\version "2.10.25" \header { title = \markup \center-align { \bigger "La Traviata" " " } subtitle = "Valzer e duetto" composer = "G. Verdi" arranger = "Transcripción de N. Toledo" piece = "Nº 3" %copyright = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" % Mutopia headers mutopiatitle = "La Traviata - N3 Valzer e duetto" mutopiacomposer = "VerdiG" mutopiainstrument = "Piano" source = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" style = "Romantic" copyright = "Public Domain" maintainer = "Alberto Corella" maintainerEmail = "ppiano@telefonica.net" footer = "Mutopia-2008/01/13-1216" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } ossia = \relative c''' { \override Staff.Clef #'break-visibility = #all-invisible \stopStaff s2.*21 \startStaff \override Staff.Clef #'break-visibility = #begin-of-line-visible \clef treble \key ees \major \grace {s8} \times 2/3 {c16[ d c} bes8-.] bes-. r c4-. | \times 2/3 {c16[ d c} bes8-.] bes-. r c4-. | \times 4/5 {c16 d c d c} bes8-.[ aes-. g-. f-.] | \override Staff.Clef #'break-visibility = #all-invisible \override Staff.KeySignature #'break-visibility = #all-invisible \stopStaff s2.*5 \startStaff \grace {s8} \times 2/3 {g'16[ a g} f8-.] f-. r g4-. | \times 2/3 {g16[ a g} f8-.] f-. r g4-. | \times 4/5 {g16-3 a-1 g-3 a-1 g-3} f8-.[-2 ees-.-3 d-.-2 c-.]-1 | \stopStaff } upper = \relative c'' { \clef treble \key ees \major \time 3/4 4->^\markup{\column {\line {\bold "Allegro brillante. ("\note #"2" #1 \bold " = 80)"} " "}} r r | -> r r | -> r r | -> r r | \set fingeringOrientations = #'(up) _> _> _> | r | % 1.1 - 6 2. | 4 r r | 4-> r r | -> r r | -> r r | -> r r | % 1.2 - 12 | r | r r | R2. | \acciaccatura {fis'8-2} g4-.-3 r r | % 1.3 - 17 \acciaccatura {g8-2} aes4-.-3 r r | \acciaccatura {a8-2} bes4-.-3 r r | \acciaccatura {d8-2} ees8-.-3 r \acciaccatura {cis8-2} d8-.-3 r \acciaccatura {b8-2} c8-.-3 r | \acciaccatura {a8} bes4-. r c-.-4 | % 1.4 - 21 \noBreak \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-.-2 aes-.-3 g-.-2 f-.-1 | g4-.-2 r r | % 1.5 - 25 \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | \acciaccatura {a8} bes4 r g'-.-3 | % 2.1 - 29 \acciaccatura {a8-4} g8\trill[ f]-2 f-. r g4-. | \acciaccatura {a8} g8\trill[ f] f-. r g4-. | \acciaccatura {a8} g4\trill f8-. ees-. d-. c-. | \override Fingering #'avoid-slur = #'inside \override DynamicLineSpanner #'staff-padding = #3 bes8-2\(\< a-1 bes-2 c-3 g'-5 f-4\! | % 2.2 - 33 ees-3\> d-2 c-1 bes-4 a-3 aes-2\)\! | g4-1 r r | \acciaccatura {g8-2} aes4-.