - 212 << {d4-4 ~ d16. ees32-5 d4-4} \\ {bes4-2 ~ bes16. c32-3 bes4-2} >> r8 | f'4.->-5\( ees8 c ees\) | bes4\( g8 bes[\) r bes] | << {c8-.-5\( c-. c-.\) c-.\( d,-. c'-.\)} \\ {aes8 aes aes aes r r} >> | % 11.4 - 216 << {bes4 g8 ees'-4 d c} \\ {ees,4.( bes'4) r8} >> | << {\once\override DynamicLineSpanner #'staff-padding = #2.5 aes'4.-5\< g4 d8\!} \\ {\once\override Slur #'positions = #'(-1 . 0) b2.-1(} >> | << {s2.} \\ {\set fingeringOrientations = #'(up) 8-.\>) -. -. -. -. -.\!} >> \stemDown 8 8.-> 16 8 8.-> 16 \stemNeutral | % 11.5 - 220 ees,8 _(-> ) r _(-> ) | \once\override TextScript #'extra-offset = #'(0 . -4) r8_\markup{\italic "cresc."} _(-> ) << {f'4.-5->} \\ {des4( ces8^2)} >> | << {aes'8-5 ges-4 f ees4-4 ees8} \\ {\once\override DynamicLineSpanner #'staff-padding = #3 bes4-1\ff bes8-2 a4-1 a8} >> | << {\override Staff.NoteCollision #'merge-differently-dotted = ##t bes8-2 r g'-5\( aes4 d,8\)} \\ {bes16.([ c32)]-3 \once\override DynamicLineSpanner #'staff-padding = #5 bes16.([-1\pp c32)]-2 bes16.[( c32]) bes8-1 bes-> aes} >> | % 12.1 - 224 << {ees'8 _(-> )} \\ {ges8 s4} >> r8 _(-> ) | \once\override TextScript #'extra-offset = #'(0 . -4) r8_\markup{\italic "cresc."} _(-> ) << {f'4.->} \\ {des4( ces8)} >> | << {aes'8 ges f ees4 ees8} \\ {\once\override DynamicLineSpanner #'staff-padding = #3 bes4\ff bes8 a4 a8} >> | << {\override Staff.NoteCollision #'merge-differently-dotted = ##t bes8 r g'\( aes4 d,8\)} \\ {bes16.([ c32)] \once\override DynamicLineSpanner #'staff-padding = #5 bes16.([\pp c32)] bes16.[( c32]) bes8 bes-> aes} >> | % 12.2 - 228 << {ees'4 r8 f-5 ees d} \\ {g,8 r8. bes16 4.} >> | << {ees'4} \\ {4} >> r8 ces-5\fermata aes-3 ges-2 | f4-1\< r8 \stemUp f'4-3 ees8 | \bar "" \override TupletNumber #'transparent = ##t \times 2/3 {d16-1\![ aes'-5 f-3]} \times 2/3 {d16-2[ c-1\> aes-2]} f8-1 c'4-5 bes8\fermata\! | % 12.3 - 231 \set Score.currentBarNumber = #231 << {g2.} \\ {\stemUp d8\rest r } >> | 4 r8 r4\fermata r8 | \bar "|." \time 4/4 \partial 4 bes'8.-3^\markup{\column {\line {\bold "Sostenuto. ("\note #"4" #1 \bold " = 88)"} " "}} bes16 | \noBreak c8 bes \set fingeringOrientations = #'(left) [-. r16 ]-. \set fingeringOrientations = #'(up) 8-. bes16-5[ bes-5] bes8[-5 bes]-5 | % 12.4 - 234 c16( bes) bes8-. -.[ r16 -.] 8-. bes[ bes bes] | ces4 8-.[ r16 -.] 8-. r r ges | aes8 ges -.[ r16 -.] 8-. r des'8. des16 | fes8 ees -.[ r16 -.] 