% This lilypond file is writen with portability to future version in mind. Tweaks are kept down to a strict minimum. % This file is commented. You will find some keywords near relevant source lines: % EDIT: things I edited % LAYOUT: layout tweaks % TODO: unfinished things % Enjoy! Share the beauty! % Mark Van den Borre \version "2.6.3" \header { mutopiatitle = "Six Divertissements op. 2 n�6 Siciliana" mutopiacomposer = "SorF" mutopiaopus = "O 2" mutopiainstrument = "Guitar" date = "18xx" source = "Simrock Berlin 19th century edition" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 2.5" maintainer = "Mark Van den Borre" maintainerEmail = "mark@markvdb.be" maintainerWeb = "http://markvdb.be" lastupdated = "2005/08/11" title = "Siciliana" composer = "Fernando Sor" piece = " " footer = "Mutopia-2005/08/14-591" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2005. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } } atbegindocument = "\fontfamily{min}" } melody = \relative c'' { \stemUp \key e \minor \repeat volta 2 { \partial 8 b8| \grace {e32([ fis)]} g8. fis16 e8 e dis b| e4 fis8\trill g8 r b,| 8. 16 8 4 8| \grace {a32([ g)]}4 r8 r4 b,8| g'8. fis16 e8 d4 d8| 4 \grace {d16} 8 4 8|%EDIT d16 c slur in Simrock source 8. 16 8 4 8| \partial 8*5 g4 d8 b8[] r8 } \repeat volta 2 { \partial 8 d'8| b'8. c16 b8 a8. b16 a8| a4 gis8 e4 e8| a4 a8 b4 b8| \grace {a32[ b]} c4. r4 c8|%EDIT slur in Simrock source c8. a16 f8 f4 e8| dis4. e4 b8| a'8. b16 a8 g4 8| 4 r8 r4 b,8| \grace {e32([ fis)]} g8. fis16\turn e8 e dis b|%LAYOUT TODO turn should be between and below g8 fis16 e4 fis8 g8 r b,| 8. 16 8 4 8| \grace {a32([ g)]}4 r8 r4 fis8| gis4 gis8 a4 g8| \appoggiatura {g16} fis8. e16 fis8 g4 g8| f8. g16 f8 e4 dis8| \partial 8*5 e4 8 4| } \set Staff.printKeyCancellation = ##f %TODO allign "Maggiore" to the right of the rehearsal mark, above the sharps %\once \override Score.RehearsalMark #'self-alignment-X = #left \key e \major \repeat volta 2 \mark \markup { Maggiore }{ \partial 8 b8| \grace {e32\p([ fis)]} gis8. fis16 e8 \grace {e32([ fis)]} gis8. fis16 e8| b'4. b8. gis16 e8| fis8. gis16 fis8 fis dis! b| e4 gis8 b,4 b8|\pageBreak \grace {e16([ fis)]} gis8. fis16 e8 \grace {e16([ fis)]} gis8. fis16 e8| b'4. ~ b4 ais8| b4 cis8 fis,8. gis16 ais8| 4 8 4 8| \grace {e32\p([ fis)]} gis8. fis16 e8 \grace {e32([ fis)]} gis8. fis16 e8| b'4. b8. gis16 e8| fis8. gis16 fis8 fis dis! b| e4 gis8 b,4 b8| \grace {e32([ fis)]} gis8. fis16 e8 \grace {e32([ fis)]} gis8. fis16 e8| b'4. ~ b4 ais8| b4 cis8 fis,8. gis16 ais8| b4 r8 r4 b,8| \grace {fis'32[( gis])} a8. gis16 fis8 \grace {fis32[( gis])} a8. gis16 fis8| e4. b4 b8| \grace {fis'32[( gis])} a8. gis16 fis8 \grace {fis32[( gis])} a8. gis16 fis8| e4 r8 r4 e8| a8. b16 a8 gis4 gis8| fisis!4. r4 gis8|%TODO double sharp doesn't render: lilypond bug? a8. b16 a8 gis4 gis8| g4 s8 s4 cis8| g4 s8 s4 cis8| fis,4 s8 s4 cis'8| 4 s8 s4 c'8| 4 s8 s4 c'8| b8. e,16 fis8 gis8. a16 fis8| \partial 8*5 4 r8 r4| } \key e \minor \partial 8 b8| \grace {e32([ fis)]} g8. fis16 e8 e dis b| e4 fis8\trill g8 r b,| 8. 