%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D899-4-Impromptu.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: "Impromptu in As-dur", für Klavier % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.57" \include "italiano.ly" \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Impromptu in As-dur (D.899-4) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Impromptu in As-dur (D.899-4) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup \center-column { \fontsize #1.5 "Impromptu in As-dur" " " } subtitle = \markup { \fontsize #2.5 "D.899-4 (Opus 90 No 4.)" } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.899 (Op. 90 No4., 1827)" } % MUTOPIA mutopiatitle = "Impromptu in As-dur" mutopiacomposer = "SchubertF" mutopiapoet = "" mutopiaopus = "D.899 (Op. 90, No. 4)" mutopiainstrument = "Piano" date = "1827" source = "Breitkopf & Härtel, 1888" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/09/28-1552" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % La partition a été divisée en quatre parties en raison des reprises, qui sont gérées manuellement (Midi oblige) % - Première partie A: avec reprise presque à l'identique en partie E (quelques dynamiques varient, % et la fin diffère) % - Deuxième partie B: avec reprise 1 et 2 % - Troisième partie C: avec reprise à l'identique % - Quatrième partie D: sans reprise % - Quatrième partie D: (voir Première partie) % % - IDENTIFICATEURS DE FONCTIONS % A. NOTES: A1. PIANO HAUT: VOIX 1, 2 A2. PIANO BAS: VOIX 1, 2 % B. DYNAMIQUES PARTITION: communes aux deux portées % C. DYNAMIQUES MIDI: différentes pour chaque voix % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=130 TEMPOFINA = \tempo 4=120 TEMPOFINB = \tempo 4=65 %----- INSTRUMENTS IPIANOHAUTI = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } IPIANOHAUTII = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IPIANOBASI = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IPIANOBASII = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } %----- TONALITE ET MESURE KEYA = { \key lab \major } KEYB = { \key mi \major } TIME = { \time 3/4 } %----- MOUVEMENT MOVEMENT = \markup { \bold \large { \hspace #-5 "Allegretto." } } TRIO = \markup { \hspace #-5 \bold \large "Trio" } %----- NOLET: CACHER OU AFFICHER LE NOMBRE OU LE CROCHET TUPNNO = \override TupletNumber #'transparent = ##t TUPBNO = \override TupletBracket #'transparent = ##t TUPNO = { \TUPNNO \TUPBNO } TUPNOK = \override TupletNumber #'transparent = ##f TUPBOK = \override TupletBracket #'transparent = ##f TUPOK = { \TUPNOK \TUPBOK } %----- LIAISON: ECHAPPEMENT SLURIN = \override Script #'avoid-slur = #'inside SLURINR = \revert Script #'avoid-slur %----- CACHER UNE NOTE ET UNE LIAISON DE PROLONGATION NOTEHIDE = { \once \override NoteHead #'transparent = ##t \once \override Stem #'transparent = ##t } TIEHIDE = \once \override Tie #'transparent = ##t %----- LIAISON DE PHRASÉ: HAUTEUR PSLURPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override PhrasingSlur #'positions = #$beg-end #}) PSLURHLIM = #(define-music-function (parser location beg-end) (number?) #{ \once \override PhrasingSlur #'height-limit = #$beg-end #}) %----- OCTAVES: DEBUT ET FIN OCTAVEBEG = { #(set-octavation 1) \set Staff.ottavation = #"8" } OCTAVEEND = #(set-octavation 0) %----- SUPPRESSION ET RETABLISSEMENT DU "dash" DTSDASHNO = \override DynamicTextSpanner #'dash-period = #-1 DTSDASHOK = \override DynamicTextSpanner #'dash-period = #2.0 %----- CRESCENDOS DECRESCM = \markup { \bold \italic "decresc." } CRESC = { \set crescendoText = \markup { \bold \italic "cresc." } \set crescendoSpanner = #'dashed-line } DECRESC = { \set decrescendoText = \markup { \bold \italic "decresc." } \set decrescendoSpanner = #'dashed-line } DIMIN = { \set decrescendoText = \markup { \bold \italic "dimin." } \set decrescendoSpanner = #'dashed-line } CREScendo = { \set crescendoText = \markup { \bold \italic "cres " } \set crescendoSpanner = #'dashed-line } cresCENdo = { \set crescendoText = \markup { \bold \italic "cen " } \set crescendoSpanner = #'dashed-line } crescenDO = { \set crescendoText = \markup { \bold \italic "do " } \set crescendoSpanner = #'dashed-line } %----- DEPLACER UNE DYNAMIQUE DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) %----- DYNAMIQUE SPECIALE FFZ = #(make-dynamic-script "ffz") %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A11. NOTES PIANO HAUT: VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A hautIA = \relative do''' { \voiceOne \oneVoice %--- 1-4 \repeat unfold 2 { dob16[ mib dob lab] lab[ dob lab mib] mib[ lab mib dob] dob16[ mib dob lab] lab[ dob lab mib] 8^| r } %--- 5 4-.( -. -. 4-. -. -.) %--- 7-10 \repeat unfold 2 { dob'16[ mib dob lab] lab[ dob lab mib] mib[ lab mib dob] dob16[ mib dob lab] lab[ dob lab mib] 8^| r } %--- 11 4-.( -. -. 4-. -. -.) %--- 13-16 \repeat unfold 2 { mib''16[ solb mib dob] dob[ mib dob solb] solb[ dob solb mib] mib16[ solb mib dob] dob[ mib dob solb] 8^| r } %--- 17 4-.( -. -. 4-. -. -.) %--- 19-22 \repeat unfold 2 { re'16[ fad re si] si[ re si fad] fad[ si fad re] re16[ fad re si] si[ re si fad] 8^| r } %--- 23 4^.( -. -. 4-. -. -.) %--- 25 4 -.( -. 4-. -. -.) 4 -.( -. 4-. ^. ^.) %--- 29 4-.( -. -. 4-. -. -.) %--- 31 do''!16[ mib do lab] lab[ do lab mib] mib[ lab mib do] do16[ mib do lab] lab[ do lab mib] 8^| r do'16[ mib do lab] lab[ do lab mib] mib[ lab mib do] do16[ mib do lab] lab[ do lab mib] 8^| r %--- 35-38 \repeat unfold 2 { mib''16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] 8^| r } %--- 39 do16[ mib do lab] lab[ do lab mib] lab8^| r reb16[ fa reb lab] lab[ reb lab fa] lab8^| r mib'16[ sol mib sib] sib[ mib sib sol] sib8^| r mib16[ lab mib do] do[ mib do lab] do8^| r %--- 43 do'16[ mib do lab] lab[ do lab mib] lab8^| r reb16[ fa reb lab] lab[ reb lab fa] lab8^| r mib'16[ sol mib sib] sib[ mib sib sol] sib8^| r mib16[ lab mib do] do[ mib do lab] do8^| r %--- 47 do,16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- 51 do'16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r %--- 53 mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r mib16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- 57 \OCTAVEBEG fa16[ la fa do] do[fa do la] do8-> r fa16[ sib fa reb] reb[fa reb sib] reb8-> r fa16[ la fa do] do[fa do la] do8-> r fa16[ sib fa reb] reb[fa reb sib] reb8-> r %--- 61 lab'16[ do lab mib] mib[ lab mib do] mib8 r lab16[ reb lab fa] fa[ lab fa reb] fa8 r lab16[ do lab mib] mib[ lab mib do] mib8 r lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] \OCTAVEEND %--- 65 lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] lab'16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] %--- 68 reb16[ fab reb sib] sib[ reb sib sol] reb'[ fab reb sib] sib16[ reb sib sol] reb'[ fab reb sib] sib[ reb sib sol] reb'16^>[ mib reb sib] sib[ reb sib sol] reb'^>[ mib reb sib] sib16[ reb sib sol] reb'^>[ mib reb sib] sib[ reb sib sol] \voiceOne %--- 72-75 \TUPNO \PSLURHLIM #5 \PSLURPOS #'(1 . 0) mib'4\( lab sol fa reb' \times 2/3 { \TIEHIDE sib4 ~ \NOTEHIDE sib8\) } sib4( lab) lab lab( sol) sol %--- 76-79 \PSLURHLIM #5 \PSLURPOS #'(1 . 0) mib4\( lab sol fa fa' \times 2/3 { \TIEHIDE reb4 ~ \NOTEHIDE reb8\) } reb4( do) do do( sib) sib %--- 80-95 \oneVoice \repeat unfold 2 { do16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- do'16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r } %--- 96 mib16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r mib16[ sol mib sib] sib[ mib sib sol] sib8 r %--- 99-102 mib16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib'16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] mib'[ lab mib do] %--- 103-106 \clef bass lab16[ do lab mib] lab[ do lab mib] lab[ do lab mib] lab16[ do lab mib] lab[ do lab mib] lab[ do lab mib] \clef treble \voiceOne lab'2.^\DECRESCM ~ lab2. } %%%%%%%%%%%%%%%%%%%% PARTIE B hautIBA = \relative do'' { \voiceOne \KEYB \bar "|:" %--- 107 sold2.^\TRIO sold4( la sold) la2.( sold2.) %--- 111 sold2. mi'4( red dod) dod2.( sid2.) %--- 115 sid4( dod2) ~ dod4 dod dod dod4 dodd2 ~ dodd4 dodd dodd %--- 119 mi4 red2 mi4 red2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B hautIBB = \relative do'' { \voiceOne %--- 121 \set Score.repeatCommands = #'((volta "1")) sold2. sold2. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B hautIBC = \relative do'' { \voiceOne %--- 123 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) sold2. ~ sold4 sold sold \set Score.repeatCommands = #'((volta #f)) } %%%%%%%%%%%%%%%%%%%% PARTIE C hautIC = \relative do'' { \voiceOne \bar "|:" %--- 125 sold4( la2) ~ la4( sold fad) mi4 sold dod mi4 sold dod %--- 129 red4 mi2 ~ mi4 red dod dod4 sid sold red4 sid sold %--- 133 sold4( la2) ~ la4 sold fad mi4 sold dod mi4 sold dod %--- 137 red4 mi2 ~ mi4 red dod dod2.( sold2.) %--- 141 sold,2. sold4( lad sold) lad2.( sold2.) %--- 145 sold2.( mid'4 red dod) dod2.( sid2.) %--- 149 sid4( dod2) ~ dod4 dod dod dod4( dodd2) ~ dodd4 dodd dodd %--- 153 mid4( fad2) ~ fad4 fad fad fad4 fadd2 ~ fadd4 fadd fadd %--- 157 la4^> sold2 la4^> sold2 dod,2. ~ dod4^\DECRESCM sold-.( sold-.) \bar ":|" } %%%%%%%%%%%%%%%%%%%% PARTIE D hautID = \relative do'' { \voiceOne %--- 161 sold2. ~ sold4 sold( lad) %--- 163 sold2. ~ sold2. fadd2. ~ fadd2. \KEYA \oneVoice %--- 167 sol16\([ sib sol fab] sib[ reb sib sol] reb'[ fab reb sib] fab'16[ sol fab reb] sol[ sib sol fab] sib[ reb sib sol] reb'16[ fab reb sib] reb[ fab reb sib] reb[ fab reb sib] reb16[ fab reb sib] reb[ fab reb sib] reb[ fab reb sib] \) %--- 171 reb16[ mib reb sib] reb[ mib reb sib] reb[ mib reb sib] reb16[ mib reb sib] reb[ mib reb sib] reb[ mib reb sib] } %%%%%%%%%%%%%%%%%%%% PARTIE E (= PARTIE A LEGEREMENT MODIFIEE) hautIE = \relative do''' { \voiceOne \oneVoice %--- 173-176 \repeat unfold 2 { dob16[ mib dob lab] lab[ dob lab mib] mib[ lab mib dob] dob16[ mib dob lab] lab[ dob lab mib] 8^| r } %--- 177 4-.( -. -. 4-. -. -.) %--- 179-182 \repeat unfold 2 { dob'16[ mib dob lab] lab[ dob lab mib] mib[ lab mib dob] dob16[ mib dob lab] lab[ dob lab mib] 8^| r } %--- 183 4-.( -. -. 4-. -. -.) %--- 185-188 \repeat unfold 2 { mib''16[ solb mib dob] dob[ mib dob solb] solb[ dob solb mib] mib16[ solb mib dob] dob[ mib dob solb] 8^| r } %--- 189 4-.( -. -. 4-. -. -.) %--- 191-194 \repeat unfold 2 { re'16[ fad re si] si[ re si fad] fad[ si fad re] re16[ fad re si] si[ re si fad] 8^| r } %--- 195 4^.( -. -. 4-. -. -.) %--- 197 4-.( -. -. 4-. -. -.) 4-.( -. -. 4-. ^. ^.) %--- 201 4-.( -. -. 4-. -. -.) %--- 203 do''!16[ mib do lab] lab[ do lab mib] mib[ lab mib do] do16[ mib do lab] lab[ do lab mib] 8^| r do'16[ mib do lab] lab[ do lab mib] mib[ lab mib do] do16[ mib do lab] lab[ do lab mib] 8^| r %--- 207-210 \repeat unfold 2 { mib''16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] 8^| r } %--- 211 do16[ mib do lab] lab[ do lab mib] lab8^| r reb16[ fa reb lab] lab[ reb lab fa] lab8^| r mib'16[ sol mib sib] sib[ mib sib sol] sib8^| r mib16[ lab mib do] do[ mib do lab] do8^| r %--- 215 do'16[ mib do lab] lab[ do lab mib] lab8^| r reb16[ fa reb lab] lab[ reb lab fa] lab8^| r mib'16[ sol mib sib] sib[ mib sib sol] sib8^| r mib16[ lab mib do] do[ mib do lab] do8^| r %--- 219 do,16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- 223 do'16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r %--- 225 mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r mib16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- 229 \OCTAVEBEG fa16[ la fa do] do[fa do la] do8-> r fa16[ sib fa reb] reb[fa reb sib] reb8-> r fa16[ la fa do] do[fa do la] do8-> r fa16[ sib fa reb] reb[fa reb sib] reb8-> r %--- 233 lab'16[ do lab mib] mib[ lab mib do] mib8 r lab16[ reb lab fa] fa[ lab fa reb] fa8 r lab16[ do lab mib] mib[ lab mib do] mib8 r lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] \OCTAVEEND %--- 237 lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] lab'16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] lab16[ reb lab fa] fa[ lab fa reb] reb[ fa reb lab] %--- 240 reb16[ fab reb sib] sib[ reb sib sol] reb'[ fab reb sib] sib16[ reb sib sol] reb'[ fab reb sib] sib[ reb sib sol] reb'16^>[ mib reb sib] sib[ reb sib sol] reb'^>[ mib reb sib] sib16[ reb sib sol] reb'^>[ mib reb sib] sib[ reb sib sol] \voiceOne %--- 244-247 \TUPNO \PSLURHLIM #5 \PSLURPOS #'(1 . 0) mib'4\( lab sol fa reb' \times 2/3 { \TIEHIDE sib4 ~ \NOTEHIDE sib8\) } sib4( lab) lab lab( sol) sol %--- 248-251 \PSLURHLIM #5 \PSLURPOS #'(1 . 0) mib4\( lab sol fa fa' \times 2/3 { \TIEHIDE reb4 ~ \NOTEHIDE reb8\) } reb4( do) do do( sib) sib %--- 252-267 \oneVoice \repeat unfold 2 { do16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r %--- do'16[ mib do lab] lab[ do lab mib] lab8 r reb16[ fa reb lab] lab[ reb lab fa] lab8 r mib'16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r } %--- 268 mib16[ sol mib sib] sib[ mib sib sol] sib8 r mib16[ lab mib do] do[ mib do lab] do8 r mib16[ sol mib sib] sib[ mib sib sol] sib8 r %--- 271-274 mib16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib'16[ lab mib do] do[ mib do lab] lab[ do lab mib] mib16[ lab mib do] do[ mib do lab] mib'[ lab mib do] %--- 275-277 lab4 r r 4 r r 4 r r \bar "|." } %%%%%%%%%%%%%%%%%%%% SYNTHESES PIANO HAUT VOIX I hautIPart = \context Staff \new Voice { \voiceOne \hautIA \hautIBA \hautIBB \hautIBC \hautIC \hautID \hautIE } hautIMidi = \context Staff \new Voice { \voiceOne \hautIA \hautIBA \hautIBB \hautIBA \hautIBC \hautIC \hautIC \hautID \hautIE } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A12. NOTES PIANO HAUT: VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A hautIIAA = \relative do' { \voiceTwo %--- 1-71 s2.*71 %--- 72-75 \TUPNOK \times 2/3 { mib8^[ do lab] } \times 2/3 { lab'[ mib do] } \times 2/3 { sol'[ mib do] } \times 2/3 { fa[ reb lab] } \times 2/3 { reb'[ fa, reb] } \times 2/3 { sib'[ fa reb] } \TUPNO \times 2/3 { sib'[ mib, reb] } \times 2/3 { lab'[ mib do] } \times 2/3 { lab'[ mib do] } \times 2/3 { lab'[ mib do] } \times 2/3 { sol'[ mib sib] } \times 2/3 { sol'[ mib sib] } %--- 76-79 \times 2/3 { mib8^[ do lab] } \times 2/3 { lab'[ mib do] } \times 2/3 { sol'[ mib do] } \times 2/3 { fa[ reb lab] } \times 2/3 { fa''[ lab, fa] } \times 2/3 { reb'[ fa, reb] } \times 2/3 { reb'[ lab mib] } \times 2/3 { do'[ lab mib] } \times 2/3 { do'[ lab mib] } \times 2/3 { do'[ mib, reb] } \times 2/3 { sib'[ mib, reb] } \times 2/3 { sib'[ mib, reb] } %--- 80-102 s2.*23 } %%%%%%%%%%%%%%%%%%%% FIN PREMIERE FOIS hautIIAB = \relative do' { \voiceTwo %--- 103-104 s2.*2 %--- 105-106 mib16[ solb mib lab,] mib'[ solb mib lab,] mib'[ solb mib lab,] mib'16[ solb mib lab,] mib'[ solb mib lab,] mib'[ solb mib lab,] \KEYB } %%%%%%%%%%%%%%%%%%%% FIN DEUXIEME FOIS hautIIAC = \relative do' { \voiceTwo %--- 275-277 s2.*3 } %%%%%%%%%%%%%%%%%%%% PARTIE B hautIIBA = \relative do' { \voiceTwo \KEYB %--- 107 r8 [ ] r8 r r r8 [ ] r8 [ ] %--- 111 r8 [ ] r8 r r r8 [ ] r8 [ ] %--- 115 r8 r [ ] 8[ ] r r r8 r [ ] 8[ ] r r %--- 119 r8 r [ ] r8 r [ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B hautIIBB = \relative do' { \voiceTwo %--- 121 r8 [ ] r8 [ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B hautIIBC = \relative do' { \voiceTwo %--- 123 r8 [ ] [ ] r r } %%%%%%%%%%%%%%%%%%%% PARTIE C hautIIC = \relative do' { \voiceTwo %--- 125 r8 r [ ] 8[ ] r r mi8[ ] sold'[ ] dod'[ ] mi'8[ ] sold'[ ] dod'[ ] %--- 129 r8 r [ ] 8[ ] r r dod'8[ ] sid'8[ ] sold8[ ] red8[ ] sid8[ ] sold8[ ] %--- 133 r8 r [ ] 8[ ] r r mi8[ ] sold'[ ] dod'[ ] mi'8[ ] sold'[ ] dod'[ ] %--- 137 r8 r [ ] 8[ ] red'[ ] dod'[ ] r8 [ ] r8 [ ] %--- 141 r8 [ ] sold'8[ ] lad'[ ] sold'[ ] r8 [ ] r8 [ ] %--- 145 r8 [ ] r8 r r r8 [ ] r8 [ ] %--- 149 r8 r [ ] 8[ ] r r r8 r [ ] 8[ ] r r %--- 153 r8 r [ ] 8[ ] r r r8 r [ ] 8[ ] r r %--- 157 r8 r [ ] r8 r [ ] r8 [ ] 8[ ] r r } %%%%%%%%%%%%%%%%%%%% PARTIE D hautIID = \relative do' { \voiceTwo %--- 161 r8 [ ] 8[ ] r r %--- 163 r8 [ ] 8[ ] r8 [ ] 8[ ] \bar "||" %--- 167 \KEYA s2.*4 %--- 171 s2.*2 } %%%%%%%%%%%%%%%%%%%% SYNTHESES PIANO HAUT VOIX 2 hautIIPart = \context Staff \new Voice { \voiceTwo \hautIIAA \hautIIAB \hautIIBA \hautIIBB \hautIIBC \hautIIC \hautIID \hautIIAA \hautIIAC } hautIIMidi = \context Staff \new Voice { \voiceTwo \hautIIAA \hautIIAB \hautIIBA \hautIIBB \hautIIBA \hautIIBC \hautIIC \hautIIC \hautIID \hautIIAA \hautIIAC } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LA PARTITION: NOTES PIANO HAUT notePartHaut = { \clef treble \KEYA \TIME s1*0 ^\MOVEMENT \set autoBeaming = ##f << \hautIPart \hautIIPart >> } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LE MIDI: NOTES PIANO HAUT noteMidiHautI = { \clef treble \KEYA \TIME \IPIANOHAUTI \hautIMidi } noteMidiHautII = { \clef treble \KEYA \TIME \IPIANOHAUTII \hautIIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A21. NOTES PIANO BAS: VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A basIA = \context Staff \relative do \new Voice { \voiceOne \oneVoice %--- 1-4 \repeat unfold 2 { lab4-. 2 ~ 2 8 r } %--- 5 4-.( -. -. 4-. -. -.) %--- 7-10 \repeat unfold 2 { lab,4-. 2 ~ 2 8 r } %--- 11 4-.( -. -. 4-. -. -.) %--- 13-16 \repeat unfold 2 { dob,4-. 2 ~ 2 8 r } %--- 17 4-.( -. -. 4-. -. -.) %--- 19-22 \repeat unfold 2 { si,4-. 2 ~ 2 8 r } %--- 23 4-.( -. -. 4-. -. -.) %--- 25-28 4 -.( -. 4-. -. -.) 4 -.( -. 4-. -. -.) %--- 29 4-.( -. -. 4-. -. -.) %--- 31-38 \repeat unfold 4 { lab,4-. 2 ~ 2 8 r } %--- 39-46 \repeat unfold 2 { lab,4 2 reb4 2 mib,4 2 lab,4 2 } \voiceOne %--- 47-50 mib4( lab4._> sol8) fa4( reb'4._> do8) sib4( mib4._> reb8) do4 mib2_> %--- 51-52 mib,4( lab4._> sol8) fa4( reb'4._> do8) %--- 53-56 sib4( mib4._> reb8) do4( mib4._> do8) sib4( mib4._> reb8) do4( mib4._> do8) %--- 57-60 do4( fa4._> mib8) reb4( fa4._> reb8) do4( fa4._> mib8) reb4( fa4._> reb8) \clef treble %--- 61-64 mib4( lab4._> solb8) fa4( lab4._> fa8) mib4( lab4._> solb8) fa4 r r \oneVoice %--- 65-67 R2. lab8 r fa r reb r \clef bass lab8 r fa r reb r %--- 68-71 2 4 ~ 4 2 2 4 ~ 4 2 %--- 72-75 lab2( do4 reb4 sib reb) mib2.( mib,2.) %--- 76-79 lab2( do4 reb sib) \voiceOne sib' ~ sib4( lab) lab ~ lab4( sol) sol \oneVoice %--- 80-87 \repeat unfold 2 { lab,4-. 2 reb4-. 2 mib,4-. 2 lab,4-. 2 } \voiceOne %--- 88-91 \SLURIN mib4( lab4.-> sol8) fa4( reb'4.-> do8) sib4( mib4.-> reb8) do4( mib2->) %--- 92-93 mib,4( lab4.-> sol8) fa4( reb'4.-> do8) %--- 94-97 sib4( mib4.-> reb8) do4( mib4.-> do8) sib4( mib4.-> reb8) do4( mib4.-> do8) %--- 98-99 sib4( mib4.-> reb8) do4 \oneVoice r r %--- 100-102 R2. mib8 r do r lab r mib8 r do r mib r %--- 103-104 lab,4 r r R2. %--- 105-106 2. ~ 2. } %%%%%%%%%%%%%%%%%%%% PARTIE B basIBA = \relative do, { \voiceOne \KEYB \bar "|:" \oneVoice %--- 107 dod8[ ] 8[ ] sid,8[ ] 8[ ] %--- 111 dod,8[ ] 8[ ] red8[ ] 8[ ] %--- 115 mi8[ ] \voiceOne 8[ ] mi[ ] mi[ ] si,8[ ] 8 ] si[ ] mi[ ] %--- 119 r8 [ ] r8 [ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B basIBB = \relative do { \voiceOne %--- 121 \set Score.repeatCommands = #'((volta "1")) r8 [ ] r8 [ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B basIBC = \relative do { \voiceOne %--- 123 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) r8 [ ] 8[ ] r r \set Score.repeatCommands = #'((volta #f)) } %%%%%%%%%%%%%%%%%%%% PARTIE C basIC = \relative do, { \voiceOne \bar "|:" \oneVoice %--- 125 sold8[ ] 8[ ] sold,8[ ] 8[ ] %--- 129 la,8[ ] 8[ ] sold,8[ ] 8[ ] %--- 133 sold,8[ ] 8[ ] sold,8[ ] 8[ ] %--- 137 la,8[ ] 8[ ] sold,8[ ] sold,8[ ] %--- 141 dod,8[ ] 8[ ] sid,8[ ] 8[ ] %--- 145 dod,8[ ] 8[ ] red8[ ] 8[ ] %--- 149 mi8[ ] \voiceOne 8[ ] mi[ ] mi[ ] si,8[ ] 8[ ] si[ ] si[ ] %--- 153 re8[ ] 8[ ] re,[ ] re,[ ] la,8[ la'] la,[ ] 8[ ] la,[ ] la,[ ] %--- 157 sold,8[ ] \oneVoice sold,8[ ] dod,8[ ] 8[ ] } %%%%%%%%%%%%%%%%%%%% PARTIE D basID = \relative do, { \oneVoice %--- 161 dod8[ ] 8[ ] %--- 163 red,8[ red' red red red red] red8[ red red red red red] red,8[ red' red red red red] red8[ red red red red red] %--- 167 \KEYA mib,4-. 2 ~ 2. 2. ~ 2. ~ %--- 171 2. ~ 2. } %%%%%%%%%%%%%%%%%%%% PARTIE E (= PARTIE A LEGEREMENT MODIFIEE) basIE = \context Staff \relative do \new Voice { \voiceOne \oneVoice %--- 173-176 \repeat unfold 2 { lab4-. 2 ~ 2 8 r } %--- 177 4-.( -. -. 4-. -. -.) %--- 179-182 \repeat unfold 2 { lab,4-. 2 ~ 2 8 r } %--- 183 4-.( -. -. 4-. -. -.) %--- 185-188 \repeat unfold 2 { dob,4-. 2 ~ 2 8 r } %--- 189 4-.( -. -. 4-. -. -.) %--- 191-194 \repeat unfold 2 { si,4-. 2 ~ 2 8 r } %--- 195 4-.( -. -. 4-. -. -.) %--- 197-200 4-.( -. -. 4-. -. -.) 4-.( -. -. 4-. -. -.) %--- 201 4-.( -. -. 4-. -. -.) %--- 203-210 \repeat unfold 4 { lab,4-. 2 ~ 2 8 r } %--- 211-218 \repeat unfold 2 { lab,4-. 2 reb4-. 2 mib,4-. 2 lab,4-. 2 } \voiceOne %--- 219 \SLURIN mib4( lab4.-> sol8) fa4( reb'4.-> do8) sib4( mib4.-> reb8) do4( mib2->) %--- 223 mib,4( lab4.-> sol8) fa4( reb'4.-> do8) %--- 225 sib4( mib4.-> reb8) do4( mib4.-> do8) sib4( mib4.-> reb8) do4( mib4.-> do8) %--- 229 do4( fa4.-> mib8) reb4( fa4.-> reb8) do4( fa4.-> mib8) reb4( fa4.-> reb8) \clef treble %--- 233 mib4( lab4.-> solb8) fa4( lab4.-> fa8) mib4( lab4.-> solb8) fa4 r r \oneVoice %--- 237 R2. lab8 r fa r reb r \clef bass lab8 r fa r reb r %--- 240 2 4 ~ 4 2 2 4 ~ 4 2 %--- 244 lab2( do4 reb4 sib reb) mib2.( mib,2.) %--- 248 lab2( do4 reb sib) \voiceOne sib' ~ sib4( lab) lab ~ lab4( sol) sol \oneVoice %--- 252-259 \repeat unfold 2 { lab,4-. 2 reb4-. 2 mib,4-. 2 lab,4-. 2 } \voiceOne %--- 260 \SLURIN mib4( lab4.-> sol8) fa4( reb'4.-> do8) sib4( mib4.-> reb8) do4( mib2->) %--- 264 mib,4( lab4.-> sol8) fa4( reb'4.-> do8) %--- 266 sib4( mib4.-> reb8) do4( mib4.-> do8) sib4( mib4.-> reb8) do4( mib4.-> do8) %--- 270 sib4( mib4.-> reb8) do4 \oneVoice r r %--- 272 R2. mib8 r do r lab r mib8 r do r mib r %--- 275-277 lab,4 r r 4 r r 4 r r } %%%%%%%%%%%%%%%%%%%% SYNTHESES PIANO BAS VOIX 1 basIPart = \context Staff \new Voice { \voiceOne \basIA \basIBA \basIBB \basIBC \basIC \basID \basIE } basIMidi = \context Staff \new Voice { \voiceOne \basIA \basIBA \basIBB \basIBA \basIBC \basIC \basIC \basID \basIE } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A22. NOTES PIANO BAS: VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A basIIAA = \relative do { \voiceTwo %--- 1-46 s2.*46 %--- 47-50 lab2. reb2. mib2. lab2. %--- 51-52 lab,2. reb2. %--- 53-56 mib2. lab2. mib2. lab2. %--- 57-60 fa2. sib2. fa2. sib2. \clef treble %--- 61-64 lab2. reb2. lab2. reb4 s4 s4 %--- 65-76 s2.*2 \clef bass s2.*10 %--- 77-79 s4 s4 reb,4( mib2.) mib2. %--- 80-87 s2.*8 %--- 88-91 lab,2. reb2. mib2. lab2. %--- 92-95 lab,2. reb2. mib2. lab2. %--- 96-99 mib2. lab2. mib2. lab4 s4 s4 %--- 100-102 s2.*3 } %%%%%%%%%%%%%%%%%%%% FIN PREMIERE FOIS basIIAB = \relative do { \voiceTwo %--- 103-106 s2.*4 } %%%%%%%%%%%%%%%%%%%% FIN DEUXIEME FOIS basIIAC = \relative do { \voiceTwo %--- 275-277 s2.*3 } %%%%%%%%%%%%%%%%%%%% PARTIE B basIIBA = \relative do, { \voiceTwo \KEYB %--- 107-115 s2.*9 %--- 116-120 s4 mi mi si4 s4 s4 s4 si mi red2. red2. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B basIIBB = \relative do { \voiceTwo %--- 121 sold2. sold2. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B basIIBC = \relative do { \voiceTwo %--- 123 sold2. ~ sold4 sold sold } %%%%%%%%%%%%%%%%%%%% PARTIE C basIIC = \relative do, { \voiceTwo %--- 125-149 s2.*25 %--- 150 s4 mi mi si4 s4 s4 s4 si si re4 s4 s4 %--- 154 s4 re re la4 la s4 s4 la la sold4 s4 s4 %--- 158-160 s2.*3 } %%%%%%%%%%%%%%%%%%%% PARTIE D basIID = \relative do { \voiceTwo %--- 161-172 s2.*12 } %%%%%%%%%%%%%%%%%%%% SYNTHESES PIANO BAS VOIX II basIIPart = \context Staff \new Voice { \voiceTwo \basIIAA \basIIAB \basIIBA \basIIBB \basIIBC \basIIC \basIID \basIIAA \basIIAC } basIIMidi = \context Staff \new Voice { \voiceTwo \basIIAA \basIIAB \basIIBA \basIIBB \basIIBA \basIIBC \basIIC \basIIC \basIID \basIIAA \basIIAC } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LA PARTITION: NOTES PIANO BAS notePartBas = { \clef bass \KEYA \TIME \set autoBeaming = ##f << \basIPart \basIIPart >> } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LE MIDI: NOTES PIANO BAS noteMidiBasI = { \clef bass \KEYA \TIME \IPIANOBASI \basIMidi } noteMidiBasII = { \clef bass \KEYA \TIME \IPIANOBASII \basIIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A dynPartA = { %--- 1-4 s2.\pp s2.*3 %--- 5-10 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 11-16 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 17-22 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 23-26 s4\cr s2\!\decr s2 s4\! s4\cr s2\!\decr s2 s4\! %--- 27-30 s8 s8\f \DECRESC s2\decr s2. s2.\!\p s2. %--- 31-33 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 34-37 \CRESC s2.\cr s2.*2 s2 s4\! %--- 38-42 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 43-46 \CRESC s2.\cr s2.*2 s2 s4\! %--- 47-50 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 51-56 \CRESC s2.\cr s2.*5 %--- 57-61 \DYNEXO #'(1 . 0) s2.\!\f s2.*4 %--- 62-64 \CRESC s2.\cr s2. \DYNEXO #'(1.5 . 0) s2.\!\ff %--- 65-67 s2.*3 %--- 68-71 s2\fz s4\fz s4 s2\fz \DECRESC s2.\decr \DYNEXO #'(1 . 0) s2.\p %--- 72-79 \DYNEXO #'(1.5 . -1) s2.\pp s2.*7 %--- 80-83 \DYNEXO #'(1.5 . 0) s2.\p s2.*3 %--- 84-87 \DTSDASHOK \CREScendo s2. \cr s4 s8\! \cresCENdo s4.\cr s2. s4.. s16\! \DTSDASHNO \crescenDO s8\cr s8\! %--- 88-91 \DYNEXO #'(1.5 . 0) s2.\p s2.*3 %--- 92-95 \DYNEXO #'(1.5 . 0) s2.\f s2.*3 %--- 96-98 \CRESC s2.\cr s2. \DYNEXO #'(1.5 . 0) s2.\!\ff %--- 99-102 s2.*4 %--- 103-106 s2.*4 % DECRESC sur la portée du haut } %%%%%%%%%%%%%%%%%%%% PARTIE B dynPartBA = { %--- 107 \DYNEXO #'(-1 . -0.5) s2.\p s2.*7 %--- 115 \CRESC s2.\cr s2.*2 s2.\! \DYNEXO #'(2 . -1) s2.-\FFZ \DYNEXO #'(2 . -1) s2.-\FFZ } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynPartBB = { %--- 121 s2.\p s8 s8\cr s8\! s4\decr s8\! } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynPartBC = { %--- 123 s2.*2 } %%%%%%%%%%%%%%%%%%%% PARTIE C dynPartC = { %--- 125 s2.*2 %--- 127 s2.\cr s2 s8 s8\! \DYNEXO #'(1.5 . 0) s8\f s8\decr s2 s2 s8\! s8 s4 s2\p s2.*3 %--- 135 s2.\cr s2 s8 s8\! \DYNEXO #'(1 . 0) s4\f s2\decr s2 s8 s8\! %--- 139 \DECRESC s2.\decr s2. \DYNEXO #'(1.5 . -0.5) s2.\!\p s2.*7 %--- 149 \DTSDASHOK \CRESC s2.\cr s2.*2 s2 s8 s8\! \DTSDASHNO %--- 153 s2.\f \CRESC s2.\cr s2. s2.\! \DYNEXO #'(2 . 0) s2.-\FFZ \DYNEXO #'(2 . 0) s2.-\FFZ s2.*2 % DECRESC sur la portée du haut } %%%%%%%%%%%%%%%%%%%% PARTIE D dynPartD = { %--- 161 \DYNEXO #'(1.5 . 0) s2.\p s2. \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 167 s2.\p s2\cr s8. s16\! s2\decr s16 s16\! s8 \DIMIN s2.\decr s2.\! s2. } %%%%%%%%%%%%%%%%%%%% PARTIE E dynPartE = { %--- 173 \DYNEXO #'(1 . 0) s2.\pp s2.*3 %--- 177 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 183 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 189 s4\cr s2\!\decr s2 s4\! s2.*4 %--- 195 s4\cr s2\!\decr s2 s4\! s4\cr s2\!\decr s2 s4\! %--- 199 s2.\f\decr s4 s4\! s4 s2.\p s2. %--- 203 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 207 \CRESC s2.\cr s2.*2 s2 s4\! %--- 211 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 215 \CRESC s2.\cr s2.*2 s2 s4\! %--- 219 \DYNEXO #'(1.5 . 0) s2.\pp s2.*3 %--- 223 \CRESC s2.\cr s2.*5 %--- 229 \DYNEXO #'(1 . 0) s2.\!\f s2.*4 %--- 234 \CRESC s2.\cr s2. \DYNEXO #'(1.5 . 0) s2.\!\ff %--- 237 s2.*3 %--- 240 s2\fz s4\fz s4 s2\fz \DECRESC s2.\decr \DYNEXO #'(1 . 0) s2.\p %--- 244 \DYNEXO #'(1.5 . -1) s2.\pp s2.*7 %--- 252 \DYNEXO #'(1.5 . 0) s2.\p s2.*3 %--- 256 \CRESC s2. \cr s2.*2 s2 s8 s8\! %--- 260 \DYNEXO #'(1.5 . 0) s2.\p s2.*3 %--- 264 \DYNEXO #'(1.5 . 0) s2.\f s2.*3 %--- 268 \CRESC s2.\cr s2.\! \DYNEXO #'(1.5 . 0) s2.-\FFZ %--- 271 s2.*4 %--- 275-277 s2. \DYNEXO #'(1.5 . 0) s2.\ff s2. } %%%%%%%%%%%%%%%%%%%% SYNTHESE DES DYNAMIQUES POUR LA PARTITION dynPart = { \override DynamicTextSpanner #'dash-period = #-1 \dynPartA \dynPartBA \dynPartBB \dynPartBC \dynPartC \dynPartD \dynPartE } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A %%%%%%%%%%%%%%%%%%%% communes dynMidiAA = { %--- 1-4 \TEMPOBASE s2.\pp s2.*3 %--- 5-10 s4\cr s2\!\p\decr s2 s4\!\pp s2.*4 %--- 11-16 s4\cr s2\!\p\decr s2 s4\!\pp s2.*4 %--- 17-22 s4\cr s2\!\p\decr s2 s4\!\pp s2.*4 %--- 23-26 s4\cr s2\!\p\decr s2 s4\!\pp s4\cr s2\!\p\decr s2 s4\!\pp %--- 27-30 s4 s2\mp\decr s2. s2.\!\pp s2. %--- 31-33 s2.\pp s2.*3 %--- 34-37 s2.\cr s2.*2 s2 s4\!\f %--- 38-42 s2.\pp s2.*3 %--- 43-46 \CRESC s2.\cr s2.*2 s2 s4\!\f } %%%%%%%%%%%%%%%%%%%% HAUT dynMidiABA = { %--- 47-50 s2.\ppp s2.*3 %--- 51-56 \CRESC s2.\cr s2.*5 %--- 57-61 s2.\!\mp s2.*4 %--- 62-64 \CRESC s2.\cr s2. s2.\!\ff } %%%%%%%%%%%%%%%%%%%% BAS dynMidiABB = { %--- 47-50 s2.\mp s2.*3 %--- 51-56 \CRESC s2.\cr s2.*5 %--- 57-61 s2.\!\f s2.*4 %--- 62-64 \CRESC s2.\cr s2. s2.\!\ff } %%%%%%%%%%%%%%%%%%%% communes dynMidiAC = { %--- 65-67 s2.*3 %--- 68-71 s4..\fff\decr s16\!\ff s4\fff\decr s8. s16\!\ff s2\fff\decr s2. s2.\!\p } %%%%%%%%%%%%%%%%%%%% HAUT I dynMidiACB = { %--- 72-79 s2.\p s2.*7 } %%%%%%%%%%%%%%%%%%%% HAUT II ET BAS dynMidiACC = { %--- 72-79 s2.\pp s2.*7 } %%%%%%%%%%%%%%%%%%%% communes dynMidiACD = { %--- 80-83 s2.\p s2.*3 %--- 84-87 s2.\cr s2.*2 s2 s8\!\f s8 } %%%%%%%%%%%%%%%%%%%% HAUT dynMidiACE = { %--- 88-91 s2.\pp s2.*3 %--- 92-95 s2.\mp s2.*3 %--- 96-98 \CRESC s2.\cr s2. s2.\!\f %--- 99-102 s2.*4 } %%%%%%%%%%%%%%%%%%%% BAS dynMidiACF = { %--- 88-91 s2.\mf s2.*3 %--- 92-95 s2.\f s2.*3 %--- 96-98 \CRESC s2.\cr s2. s2.\!\ff %--- 99-102 s2.*4 } %%%%%%%%%%%%%%%%%%%% FIN PREMIERE FOIS dynMidiAD = { %--- 103-106 s2.*2 s2.\decr % DECRESC sur la portée du haut s2 s8. s16\!\p } %%%%%%%%%%%%%%%%%%%% FIN DEUXIEME FOIS dynMidiAE = { %--- 275-277 s2. \TEMPOFINA s2.\ff \TEMPOFINB s2. } %%%%%%%%%%%%%%%%%%%% VOIX HAUT I (PARTIES B à D) %%%%%%%%%%%%%%%%%%%% PARTIE B dynMidiBAA = { \KEYB %--- 107 s2.\p\sustainOn s2.*7 %--- 115 \CRESC s2.\cr s2.*3 s8\!\ff s8\mf s2 s8\ff s8\mf s2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiBAB = { %--- 121 s2.\p s2. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiBAC = { %--- 123 s2.*2 } %%%%%%%%%%%%%%%%%%%% PARTIE C dynMidiCA = { %--- 125 s2. s2. %--- 127 s2.\cr s2. s2.\!\f\decr s2. s4 s2\!\p s2.*3 %--- 135 s2.\cr s2. s2.\!\f\decr s2. %--- 139 s2.*2 s2.\!\p s2.*7 %--- 149 s2.\cr s2.*3 %--- 153 s2.\!\f \CRESC s2.\cr s2.*2 s8\!\ff s8\mf s2 s8\ff s8\mf s2 s2. s2\decr s8 s8\!\p % DECRESC sur la portée du haut } %%%%%%%%%%%%%%%%%%%% PARTIE D dynMidiDA = { %--- 161 s2.\p s2. s2.\pp s2.*3 %--- 167 s2.\sustainOff\p s2.\cr s2.\!\mf\decr s2.*2 s2 s8. s16\!\pp } %%%%%%%%%%%%%%%%%%%% VOIX HAUT II ET BAS (PARTIES B à D) %%%%%%%%%%%%%%%%%%%% PARTIE B dynMidiBBA = { \KEYB %--- 107 s2.\ppp s2.*7 %--- 115 \CRESC s2.\cr s2.*3 s8\!\mp s8\ppp s2 s8\mp s8\ppp s2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiBBB = { %--- 121 s2.\ppp s2. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiBBC = { %--- 123 s2.*2 } %%%%%%%%%%%%%%%%%%%% PARTIE C dynMidiCB = { %--- 125 s2.*2 %--- 127 s2.\cr s2. s2.\!\p\decr s2. s4 s2\!\ppp s2.*3 %--- 135 s2.\cr s2. s2.\!\p\decr s2. %--- 139 s2.*2 s2.\!\ppp s2.*7 %--- 149 s2.\cr s2.*3 %--- 153 s2.\!\p \CRESC s2.\cr s2.*2 s8\!\mf s8\p s2 s8\mf s8\p s2 s2. s2\decr s8 s8\!\ppp % DECRESC sur la portée du haut } %%%%%%%%%%%%%%%%%%%% PARTIE D dynMidiDB = { %--- 161 s2.\ppp s2. s2.\pppp s2.*3 %--- 167 s2.\ppp s2.\cr s2.\!\mf\decr s2.*2 s2 s8. s16\!\pp } %%%%%%%%%%%%%%%%%%%% SYNTHESE DES DYNAMIQUES POUR LA PARTITION dynMidiHautI = { \dynMidiAA \dynMidiABA \dynMidiAC \dynMidiACB \dynMidiACD \dynMidiACE \dynMidiAD \dynMidiBAA \dynMidiBAB \dynMidiBAA \dynMidiBAC \dynMidiCA \dynMidiCA \dynMidiDA \dynMidiAA \dynMidiABA \dynMidiAC \dynMidiACB \dynMidiACD \dynMidiACE \dynMidiAE } dynMidiHautII = { \dynMidiAA \dynMidiABA \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACE \dynMidiAD \dynMidiBBA \dynMidiBBB \dynMidiBBA \dynMidiBBC \dynMidiCB \dynMidiCB \dynMidiDB \dynMidiAA \dynMidiABA \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACE \dynMidiAE } dynMidiBasI = { \dynMidiAA \dynMidiABB \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACF \dynMidiAD \dynMidiBBA \dynMidiBBB \dynMidiBBA \dynMidiBBC \dynMidiCB \dynMidiCB \dynMidiDB \dynMidiAA \dynMidiABB \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACF \dynMidiAE } dynMidiBasII = { \dynMidiAA \dynMidiABB \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACF \dynMidiAD \dynMidiBBA \dynMidiBBB \dynMidiBBA \dynMidiBBC \dynMidiCB \dynMidiCB \dynMidiDB \dynMidiAA \dynMidiABB \dynMidiAC \dynMidiACC \dynMidiACD \dynMidiACF \dynMidiAE } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new PianoStaff << \new Staff = "up" << \notePartHaut >> \new Dynamics = "dynamics" \dynPart \new Staff = "down" << \notePartBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 0.90) ("f" . 0.75) ("mf" . 0.65) ("mp" . 0.60) ("p" . 0.55) ("pp" . 0.50) ("ppp" . 0.35) ("pppp" . 0.30) ("ppppp" . 0.00) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { s2. } \score { << \new Staff = "up" { \SILENCE << \noteMidiHautI \dynMidiHautI >> } \new Staff = "upII" { \SILENCE << \noteMidiHautII \dynMidiHautII >> } \new Staff = "down" { \SILENCE << \noteMidiBasI \dynMidiBasI >> } \new Staff = "downII" { \SILENCE << \noteMidiBasII \dynMidiBasII >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D899-4-Impromptu.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%