8 r r ges | % 12.5 - 238 beses2 r4 r8 dis | dis2( b!4) r8 dis-3 | \bar "||" \key g \major fis4-5 e dis cis | b2( e4) r | dis4( fis,!8.) a16 gis4. fis8 | % 12.6 - 243 4 ~ e16-1 fis-2 g-3 a-1 ais4-2( b8)-3 r | e,4-1 ~ e16 fis g a ais4( b8) r | fis,4-2 ~ fis16 g a b d4( c8) r | % 13.1 - 246 dis,4-1 ~ dis16 e fis g b4( a8) r | g4 r8 \phrasingSlurUp \stemDown e''16-3\( ees-2 d4.-1 cis16-3 c-2\) | b4.\( a16-4 g-3\) fis4.-2\( g16-3 gis-4\) | % 13.2 - 249 a4-5( d,8-.-2) e'16-3\( ees d4. cis16 c\) | b4.\( a16 g fis4. g16 gis\) | a4( d,8-.) e'16\( ees d4. cis16 c\) | b4.\( a16 g fis4. g16 gis\) | % 13.3 - 253 \stemNeutral a4-5( d,8-1[) cis16-2 d-1] dis8-2( e16-3) r\< f8-1( fis16-2) r | g8-1( gis16-2) r a8-1( bes16-2) r b8-3( c16-4) r cis8-2( d16-3) r\! | ees16-4\( d cis d\) d,8-1[ cis16 d] dis8( e16) r\< f8( fis16) r | % 13.4 - 256 g8( gis16) r a8( bes16) r b8( c16) r cis8( d16) r\! | ees16-4\( d cis d\) d,8-.[ d'-.] ees16\( d cis d\) d,8-.[ d'-.] | ees16\( d cis d\) d,8-.[ d'-.] ees16\( d cis d\) d,8-.[ d'-.] | % 13.5 - 259 d16-3\(\ff cis-2 d-3 ees-4\) \repeat "unfold" 3 {d16\( cis d ees\) } | \repeat "unfold" 4 {d16\( cis d ees\) } | d8. 16 8. 16 8. 16 8. 16 | 4 r r r8. d,16 | % 13.6 - 263 \phrasingSlurNeutral \bar "||" \key bes \major \override TextSpanner #'edge-text = #'("con 8ª ad libitum" . "") d2\f\startTextSpan->^\markup{\column {\line {\bold "Allegro moderato. ("\note #"4" #1 \bold " = 108)"} " "}} r4 r8. d16-3 | d4..-3\( ees16-4 d4..-3 bes16\) | g4..\(-1 a16 g4\) r8. g16-2 | g2-2 a8.-3\<[ b16-1 c8.-2 d16-3\!] | % 14.1 - 263 f2-5->( ees4-4) r8. d16 | f4->-5\( ees d c-2\) | d4..->-4\( c16 bes4\) r8. bes16-3 | a4.-2\( bes16 c\) bes4 a | g4._\markup{\italic "morendo"}\( bes16 a\) g4 r\stopTextSpan | % 14.2 - 268 d'4-3 d8. ees16 d4.. bes16 | g4.. a16 g4 r8. g16 | g2 a8.[\< b16 c8. d16] | f2->(\! ees4) r8. d16-4 | d4-4 c bes c | % 14.3 - 273 d2 ~ d8 c-2\< d-3 ees-4\! | bes2-2 a8-.-1^\markup{\italic "dim"} bes-. c\fermata d-. | bes4.-2 d16 c bes4 r8. \set fingeringOrientations = #'(left) 16 | \once\override TextScript #'extra-offset = #'(0 . 2) 4..(^\markup{"animando con molta pasione"} 16) 4..( 16) | 2->( 8) r 4 | % 14.4 - 278 \override Script #'avoid-slur = #'inside 4->\( -> -> ->\) | \revert Script #'avoid-slur 2->( 4) r | \stemDown 4 8. 16 4..\fermata 16 | 4..->\( 16 4\) r8. d16 | f4..->-5( ees16-4) \override TupletNumber #'transparent = ##f \times 2/3 {ees4 d c} | % 14.5 - 283 d4 r8 d8-.-4 d-.\([ d-. d-. d-.]\) | \override Fingering #'avoid-slur = #'outside d4->-4( cis8-.-3) c-. c-.\( c-. c-. c-.\) | c4->-4( bes8-3) bes-.^\markup{\italic "cresc."} bes-. bes-. bes-. bes-. | bes8.->-3 a16-2 bes8.-> a16 bes8.-> a16 bes8.