\version "2.6.0" \include "english.ly" \header { title="KING COTTON" subtitle="MARCH." composer="JOHN PHILIP SOUSA." mutopiatitle = "King Cotton" mutopiacomposer = "SousaJP" mutopiainstrument = "Piano" date = "1895/July/28" source = "The John Church Company" style = "Classical" maintainer = "Benjamin Bloomfield" maintainerEmail = "bhb123@gmail.com" license = "Public Domain" lastupdated = "2005/November/20" footer = "Mutopia-2005/11/20-634" copyright = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \paper { % hsize = 8.5\in % vsize = 11\in betweensystempadding = #0.25 raggedlastbottom=##f } afterGraceFraction = #(cons 7 8) upper = \relative c'' { \clef treble \key ef \major \time 6/8 4^^( 8) ^.[ ^. ^.] | 4^^( 8) ^.[ ^. ^.] | 4^^( 8) ^.[ ^. ^.] | 4 r8 r4 bf8 \break \repeat volta 2 { 8^^[ r bf-.] g-.[ f-. ef-.] | g[ r c-.] g-.[ r bf,]_( | g')[ r g] g[ f g] | af4.~ af4 bf8 \break \stemUp ^^[ r c] af[ g f] | af[ r d] af[ r bf,]_( | af')[ r af] af[ g af] | \stemNeutral bf4.~ bf4 g8 | \break \phrasingSlurDown \grace {c16\([ ef]} 8^^\)[ r ef] ef[ r c] | \grace {c16\([ ef]} 8^^\)[ r ef] ef[ r c] | af^^[ r af] af[ g f] | af^^[ r af] af[ g f] | \pageBreak % begin page 2 \grace {c'16\([ ef]} 8^^\)[ r ef] ef[ r c] | \grace {c16\([ ef]} 8^^\)[ r ef] ef[ r c] | [ r d] ef-.[ d-. c-.] | bf4 r8 ^> r bf } \break \repeat volta 2 { 8-.[ -. -.] [ r ] | -.[ r -.] -.[ r -.] | 4^>( 8) [ r ] | 4.~ 4 8 | \break [ ] [ r ] | [ r ] ([ r )] | 4^> 8 ([ r )] | 4.~ 4 8 | \break ^>[ r ]^( 4^> 8 | ^>)[ r -.]^( 4^> 8 | 8)[ r ]^( 4 8 | 4 8 4 8) | \break \stemUp 8[ r ef'] \stemNeutral 4^>^( 8) | 4^^^( 8) 4^^^( 8) | 4^^^( 8) 4^^^( 8) | } \alternative { { 4 r8 4^> r8 } { 4 ef8_( f4 ff8) } } \pageBreak % begin page 3 \key af \major \repeat volta 2 { ef8[ r af] g[ r af] | c4.^( af' | g f | c2.) | af8[ r bf] c[ r af] | \break f'4.^( df | c2.)^( | bf4) ef,8_( f4 ff8) | ef[ r af] g[ r af] | c4.^( af' | g c,) | f4.~ f4 g8 | af4^( g8 af4 f8 | ef4.) c | bf2.\( } \alternative { { af4\) ef8_( f4 ff8) | \break } { af4 c8^( ef4 af8) | } } \repeat volta 2 { \acciaccatura fs8 g4^> r8 c,4 r8 | #(set-octavation 1) -.[ -. c-.] r r | -.[ -. c-.] #(set-octavation 0) r r | \clef bass \acciaccatura fs,,, g4 r8 c,4 r8 \break \clef treble \acciaccatura a''' bf4^> r8 ef,4 r8 | #(set-octavation 1) -.[ -. ef-.] ^> r r | -.[ -. ef-.] ^> #(set-octavation 0) r r | \clef bass \acciaccatura a,,, bf4^> r8 ef,4 r8 | \clef treble 4.~ 4 8 \pageBreak % begin page 4 4 8 r r | 4.^>~ 4 8 | 4 8 r r | 4 8 4 8 | 4. 4. \break 8 r r ^> r r | r4 8^( 4 8 | 4^>) 8 4^> 8 | 4.^> ^> | ^> ^> \break 2. | 4^> 8 4^> 8 | 4. | \afterGrace 2._\( {df'16[ c]\)} \break 4 8^( 4^> 8 | 4^>) 8 4 8 | 4.^> ^> | ^> ^> | 4.~ 4 8 | \break 4 8 4 8 | 4.^> ^> | \afterGrace 2.^>\( { c16[ bf]\)} } \alternative { { 4 c,8^( ef4 af8) } { 4 r8 4^> r8 } } \bar "|." } lower = \relative c { \clef bass \key ef \major \time 6/8 4^^( 8) ^.[ ^. ^.] | 4^^( 8) ^.[ ^. ^.] | 4^^( 8) ^.