-3 r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | % 2.3 - 37 \acciaccatura {a8} bes4-. r c-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-. aes-. g-. f-. | % 2.4 - 41 g4 r r | \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-> r d-> r des-> r | % 2.5 - 45 c4 aes'8-. g-. f-. ees-. | d-. c-. bes-. aes-. g-. f-. | ees4 ees8-. g-. bes-. ees-. | ees,4 r r | % 2.6 - 49 \override DynamicLineSpanner #'staff-padding = #1 \arpeggio->\f \override DynamicLineSpanner #'staff-padding = #1.5 f'8-.\p ees-. d-. c-. | b16( d8) r16 aes16( b8) r16 f4-. | \override DynamicLineSpanner #'staff-padding = #1 \arpeggio\f \override DynamicLineSpanner #'staff-padding = #2 g'8-.\p f-. ees-. d-. | ees16( g8) r16 c,16( ees8) r16 g,4-> | % 3.1 - 53 \override DynamicLineSpanner #'staff-padding = #1 \arpeggio->\f \override DynamicLineSpanner #'staff-padding = #1.5 f'8-.\p ees-. d-. c-. | bes16( d8) r16 g,( bes8) r16 d,4-> | a'16( c8) r16 fis,( a8) r16 d,4-> | r r | \arpeggio-> f'8-.\p ees-. d-. c-. | % 3.2 - 58 b16( d8) r16 aes16( b8) r16 f4-. | \arpeggio g'8-. f-. ees-. d-. | ees16( g8) r16 c,16( ees8) r16 g,4-> | \arpeggio-> \override DynamicLineSpanner #'staff-padding = #1.5 f'8-.\p ees-. d-. c-. | % 3.3 - 62 bes16( d8) r16 g,( bes8) r16 d,4-> | a'16( c8) r16 fis,( a8) r16 d,4-> | r r | \acciaccatura {fis8} g4\pp r r | % 3.4 - 66 \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-. r \acciaccatura {cis8} d8-. r \acciaccatura {b8} c8-. r | \acciaccatura {a8} bes4-. r c-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | % 3.5 % 71 \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-. aes-. g-. f-. | g4-. r r | \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | % 3.6 - 76 \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | \acciaccatura {a8} bes4 r g'-. | \acciaccatura {a8} g8\trill[ f] f-. r g4-. | \acciaccatura {a8} g8\trill[ f] f-. r g4-. | % 4.1 - 80 \acciaccatura {a8} g4\trill f8-. ees-. d-. c-. | \override DynamicLineSpanner #'staff-padding = #3 bes8\(\< a bes c g' f\! | ees\> d c bes a aes\)\! | g4 r r | % 4.2 - 84 \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | \acciaccatura {a8} bes4-. r c-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | % 4.3 - 89 \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-. aes-. g-. f-. | g4 r r | \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | % 4.4 - 94 \acciaccatura {d8} ees8-> r d-> r des-> r | c4 aes'8-. g-. f-. ees-. | d-. c-. bes-. aes-. g-. f-. | ees4 ees8-. g-. bes-. ees-. | ees,4 r ees-> | % 4.5 - 99 \bar "|:" \key aes \major ees8([ ees')] ees r ees,4-. | ees8([ d')] d r ees,4-. | ees8([ des'!)] des r ees,4-. | ees8([ c')] c r ees,4-. | ees8([ bes')] bes r ees,4-. | % 5.1 - 104 ees8([ a)] a r ees4-. | ees8([ bes')] bes([ b)] b( c) | c([ des)] des([ d)] d( ees) | ees,([ ees')] ees r ees,4-. | ees8([ d')] d r ees,4-. | % 5.2 - 109 ees8([ des'!)] des r ees,4-. | ees8([ c')] c r ees,4-. | bes'8[( g']) g([ f]) f( ees) | ees[( des]) des[( c]) c( bes) | % 5.3 - 113 aes4 aes8-. c-. ees-. aes-. | aes,4 r r | \bar ":|" \key des \major \override DynamicLineSpanner #'staff-padding = #2 4\arpeggio\f 8-.\p -. -. -. | r r r | % 5.4 - 117 4\arpeggio\f 8-.\p -. -. -. | r r r | 4-> -> -> | -> -> -> | ges'16\( f ees des\) c8 r | % 5.5 - 122 r4 bes'16\( aes ges f\) ees8 r | 4\arpeggio\f 8-.\p -. -. -. | r r r | 4\arpeggio\f 8-.\p -. -. -. | r r r | % 5.6 - 127 4 ges'16\( f ees des\) c8 r | ees8-.-2 f-.-1 ges-. aes-. bes-. c-.-1 | des4-3 r r | \bar "||" \key f \minor \revert Fingering #'avoid-slur c,8-1([ bes'-5)] bes r r4 | c,8-1([ aes'-4)] aes r r4 | % 6.1 - 132 b,8-1([ g'-3)] g r r4 | e8-3([ g-5)] c,-1 r r4 | c8([ bes')] bes r r4 | c,8([ aes')] aes r r4 | b,8([ g')] g r r4 | c,8-1([ c'-5)] c r r4 | % 6.2 - 138 c,8([ c')] c r r4 | c,8([ c')] c r r4 | c,8([ c')] c r r4 | c,8([ c')] c r r4 | c,8([ c')] c r r4 | c,8([ c')] c r r4 | % 6.3 - 144 c,8([ c')] c r r4 | c,8-1([ c'-5)] c-5 r c,4-. | c8-1([ b'-5)] b r c,4-. | c8-1([ bes'!-4)] bes r c,4-. | c8-1([ a'-5)] a r c,4-. | c8-1([ g'-4)] g r c,4-. | % 6.4 - 150 c8-1([ fis-3)] fis r c4-. | c8-5(\< g'-3) g-2([ aes!-3)] aes( a) | a( bes) bes([ b)] b-3( c-4)\! | c,8-1([ c'-5)] c-5 r c,4-. | c8([ b')] b r c,4-. | % 6.5 - 155 c8([ bes')] bes r c,4-. | c8([ a')] a r c,4-. | g'8-1( e'-5) e-5([ d-4)] d-4( c-3) | c-3( bes-2) bes-3([ a-2)] a( g) | f4-1 f8-1-. a-. c-. f-. | f,2 f4-3 | % 6.6 - 161 f2.-5( f,4) r\fermata r8. f16-1 | \bar "||" \key f \major \time 3/8 f4^\markup{\column {\line {\bold "Andantino. ("\note #"8" #1 \bold " = 96)"} " "}}-1 r16 g-2 | bes8-4( a) r16 bes\( | d4-4 d8 | c4\) r8 | % 7.1 - 167 8 | << {c'4 bes8} \\ {4.} >> | << {a,8 ~ a16\( gis-2 a-3 bes-4\)} \\ {f8 r r} \\ {\once \override NoteColumn #'force-hshift = #-1 f'8 s4} >> | a,4-3 r8 | f4 f16. g32 | % 7.2 - 172 bes8( a) r16 bes | d4.( | c4) r8 | c4-3\( \stemDown b16. a32\) | \stemNeutral d4-3\( c16. b32\) | % 7.3 - 177 << {\override DynamicLineSpanner #'staff-padding = #2 e4.-4(\<} \\ {s4.} >> | << {f4-5)\(\!\> e16. d32\)\! } \\ {a4.} >> | << {e'4-5\( d16.-4 c32-5\)} \\ {4.} >> | a8-1 bes-3 g-1 | a8.-3 g16 f8 | % 7.4 - 182 << {f'4\( e16. d32\)} \\ {a4.} >> | << {e'4\( d16. c32\)} \\ {4.} >> | a8.-1[ bes16-3] \times 2/3 {bes16-3 a g} | a4-3( f8)-1 | << {des'8-4\( des des\)} \\ {f,4.-1} >> | % 7.5 - 187 << {c'4-3( f,8)-1} \\ {f4-1 r8} >> | << {des'8-4 des16\( des des des\)} \\ {f,4.} >> | << {c'4-5( f8-5)} \\ {f,4.-1} >> | a'8(-5 g16-4) \once\override TextScript #'staff-padding = #2 r^\markup{\italic "con gracia."} \times 2/3 {f16-. e-. d-.} | % 7.6 - 191 d8->-3( c16) r \times 2/3 {c16-.-2 f-.