-> a16 | % 14.6 - 287 \stemNeutral d,4-1 d'->-5 d-> d16-> r \once\override TextScript #'extra-offset = #'(0 . 2.5) 8^\markup{\italic "con pasione, sempre piú animando."} \noBreak | 4->( r8. 16) 4->( r8. 16) | 2->( 4) | 4 \< \! | % 15.1 - 291 2( 4) r | 4 8. 16 4.\fermata \set fingeringOrientations = #'(up) 8 | 4..->( 16) 4 r8.16 | 4..-> 16 \times 2/3 {4-. -. -.} | % 15.2 - 295 8 r r bes\p << {r4 r8 bes} \\ {a-1-.\( bes-.-2 c-.-3 bes-.-2\)} >> | << {g'4( f8) r r4 r8 bes,} \\ {aes4.-1 bes8-2 a-.-1\( bes-. c-. bes-.\)} >> | << {f'4-5( ees8-4) r r4 r8 bes} \\ {g4.-1 bes8-2 a!-.\( bes-. c-. bes-.\)} >> | << {a!8-2\( d4->-5 c8-4\) a-2\( d4-5-> c8-4\)} \\ {f,2-1\pp ees} >> | % 15.3 - 299 << {bes'8-3\( ees4-5-> d8-4\) c-3\( f4-5-> ees8-4\)} \\ {d,2-1 f-1} >> | << {d'8-4\( g4->-5 f8-4\) ees-2\( a4-5-> g8-4\)} \\ {bes,2-1 c-1} >> | << {f4-2} \\ {d4-1} >> | 8 | % 15.4 - 303 4 r8. f'16-2 4..\< 16 | 4..-> 16 4..-> 16\! | 2 r8 -. -. -. | 2..\fermata\ff 8 | % 15.5 - 307 8->\arpeggio\noBeam | r c'-1\noBeam c-1 c ees4 r8 des | ->\arpeggio\noBeam | % 16.1 - 310 r8 c' c c ees4. des8 | ->\arpeggio\noBeam \once\override DynamicLineSpanner #'padding = #2 \< \! | \repeat "tremolo" 4 {16\ff ces} \repeat "tremolo" 4 {16 ces} | 4 r r2 | % 16.2 - 314 \bar "||" ces'4^\markup{"Adagio á piacere"} ces8. ces16 bes4.. aes16 | aes4 ges r2 | 2 4.. 16 | 4 r r8 des | des c r4 r r8 c | % 16.3 - 319 c8 bes r4 r2 | \once\override Script #'script-priority = #-100 r2\fermata^\markup{\italic "colla parte"} r4 r8. d!16-3_\markup{"Conosca il sagrifizio..."} | \noBreak ees4..-4( d16) ees4..( d16) | d2 c4 r8. c16 | b4-1 c d ees | d2-3( bes4-2) r | % 16.4 - 325 d4-3 cis8. d16 g4..\fermata-5 f16-4 | f4..-4 e16 ees4 r8.\fermata \once\override TextScript #'extra-offset = #'(0 . -2) ees16-3_\markup{"Addio!"} | \noBreak d8 c r4 r2 | f2-3 e4.-2 f8-3 | a2-5( g4..-4) d16-1 | % 16.5 - 330 f2.-4( ees4-3) | 8\ff 16 bes-1 bes bes \repeat "tremolo" 4 {16 bes } | \repeat "tremolo" 4 {16 bes } \repeat "tremolo" 4 {16 bes } | 4 r r | r r | bes,1\fermata | \bar "|." } lower = \relative c { \clef bass \key c \major \time 4/4 r4 b! r c | << {\repeat "tremolo" 4 {aes'16(-2 g16)} aes4 r} \\ {des,2-5 ~ des4 r} >> | r4 b! r c | << {\repeat "tremolo" 4 {aes'16( g16)} aes4 r} \\ {d,!2 ~ d4 r} >> | % 1.1 - 4 2 r | R1 | R1 | r4 r2 | % 1.2 - 8 2( ) | << {\set fingeringOrientations = #'(up) 1} \\ {c2-4( bes-5)} >> | \set fingeringOrientations = #'(left) \repeat "tremolo" 4 { 16 f'16-1} \repeat "tremolo" 4 { 16 f'16} | \set fingeringOrientations = #'(up) \repeat "tremolo" 4 { 16 f'16-1} \repeat "tremolo" 4 { 16 f'16} | % 1.3 - 12 16 a' a' a' a' a' a' a' a' | 8\arpeggio r r4 8 r r | r4 c,( f) r | % 1.4 - 15 r2 | 2 r | r2 4 r | R1^\markup{\musicglyph #"scripts.ufermata"} | % 1.5 - 19 \bar "||" \key aes \major \time 4/4 8^\p -.