%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D899-2-Impromptu.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: "Impromptu in Es-dur", für Klavier % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.57" \include "italiano.ly" \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Impromptu in Es-dur (D.899-2) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Impromptu in Es-dur (D.899-2) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup \center-column { \fontsize #1.5 "Impromptu in Es-dur" " " } subtitle = \markup { \fontsize #2.5 "D.899-2 (Opus 90 No 2.)" } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.899 (Op. 90 No2., 1827)" } % MUTOPIA mutopiatitle = "Impromptu in Es-dur" mutopiacomposer = "SchubertF" mutopiapoet = "" mutopiaopus = "D.899 (Op. 90, No. 2)" mutopiainstrument = "Piano" date = "1827" source = "Breitkopf & Härtel, 1888" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/09/28-1551" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % % La partition a été divisée en quatre parties en raison des reprises, qui sont gérées manuellement (Midi oblige) % - Première partie A: seulement un \partial 4 % - Deuxième partie B: reprise à l'identique. Cette partie est rejouée après la partie C (deux petites différences % de dynamiques) % - Troisième partie C: reprise à l'identique. % - Quatrième partie D: Coda % % - IDENTIFICATEURS DE FONCTIONS % A. NOTES: A1. PIANO HAUT: VOIX 1, 2 A2. PIANO BAS: VOIX 1, 2, 3 % B. DYNAMIQUES PARTITION: B1. COMMUNES avec quelques variations B2. PIANO HAUT B3. PIANO BAS % C. DYNAMIQUES MIDI: COMMUNES avec quelques variations % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- INSTRUMENTS IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } IPIANOBAS = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } %----- TONALITE ET MESURE KEYA = { \key mib \major } KEYB = { \key re \major } TIME = { \time 3/4 } %----- MOUVEMENT MOVEMENT = \markup { \bold \large { \hspace #-5 \italic "Allegro." } } %----- CACHER LE NOMBRE OU LE CROCHET D'UN NOLET TUPNNO = \override TupletNumber #'transparent = ##t TUPBNO = \override TupletBracket #'transparent = ##t TUPNO = { \TUPNNO \TUPBNO } %----- CHANGER DE PORTÉE STAFFDO = { \change Staff = down \voiceOne} STAFFUP = { \change Staff = up \voiceThree } %----- HAMPE SUR DEUX PORTÉES STEMCR = { \once \override Stem #'length = #18 \once \override Stem #'cross-staff = ##t \once \override Stem #'flag-style = #'no-flag } %----- OCTAVES: DEBUT ET FIN OCTAVEBEG = { #(set-octavation 1) \set Staff.ottavation = #"8" } OCTAVEEND = #(set-octavation 0) %----- MARKUP CODA = \markup { \bold \large "Coda" } BENMARCATO = \markup { \bold \large \italic "ben marcato" } %----- MARKUP SUR DASHED-LINE LEGATO = { \set crescendoText = \markup { \bold \italic "legato" } \set crescendoSpanner = #'dashed-line } %----- CRESCENDOS CRESC = { \set crescendoText = \markup { \bold \italic "cresc." } \set crescendoSpanner = #'dashed-line } DECRESC = { \set decrescendoText = \markup { \bold \italic "decresc." } \set decrescendoSpanner = #'dashed-line } DIMIN = \markup { \bold \italic "dimin." } CREScendo = { \set crescendoText = \markup { \bold \italic "cres " } \set crescendoSpanner = #'dashed-line } cresCENdo = { \set crescendoText = \markup { \bold \italic "cen " } \set crescendoSpanner = #'dashed-line } crescenDO = { \set crescendoText = \markup { \bold \italic "do " } \set crescendoSpanner = #'dashed-line } %----- ACCELERANDO ACCElerando = { \set crescendoText = \markup { \bold \italic "acce " } \set crescendoSpanner = #'dashed-line } acceLErando = { \set crescendoText = \markup { \bold \italic "le " } \set crescendoSpanner = #'dashed-line } acceleRANdo = { \set crescendoText = \markup { \bold \italic "ran " } \set crescendoSpanner = #'dashed-line } acceleranDO = { \set crescendoText = \markup { \bold \italic "do " } \set crescendoSpanner = #'dashed-line } %----- SUPPRESSION ET RETABLISSEMENT DU "dash" DTSDASHNO = \override DynamicTextSpanner #'dash-period = #-1 DTSDASHOK = \override DynamicTextSpanner #'dash-period = #2.0 %----- DYNAMIQUE SPECIALE FFZ = #(make-dynamic-script "ffz") %----- DEPLACER UNE DYNAMIQUE OU MODIFIER SON LIBELLE DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A1. NOTES PIANO HAUT %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A11. NOTES PIANO HAUT: VOIX 1 ou 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 hautAA = \relative do'' { \voiceOne %--- 0 \partial 4 s4 } %%%%%%%%%%%%%%%%%%%% PARTIE B hautAB = \relative do'' { \voiceOne %--- 1 s2.