-3 a,-.} | d8->-4( c16) r \times 2/3 {a16-.-1 bes-.-3 g-.-2} | f4-1 r8 | \times 2/3 {16-.[ -. -.]} 16-. r -> r | % 8.1 - 195 << {f'8.\([ c16-3] c16\) r} \\ {4\p ~ 16 r} >> | \times 2/3 {16-.[ -. -.]} 16-. r -> r | << {f'4( c16)[ r32 c-2]} \\ {4\p ~ 16 r} >> | % 8.2 - 198 \override TextSpanner #'edge-text = #'("con 8va ad libitum" . "") \override TextSpanner #'padding = #2.5 \override TextSpanner #'dash-period = #1.0 c16-1[ r32 \startTextSpan \set stemLeftBeamCount = #2 bes'64-4( a-2)] g16-.-1[ r32 \set stemLeftBeamCount = #2 g64-4( f-3]) e16-.-2[ r32 \set stemLeftBeamCount = #2 e64-3( d-2)] | c16-1[ r32 \set stemLeftBeamCount = #2 bes'64-4( a-3)] g16-.-2[ r32 \set stemLeftBeamCount = #2 g64( f]) e16-.[ r32 \set stemLeftBeamCount = #2 e64( d)] | c16-.-1[ r32 \set stemLeftBeamCount = #2 e64-3( d)] c16-. bes-.-3 a-. g-. | % 8.3 - 201 g32-.-5[ f-. e-. d-.] c8 \stopTextSpan r | \times 2/3 {16-.[ -. -.]} 16-. r -> r | << {f'8.\([ c16] c16\) r} \\ {4\p ~ 16 r} >> | % 8.4 - 204 \times 2/3 {16-.[ -. -.]} 16-. r -> r | << {f'4( c16)[ r32 c-2]} \\ {4\p ~ 16 r} >> | \override TextSpanner #'edge-text = #'("con 8va ad libitum" . "") \override TextSpanner #'padding = #2.5 \override TextSpanner #'dash-period = #1.0 c16-1[ r32 \startTextSpan \set stemLeftBeamCount = #2 bes'64-4( a-2)] g16-.-1[ r32 \set stemLeftBeamCount = #2 g64-4( f-3]) e16-.-2[ r32 \set stemLeftBeamCount = #2 e64-3( d-2)] | % 8.5 - 207 c16-1[ r32 \set stemLeftBeamCount = #2 bes'64-4( a-3)] g16-.-2[ r32 \set stemLeftBeamCount = #2 g64( f]) e16-.[ r32 \set stemLeftBeamCount = #2 e64( d)] | c16-.-1[ r32 \set stemLeftBeamCount = #2 e64-3( d)] c16-. bes-.-3 a-. g-. \stopTextSpan | << {f'4-5( c8-3)} \\ {f,4-1 r8} >> | % 8.6 - 210 des'8-.\(-4 des-. des-.\) | << {c4(-5 f,8)} \\ {r16. f32-2 \times 2/3 {f16[ e f]} \times 2/3 {f16 e f} } >> | << {des'8-4 des16\( des des des\)} \\ {f,8-1 f r} >> << {c'4(-5 f8)-5} \\ {r16. f,32 \times 2/3 {f16[ e f]} \times 2/3 {f16 f a} } >> | % 9.1 - 214 8( 16) r \times 2/3 { } | 8( 16) r \times 2/3 {16 } | 8( 16) r \tupletDown \times 2/3 {16 \override Fingering #'padding = #1 \revert Fingering #'padding } \tupletNeutral | << {f!4-2 s8} \\ {f8 ~ \times 2/3 {\phrasingSlurUp f16\( a^\markup{\finger 3} \set stemRightBeamCount = #1 c^\markup{\finger 1}} \times 2/3 {\set stemLeftBeamCount = #1 f16^\markup{\finger 3} a^\markup{\finger 5} g\)}} >> | % 9.2 - 218 f8-3 ~ \times 2/3 {f16-5\(\override Fingering #'avoid-slur = #'inside a,-3 \set stemRightBeamCount = #1 c} \times 2/3 {\set stemLeftBeamCount = #1 ees a-3 \revert Fingering #'avoid-slur g\)} | f8 ~ \times 2/3 {f16-3 e ees} \times 2/3 {r16 d-3 des-2} | << {e!8-5( \once\override Fingering #'avoid-slur = #'inside e-5 e)} \\ {\once\override TextScript #'padding = #2 \times 2/3 {r16_\markup{\italic decresc.