^\markup{Cantabile} \repeat "unfold" 6 {8-.} | 8 \repeat "unfold" 7 8-. | 8 \repeat "unfold" 7 8-. | % 2.1 - 22 8 \repeat "unfold" 7 8-. | 8 \repeat "unfold" 7 8-. | ees,8 ees | 8 \repeat "unfold" 7 8 | % 2.2 - 26 f,8 bes, | ees8 ees | 8 \repeat "unfold" 7 8 | 8 \repeat "unfold" 7 8 | % 2.3 - 30 8 \repeat "unfold" 7 8 | 8 \repeat "unfold" 7 8 | ees,8 ees | c,8 f | % 2.4 - 34 des,8 ees | | e, e | f f | % 2.5 - 38 g g | aes-4 \set fingeringOrientations = #'(up) \unset fingeringOrientations f, | e f | 4( des,8) bes, | % 2.6 - 42 4 r r | 4 r r8^\pp r | r8 aes aes r r aes aes r | % 3.1 - 45 r8 des->( des,) r r r | r8 bes bes r r bes bes r | r ees( ees,) r r c' c r | % 3.2 - 48 r8 c c r r c c r | \override TextSpanner #'edge-text = #'("crescendo" . "poco a poco") r r\startTextSpan r r | r r r r | % 3.3 - 51 8 r r r\stopTextSpan r | r r r r | r r r r | % 3.4 - 54 r r r r | 8 r r4 r2 | \repeat "tremolo" 4 8 \repeat "tremolo" 4 8 | % 3.5 - 57 8 r 4-> r2 | 8 r 4-> r2\fermata R1^\markup{\musicglyph #"scripts.ufermata"} \bar "||" \key ees \major \time 6/8 \partial 4 r8 r | % 3.6 - 61 \once\override TextScript #'extra-offset = #'(0 . 3) r8 -. -. -. r r | r8 -. -. -. r r | r8 -. -. -. r r | r8 -.-> -.-> -> r r | % 4.1 - 65 r8 -. -. -. r r | r8 -. -. -. r r | r8 -. -. -. r r | r8 -.-> -.-> -> r r | % 4.2 - 69 8 r r r4 r8 | 8-. r r -. r r | -. r r -. r r | r8 -> -> -> -> -> | % 4.3 - 73 4-> r8 r4 r8 | r8 -. -. -. r r | r8 -. -. -. r r | r8 -. -. -. r r | % 4.4 - 77 8 -. -. -. -. | \stemDown | d! | c a, | % 4.5 - 81 8 r r\fermata r4 r8 | \stemNeutral \bar "|." \key c \major << {g4.-1\( gis-2} \\ {c,8-5 c c c c c} >> | << {a'4.-1 bes-2} \\ {c,8 c c c c c} >> | << {a'4.-1 aes8 g-1 ges\)} \\ {c,8 c c c c c} >> | % 4.6 - 85 8 | \repeat "unfold" 6 8 | \repeat "unfold" 6 8 | \repeat "unfold" 6 8 | % 5.1 - 89 e8 ees, | d, cis, | | | % 5.2 - 93 e8 ees, | d, cis, | ^\ff | | % 5.3 - 97 g'([ f)] r e( d) | r cis( d) r e( f) | 4 r8 4 r8 | % 5.4 - 100 4 r8 4 r8 | \repeat "unfold" 6 8 | \cadenzaOn 4 s r8 s2 r4 r8\fermata s4 s8 \cadenzaOff \bar "|" < c e g c>4 r8 \acciaccatura {g16[ a b]} 4 r8 | % 5.5 - 104 R2. | des'4.\( bes | g f | e!4\) r8 r4 r8 | R2. | % 5.6 - 109 des'4.\( bes | g f | e!4\) r8 r4 r8 | R2.^\markup{\musicglyph #"scripts.ufermata"} | \bar "|." \key aes \major \time 2/4 r8 -. r -. | % 6.1 - 114 r8 -.[ -.] r | r -. r -. | r -.[ -.] r | r -. r -. | r -.[ -.] r | % 6.2 - 119 r -. r -. | \set fingeringOrientations = #'(left) 64 c-1 16 r32 c,64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 | \unset fingeringOrientations c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 | % 6.3 - 122 c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 | c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 c64 c' c,16 r32 | 4 r | % 6.4 - 125 r4 r8\fermata r8 | \stemDown f16-.[ r -.] r f,-.[ r -.] r | f,16-.[ r -.] r f,-.[ r -.] r | f,16-.[ r -.] r f,-.[ r -.] r | % 6.5 - 129 f,16-.[ r -.] r f,-.[ r -.] r | bes16-.[ r -.] r ees-.[ r -.] r | 16-.[ r -.] r -.[ r -.] r | % 6.6 - 132 des,16[-. r ]-. r g,[-. r ]-. r | c16[-. r ]-. r c[-. r -.] r | c16[-. r -.] r c-.[ r -.] r | c16[-. r -.] r c-.[ r -.] r | % 7.1 - 136 c16[-. r -.] r c-.[ r -.] r | 16-.[ r -.] r -.[ r -.] r | bes,16-.[ r -.] r -.[ r -.] r | % 7.2 - 139 c16-.[ r -.] r des-.[ r -.] r | ees16-.[ r -.] r 8 r | 16[ r ] r [ r ] r | 16[ r ] r [ r ] r | % 7.3 - 143 16[ r ] r [ r ] r | 16[ r ] r [ r ] r | des,16[ r ] r des,[ r ] r | 16[ r ] r [ r ] r | % 7.4 - 147 16[ r ] r [ r ] r | 16[ r \once\override TextScript #'extra-offset = #'(0 . 2) ]^\markup{\italic "dolciss."} r [ r ] r | des,16[ r ] r des[ r ] r | des,16[ r ] r e[ r ] r | % 7.5 - 151 f16[ r ] r [ r ] r | des16[ r ] r [ r ] r | 16[ r ] r 16[ r ] r | 16[ r ] r 16[ r ] r\fermata | % 7.6 - 155 << {\once\override TextScript #'extra-offset = #'(-1 . 3) des,32_\markup{\finger "5"}[ \once\override TextScript #'extra-offset = #'(0 . 5.5) des'_\markup{\finger "1"} \once\override TextScript #'extra-offset = #'(0.5 . 2.5) ees,_\markup{\finger "5"} \once\override TextScript #'extra-offset = #'(0 . 5.5) des'_\markup{\finger "1"} \once\override TextScript #'extra-offset = #'(0.5 . 3) fes,_\markup{\finger "5"} des' \once\override TextScript #'extra-offset = #'(0.5 . 3.5) ges,_\markup{\finger "4"} des'] aes[\sustainDown \set fingeringOrientations = #'(down) \once\override Fingering #'extra-offset = #'(0 . 5) \sustainUp] } \\ {des,16-.\pp ees-. fes-. ges-. aes8-3 r} >> | << {des,32[ des' ees, des' fes, des' ges, des'] aes[\sustainDown ]\sustainUp } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | % 8.1 - 157 << {aes,32[ ges' bes, ges' c, ges' des ges] ees[\sustainDown \once\override Fingering #'extra-offset = #'(0 . 4.5) ]\sustainUp } \\ {aes,16-. bes-. c-. des-. ees8-4 r} >> | << {des32[ des' ees, des' fes, des' ges, des'] aes[ ] } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | % 8.2 - 159 << {des,32[ des' ees, des' fes, des' ges, des'] aes[ ] } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | << {des,32[ des' ees, des' fes, des' ges, des'] aes[ ] } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | % 8.3 - 161 << {aes,32[ ges' bes, ges' c, ges' des ges] ees[ ] } \\ {aes,16-. bes-. c-. des-. ees8 r} >> | << {des32[ des' ees, des' fes, des' ges, des'] aes[ ] } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | % 8.4 - 163 << {aes,32[ aes' bes, aes' ces, aes' des, aes'] ees[ ] } \\ {aes,16 bes ces des ees8 r} >> | << {des32[ des' ees, des' fes, des' ges, des'] aes[ ] } \\ {des,16-. ees-. fes-. ges-. aes8 r} >> | % 8.5 - 165 << {\once\override Fingering #'extra-offset = #'(1 . -8.5) ges32-5[ fes'-1 \once\override Fingering #'extra-offset = #'(1 . -8) aes,-4 fes' \once\override Fingering #'extra-offset = #'(1 . -7.5) bes,-3 fes' \once\override Fingering #'extra-offset = #'(1 . -7.5) ces-3 fes] des[ \once\override Fingering #'extra-offset = #'(0 . 5) ]} \\ {ges,16 aes bes ces des8-2 s} >> | << {\once\override Fingering #'extra-offset = #'(1 . -10) ces,32-5[ \once\override Fingering #'extra-offset = #'(0 . -7) ces'-1 \once\override Fingering #'extra-offset = #'(1 . -8.5) ges-2 \once\override Fingering #'extra-offset = #'(0 . -7) ces-1 \once\override Fingering #'extra-offset = #'(1 . -10) ces,-5 \once\override Fingering #'extra-offset = #'(0 . 4.5) ] fes,[ aes fes, ]} \\ {ces,16 ges' ces, r fes aes fes r} >> | % 9.1 - 167 << {bes,32[ bes' fes bes bes, ] ees,[ g! ees, ]} \\ {bes,16 fes' bes, r ees g ees r } >> | \override TextSpanner #'edge-text = #'("con 8ª adlibitum" . "") \once\override TextSpanner #'extra-offset = #'(0 . 2) aes,->\startTextSpan ees'-> a,-> ees'-> bes-> ees-> ces-> ees-> | % 9.2 - 169 c!8\stopTextSpan r r4 | R2 | R2 | << {r4 d,8.-3\( ees32-2 f-1} \\ {bes,16 bes' bes, bes' bes,-5 bes bes bes} >> | << {ges'4-2 aes8-1 a-1\)} \\ {bes,16-5 bes bes bes bes bes bes bes} >> | << {bes'8 r d,8.-3\( ees32-2 f-1} \\ {bes,16 bes' bes, bes' bes,-5 bes bes bes} >> | << {ges'4-2 aes8-1 a-1\)} \\ {bes,16-5 bes bes bes bes bes bes bes} >> | 8 r r4\fermata | % 9.4 - 173 \bar "|." \key ees \major \time 6/8 ees'8 ees | ees8 ees | ees8 ees | ees8 ees | % 10.1 - 181 ees8 ees | bes,8 | 8 f | bes,8 bes, | % 10.2 - 185 bes,8 bes, | bes8 bes | bes bes, | ees ees | % 10.3 - 189 d8 d | c8 aes, | bes,8 r r | | % 10.4 - 193 f8 bes, | | f8 bes, | ces,8[ 16. 32 8] ces[ 16. 32 8] | % 10.5 - 197 ces8[ 16. 32 8] ces[ 16. 