*25 %--- 26 s4 dob2 s2. s4 sib2 s2. s4 lab2 %--- 31 s2. s4 solb2 s4 dob2 dob4( sib re) s2. %--- 36 s2. s4 dob2^> s2. s4 dob2^> s4 reb2^> %--- 41-50 s4 mib2^> s2.*9 %--- 51-60 s2.*10 %--- 61-82 s2.*22 } %%%%%%%%%%%%%%%%%%%% PARTIE C hautAC = \relative do' { \voiceTwo \KEYB %--- 83 \TUPNO r4 \times 2/3 { si8[ re fad] } si,4 r4 \times 2/3 { si8[ dod sol'] } si,4 r8 r r %--- 86 r4 \times 2/3 { dod8[ fad lad] } dod,4 r4 \times 2/3 { fad8[ lad dod] } fad,4 r4 \times 2/3 { re8[ fad si] } re,4 si'8[ mi, si' mi, si' mi,] r4 \times 2/3 { re8[ fad si] } re,8 r %--- 91 r4 \times 2/3 { si8[ re fad] } si,8 r r4 \times 2/3 { si8[ dod sol'] } si,8 r r8 r r r4 \times 2/3 { dod8[ fad lad] } dod,4 r4 \times 2/3 { fad8[ lad dod] } fad,4 %--- 96 r4 \times 2/3 { re8[ fad si] } re,4 r8 r r r4 \times 2/3 { dod8[ mid sold] } dod,4 r4 \times 2/3 { la8[ dod fad] } la,4 r4 \times 2/3 { sol!8[ si re] } sol,4 %--- 101 dod8[ sold dod sold dod sold] s2.*4 %--- 106 s2.*5 %--- 111 r4 \times 2/3 { dod8[ mid sold] } dod,4 r4 \times 2/3 { lad8[ dod sol'!] } lad,4 r8 r r r4 \times 2/3 { dod8[ fad lad] } dod,4 r4 \times 2/3 { fad8[ lad dod] } fad,4 %--- 116 r4 \times 2/3 { red8[ fad do'] } red,4 r8 r r r4 \times 2/3 { fad8[ si re!] } fad,4 r8 r r r4 \times 2/3 { dod8[ mid sold] } dod,4 %--- 121 r8 r r r4 \times 2/3 { sold8[ sid red] } sold,4 s2.*3 %--- 126 s2. r4 \times 2/3 { si8[ re fad] } si,4 r4 \times 2/3 { si8[ dod sol'] } si,4 r8 r r r4 \times 2/3 { dod8[ fad lad] } dod,4 %--- 131 r4 \times 2/3 { fad8[ lad dod] } fad,4 r4 \times 2/3 { re8[ fad si] } re,4 si'8[ mi, si' mi, si' mi,] r4 \times 2/3 { re8[ fad si] } re,4 r4 \times 2/3 { mi8[ sol si] } mi,4 %--- 136 r4 \times 2/3 { mi8[ fad do'] } mi,4 r8 r r r4 \times 2/3 { fad8[ si red] } fad,4 r4 \times 2/3 { si8[ red fad] } si,4 r4 \times 2/3 { sol8[ si mi] } sol,4 %--- 141 r8 r r r4 \times 2/3 { fad8[ lad dod] } fad,4 r4 \times 2/3 { re8[ fad si] } re,4 r4 \times 2/3 { do8[ mi sol] } do,4 fad8[ dod! fad dod fad dod] %--- 146 r4 \times 2/3 { si8[ re fad] } si,4 r4 \times 2/3 { si8[ mi sol] } si,4 r4 \times 2/3 { si8[ re fad] } si,4 \times 2/3 { dod8[ re mi] } \times 2/3 { fad[ sol fad] } \times 2/3 { mi[ re dod] } r4 \times 2/3 { si8[ re fad] } si,4 %--- 151 r4 \times 2/3 { si8[ mi sol] } si,4 r4 \times 2/3 { si8[ re fad] } si,4 \times 2/3 { dod8[ re mi] } \times 2/3 { fad[ sol fad] } \times 2/3 { mi[ re dod] } r4 \times 2/3 { si8[ re fad] } si,4 r4 \times 2/3 { si8[ re fad] } si,4 %--- 156 r4 \times 2/3 { si8[ re fad] } si,4 s2.*2 r4 \times 2/3 { sib8[ mib solb] } sib,4 r4 \times 2/3 { sib8[ mib solb] } sib,4 %--- 161-168 s2.*8 \KEYA } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA hautAD = \relative do' { \voiceTwo %--- 251 r4^\CODA \times 2/3 { si8[ re fad] } si,4 r4 \times 2/3 { si8[ dod sol'] } si,4 r8 r r r4 \times 2/3 { dod8[ fad lad] } dod,4 r4 \times 2/3 { re8[ fa! sib!] } re,4 %--- 256 r4 \times 2/3 { mib8[ solb sib] } mib,4 s2. r4 \times 2/3 { mib8[ solb sib] } mib,4 r4 \times 2/3 { si'8[ re fad] } si,4 r4 \times 2/3 { si8[ dod sol'] } si,4 %--- 261 r8 r r r4 \times 2/3 { dod8[ fad lad] } dod,4 r4 \times 2/3 { re8[ fa! sib!] } re,4 r4 \times 2/3 { mib!8[ solb sib] } mib,4 s2. %--- 266 r4 \times 2/3 { mib8[ solb sib] } mib,4 \OCTAVEBEG r4 \times 2/3 { sib'8[ fa' lab] } sib,4 r4 \times 2/3 { sib8[ mib solb] } sib,4 s2. r4 \times 2/3 { mib,8[ solb sib] } mib,4 %--- 271 r4 \times 2/3 { sib'8[ fa' lab] } sib,4 r4 \times 2/3 { sib8[ mib solb] } sib,4 s2. r4 \times 2/3 { mib,8[ solb sib] } mib,4 s2. %--- 276 s2. \OCTAVEEND s2.*4 %--- 281-283 s2.