} c b} \times 2/3 {r16 bes a} \times 2/3 {r16 aes g}} >> | % 9.3 - 221 << {f'8 s4} \\ {f,8 ~ \times 2/3 {\phrasingSlurUp f16\( a \set stemRightBeamCount = #1 c } \times 2/3 {\set stemLeftBeamCount = #1 f16 a g\)}} >> | f8 ~ \times 2/3 {f16\(\override Fingering #'avoid-slur = #'inside a,-3 \set stemRightBeamCount = #1 c} \times 2/3 {\set stemLeftBeamCount = #1 ees-3 a \revert Fingering #'avoid-slur g\)} | f8-3 ~ \times 2/3 {f16-5 e ees} \times 2/3 {r16 d des} | % 9.4 - 224 << {e!8-5( e e)} \\ { \times 2/3 {r16 c b} \times 2/3 {r16 bes a} \times 2/3 {r16 aes g}} >> | << {f'8 r s} \\ {f,8 r \times 2/3 {\set fingeringOrientations = #'(left) 16-. -. -.}} >> | \set fingeringOrientations = #'(left) 8( 16) r \times 2/3 {16-. -. -.} | 8 r r | % 9.5 - 228 \cadenzaOn \override TupletNumber #'transparent = ##t c4-1 ~ \times 4/3 {c32[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 bes'64(-4 a-3)]} \times 4/3 {g32-2[\> \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 g64-4( f-3)]} \times 4/3 {e32-2[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 e64-4( d)]\!} \times 4/3 {cis32-2[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 a'64-4( g-3)]} \times 4/3 {f32-2[\> \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 f64( e)]} \times 4/3 {d32[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 d64-3( c-2)]\!} \times 4/3 {b32[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 g'64-4( f)]} \times 4/3 {e32-1[\> \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 e64-3( d)]} \times 4/3 {c32[ \set stemLeftBeamCount = #2 \set stemRightBeamCount = #2 r \set stemLeftBeamCount = #2 c64-3( bes-2)]\!} % 10.1 - 229 a16-1 f'-5 d-3 r32 bes-2[ c-1 d e f-1 g a] bes16 << {bes,[ bes bes] bes8 c\fermata} \\ {d,16[ d d] d8 e\fermata} >> \cadenzaOff \bar "|" << {\set fingeringOrientations = #'(left) 4.} \\ {r8 \set fingeringOrientations = #'(left) \pp } >> | % 10.2 - 230 << {4.} \\ {r8 } >> | << {R4.^\markup{\musicglyph #'"scripts.ufermata"}} \\ {4 r8\fermata}>> | \bar ".|" \key ees \major \time 3/4 \override DynamicLineSpanner #'staff-padding = #1 4\arpeggio->\f^\markup{\bold "1º Tempo."} \override DynamicLineSpanner #'staff-padding = #1.5 f'8-.\p ees-. d-. c-. | b16(-3 d8) r16 aes16( b8) r16 f4-> | % 10.3 - 234 \arpeggio g'8-. f-. ees-. d-. | ees16( g8) r16 c,16( ees8) r16 g,4-> | \arpeggio-> \override DynamicLineSpanner #'staff-padding = #1.5 f'8-.\p ees-. d-. c-. | bes16( d8) r16 g,( bes8) r16 d,4-> | % 10.4 - 238 a'16( c8) r16 fis,( a8) r16 d,4-> | r r | \acciaccatura {fis8} g4\pp r r | \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | % 10.5 - 243 \acciaccatura {d8} ees8-. r \acciaccatura {cis8} d8-. r \acciaccatura {b8} c8-. r | \acciaccatura {a8} bes4-. r c-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-. aes-. g-. f-. | g4-. r r | % 11.1 - 249 \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | \acciaccatura {a8} bes4 r g'-. | \acciaccatura {a8} g8\trill[ f] f-. r g4-. | \acciaccatura {a8} g8\trill[ f] f-. r g4-. | % 11.2 - 255 \acciaccatura {a8} g4\trill f8-. ees-. d-. c-. | \override DynamicLineSpanner #'staff-padding = #3 bes8\(\< a bes c g' f\! | ees\> d c bes a aes\)\! | g4 r r | \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | % 11.3 - 261 \acciaccatura {d8} ees8-. r \acciaccatura {cis} d-. r \acciaccatura {b} c-. r | \acciaccatura {a8} bes4-. r c-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c8\trill[ bes] bes-. r c4-. | \acciaccatura {d8} c4\trill bes8-. aes-. g-. f-. | g4 r r | % 11.4 - 267 \acciaccatura {g8} aes4-. r r | \acciaccatura {a8} bes4-. r r | \acciaccatura {d8} ees8-> r d-> r des-> r | c4 \once\override Staff.OttavaBracket #'padding = #3 #(set-octavation 1) aes'8-.-3 g-. f-. ees-.-3 | d-. c-. bes-.-4 aes-. g-. f-. | ees4-2 r | % 11.5 - 273 8([ )] -. r bes'4-5-> | 8([ )] -. r bes'4-5-> | 8([ )] -. r bes'4-5-> | 8([ )] -. r bes''4-5-> | 8([ )] -. r bes'4-> | 8([ )] -. r bes'4-> | % 11.6 - 279 8([ )] -. r bes'4-> #(set-octavation 0) | 8([ )] -. r ees4-1-. | \repeat volta 2 { \override Fingering #'avoid-slur = #'inside ees8-1([ ees')] ees r ees,4-. | ees8([ ees')] ees r ees,4-. | ees8([ ees')] ees r 4 | % 12.1 - 284 4(-> 8) r f,4-1-. | f8([ f')] f r f,4-. | f8([ f')] f r f,4-. | f8([ f')] f r 4 | (-> 8) r g,4-. | #(set-octavation 1) g8[( g']) g r g,4-. | % 12.2 - 290 g8[( g']) g r g,4-. | g8[( g']) g r 4 | 4-> 8 r 4 | ees8-3([ d)] f r ees r | bes8-2[( a-1)] c-4 r bes r #(set-octavation 0) | g8-2([ aes!)] c, r d r | % 12.3 - 296 } \alternative { {ees4-3 r ees} {ees4 r bes} } bes8([ bes')] bes r bes,4-. | bes8([ bes')] bes r bes,4-. | \times 2/3 {c8-1[( ees-2 aes-4])} c8-5 r 4 | r bes, | % 12.4 - 302 bes8([ bes')] bes r bes,4-. | bes8([ bes')] bes r bes,4-. | \times 2/3 {c8[( ees aes])} c8 r 4 | bes,-.\p bes'-. | r bes,-. bes'-. | r bes,-. << {bes'4} \\ {\set fingeringOrientations = #'(left) _(} >> | << {s2.} \\ {d,2.^>^\markup{\finger 1})^(}>> | % 12.5 - 309 << {s4} \\ {ees4-3)} >> bes,-.-1 bes'-.-5\pp | r bes,-. bes'-. | r bes, << {bes'4} \\ {_(} >> | << {s2.} \\ {\stemUp d,2.^>^\markup{\finger 13})^(}>> | << {s4} \\ {)\f} >> 8\ff 4 | | r r | r r % fin \bar "|." } lower = \relative c { \clef bass \key ees \major \time 3/4 4-> r r | -> r r | -> r r | -> r r | -> -> -> | r | % 1.1 - 6 2. | 4 r r | -> r r | -> r r | -> r r | -> r r | % 1.2 - 12 | r | 8 r r r | ees r r r | ees r r r | % 1.3 - 17 ees r r r | ees r r r | ees r r r | bes, r r r | % 1.4 - 21 bes, r r r | bes, r r r | bes, r r r | ees r r r | % 1.5 - 25 ees r r r | ees r r r | ees r r r | f r r r | % 2.1 - 29 ees, r r r | f r r r | f r r r | 4 r r | % 2.2 - 33 R2. | ees,8 r r r | ees r r r | ees r r r | ees r r r | % 2.3 - 37 bes, r r r | bes, r r r | bes, r r r | bes, r r r | % 2.4 - 41 ees r r r | ees r r r | ees r r r | ees r r r | % 2.5 - 45 aes,8 r r r | bes, r r r | ees r r r | 4 r r | % 2.6 - 49 -> 8 r r | d r r r | 4 8 r r | c r r r | % 3.1 - 53 4-> 8 r r | d r r r | d r r r | 4 r r | -> 8 r r | % 3.2 - 58 d r r r | 4-> 8 r r | c r r r | 4-> 8 r r | % 3.3 - 62 d r r r | d r r r | 4 r r | ees8 r r r | % 3.4 - 66 ees r r r | ees r r r | ees r r r | bes, r r r | bes, r r r | % 3.5 - 71 bes, r r r | bes, r r r | ees r r r | ees r r r | ees r r r | % 3.6 - 76 ees r r r | f r r r | ees, r r r | f r r r | % 4.1 - 80 f r r r | 4 r r | R2. | ees,8 r r r | % 4.2 - 84 ees r r r | ees r r r | ees r r r | bes, r r r | bes, r r r | % 4.3 - 89 bes, r r r | bes, r r r | ees r r r | ees r r r | ees r r r | % 4.4 - 94 ees r r r | aes,8 r r r | bes, r r r | ees r r r | 4 r r | % 4.5 - 99 \key aes \major 8 r r r | r r r | r r r | r r r | ees r r r | % 5.1 - 104 ees r r r | ees r r r | ees r r r | r r r | r r r | % 5.2 - 109 r r r | r r r | des, r r r | ees r r r | % 5.3 - 113 r 4 | r r | \key des \major 4 8 r r | des r r r | % 5.4 - 117 4 8 r r | des r r r | aes, r r r | aes, r r r | aes, r r r | % 5.5 - 122 aes, r r r | 4 8 r r | des r r r | 4 8 r r | des r r r | % 5.6 - 127 aes, r r r | aes, r r r | 4 r r | \key f \minor e8 r r r | f r r r | % 6.1 - 132 g,8 r r r | c r r r | e8 r r r | f r r r | g,8 r r r | c r r r | % 6.2 - 138 c, r r r | c, r r r | c, r r r | 4\arpeggio r r | R2. | R2. | % 6.3 - 144 R2. | 8^\markup{\italic{un poco marcato.}} r \set fingeringOrientations = #'(left) r r | r \set fingeringOrientations = #'(up right right) r r | r r r | r r r | c r r r | % 6.4 - 150 c, r r r | c r r r | c, r r r | r r r | r r r | % 6.5 - 155 r r r | r r r | bes, r r r | c, r r r | r 4 | r r | % 6.6 - 161 R2. | R2.^\markup{\musicglyph #"scripts.ufermata"} \bar "||" \key f \major \time 3/8 8 -. -. | 8 -. -. | -.-. | 8 -. -. | % 7.1 - 167 c8 -. -. | c -. -. | -. -. | -. -. | -. -. | % 7.2 - 172 -. -. | -. -. | -. -. | -. -. | -. -. | % 7.3 - 177 8 r r | \set fingeringOrientations = #'(left) | | | | % 7.4 - 182 | | | | | % 7.5 - 187 | | | | % 7.6 - 191 | | | | % 8.1 - 195 | | | % 8.2 - 198 c | c | c | % 8.3 - 201 | | | % 8.4 - 204 | | c | % 8.5 - 207 c | c | | % 8.6 - 210 | | | | % 9.1 - 214 \stemDown | | \stemNeutral | \stemDown \times 2/3 {f,16-. a-. c-.