32 8] | ces8[ 16. 32 8] ces[ 16. 32 8] | ces8[ 16. 32 8] ces[ 16. 32 8] | % 10.6 - 200 ces8 d! | ees f | ges \< \! | \set Staff.connectArpeggios = ##t << {4.\arpeggio \arpeggio} \\ {8\arpeggio r r \arpeggio r r} >> | % 11.1 - 204 << {4.\arpeggio \arpeggio} \\ {8\arpeggio r r \arpeggio r r} >> | ees8[ 16. 32 8] ees[ 16. 32 8] | ees8[ 16. 32 8] ees[ 16. 32 8] | ees8[ 16. 32 8] ees[ 16. 32 8] | % 11.2 - 208 ees8[ 16. 32 8] ees[ 16. 32 8] | ees8[ 16. 32 8] ees[ 16. 32 8] | bes,8[ 16. 32 8] [ 16. 32 8] | 8[ 16. 32 8] 16. 32 8] | % 11.3 - 212 8[ 16. 32 8] [ 16. 32 8] | bes,8[ 16. 32 8] bes,8[ 16. 32 8] | bes8[ 16. 32 8] bes[ 16. 32 8] | bes8[ 16. 32 8] bes,[ 16. 32 8] | % 11.4 - 216 ees8[ 16. 32 8] ees[ 16. 32 8] | d8[ 16. 32 8] d[ 16. 32 8] | c8[ 16. 32 8] 8[ 16. 32 8] | bes,8[ 16. 32 8] 8 r r | % 11.5 - 220 \set fingeringOrientations = #'(up) \repeat "tremolo" 6 {32( ees')} \repeat "tremolo" 6 {32( ees')} | \repeat "tremolo" 6 {32( ees)} \repeat "tremolo" 6 {32( ces')} | << {\override Staff.NoteCollision #'merge-differently-dotted = ##t ges,4. ces} \\ {ges8 ces } >> | bes8 bes | % 12.1 - 224 \repeat "tremolo" 6 {32( ees')} \repeat "tremolo" 6 {32( ees')} | \repeat "tremolo" 6 {32( ees)} \repeat "tremolo" 6 {32( ces')} | << {\override Staff.NoteCollision #'merge-differently-dotted = ##t ges,4. ces} \\ {ges8 ces } >> | bes8 bes | % 12.2 - 228 ees,8[ 16. 32 8] ees,[ 16. 32 8] | ees,8[ 16. 32 8] << {aes'8-1\fermata f-2 ees-3} \\ {\set fingeringOrientations = #'(left) 8 r r} >> | d4-4^\markup{\italic "á piacere."} r8 aes'4-4 a8 | \bar "" \override TupletNumber #'transparent = ##t \times 2/3 {bes16-2[ f'-1 d-2]} \times 2/3 {bes16-3[ aes!-4 f-1]} d8-5 aes'4-2 g8-3\fermata | % 12.3- 231 << {\once \override NoteColumn #'force-hshift = #1.7 ees2.} \\ {\stemUp ees,4 r8 ees4 r8} \\ {\stemDown ees8[ bes'16. bes32 bes8] ees,[ bes'16. bes32 bes8]} >> 4 r8 r4\fermata r8 | \bar "|." \time 4/4 \partial 4 r4 | r4 8-.[ r16 -.] 8-. r r4 | % 12.4 - 234 r4 8-.[ r16 -.] 8-. r r4 | r4 8-.[ r16 -.] 8-. r r4 | r4 8-.[ r16 -.] 8-. r r4 | r4 8-.[ r16 -.] 8-. r r4 | % 12.5 - 238 R1 | R1 | \bar "||" \key g \major << {a1( } \\ {\set doubleSlurs = ##t 1( } >> | << { gis)(} \\ {)(} >> | << { fis!)} \\ {)} >> | % 12.6 - 243 << {e4 s2.} \\ {e16-5 b'-1 g!-3 b \repeat "unfold" 6 {g16 b}} >> | << {g,4 s2.} \\ {g16-5 g'-1 e-2 g \repeat "unfold" 6 {e16 g} } >> | << {a,4 s2.} \\ {a16-5 a'-1 fis-2 a \repeat "unfold" 6 {fis16 a} } >> | % 13.1 - 246 b,16 a' fis a fis a fis a dis, b' fis b fis b fis b | << {\override Staff.NoteCollision #'merge-differently-headed = ##t e,4 s fis2} \\ {e8 fis } >> | << {g2 e} \\ {g8 e, } >> | % 13.2 - 249 << {d4 s fis2} \\ {d8 fis } >> | << {g2 e} \\ {g8 e, } >> | << {d4 s fis2} \\ {d8 fis } >> | << {g2 e} \\ {g8 e, } >> | % 13.3 - 253 \repeat "unfold" 4 {d8[ ]} | \repeat "unfold" 4 {d8[ ]} | \repeat "unfold" 4 {d8[ ]} | % 13.4 - 256 \repeat "unfold" 4 {d8[ ]} | d8[ ] d d[ ] d | d8[ ] d d[ ] d | % 13.5 - 259 4-> -> -> -> | 4-> -> -> -> | 8.[ 16] 8. 16 8.[ 16] 8. 16 | 4 r r2 | % 13.6 - 263 \bar "||" \key bes \major 4-. -. -.-.| -.-.-.-.| -.-.-.-.| -. -. -. -. | % 14.1 - 263 4-. -.-. -. | -. -. -. -. | -. -. -. -. | -. -. -. -. | -.-.-.-.| % 14.2 - 268 -.-.-.-.| -.-.-.-.| -. -. -. -. | 4-. -.-. -. | -. -. -. -. | % 14.3 - 273 -. -. \set fingeringOrientations = #'(left) -. -. | -. -. -. \fermata | -. -. -. -. | -.^\markup{\column {\line {\bold "("\note #"4" #1 \bold " = 132)"} " "}} -. -. -. | -. -. -. -. | % 14.4 - 278 -. -. -. -. | -. -. -. -. | -. -. -. -.\fermata | -. -. -. -. | -. -. -. -. | % 14.5 - 283 -. -. -. -. | -. -. -. -. | -. -. -. -. | -. -. -. -. | % 14.6 - 287 4 r r2 | bes,8-._5 f'\(_5 \set fingeringOrientations = #'(down) f\) bes,-. f'\( f\) | f,-. f'\( f\) f,-. f'\( f\) | f,-. f'\( f\) f,-. f'\( f\) | % 15.1 - 291 -. f-5\( f\) -. f\( f\) | -. f\( f\) f r\fermata | f\( f\) f\( f\) | f f f f | % 15.2 - 295 bes, bes | bes bes, | bes, bes | f, f, | % 15.3 - 299 g, g a a, | bes bes c c | d d d d | ees ees ees ees | % 15.4 - 303 f f f f | f f f f | f f f f | 2\arpeggio r\fermata | % 15.5 - 307 8[ bes16-3 b-2 c8-1 des-3] d-1 ees-3 e-2 f-1 | << {\set fingeringOrientations = #'(up) 8 } \\ {ges2-5 f} >> | 8[ bes16-3 b c8 des] d ees e f | % 16.1 - 310 << {8 } \\ {ges2 f} >> | 8->[ bes16 b c8 des] d ees e f | \repeat "tremolo" 4 8 \repeat "tremolo" 4 8 | 4 r r2 | % 16.2 - 314 \bar "||" R1 8 r r4 r2 | 8 r r4 r2 | 8-. r r4 r2 | 8-. r r4 r2 | % 16.3 -319 8-. r r4 r2 | 8-. r r4 r2\fermata | R1 | 8 r r4 r2 | R1 | 8 r r4 r2 | % 16.4 - 325 R1^\markup{\musicglyph #"scripts.ufermata"} | 8-. r r4 r2 | r4 r8 c'-1\noBeam bes a r4 | d2-2 cis4.-3 d8-2 | f2-1( ees4..-2) b16-4 | % 16.5 - 330 d2.-1( c4-2) | \repeat "tremolo" 4 8 \repeat "tremolo" 4 8 | \repeat "tremolo" 4 8 \repeat "tremolo" 4 8 | 4 r r | r r | 1\fermata | % fin } \score { \new GrandStaff << \new Staff = upper { \upper } \new Staff = lower { \lower } >> \layout { \context { \Staff \consists Span_arpeggio_engraver } } \midi { } } \paper { first-page-number = 48 print-first-page-number = ##t ragged-last-bottom = ##f %#(set-paper-size "a4") }