*3 } %%%%%%%%%%%%%%%%%%%% SYNTHESE PIANO HAUT A hautA = \context Staff \new Voice { \voiceOne \hautAA \hautAB \hautAC \hautAB \hautAD } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A12. NOTES PIANO HAUT: VOIX 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 hautBA = \relative do''' { \voiceThree %--- 0 \oneVoice \partial 4 sib4 } %%%%%%%%%%%%%%%%%%%% PARTIE B hautBB = \relative do''' { \voiceThree %--- 1 \oneVoice \tupletUp \times 2/3 { sol8[ sib lab] } \times 2/3 { sol[ fa mib] } \times 2/3 { re[ do sib] } \TUPNO \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ do re] } \times 2/3 { mib[ re mib] } \times 2/3 { mi[ red mi] } \times 2/3 { fa[ mi fa] } \times 2/3 { fad[ mid fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } \times 2/3 { sol[ sib lab] } \times 2/3 { sol[ lab sib] } \times 2/3 { do[ re mib] } %--- 6 \times 2/3 { fa[ do' sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ fa' mib] } \times 2/3 { re[ do sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ fa sol] } \times 2/3 { lab[ sib do] } \times 2/3 { re[ mib fa] } \times 2/3 { sol[ sib lab] } \times 2/3 { sol[ fa mib] } \times 2/3 { re[ do sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ do re] } %--- 11 \times 2/3 { mib[ re mib] } \times 2/3 { mi[ red mi] } \times 2/3 { fa[ mi fa] } \times 2/3 { fad[ mid fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } \times 2/3 { sol[ sib lab] } \times 2/3 { sol[ lab sib] } \times 2/3 { do[ re mib] } \times 2/3 { fa[ do' sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { re[ fa mib] } \times 2/3 { re[ mib fa] } \times 2/3 { sol[ lab sib] } %--- 16 \times 2/3 { mib,[ fa sol] } \times 2/3 { lab[ sib do] } \times 2/3 { re[ mib fa] } \times 2/3 { sol[ sib lab]} \times 2/3 { sol[fa mib] } \times 2/3 { re[do sib] } \times 2/3 { lab[ sol fa]} \times 2/3 { mib[ re do] } \times 2/3 { sib[ do re] } \times 2/3 { mib[ re mib] } \times 2/3 { mi[ red mi] } \times 2/3 { fa[ mi fa] } \times 2/3 { fad[ mid fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } %--- 21 \times 2/3 { sol[ sib lab] } \times 2/3 { sol[ lab sib] } \times 2/3 { do[ re mib] } \times 2/3 { fa[ do' sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ fa' mib] } \times 2/3 { re[ do sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ lab fa] } \times 2/3 { solb[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } %--- 26 \voiceThree \times 2/3 { dob8[ mib lab] } \stemDown \times 2/3 { dob[ mib, lab] } \times 2/3 { solb[ mib solb] } \stemUp \times 2/3 { fa[ dob' sib] } \times 2/3 { lab[ solb fa ] } \times 2/3 { mib[ reb dob] } \times 2/3 { sib[ reb solb] } \stemDown \times 2/3 { sib[ reb, solb] } \times 2/3 { fa[ reb fa] } \stemUp \times 2/3 { mib[ sib' lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib ] } \times 2/3 { lab[ dob fa] } \stemDown \times 2/3 { lab[ dob, fa] } \times 2/3 { mib[ dob mib] } %--- 31 \stemUp \times 2/3 { re![ lab' solb] } \times 2/3 { fa[ mib re] } \times 2/3 { dob[ sib lab] } \times 2/3 { solb[ sib mib] } \stemDown \times 2/3 { solb[ sib, mib] } \times 2/3 { reb_>[ sib reb] } \stemUp \times 2/3 { dob8[ mib lab] } \stemDown \times 2/3 { dob[ mib, lab] } \times 2/3 { solb_>[ mib solb] } \times 2/3 { dob[ fa, re] } \times 2/3 { sib'[ fa re] } \times 2/3 { re'[ lab fa] } \oneVoice \times 2/3 { mib'[ solb fa] } \voiceThree \stemDown \times 2/3 { mib[ reb dob] } \times 2/3 { sib[ lab fa] } %--- 36 \stemNeutral \times 2/3 { solb8[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } \times 2/3 { dob[ mibb fa] } \stemDown \times 2/3 { dob'[ fa, mibb] } \times 2/3 { fa[ reb dob] } \stemNeutral \times 2/3 { sib[ sib' lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } \times 2/3 { dob[ mibb fa] } \stemDown \times 2/3 { dob'[ fa, mibb] } \times 2/3 { fa[ reb dob] } \stemUp \times 2/3 { reb[ solb sib] } \stemDown \times 2/3 { reb[ sib solb] } \times 2/3 { fa[ solb fab] } %--- 41 \stemUp \times 2/3 { mib[ lab dob] } \stemDown \times 2/3 { mib[ dob lab] } \times 2/3 { sol![ lab solb] } \oneVoice \times 2/3 { fa[ solb sol] } \times 2/3 { lab[ sib dob] } \times 2/3 { reb[ mib fa] } \times 2/3 { solb[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib^>[ re! fa] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib^>[ re fa] } %--- 46 \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib^>[ re fa] } \times 2/3 { lab[ dob re] } \times 2/3 { dob[ re fa] } \times 2/3 { re[ fa solb] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib^>[ re fa] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib^>[ re fa] } \times 2/3 { lab[ dob lab] } \times 2/3 { dob[ lab dob] } \times 2/3 { lab[ dob lab] } %--- 51 \times 2/3 { sib[ lab sib] } \times 2/3 { lab[ sib lab] } \times 2/3 { sib[ lab sib] } \times 2/3 { sol![ sib lab] } \times 2/3 { sol[ fa mib] } \times 2/3 { re[ do sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { sib[ do re] } \times 2/3 { mib[ re mib] } \times 2/3 { mi[ red mi] } \times 2/3 { fa[ mi fa] } \times 2/3 { fad[ mid fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } %--- 56 \times 2/3 { sol[ sib lab] } \times 2/3 { sol[ lab sib] } \times 2/3 { do[ re mib] } \times 2/3 { fa[ do' sib] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ re do] } \times 2/3 { re[ fa mib] } \times 2/3 { re[ mib fa] } \times 2/3 { sol[ lab sib] } \times 2/3 { mib,[ fa sol] } \times 2/3 { lab[ sib do] } \times 2/3 { re[ mib fa] } \times 2/3 { sol[ sib lab]} \times 2/3 { sol[fa mib] } \times 2/3 { re[do sib] } %--- 61 \times 2/3 { lab[ sol fa]} \times 2/3 { mib[ re do] } \times 2/3 { sib[ do re] } \times 2/3 { mib[ re mib] } \times 2/3 { mi[ red mi] } \times 2/3 { fa[ mi fa] } \times 2/3 { fad[ mid fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } \times 2/3 { sol[ fad sol] } \times 2/3 { lab[ sol lab] } \times 2/3 { sib[ lab sib] } \times 2/3 { lab[ sol lab] } \times 2/3 { sib[ lab sib] } \times 2/3 { do[ si do] } %--- 66 \times 2/3 { re[ dod re] } \times 2/3 { mi[ re mi] } \times 2/3 { fad[ mi fad] } \times 2/3 { sol[ fad sol] } \times 2/3 { la[ sol la] } \times 2/3 { si[ la si] } \OCTAVEBEG \times 2/3 { do[ si do] } \times 2/3 { re[ do re] } \times 2/3 { mi[ re mi] } \times 2/3 { fa[ mib! reb] } \times 2/3 { do[ sib lab] } \times 2/3 { sol[ fa mib] } \OCTAVEEND \times 2/3 { re[ do sib] } \times 2/3 { la[ sib do] } \times 2/3 { re[ mib fa] } %--- 71 \times 2/3 { solb[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } \times 2/3 { dob[ mib reb] } \times 2/3 { dob[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { re![ fa mib] } \times 2/3 { re[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { solb'[ sib lab] } \times 2/3 { solb[ fa mib] } \times 2/3 { reb[ dob sib] } \times 2/3 { dob[ mib reb] } \times 2/3 { dob[ sib lab] } \times 2/3 { solb[ fa mib] } %--- 76 \times 2/3 { re![ fa mib] } \times 2/3 { re[ \STAFFDO dob sib] } \times 2/3 { lab8 solb fa } \times 2/3 { mib[ fa solb] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib[ fa solb] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib[ fa solb] } \times 2/3 { lab[ dob sib] } \times 2/3 { lab[ solb fa] } \times 2/3 { mib[ fa solb] } \times 2/3 { lab[ sib do!] } \STAFFUP \times 2/3 { re!8[ mib fa] } %--- 81-82 solb2 r4 2^> r4 \bar "||" } %%%%%%%%%%%%%%%%%%%% PARTIE C hautBC = \relative do'' { \voiceThree \KEYB %--- 83 si!2.^\BENMARCATO si si4( dod re) %--- 86 dod2.^> fad^> re^> dod4 mi dod re2.^> %--- 91 si2.^> si^> si4 dod re dod2. fad^> %--- 96 re2.^> si4 re si dod2.^> la^> sol!^> %--- 101 mid4 sold mid fad2. fad^> fad mid %--- 106 fad2. fad^> fad mid fad %--- 111 dod'2. lad^> si4 dod re dod2. fad %--- 116 red2.^> mi4 fad sol fad2. re4 dod si dod2. %--- 121 la4 sold fad sold2. mid_( fad) s2. %--- 126 s2. si2. si si4 dod re dod2. %--- 131 fad2. re2. dod4 mi dod re2. mi^> %--- 136 mi2.^> mi4 fad sol fad2. si^> sol^> %--- 141 mi4 sol mi fad2.^> re( do) lad4 dod! lad %--- 146 si2. si^> si^> lad si %--- 151 si2. si lad si si^> %--- 156 si2.^> \times 2/3 { re,8_>[ fad si] } si,4 \times 2/3 { re8_>[ fad si] } si,4 \times 2/3 { re8_>[ fad si] } si,4 sib'2.^> sib2.^> %--- 161 \oneVoice \times 2/3 { mib,8[ solb sib] } sib,4 \times 2/3 { mib8[ solb sib] } sib,4 \times 2/3 { mib8[ solb sib] } sib,4 2 4 ~ 4 2 \times 2/3 { lab'8[ dob lab] } \times 2/3 { dob[ lab dob] } \times 2/3 { lab[ dob lab] } %--- 166-168 \times 2/3 { dob8[ lab? dob] } \times 2/3 { lab[ dob lab] } \times 2/3 { dob[ lab dob] } \times 2/3 { lab[ sib lab] } \times 2/3 { sib[ lab sib] } \times 2/3 { lab[ sib lab] } \times 2/3 { sib[ lab sib] } \times 2/3 { lab[ sib lab] } \times 2/3 { sib[ lab sib] } \bar "||" \KEYA } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA hautBD = \relative do'' { \voiceThree %--- 251 si2.^> si2.^> si4 dod re dod2. re2.^> %--- 256 mib!2.^> \oneVoice fa,8[ fa' solb, solb' fa, fa'] \voiceThree mib2. si'!2.^> si2. %--- 261 si4 dod re dod2. re2.^> mib!2.^> \oneVoice 8[ fa' solb' fa'] \voiceThree %--- 266 mib2. \OCTAVEBEG sib'2.^> sib2.^> \oneVoice 8[ lab' solb' fa'] \voiceThree mib2. %--- 271 sib'2.^> sib2.^> \oneVoice 8[ lab' solb' fa'] \voiceThree mib2. \oneVoice 8[ dob' sib' re'] %--- 276 \times 2/3 { mib8[ dob sib] } \times 2/3 { lab8[ solb fa] } mib8^| r8 \OCTAVEEND \times 2/3 { mib8[ dob sib] } \times 2/3 { lab8[ solb fa] } mib8^| r8 \times 2/3 { mib8[ dob sib] } \times 2/3 { lab8[ solb fa] } mib8 r8 \times 2/3 { mib8[ \STAFFDO dob sib] } \times 2/3 { lab[ solb fa] } mib8 r %--- 280-283 \STAFFUP mib'4-| mib-| mib-| mib4-| mib-| mib-| 4 r4 r4 4 r4 r4 \bar "|." } %%%%%%%%%%%%%%%%%%%% SYNTHESE PIANO HAUT B hautB = \context Staff \new Voice { \voiceThree \hautBA \hautBB \hautBC \hautBB \hautBD } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LA PARTITION noteHaut = { \clef treble \KEYA \TIME s1*0 ^\MOVEMENT \set autoBeaming = ##f \IPIANOHAUT << \hautA \hautB >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A21. NOTES PIANO BAS: VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 basAA = \relative do' { \voiceOne %--- 0 \oneVoice \partial 4 r4 } %%%%%%%%%%%%%%%%%%%% PARTIE B basAB = \relative do' { \voiceOne %--- 1 \voiceOne r4 sib2 r4 sib2 r4 sib2 r4 sib2 r4 sib2 %--- 6 \oneVoice lab,4 2 sib,4 2 mib4 2 \voiceOne r4 sib2 r4 sib2 %--- 11 r4 sib2 r4 sib2 r4 sib2 \oneVoice lab,4 2 sib,4 2 %--- 16 mib4 2 \voiceOne r4 sib2 r4 sib2 r4 sib2 r4 sib2 %--- 21 r4 sib2 \oneVoice lab,4 2 sib,4 2 mib4 2 \voiceOne mib,4( mib'2) %--- 26 lab,4( lab'2) reb,,4( reb'2) solb,4( solb'2) dob,,4( dob'2) fa,4( fa'2) %--- 31 sib,,4( sib'2) mib,4( mib'2) lab,4( lab'2) sib,4( sib'2) ~ sib2. %--- 36 r4 reb,2 r4 mibb^>_( reb) r4 reb2 r4 mibb^>_( reb) r4 solb2 ~ %--- 41 solb4 lab2 ~ lab4 dob2( sib2) \oneVoice r4 \voiceOne r4 2 r4 2 %--- 46 r4 2 ~ 2. \clef treble r4 2 r4 2 ~ 2.( %--- 51 2.) \clef bass r4 sib,2 r4 sib2 r4 sib2 r4 sib2 %--- 56 r4 sib2 \oneVoice lab,4 2 sib,4 2 mib4 2 \voiceOne r4 sib2 %--- 61 r4 sib2 r4 sib2 r4 sib2 r4 2 r4 2 %--- 66 r4 2 r4 2 r4 2 r4 2 r4 2 %--- 71 mib4( mib'2) lab,,4( lab'2) sib,4( sib'2) mib,,4( mib'2) lab,,4( lab'2) %--- 76 \voiceThree sib,4( sib'2) s2.*4 %--- 81-82 \oneVoice solb'2 r4 2 r4 } %%%%%%%%%%%%%%%%%%%% PARTIE C basAC = \relative do, { \voiceOne \KEYB %--- 83 \oneVoice si!4_| 2_> si,4_| 2_> \voiceOne r8 r r %--- 86 \oneVoice fad,4 2_> fad,4 2_> si,4 2_> sol,8[ sol' mi, mi' sol, sol'] si,4 2 %--- 91 si,,4_. 2_> si,4_. 2_> \voiceOne r8 r r \oneVoice fad,4 2 fad,4 2 %--- 96 si,4 2 re,8[ re' si, si' re, re'] dod,4_. 2 fad,4_. fad'2 si,,4_. 2 %--- 101 dod,4 dod, \voiceOne r4 \times 2/3 { fad'8[ la dod] } fad,4 r4 \times 2/3 { fad8[ si re] } fad,4 r4 \times 2/3 { fad8[ la dod] } fad,4 \times 2/3 { sold8[ la si] } \times 2/3 { dod[ re dod] } \times 2/3 { si[ la sold] } %--- 106 r4 \times 2/3 { fad8[ la dod] } fad,4 r4 \times 2/3 { fad8[ si re] } fad,4 r4 \times 2/3 { fad8[ la dod] } fad,4 \times 2/3 { sold8[ la si] } \times 2/3 { dod[ re dod] } \times 2/3 { si[ la sold] } r4 \times 2/3 { fad8[ la dod] } fad,4 %--- 111 \oneVoice mid,4 2 mi,!4 2 \voiceOne r8 r r \oneVoice fad,4 2 lad,4 2 %--- 116 la,!4 2 \voiceOne r8 r r \oneVoice si,4 2 si,,8[ si' dod, dod' re, re'] dod,4 2 %--- 121 fad,,8[ fad' sold, sold' la, la'] sold,4 2 \voiceOne r4 \times 2/3 { mid'8[ sold dod] } mid,4 r4 \times 2/3 { fad8[ la dod] } fad,4 8[ re' dod' dod'] %--- 126 \times 2/3 { fad,8[ re dod] } \times 2/3 { si[ la sold] } fad8 r \oneVoice si,4_. 2 si,4_. 2 \voiceOne r8 r r \oneVoice fad,4 2 %--- 131 fad,4 2 si,4 2 sol,8[ sol' mi, mi' sol, sol'] si,4 2 mi,4_| 2_> %--- 136 mi,4_| 2_> \voiceOne r8 r r \oneVoice si,4 2 si,4 2 mi,4 2 %--- 141 sol,8[ sol' mi, mi' sol, sol'] fad,4 2 si,4 2 mi,4 2 fad,4 fad, %--- 146 si,4 2 mi,4_| 2 si,4 2 fad,4 fad'2 si,,4 2 %--- 151 mi,4_| 2 si,4 2 fad,4 fad'2 si,,4 2 si,4 2 %--- 156 si,4 2 si,4 si, 4 si, sib,4 2 sib,4 2 %--- 161 sib,4 sib, 4 sib, 4 2 2 4 2. %--- 166-168 2. 2. 2. \KEYA } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA basAD = \relative do, { \voiceOne %--- 251 \oneVoice si4_| 2 si,4_| 2 \voiceOne r8 r r \oneVoice fad,4 2 sib,4 2 %--- 256 mib,!4 2 sib4 sib, mib4 2 si,,4_| 2 si,4_| 2 %--- 261 \voiceOne r8 r r \oneVoice fad,4 2 sib,!4 2 mib,!4 2 sib4 sib, %--- 266 mib4 2 sib,4 \clef treble 2 \clef bass mib,4 \clef treble 2 4 \clef bass mib,4 \clef treble 2 \clef bass %--- 271 sib,4 \clef treble 2 \clef bass mib,4 \clef treble 2 4 \clef bass mib,4 \clef treble 2 4 \clef bass %--- 276 2 8_| r8 2 8_| r8 2 8 r8 s2. \voiceOne \STEMCR 4 \STEMCR \STEMCR %--- 281-283 \STEMCR 4 \STEMCR 4 \STEMCR \oneVoice 4 r4 r4 4 r4 r4 } %%%%%%%%%%%%%%%%%%%% SYNTHESE PIANO BAS I basA = \context Staff \new Voice { \voiceOne \basAA \basAB \basAC \basAB \basAD } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A22. NOTES PIANO BAS: VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 basBA = \relative do { \voiceTwo %--- 0 \partial 4 s4 } %%%%%%%%%%%%%%%%%%%% PARTIE B basBB = \relative do { \voiceTwo %--- 1 mib2. fa2. sol2. re2. mib2. %--- 6 s2.*3 mib2. fa2. %--- 11 sol2. re2. mib2. s2.*2 %--- 16 s2. mib2. fa2. sol2. re2. %--- 21 mib2. s2.*3 mib,2. %--- 26 lab2. reb,2. solb2. dob,2. fa2. %--- 31 sib,2. mib2. lab2. sib2. mib2. %--- 36 solb,2. lab2. solb2. lab2. sib2. %--- 41 dob2. reb2. solb2. sib,2. sib2. %--- 46 sib2. ~ sib2. sib'2. sib2. ~ sib2. ~ %--- 51 sib2. mib,2. fa2. sol2. re2. %--- 56 mib2. s2.*2 s2. mib2. %--- 61 fa2. sol2. re2. reb2. do2. %--- 66 do2. si2. sib!2. lab2. sib2. %--- 71 mib2. lab,2. sib2. mib,2. lab,2. %--- 76 sib2. } %%%%%%%%%%%%%%%%%%%% PREMIERE FOIS basBBA = \relative do, { \voiceTwo %--- 77 mib4 2_>( mib,8) r8 2_>( mib,8) r8 2 \TUPNO \times 2/3 { mib,8[ fa solb] } \times 2/3 { lab[ sib do!] } \times 2/3 { re![ mib fa] } %--- 81-82 s2.*2 } %%%%%%%%%%%%%%%%%%%% DEUXIEME FOIS basBBB = \relative do, { \voiceTwo %--- 245 mib8 r 2( mib,8) r8 2( mib,8) r8 2 \TUPNO \times 2/3 { mib,8[ fa solb] } \times 2/3 { lab[ sib do!] } \times 2/3 { re![ mib fa] } %--- 249-250 s2.*2 } %%%%%%%%%%%%%%%%%%%% PARTIE C basBC = \relative do { \voiceTwo \KEYB %--- 83 s2.*2 re4 dod si %--- 86 s2.*5 %--- 91 s2.*2 re4 dod si s2.*2 %--- 96 s2.*5 %--- 101 s2. fad4 2 si,4 2 fad,4 2 dod,4 dod'2 %--- 106 fad,,4 2 si,4 2 fad,4 2 dod,4 dod'2 fad,,4 2 %--- 111 s2.*2 re'4 dod si s2.*2 %--- 116 s2. sol'4 fad mi s2.*3 %--- 121 s2.*2 dod,4_. dod'2_> la,4_. la'2_> si,8[ si' dod, dod' dod, dod'] %--- 126 fad,4 r4 r s2.*2 re'4 dod si s2. %--- 131 s2.*5 %--- 136 s2. sol'4 fad mi s2.*3 %--- 141-168 s2.*28 \KEYA } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA basBD = \relative do { \voiceTwo %--- 251 s2.*2 re4 dod si s2.*2 %--- 256 s2.*5 %--- 261 re4 dod si s2.*4 %--- 266-275 s2.*10 %--- 276 s2.*3 2 8 r8 4_| _| _| %--- 281-283 4_| _| _| s2.*2 } %%%%%%%%%%%%%%%%%%%% SYNTHESE PIANO BAS II basB = \context Staff \new Voice { \voiceTwo \basBA \basBB \basBBA \basBC \basBB \basBBB \basBD } %%%%%%%%%%%%%%%%%%%% SYNTHESE POUR LA PARTITION noteBas = { \clef bass \KEYA \TIME \set autoBeaming = ##f \IPIANOBAS << \basA \basB >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 dynPartA = { %--- 0 \partial 4 s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE B %%%%%%%%%%%%%%%%%%%% DEBUT PREMIERE FOIS dynPartBA = { %--- 1 \LEGATO s2\cr s4\! } %%%%%%%%%%%%%%%%%%%% DEBUT DEUXIEME FOIS dynPartBB = { %--- 1 s2.\p } %%%%%%%%%%%%%%%%%%%% PARTIE COMMUNE 1 dynPartBC = { %--- 2 s2. \times 6/9 { s8 s4\cr s4. s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } %--- 5 s2.*3 %--- 8 \times 6/9 { s2.\cr s4 s8\! } \DYNEXO #'(1 . 0) s2.\f s2. %--- 11 \times 6/9 { s8 s4\cr s4. s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } s2.*3 } %%%%%%%%%%%%%%%%%%%% PREMIERE FOIS: MESURES 16-17 dynPartBD = { %--- 16-17 s2.*2 } %%%%%%%%%%%%%%%%%%%% DEUXIEME FOIS: MESURES 184-185 dynPartBE = { %--- 184-185 \CRESC s2\cr s4\! \DYNEXO #'(1 . 0) s2.\f } %%%%%%%%%%%%%%%%%%%% PARTIE COMMUNE 2 dynPartBF = { %--- 18 s2. \times 6/9 { s8 s4\cr s4. s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } s2.*4 %--- 25 \DYNEXO #'(1 . 0) s2.\pp s2.*11 %--- 37 s4 s2\fp s2. s4 s2\fp s2.*4 %--- 44 s4 \DECRESC s4.\decr s8\! s2.*5 %--- 50 \times 6/9 { s2.\cr s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } s2.\p s2. %--- 54 \times 6/9 { s2.\cr s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } s2.*3 %--- 59 \CRESC s2\cr s4\! \DYNEXO #'(1 . 0) s2.\f s2. %--- 62 \times 6/9 { s2.\cr s4 s8\! } \times 6/9 { s2.\decr s4 s8\! } %--- 64 s4 \DTSDASHOK \CREScendo s2 \cr \times 6/9 { s4. s4 s8\! \cresCENdo s4.\cr } s2. \times 6/9 { s4. s4 s8\! \crescenDO s4\cr s8\! } \DTSDASHNO %--- 68 \DYNEXO #'(2 . 0) s2.\ff s2.*2 %--- 71 \DYNEXO #'(1.5 . 0) s2.\fz \DYNEXO #'(1.5 . 0) s2.\fz \DYNEXO #'(1 . 0) s2.\fz \DYNEXO #'(1 . 0) s2.\fz \DYNEXO #'(1 . 0) s2.\fz \DYNEXO #'(1 . 0) s2.\fz %--- 77 s4 s2\fz s4 s2\fz s4 s2\fz } %%%%%%%%%%%%%%%%%%%% FIN PREMIERE FOIS dynPartBG = { %--- 80-82 s2. \DYNEXO #'(1.5 . 0) s2.-\FFZ \DYNEXO #'(0 . -1.5) s2.-\FFZ } %%%%%%%%%%%%%%%%%%%% FIN DEUXIEME FOIS dynPartBH = { %--- 248-250 s2. \DYNEXO #'(1 . 0) s2.\ff \DYNEXO #'(0 . -1) s2.\ff } dynPartB = { \dynPartBA \dynPartBC \dynPartBD \dynPartBF \dynPartBG } dynPartBbis = { \dynPartBB \dynPartBC \dynPartBE \dynPartBF \dynPartBH } %%%%%%%%%%%%%%%%%%%% PARTIE C dynPartC = { %--- 83 s2.\ff s2. s4\cr s8\! s4\decr s8\! s2.*3 %--- 89 s4\cr s8\! s4\decr s8\! s2. \DYNEXO #'(1 . 0) s2.\p s2. %--- 93 s4\cr s8\! s4\decr s8\! s2. \DYNEXO #'(1 . 0) s2.\f s2. %--- 97 \DYNEXO #'(1.5 . 0) \PINEXO #'(1 . 0) s4\ff\cr s8\! \PINEXO #'(1.5 . 0) s4\decr s8\! s2. \DYNEXO #'(1 . 0) s2.\p s2.*3 %--- 103 \DYNEXO #'(2.5 . 0) s2.-\FFZ \DYNEXO #'(1 . 0) s2.\p \times 6/9 { s4.\cr s8\! s8 s4.\decr s8\! } s2. %--- 107 \DYNEXO #'(2.5 . 0) s2.-\FFZ \DYNEXO #'(1 . 0) s2.\p \times 6/9 { s4.\cr s8\! s8 s4.\decr s8\! } s2. %--- 111 s2.\f s2.\ff s2.*3 %--- 116 s2.\ff s2.*3 %--- 120 \DYNEXO #'(2 . 0) s2.\fz s2. s2.\fz s2.\p s2. %--- 125 s2.\f s2. \DYNEXO #'(1 . -1) s2.\p s2.*7 %--- 135 \DYNEXO #'(1 . -1) s2.\f s2.*5 %--- 141 \times 6/9 { s4.\cr s8\! s8 s4.\decr s8\! } s2.*5 %--- 147 \DYNEXO #'(2.5 . 0) s2.-\FFZ \DYNEXO #'(1 . 0) s2.\p \times 6/9 { s4.\cr s8\! s8 s4.\decr s8\! } s2. %--- 151 \DYNEXO #'(2 . 0) s2.-\FFZ \DYNEXO #'(1 . 0) s2.\p \times 6/9 { s4.\cr s8\! s8 s4.\decr s8\! } s2. %--- 155 \DYNEXO #'(1 . 0) s2.\f s2.*4 %--- 160 s4 s16 \CRESC s4\cr s8.\! s2.*2 %--- 163 \DYNEXO #'(1 . 0) s2\fz s4\fz s4 s2\fz s2.\decr \times 6/9 { s2. s4 s8\! } %--- 167 \DECRESC s2\decr s4\! s2. } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA dynPartD = { %--- 251 \DYNEXO #'(1 . -1) s2.\ff s2. s4\cr s8\! s4\decr s8\! s2.*3 %--- 257 s4\cr s8\! s4\decr s8\! s2. \DYNEXO #'(0.5 . 0) s2.\ff s2. s4\cr s8\! s4\decr s8\! s2.*3 %--- 265 s4\cr s8\! s4\decr s8\! s2. \DYNEXO #'(2 . 0) s4\ff \DTSDASHOK \ACCElerando s4.\cr s8\! \acceLErando s4\cr s8\! \acceleRANdo s4.\cr s8 s8\! \acceleranDO s8\cr s8\! s4 \DTSDASHNO s2.*6 %--- 276 s2 s4\fz s2 s4\fz s2 s4\fz s2 s4\fz s2.*2 \DYNEXO #'(0.5 . 0) s2.\fz s2.\fz } %%%%%%%%%%%%%%%%%%%% SYNTHESE DES DYNAMIQUES POUR LA PARTITION dynPart = { \override DynamicTextSpanner #'dash-period = #-1 \dynPartA \dynPartB \dynPartC \dynPartBbis \dynPartD } %%%%%%%%%%%%%%%%%%%% DYNAMIQUES PORTEE DU HAUT ET PORTEE DU BAS %%%%%%%%%%%%%%%%%%%% PORTEE DU HAUT: un crescendo/decrescendo en PARTIES A, un diminuendo en PARTIE B dynPartHaut = { \override DynamicTextSpanner #'dash-period = #-1 \dynamicUp %--- 0 s4 %--- PARTIE A (1-82) s2.*79 %--- 80-82 s2\cr s8.. s32\! \PINEXO #'(0 . 0.75) s4\decr s4\! s4 s2. %--- PARTIE B (83-168) s2.*82 s2 s4^\DIMIN s2.*3 %--- PARTIE A (169-250) s2.*79 %--- 248-250 (= 80-82) s2\cr s8.. s32\! \PINEXO #'(0 . 0.75) s4\decr s4\! s4 s2. %--- PARTIE C (251-283) s2.*33 } %%%%%%%%%%%%%%%%%%%% PORTEE DU HAUT: quelques "ffz" en PARTIE B dynPartBas = { %--- 0 s4 %--- PARTIE A (1-82) s2.*82 %--- PARTIE B (83-168) %--- 83-102 s2.*20 %--- 103-107 s4 \DYNEXO #'(2 . 0) s2_\FFZ s2.*3 s4 \DYNEXO #'(2 . 0) s2_\FFZ %--- 108-146 s2.*39 %--- 147-151 \DYNEXO #'(1 . 0) s4 s2_\FFZ s2.*3 \DYNEXO #'(1 . 0) s4 s2_\FFZ %--- 152-168 s2.*17 %--- PARTIE A (169-250) s2.*82 %--- PARTIE C (251-283) s2.*33 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A: PARTIAL 4 dynMidiA = { %--- 0 \partial 4 s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE B %%%%%%%%%%%%%%%%%%%% DEBUT PREMIERE FOIS dynMidiBA = { %--- 1 s2. } %%%%%%%%%%%%%%%%%%%% DEBUT DEUXIEME FOIS dynMidiBB = { %--- 1 s2.