16 8 4 8| \appoggiatura {a32([ g)]}4 r8 r4 b,8|\pageBreak g'8. fis16 e8 d4 d8| 4 \grace {d16} 8 4 8| 8. 16 8 4 8| g4 d8 b8 r8 d'8| b'8. c16 b8 a8. b16 a8| a4 gis8 e4 e8| a4 a8 b4 b8| \grace {a32[ b]} c4. r4 c8| c8. a16 f8 f4 e8| dis4. e4 b8| a'8. b16 a8 g4 8| 4 r8 r4 b,8| \grace {e32([ fis)]} g8. fis16 e8 e dis b| e4 fis8 g8 r b,| 8. 16 8 4 8| \grace {a32([ g)]}4 r8 r4 fis8| gis4 gis8 a4 g8| \grace {g16(} fis8.) e16 fis8 g4 g8| f8. g16 f8 e4 dis8| e4 \grace {fis16(}g8) e4 \grace {ais16(}b8)| e,4 g8 fis8.\trill g16 fis8| e4 \grace {fis16(}g8) e4 \grace {dis'16(}e8)| e,4 g8 fis8. g16 fis8| 4. s4 8| 4 s8 s4 8| 4 s8 s4.| s4. 4.\pp ^\markup { Naturel }| 2.\bar "||" } middle = \new Voice \relative c'' { \stemUp \repeat volta 2 { \partial 8 s8| s2.| s2.| s2.| s2.| s4. a8. b16 c8| s2.| s2.| \partial 8*5 s4. s4 } \repeat volta 2 { \partial 8 s8| s2.| e,4. gis4.| c8. e16 e8 d8. e16 d8| c8. e16 c8 s4.| s2.| s2.| s2.| b,4. s4.| s2.| s2.| s2.| s2.| s2.| s2.| s2.| \partial 8*5 s4. s4 } \repeat volta 2 { \partial 8 s8| s2.| s2.| b'4 b8 b4 s8| s2.| s2.| \stemDown s4 fis'8 eis4 s8| s4 8 s4.| s2.| s2.| s2.| \stemUp b,4 b8 b4 s8| s2.| s2.| \stemDown s4 fis'8 s4.| s2.| s2.| s2.| s2.| s2.| s2.| s2.| e4 e8 e4 e8| s2.| s2.| s2.| s2.| s2.| s2.| s2.| \partial 8*5 s4 8 4 } \partial 8 s8 s2.| s2.| s2.| s2.| s4. \stemUp a8. b16 c8| s2.| s2.| s2.| s2.| e,4. gis4.| c8. e16 c8 d8. e16 d8| c8. e16 c8 s4.| s2.| s2.| s2.| b,4. s4.| s2.| s2.| s2.| s2.| s2.| s2.| s2.| s2.| s4. b'4 b8| s2.| s2.| e,,4. e4 s8| e4. e4 s8| s2.| s2.| s2.| } bass = \new Voice \relative c'' { \stemDown \repeat volta 2 { \partial 8 r8| 4 8 4 8| 4 8 8 r r| e,,4 e'8 a,4 8| b4 b8 b,4 r8| 4 8 fis4 fis8| g4 dis8 e4 d8| c8. b16 a8 d4 d8| \partial 8*5 g,4 b8 g8[] r8 } \repeat volta 2 { \partial 8 r8| 4 8 4 8| e, gis, | a4 a8 gis4 e,8| a4 a'8 a,4 r8| a4 8 4 8| 4 8 4 r8| 4 8 4 8| b, ais' b b,4 r8| e,4 8 4 8| 4 8 4 r8| e,,4 e'8 a,4 8| b4 b8 b,4 r8| #(set-accidental-style 'modern) 4. #(set-accidental-style 'default)4.| 4. 4 8| 4 8 4 8| \partial 8*5 4 e8 e,4 } \repeat volta 2 { \partial 8 r8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 d8 cis4 8| 4 e,8 4 8| b4 b8 b4 b,8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 d8 4 8| 4 8 4 8| 4 b8 b4 b8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 e8 e4 e8| 4 8 4 8| ais,4. r4 b8| 4 8 4 8| 4 r8 r4 r8| 4 r8 r4 r8| 4 r8 r4 r8| a,!4 r8 r4 r8| a4 r8 r4 r8| 4 8 4 8| \partial 8*5 e,,4. r4 } \partial 8 r8| 4 8 4 8| 4 8 8 r r| e,,4 e'8 a,4 8| b4 b8 b,4 r8| 4 8 fis4 fis8| g4 dis8 e4 d8| c8. b16 a8 d4 d8|%EDIT Added d4. g,4 b8 g8[] r8 r8| 4 8 4 8| e, gis, | a4 a8 gis4 e,8| a4 a'8 a,4 r8| a4 8 4 8| 4 8 4 r8| 4 8 4 8| b, ais' b b,4 r8| e,4 8 4 8| 4 8 4 r8| e,,4 e'8 a,4 8| b4 b8 b,4 r8| #(set-accidental-style 'modern) 4. #(set-accidental-style 'default)4.| 4. 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| 4 8 4 8| e,,8. ais16 b8 e,4 e'8_\markup { Perdendosi }| e,8. ais16 b8 e,4 e'8| s4 b'8_\markup { Armonica } e g b| e4 r8 s4.| s2. } \score { \context Staff = "guitar" << \time 6/8 \context Voice = "upper" \melody \context Voice = "inbetween" \middle \context Voice = "lower" \bass >> \layout { } \midi { } }