} f8-.[ -.] | % 9.2 - 218 \times 2/3 {f,16-. a-. c-.} f8-.[ -.] | \times 2/3 {f,16-. bes-. d-.} f8-.[ -.] | \stemNeutral 8 | % 9.3 - 221 \stemDown \times 2/3 {f,16-. a-. c-.} f8-.[ -.] | \times 2/3 {f,16-. a-. c-.} f8-.[ -.] | \times 2/3 {f,16-. bes-. d-.} f8-.[ -.] | % 9.4 - 224 \stemNeutral 8 | 8 r \times 2/3 {16-. -. -.} | 8 r \times 2/3 {16-. -. -.} | 8 r r | % 9.5 - 228 \cadenzaOn << {c'4-1 ~ \stemDown c8-5[ \clef treble e-3 g-2] a8-1->[ d,-4 f-2] g8-1->[ c,-4 e-2]} \\ {4} >> f'16-1 a,-4 bes-3 r32 g[ a bes c d e-3 f] g16 s8. s4 \cadenzaOff \clef bass \bar "|" 8\sustainDown r r | % 10.2 - 230 8 r r | 4\sustainUp r8\fermata | \bar ".|" \key ees \major \time 3/4 4-> 8 r r | d r r r | % 10.3 - 234 4-> 8 r r | c r r r | 4-> 8 r r | d r r r | % 10.4 - 238 d r r r | 4 r r | ees8 r r r | ees r r r | ees r r r | % 10.5 - 243 ees r r r | bes, r r r | bes, r r r | bes, r r r | bes, r r r | ees r r r | % 11.1 - 249 ees r r r | ees r r r | ees r r r | f r r r | ees, r r r | f r r r | % 11.2 - 255 f r r r | 4 r r | R2. | ees,8 r r r | ees r r r | ees r r r | % 11.3 - 261 ees r r r | bes, r r r | bes, r r r | bes, r r r | bes, r r r | ees r r r | % 11.4 - 267 ees r r r | ees r r r | ees r r r | aes,8 r r r | bes, r r r | ees r r r | % 11.5 - 273 bes, r r r | bes, r r r | bes, r r r | ees r r r | bes, r r r | bes, r r r | % 11.6 - 279 bes, r r r | ees r r r | \repeat volta 2 { ees8 r r r | ees r r r | << {\set fingeringOrientations = #'(left) 4( )} \\ {\set fingeringOrientations = #'(left) 8 r r4 r} >> | % 12.1 - 284 << {4( 8) s4.} \\ {4 ~ 8 d,\rest d4\rest} >> | f8 r r r | f r r r | << {\set fingeringOrientations = #'(left) 4( )} \\ {f,8 r r4 r4} >> | << {4( 8) s4.} \\ {\set fingeringOrientations = #'(left) 4 ~ 8 d,\rest d4\rest} >> | g8 r r r | % 12.2 - 290 g r r r | << {\set fingeringOrientations = #'(left) 4 } \\ {\set fingeringOrientations = #'(left) 8 r r4 r} >> | << {4( 8) s4.} \\ {c4 ~ c8 d,\rest d4\rest} >> | 8 r r r | r r r | r r r | % 12.3 - 296 } \alternative { {ees8 r r r} {4 r r} } \clef treble 2.(^\( | 4)\) r r | \clef bass r \arpeggio | r r | % 12.4 - 302 \clef treble 2.(^\( | 4)\) r r | \clef bass r \arpeggio | r r | \clef treble 4 r r | r g_(-3 | aes2.-2->)( | % 12.5 - 309 g4-3) r r | \clef bass 4 r r | r g( | aes2.)-> | 4 8 4 | | r r | r r % fin \bar "|." } \score { << \new Staff \with { \remove "Time_signature_engraver" fontSize = #-2 \override StaffSymbol #'staff-space = #(magstep -2) firstClef = ##f } {\ossia} \new PianoStaff << \new Staff = upper { \upper } \new Staff = lower { \lower } >> >> \layout { } \midi { } } \paper { first-page-number = 15 print-first-page-number = ##t ragged-last-bottom = ##f %#(set-paper-size "a4") }