%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D743-SeligeWelt.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Selige Welt", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" \paper { line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) after-title-space = 50\mm between-system-padding = 10\mm indent = 22\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Selige Welt (D.743) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Selige Welt (D.743) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \fontsize #1.5 "Selige Welt" } subsubtitle = " " poet = \markup { \hspace #18 \column { \center-column { \line { \fontsize #2 \bold "Johann Chrisostomus Senn" } \line { \small "(1792-1857)" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.743 (Op. 23, No 2, Herbst 1822)" } % MUTOPIA mutopiatitle = "Selige Welt" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Senn" mutopiaopus = "D.743 (Op. 23, No 2)" mutopiainstrument = "Voice and Piano" date = "1822" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1585" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % Des "\break" ont été introduits pour unifier les deux formats de sortie PDF % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes B2: dynamiques % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=80 %----- TONALITÉS ET MESURES KEY = { \key lab \major } TIME = { \time 4/4 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Nicht zu schnell, kräftig. " } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "trombone" \set Staff.midiMinimumVolume = #0.5 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IPIANOBAS = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0.3 \set Staff.midiMaximumVolume = #1 } %----- OCTAVES: DEBUT ET FIN OCTAVEBEG = { #(set-octavation 1) \set Staff.ottavation = #"8" } OCTAVEEND = #(set-octavation 0) %----- BARRE DE LIGATURE: HAUTEUR BEAMPOS = #(define-music-function (parser location beg-end) (pair?) #{ \override Beam #'positions = #$beg-end #}) BEAMPOSNO = \revert Beam #'positions %----- CRESCENDOS CRESCM = \markup { \large \bold \italic "cresc." } %----- DYNAMIQUE SPECIALE FFZ = #(make-dynamic-script "ffz") SFORZATO = \markup { \musicglyph #"scripts.sforzato" } %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-.5 Ich trei -- be __ auf des Le -- bens Meer, ich si -- tze ge -- muth in mei -- nem Kahn, nicht Ziel, __ noch Steu -- er hin und her, wie die Strö --- mung reisst, wie die Win -- de __ gahn. Ei -- ne se -- li -- ge In -- sel sucht der Wahn, ei -- ne se -- li -- ge In -- sel sucht der Wahn, doch ei -- ne ist es nicht, doch ei -- ne ist es nicht, Du lande __ glaü -- big ü -- ber all an, ü -- ber all an, wo __ sich __ Was -- ser an Er -- de bricht. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% chant = \relative do { %--- 0 \partial 4 r4 %--- 1 R1 r2 r4 mib do16[ mib] lab[ sib] do8 lab mib' sib do4 %--- 4 r4 lab \grace sol16 fa16[ mi] fa sol lab8 sib do4 sib lab r r2 r4 mib %--- 7 do16[ mib] lab[ sib] do8 lab mib' sib dob sol16 sol lab8 mib fab reb16 reb solb4. lab16[ sib] dob4 r r2 %--- 10 r2 r4 r8 solb16 solb solb4. solb16 solb dob8 solb dob reb sib2 r4 r8 solb16 solb %--- 13 solb4. solb16 solb reb'8 solb, reb' mib dob4 r8 dob do8. la16 fad8 re si'4 r8 sol la8. fad16 red8 si %--- 16 sol'4 r r2 r2 r4 mib! do16[ mib] lab[ sib] do8 lab mib' sib16 sib do4 %--- 19 sol8 do,16 do lab'4 \grace sol16 fa16[ mi] fa[ sol] lab8 sib16 sib do4 sib lab r R1 \bar "|." } chantPart = { \chant } chantMidi = { \chant } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef bass \KEY \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = \markup \center-column { "Singstimme " "(Bassstimme) " } \chantPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEY \TIME \ICHANT \chantMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoHautI = \context Staff \relative do \new Voice { \voiceOne %--- 0 \oneVoice \partial 4 mib4->( %--- 1 do16) ([ mib lab sib]) do8-.[ reb-.] \clef treble 4 do16([ mib! ]) 8-.[ -.] 4 mib^>( do16) ([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] \voiceOne do4~ %--- 4 do2 \oneVoice \appoggiatura sol16 fa16([ mi fa sol]) lab8-.[ -.] 4-| -| \grace sib''16 \voiceOne lab16[ sol lab sib] \oneVoice 8-.[ -.] 4-| -| 8-| r8 mib,4( %--- 7 do16) ([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] dob8-.[ sol16-. sol-.] lab8[ mib16 mib] fab8[ reb] \appoggiatura reb'16 \voiceOne dob16[ sib dob reb] mib8[ reb] \OCTAVEBEG \slurDown \appoggiatura reb'16 dob16[ sib dob reb] mib8[ ] 4 sib' \slurNeutral \oneVoice %--- 10 8 \OCTAVEEND 16[ ] [ ] \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 %--- 13 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 \repeat tremolo 8 16 %--- 16 \repeat tremolo 8 16 \repeat tremolo 8 16 8 r 2. do16([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] \voiceOne do4-> ~ %--- 19 do2 \oneVoice \appoggiatura sol16 fa16([ mi fa sol]) lab8-.[ -.] 4-| -| \grace sib''16 \voiceOne lab16[ sol lab sib] \oneVoice 8-.[ -.] 4-| -| -| r } %%%%%%%%%%%%%%%%%%%% VOIX II pianoHautII = \context Staff \relative do' \new Voice { \voiceTwo %--- 0 \partial 4 s4 %--- 1 s1*2 s2. r8 mi16[ fa] %--- 4 sol8-.[ do,-.] lab'4 s2 s2 do8.[ mib16] s4 s1 %--- 7 s1 s2 mib,8.[ solb16] dob8[ ] mib'8.[ solb16] dob8[ ] 4 %--- 10 s1*8 %--- 18 s2. r8 mi,,16[ fa] sol8-.[ do,-.] lab'4 s2 s2 do8.[ mib16] s4 s1 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef bass \KEY \TIME % \set autoBeaming = ##f << \pianoHautI \pianoHautII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEY \TIME \IPIANOHAUT \unfoldRepeats { << \pianoHautI \pianoHautII >> } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoBasI = \context Staff \relative do, \new Voice { \voiceOne %--- 0 \oneVoice \partial 4 mib4->( %--- 1 do16) ([ mib lab sib]) do8-.[ reb-.] 4 8[ ] 4 mib'^>( do16) ([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] \voiceOne do4~ %--- 4 do2 \oneVoice \stemUp \slurDown \appoggiatura sol16 \stemNeutral \slurNeutral fa16([ mi fa sol]) lab8-.[ -.] 4-| -| 4. 8-. 4-| -| 8-| r mib''4( %--- 7 do16) ([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] dob8-.[ sol16-. sol-.] lab8[ mib16 mib] fab8[ reb] 4. 8 4. 8 4 %--- 10 8 r r4 r2 \BEAMPOS #'(2 . 3.5) dob16([ solb' mib']) r r4 dob,16([ solb' mib']) r r4 solb,,16([ solb' reb']) r r4 solb,,16([ solb' reb']) r r4 %--- 13 solb,,16([ solb' reb']) r r4 solb,,16([ solb' reb']) r r4 dob,16([ solb' mib']) r r4 re,16([ la' re]) r r4 \BEAMPOS #'(0 . 1.5) sol,,16([ re' sol]) r r4 \BEAMPOS #'(2 . 3.5) si,16([ fad' si]) r r4 %--- 16 \BEAMPOS #'(2 . 4) mi,16([ si' mi]) r r4 \BEAMPOS #'(0 . 1.5) sol,,16([ re' sol]) r r4 \BEAMPOSNO 8 r 2. do'16([ mib lab sib]) do8-.[ lab-.] mib'-.[ sib-.] \voiceOne do4-> ~ %--- 19 do2 \oneVoice \stemUp \slurDown \appoggiatura sol16 \stemNeutral \slurNeutral fa16([ mi fa sol]) lab8-.[ -.] 4-| -| 4. 8-. 4-| -| -| r } %%%%%%%%%%%%%%%%%%%% VOIX II pianoBasII = \context Staff \relative do \new Voice { \voiceTwo %--- 0 \partial 4 s4 %--- 1 s1*2 s2. r8 mi16[ fa] sol8-.[ do,-.] lab'4 s2 %--- 5 s1*13 %--- 18 s2. r8 mi16[ fa] sol8-.[ do,-.] lab'4 s2 s1*2 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEY \TIME % \set autoBeaming = ##f << \pianoBasI \pianoBasII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBas = { \KEY \TIME \IPIANOBAS << \pianoBasI \pianoBasII >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { %--- 0 \partial 4 s4\ff %--- 1 s1 s2. s4\p s1 %--- 4 s4 \TSCREXO #'(1 . 0) s4-\SFORZATO s2 s2 s2\f s2. s4\fp %--- 7 s1 \TSCREXO #'(0 . 1) s2-\CRESCM \DYNEXO #'(0 . -0.5) s2\f \DYNEXO #'(0 . -0.5) s1\ff %--- 10 s8 s8\p s2. s1*2 %--- 13 s1 s2 \DYNEXO #'(0 . -0.5) s2\fp \DYNEXO #'(0 . -0.5) s2\fp s2\fp %--- 16 \DYNEXO #'(0 . -0.5) s16\fz \TSCREXO #'(0 . 1) s16-\CRESCM s4. s2\fz s4 s2\FFZ\decr s4\! \DYNEXO #'(1 . 0) s1\mf %--- 19 s4 \TSCREXO #'(1 . 0) s4-\SFORZATO s2 \DYNEXO #'(1 . -0.5) s2\f s2\ff s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPiano = { \TEMPOBASE %--- 0 \partial 4 s4\ff %--- 1 s1 s2. s4\p s1 %--- 4 s1 s2 s2\f s2. s4\f %--- 7 s1\p s2\cr s2\!\f s1\ff %--- 10 s8 s8\p s2. s1*2 %--- 13 s1 s2 s2\f s2\f s2\f %--- 16 s2\f\cr s2\!\ff s4 s2.\decr s1\!\mf %--- 19 s1 s2\f s2\ff s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new Voice = "chant" << \notePartChant >> \new Lyrics \lyricsto "chant" \poeme \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte " \set PianoStaff.connectArpeggios = ##t \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #2 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 1.00) ("f" . 0.85) ("mf" . 0.70) ("mp" . 0.65) ("p" . 0.60) ("pp" . 0.50) ("ppp" . 0.45) ("pppp" . 0.40) ("ppppp" . 0.30) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME \partial 2 s2 } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPiano >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPiano >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBas \dynMidiPiano >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D743-SeligeWelt.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%