[ ^. ^.] | 4 r8 r4 r8 \break \repeat volta 2 { ef8[ r ] bf,[ r ] | ef[ r ] bf,[ r ] | ef[ r ] g[ r ] | f[ r ] bf,[ r ] | \break f[ r ] bf,[ r ] | f[ r ] bf,[ r ] | f[ r ] af[ r ] | g[ r ] ef,[ r ] | \break c,[ r ] [ r ] | c,[ r ] [ r ] | f,[ r ] [ r ] | f[ r ] [ r ] | \pageBreak % begin page 2 (lower) c,[ r ] [ r ] | c,[ r ] [ r ] | f,[ r ] f[ r ] | r f^([ bf,]) r r | } \break \repeat volta 2 { ef[ r ] bf,[ r ] | ef[ r ] bf,[ r ] | f[ r ] bf,[ r ] | ef-.[ f-. fs-.] g-.[ f-. ef-.] | \break d[ r ] bf,[ r ] | ef[ r ] c,[ r ] | f[ r ] f[ r ] | bf-.[ c-. cs-.] d-.[ c-. bf-.] | \break ^>[ r ]^( 4^> 8 | _>)[ r ]_( 4_> 8 | )[ r ]_( 4 8 | 4 8 4 8) | \break g'[ r ] [ r ] | e,[ r ] [ r ] | bf,[ r ] bf,[ r ] | } \alternative { { 4 r8 4_> r8 } { 4 r8 r4 r8 } } \pageBreak % begin page 3 (lower) \key af \major \repeat volta 2 { af,[ r ] [ r ] | af,[ r ] [ r ] | af,[ r ] [ r ] | af,[ r ] [ r ] | f[ r ] [ r ] | \break df,[ r ] [ r ] | \override Staff.NoteCollision #'merge-differently-dotted = ##t << \stemUp { ef8[ r ] d,[ r ] } \\ \stemDown { ef4. d } >> | ef8[ r ] [ r ] | af,[ r ] [ r ] | af^>[ r ] f,^>[ r ] | \break c,[ r ] [ r ] | df[ r ] [ r ] | d,[ r ] [ r ] | ef[ r ] [ r ] | ef[ r ] ef[ r ] } \alternative { { 4 r8 r4 r8 \break } { 4 r8 r4 r8 } } \repeat volta 2 { \clef treble \acciaccatura fs' g4^> r8 c,4 r8 | af''[ af af] r r af[ af af] r r \clef bass \acciaccatura fs,,, g4 r8 c,4 r8 \break \clef treble \acciaccatura a''' bf4^> r8 ef,4 r8 | cf''-.[ cf-. cf-.] ^> r r | cf-.[ cf-. cf-.] ^> r r \clef bass \acciaccatura a,,, bf4^> r8 ef,4 r8 | 4.^>~ 4 8 \pageBreak % begin page 4 4 8 r r | 4.~ 4 8 | 4 8 r r | 4 8 4 8 | 4. | \break 8 r r ^> r r | r2. | 8[ r ] [ r ] | [ r ] [ r ] | [ r ] [ r ] | \break 4^> 8 4^> 8 | 8[ r ] [ r ] | df,[ r ] [ r ] | 4_> 8_> 4_> 8_> | \break 4 8_( 4^> 8 | 8)[ r ] [ r ] | af[ r ] f,[ r ] | c,[ r ] [ r ] | 4_> 8 4_> 8 | \break [ r ] [ r ] | ef[ r ] [ r ] | ef,[ r ] [ r ] | } \alternative { { 4 r8 r4 r8 | } { 4 r8 4^> r8 } } \bar "|." } dynamics = { s2.\f | s2.*3 s4\sf s2\p | s2. | s4. s4\< s8\! | s4. s4\< s8\! s4\sf s2\p | s2.*3 s2.*2 | s2.\p | s2. % begin page 2 s2.*2 | s4\< s2\! | s4. s4.\f s2.\ff | s4. s4 s16\< s16\! | s2.*2 | s2. | s2 s8\< s8\! | s2.*2 | s2\< s4\! | s4. s4\< s8\! | s2\< s4\! | s2. | s2.\ff | s2.*4 % begin page 3 s2.\p | s2.*4 s2.*5 s2.*4 | s4\> s2\! | s2. s2. | s2.\f | s2.\ff | s2. | s2.\ff | s2.*4 | s2.\ff % begin page 4 s2.*5 s2. | s16 s16*11\ff | s2.*3 s2.*4 s2.*5 s2.*5 } pedal = { } \score { \context PianoStaff << \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \clef bass \lower >> \context Dynamics=pedal \pedal >> \layout { \context { \type "Engraver_group_engraver" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #7 } } } \score { \unfoldRepeats \context PianoStaff << \context Staff=upper << \upper \dynamics >> \context Staff=lower << \lower \dynamics >> \context Dynamics=pedal \pedal >> \midi { \tempo 4=200 \context { \type "Performer_group_performer" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } }