\paper { linewidth = 7.0 \in topmargin = .5 \in bottommargin = 0.5 \in aftertitlespace = .5 \in footsep = .5 \in } %%% From the music book entitled "Parlor Gems" (a Choice Selection %%% of Music, Instrumental and Vocal, by the %%% Best Composers, to which is added original %%% Charades for Parlor Performance %%% by C. M. Cady. %%% Published in 1878 by C. M. Cady, 107 Duane St., New York. \header { title = "THUNDER AND LIGHTNING." subtitle = \markup {\small \small "(UNTER DONNER UND BLITZ.)"} subsubtitle = \markup {\small "FAST POLKA." } composer = "Johann Strauss II, Op. 324." arranger = "" poet = "" instrument = "" source = "C. M. Cady, Pub. 1878" copyright = "Public Domain" enteredby = "Stan Sanderson" maintainerEmail = "physinfoman@ameritech.net" lastupdated = "10/9/2005" % % These are headers used by the Mutopia Project % http://www.mutopiaproject.org/ mutopiatitle = "Thunder and Lightning" mutopiacomposer = "Strauss J" mutopiapoet = "" mutopiainstrument = "Piano" date = "1825-1899" source = "C. M. Cady, Pub. 1878" maintainer = "Stan Sanderson" maintainerEmail = "physinfoman@ameritech.net" maintainerWeb = "" lastupdated = "10/9/2005" footer = "Mutopia-2005/10/17-610" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \include "english.ly" \version "2.6.0" #(set-global-staff-size 18) upper = \relative c' { \time 2/4 \key g \major %% 1-4 8_\f^\markup {\column {\italic \bold "Introduction." " "}} r r r r r < d fs d'> r r << {\slurDown r8 16\accent( %% 5-8 4^\markup {\column {\italic \bold "Polka." " "}} ) }\\{8 r s2}>> \slurNeutral 4( ) 8[ r16 ] 8[ r16 ] 4.(16 ) %% 9-12 4( ) ( ) 8[ r16 ] 8[ r16 ] 4.( 16 ) %% 13-16 4 8[ r16 ] 8[ r16 ] 4 ~ 16( e d c) %% 17-20 4 8[ r16 ] 8[ r16 ] 4.( 16 ) %% 21-24 4( ) ( ) 8[ r16 ] 8[ r16 ] 4.(16 ) %% 25-28 4( ) ( ) 8[ r16 ] 8[ r16 ] 4. e16( d) %% 29-32 4 8. 16 8. 16 4 b16( a gs a) %% 33-36 8[ g e fs] [ ] [ d, d d] ef[ d e d] %% 37-40 4. d8 ef[ d e d] 4. d8 \accent r d r %% 41-44 \accent r d r r r [ ] \repeat volta 2 {8[ d d] %% 45-48 [ d d'] r r r r 4( 8. 16) %% 49-52 2 4( 8. 16) 8[ ] [ d d] %% 53-56 [ d d'] r r r r 4( 8. 16) %% 57-60 4( 8. 16) 8[ ] } \alternative {{[ ]} { r }} \break %% %% Trio Section %% %% 61-64 \key c \major #(set-octavation 1) a''16[(^\markup {\column {\large \bold \italic "Trio." " " }} g f e]) d8 r f16[( e d c]) b8 #(set-octavation 0) r 8[ ] r r g %% 65-68 \repeat volta 2 { c4( e) a( ~ a8. g16) f4( b,8 g) 2\accent %% 69-72 f4( b,8 g) 2\accent e4( c8. a16) g4 r8 g %% 73-76 c4( e) a( ~ a8. g16) f4( b,8 g) 2\accent %% 77-80 8 r r r r [ ] } \alternative {{ r r g,,} %% 81-84 { r r4}} %% (2nd ending) \repeat volta 2 { \acciaccatura gs8 a8 r \acciaccatura fs g! r 8.(-^ 16 g'8) r \acciaccatura gs8 a8 r \acciaccatura fs g! r %% 85-88 8.(-^ 16 g'8) r \acciaccatura gs8 a8 r \acciaccatura fs g! r 4(\accent g8) r \acciaccatura gs8 a8 r \acciaccatura fs g! r %% 89-92 4(_\accent g8) r \acciaccatura gs8 a8 r \acciaccatura fs g! r 8.( 16 g'8) r \acciaccatura gs8 a8 r \acciaccatura fs g! r %% 93-96 8.( 16 8) r \acciaccatura as8 b8 r \acciaccatura cs d r 4( e,8) r 4(_\accent fs8) r } %% 97-100 \alternative {{4(-^( g8) r} {8 r c4(\trill_\accent b8) r a4(\trill g8) r \acciaccatura f8 8 r %% 101-104 8 r g, c4( e) a4( ~ a8. g16) f4( b,8 g) %% 105-108 2\accent f4( b,8 g) 2\accent e4( c8. a16) %% 109-112 g4 r8 g c4( e) a( ~ a8. g16) f4( e8 d) %% 113-116 4. 8 r r fs'[ g c e,] 4 %% 117-120 8[ ] r }} \break \key g \major 8_\f^\markup {\column {\italic "Finale." " "}} r r r r r < d fs d'> r %% 121-124 r << {\slurDown r8 16\accent( 4 ) }\\{8 r s2}>> \slurNeutral 4( ) 8[ r16 ] 8[ r16 ] %% 125-128 4.(16 ) 4( ) ( ) 8[ r16 ] 8[ r16 ] %% 129-132 4.( 16 ) 4 8[ r16 ] 8[ r16 ] %% 133-136 4 ~ 16( e d c) 4 8[ r16 ] 8[ r16 ] %% 137-140 4.( 16 ) 4( ) ( ) 8[ r16 ] 8[ r16 ] %% 141-144 4.(16 ) 4( ) ( ) 8[ r16 ] 8[ r16 ] %% 145-148 4. e16( d) 4 8. 16 8. 16 %% 149-152 4 b16( a gs a) 8[ g e fs] [ ] [ d, d d] %% 153-156 ef[ d e d] 4. d8 ef[ d e d] 4. d8 %% 157-160 \accent r d r \accent r d r r r [ ] %% 161-164 \set Staff.voltaSpannerDuration = #(ly:make-moment 2 4 ) \repeat volta 2 {8[ d d] [ d d'] r r r r %% 165-168 4( 8. 16) 2 4( 8. 16) 8[ ] %% 169-172 [ d d] [ d d'] r r r r %% 173-176 4( 8. 16) 4( 8. 16) 8[ ] } \alternative {{[ ]} %% 177-180 {[ ] r g2(\startTrillSpan g)\stopTrillSpan 4 %% 181-184 8[ g d] r g2(\startTrillSpan g)\stopTrillSpan 4 %% 185-188 8 r r r r d,16( e fs g a b! c! d) c( b a b c d e fs) %% 189-192 8[ ] 8[ ] r r4 8 r r4 %% 193 g,,2\fermata }} } two = \relative c {d,8_\fz r r4_\pp } %%% First measure work-around lower = \relative c { \time 2/4 \key g \major \clef bass %% 1-4 d2( 32) d'( d, d' d, d' d, d' d, d' d, d' d, d' d, d') \repeat "tremolo" 8 {d,32( d')} \repeat "tremolo" 8 {d,32( d')} \bar ".|" %% 5-8 a8[ d, ] a8[ d, ] fs,[ d, ] fs,[ ] %% 9-12 g,[ b ] g,[ b ] g,[ b ] g,[ ] %% 13-16 a[ d, ] a[ d, ] a[ d, ] a[ ] %% 17-20 g,[ d, ] g,[ d, ] g,[ d, ] g,[ ] %% 21-24 a[ d, ] a[ d, ] fs,[ d, ] fs,[ ] %% 25-28 g,[ b ] g,[ b ] g,[ b ] g,[ ] %% 29-32 e[ a, ] e[ a, ] d,[ d, ] d,[ ] %% 33-36 g[ g ] a,[ a, ] [ ] ef[ d e d] %% 37-40 [ d] ef[ d e d] [ d] r4 8 r %% 41-44 r4 8 r 8[ d, d] r e2\rest g,8[ g ] %% 45-48 g[ g ] c[ c ] c[ c ] d[ d ] % 49-52 d[ ] g[ g ] g[ ] g,[ g ] %% 53-56 g[ g ] c[ c ] c[ c ] r r4 %% 57-60 8 r r4 d,8[ d, ] %% alt 1 r r4 %% alt 2 8 r \bar "|." %% %% Trio Section %% %%% 61-64 \key c \major 8 r r4 8 r r4 8 r r4 e2\rest %% 65-68 c8[_\p c, ] c,[ ] d[ g, ] d[ ] %% 69-72 d[ g, ] d[ < g b f'> ] c,[ g, ] c,[ ] %% 73-76 c,[ c, ] c,[ ] d[ g, ] d[ ] %% 77-80 r r r r [ ] r r4 %% 81-84 8 r g,,4\accent e''2\rest c8[ e ] c,[ e ] %% 85-88 d[ g, ] d[ g, ] g[ g ] g[ g ] %% 89-92 c,[ ] r c,[ e ] c,[ e ] c,[ e ] %% 93-96 g[ g ] g[ g ] 4 r 4 r %% 97-100 8[ ] r r 4( 8) r 4( 8) r r4 %% 101-104 e2\rest c8[ c, ] c,[ ] d[ g, ] %% 105-108 d[ ] d[ g, ] d[ < g b f'> ] c,[ g, ] %% 109-112 c,[ ] c,[ c, ] c,[ ] f[ f ] %% 113-116 f[ ] g[ g ] g[ ] 4 %% 117-120 8[ ] r \bar "|." \key g \major << d2 \\ {d,8_\fz r8 r4_\pp}>> 32 d'( d, d' d, d' d, d' d, d' d, d' d, d' d, d') \repeat "tremolo" 8 {d,32( d')} %% 121-124 \repeat "tremolo" 8 {d,32( d')} \bar ".|" a8[ d, ] a8[ d, ] fs,[ d, ] %% 125-128 fs,[ ] g,[ b ] g,[ b ] g,[ b ] %% 129-132 g,[ ] a[ d, ] a[ d, ] a[ d, ] %%133-136 a[ ] g,[ d, ] g,[ d, ] g,[ d, ] %% 137-140 g,[ ] a[ d, ] a[ d, ] fs,[ d, ] %% 141-144 fs,[ ] g,[ b ] g,[ b ] g,[ b ] %% 145-148 g,[ ] e[ a, ] e[ a, ] d,[ d, ] %% 149-152 d,[ ] g[ g ] a,[ a, ] [ ] %% 153-156 ef[ d e d] [ d] ef[ d e d] [ d] %% 157-160 r4 8 r r4 8 r 8[ d, d] r e2\rest %% 161-164 g,8[ g ] g[ g ] c[ c ] c[ c ] %% 165-168 d[ d ] d[ ] g[ g ] g[ ] %% 169-172 g,[ g ] g[ g ] c[ c ] c[ c ] %% 173-176 r r4 8 r r4 d,8[ d, ] %% alt 1 r r4 %% 177-180 %% alt 2 8 r \clef treble 4 8[ ] r \clef bass 4 %% 181-184 8[ ] r \clef treble 4 8[ ] r \clef bass 4 %% 185-188 r g,,8 r r4 g8 r \tieNeutral 2 ~ 8[ ] %% 189-192 [ ] [ ] \repeat "tremolo" 8 {g,32 g'} \repeat "tremolo" 8 {g,32 g'} %% 193 \repeat "tremolo" 4 {g,32 g'} 4\fermata \bar ".|." } dynamics = {s8 s8 s8-\p s8 s2*11 s4-\< s4 s4 s4\! s2*2 s4-\< s4\! s2*26 s8-\f s8 s4 %% measure 44 s2*16 s8-\f s8 s4 %% measure 61 s2*2 s4 s8 s8-\p %% measure 64 s2*17 s8-\p s8 s4 %% measure 82 s2*18 s4 s8-\p s8 %% measure 101 s2*14 s4-\f s4 s2 %% measure 116 s8 s8 s8-\p s8 %% measure 118 s2*15 s8-\< s4 s8\! %% measure 134 s2*26 s8-\f s8 s4 %% measure 161 s2*3 s8-\fp s4. %% measure 165 s2*7 s8-\fz s4. %% measure 173 s2*11 s4 s8-\fz s8 %% measure 185 s2*8 %% end } \score { \context PianoStaff << \set PianoStaff.instrument = \markup{\small "Piano" " " " "} \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \lower \\ \two >> >> \layout { \context { \type "Engraver_group_engraver" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6.5 } } \midi { \tempo 4 =120 \context { \type "Performer_group_performer" \name Dynamics \consists "Span_dynamic_performer" \consists "Dynamic_performer" } \context { \PianoStaff \accepts Dynamics } } }