\p } %%%%%%%%%%%%%%%%%%%% PARTIE COMMUNE dynMidiBC = { %--- 2 s2. s2.\cr s2.\!\f\decr %--- 5 s2.\!\p s2.*2 %--- 8 s2.\cr s2.\!\f s2. %--- 11 s2.\cr s2.\!\fff\decr s2.\!\mf s2.*2 %--- 16 s2.\cr s2.\!\f s2. %--- 19 s2.\cr s2.\!\fff\decr s2. s2.*3 %--- 25 s2.\!\pp s2.*11 %--- 37 s4 s4\f s4\p s2. s4 s4\f s4\p s2.*4 %--- 44 s4 s2\decr s2.\!\pp s2.*4 %--- 50 s2.\cr s2.\!\mf\decr s2.\!\p s2. %--- 54 s2.\cr s2.\!\f\decr s2.\!\p s2.*2 %--- 59 s2.\cr s2.\!\f s2. %--- 62 s2.\cr s2.\!\fff\decr %--- 64 s4\!\mf s2 \cr s2.*3 %--- 68 s2.\!\ff s2.*2 %--- 71 s4\fff s2\mf s4\fff s2\mf s4\fff s2\mf s4\fff s2\mf s4\fff s2\mf s4\fff s2\mf %--- 77 s4 s4\fff s4\mf s4 s4\fff s4\mf s4 s4\fff s4\mf } %%%%%%%%%%%%%%%%%%%% FIN PREMIERE FOIS dynMidiBD = { %--- 80-82 s2\cr s4\!\f s4\fff s2\f s4\fff s2\f } %%%%%%%%%%%%%%%%%%%% FIN DEUXIEME FOIS dynMidiBE = { %--- 80-82 s2\cr s4\!\f s4\fff s2\f s4\fff s2\f } dynMidiB = { \dynMidiBA \dynMidiBC \dynMidiBD } dynMidiBbis = { \dynMidiBB \dynMidiBC \dynMidiBE } %%%%%%%%%%%%%%%%%%%% PARTIE C DEBUT dynMidiCA = { %--- 83 s2.\ff s2. s4\cr s8\!\fff s4\decr s8\!\ff s2.*3 %--- 89 s4\cr s8\!\fff s4\decr s8\!\ff s2. s2.\p s2. %--- 93 s4\cr s8\!\mf s4\decr s8\!\p s2. s2.\f s2. %--- 97 s4\ff\cr s8\!\fff s4\decr s8\!\ff s2. s2.\p s2.*3 } %%%%%%%%%%%%%%%%%%%% PARTIE C: HAUT dynMidiCB = { %--- 103 s2\ff s4\p s2.\p s4\cr s8\!\mf s4\decr s8\!\p s2. %--- 107 s2\ff s4\p s2.\p s4\cr s8\!\mf s4\decr s8\!\p s2. %--- 111 s2.\f s2.\ff s2.*3 %--- 116 s2.\ff s2.*3 %--- 120 s4\fff s2\ff s2. s4\fff s2\ff s2.\p s2. %--- 125 s2.\f s2. s2.\p s2.*7 %--- 135 s2.\f s2.*5 %--- 141 s4\cr s8\!\ff s4\decr s8\!\f s2.*5 %--- 147 s2\fff s4\f s2.\p s4\cr s8\!\f s4\decr s8\!\p s2. s2\ff s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE C: BAS dynMidiCC = { %--- 103 s4 s4\ff s4\p s2.\p s4\cr s8\!\mf s4\decr s8\!\p s2. %--- 107 s4 s4\ff s4\p s2.\p s4\cr s8\!\mf s4\decr s8\!\p s2. %--- 111 s2.\f s2.\ff s2.*3 %--- 116 s2.\ff s2.*3 %--- 120 s4\fff s2\ff s2. s4\fff s2\ff s2.\p s2. %--- 125 s2.\f s2. s2.\p s2.*7 %--- 135 s2.\f s2.*5 %--- 141 s4\cr s8\!\ff s4\decr s8\!\f s2.*5 %--- 147 s4 s4\fff s4\f s2.\p s4\cr s8\!\f s4\decr s8\!\p s2. s4 s4\ff s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE C: FIN dynMidiCD = { %--- 152 s2.\p s4\cr s8\!\f s4\decr s8\!\p s2. %--- 155 s2.\f s2.*4 %--- 160 s4 s2\cr s2.*2 %--- 163 \tempo 4=130 s2 s4\!\ff s4\f s4\ff s4\f \tempo 4=160 s2.\decr s2. %--- 167 s2 s4\!\p s2. } dynMidiChaut = { \dynMidiCA \dynMidiCB \dynMidiCD } dynMidiCbas = { \dynMidiCA \dynMidiCC \dynMidiCD } %%%%%%%%%%%%%%%%%%%% PARTIE D: CODA dynMidiD = { %--- 251 s2.\ff s2. s4\cr s8\!\fff s4\decr s8\!\f s2.*3 %--- 257 s4\cr s8\!\fff s4\decr s8\!\f s2. s2.\ff s2. s4\cr s8\!\fff s4\decr s8\!\f s2.*3 %--- 265 s4\cr s8\!\fff s4\decr s8\!\f s2. \tempo 4=172 s2.\ff \tempo 4=184 s2. \tempo 4=196 s2. \tempo 4=208 s2. \tempo 4=220 s2. \tempo 4=232 s2. \tempo 4=244 s2. s2.*2 %--- 276 s2 s4\fff s2\ff s4\fff s2\ff s4\fff s2\ff s4\fff s2.\ff s2. \tempo 4=200 s2.\fff \tempo 4=130 s2. %--- CHUTE DOUCE s2 mib4\ppppp } %%%%%%%%%%%%%%%%%%%% PORTEE DU HAUT dynMidiHaut = { \dynMidiA \dynMidiB \dynMidiChaut \dynMidiBbis \dynMidiD } %%%%%%%%%%%%%%%%%%%% PORTEE DU BAS dynMidiBAs = { \dynMidiA \dynMidiB \dynMidiCbas \dynMidiBbis \dynMidiD } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new PianoStaff << \new Staff = "up" << \noteHaut \dynPartHaut >> \new Dynamics = "dynamics" \dynPart \new Staff = "down" << \noteBas \dynPartBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 0.88) ("f" . 0.75) ("mf" . 0.70) ("mp" . 0.62) ("p" . 0.55) ("pp" . 0.50) ("ppp" . 0.35) ("pppp" . 0.18) ("ppppp" . 0.00) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME s2. s2. s2. } \score { << \new Staff = "up" { \SILENCE << \noteHaut \dynMidiHaut >> } \new Staff = "down" { \SILENCE << \noteBas \dynMidiBAs >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume tempoWholesPerMinute = #(ly:make-moment 160 4) } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D899-2-Impromptu.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%