%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER Erlkoenig.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Erlkönig", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.30" \include "italiano.ly" #(set-global-staff-size 18) % PAPIER: FORMAT MIXTE ADAPTÉ POUR A4 ET LETTER US \paper { %paper-height = 279\mm %paper-width = 210\mm line-width = 180\mm between-system-padding = #0.5 between-system-spacing = #0.5 } \header { title = \markup { \fontsize #1.5 "Erlkönig" } subtitle = \markup { \fontsize #0.1 \bold "Johann Wolfgang von Goethe" \small "(1749-1832)" } subsubtitle = " " composer = \markup \center-align { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D 328 (Op. 1, 1815)" } % MUTOPIA mutopiatitle = "Erlkönig" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Wolfgang von Goethe (1749-1832)" mutopiaopus = "D.328 (Op. 1)" mutopiainstrument = "Voice and Piano" date = "1815" source = "C.F. Peters (Band I)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "A source is freely available at http://www.dlib.indiana.edu/variations/scores/" footer = "Mutopia-2007/09/07-1030" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % COMMANDES ET FONCTIONS % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % 1. POUR AMÉLIORER LA PARTITION % % DEPLACER UNE DYNAMIQUE VERS LA GAUCHE, LA DROITE, LE HAUT, LE BAS dynamG = \once \override DynamicText #'extra-offset = #'(-1 . 0) dynamD = \once \override DynamicText #'extra-offset = #'(1.5 . 0) dynamDB = \once \override DynamicText #'extra-offset = #'(1 . -1) pinceD = \once \override Hairpin #'extra-offset = #'(1 . 0) pinceDD = \once \override Hairpin #'extra-offset = #'(2 . 0) pinceDDDD = \once \override Hairpin #'extra-offset = #'(4 . 0) pinceH = \once \override Hairpin #'extra-offset = #'(0 . 1.5) pinceMontante = \once \override Hairpin #'rotation = #'(15 -1 0) % DEPLACER UN CRESC/DECRESC cresD = { \set crescendoText = \markup { \italic " cresc." } \set crescendoSpanner = #'dashed-line } cresDDDD = { \set crescendoText = \markup { \italic " cresc." } \set crescendoSpanner = #'dashed-line } % DYNAMIQUE ENTRE PARENTHESES ppAdLib = \markup { \fontsize #-2 \line { \bold \italic ( \dynamic pp ) } } % CACHER LE NOMBRE OU LE CROCHET D'UN NOLET nombreNoletH = \once \override TupletNumber #'extra-offset = #'(0 . 1.5) noletSansNombre = \override TupletNumber #'transparent = ##t noletSansCrochet = \override TupletBracket #'transparent = ##t % NOLET SUR DEUX PORTEES noletTraversantO = { \stemUp \once \override Stem #'length = #17 \once \override Stem #'cross-staff = ##t \once \override Stem #'flag-style = #'no-flag } noletTraversant = { \stemUp \override Stem #'length = #17 \override Stem #'cross-staff = ##t \override Stem #'flag-style = #'no-flag } noletTraversantL = { \stemUp \override Stem #'length = #22 \override Stem #'cross-staff = ##t \override Stem #'flag-style = #'no-flag } noletNormal = { \revert Stem #'length \override Stem #'cross-staff = ##f } % SUPPRESSION DU PointAndClick PDFSimple = #(define-music-function (parser location) () (ly:set-option 'point-and-click #f) (make-music 'SequentialMusic 'void #t)) \PDFSimple %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % 2. POUR AMÉLIORER LE VOLUME DE LA SORTIE MIDI % Le volume de la mélodie a été étendu en totalité (de 0 à 1) % VARIATIONS DU TEMPO tempoAccA = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=154 } tempoAccB = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=156 } tempoAccC = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=158 } tempoAccD = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=160 } tempoAccE = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=161 } tempoAccF = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=162 } tempoAccG = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=163 } tempoAccH = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=164 } tempoAccI = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=165 } tempoAccJ = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=166 } tempoRecit = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=45 } tempoAndante = { \once \override Score.MetronomeMark #'transparent = ##t \tempo 4=70 } % INSTRUMENTS POUR LA MELODIE NARRATEUR = \set Staff.midiInstrument = "trombone" ENFANT = \set Staff.midiInstrument = "harmonica" PERE = \set Staff.midiInstrument = "clarinet" ROIDESAULNES = \set Staff.midiInstrument = "pan flute" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % A. MELODIE % A1. Notes % A2. Dynamiques pour la sortie Midi % B. POEME % C. PIANO % C1. PIANO HAUT: Notes % C2. PIANO BAS: Notes (en trois parties: A et C à 1 voix, B à deux voix) % C3. PIANO: Dynamiques pour la sortie Partition % C4. PIANO: Dynamiques pour la sortie Midi % D. SORTIE PARTITION % E. SORTIE MIDI % % BIENVENUE A TOUTE SUGGESTION POUR AMELIORER LA PARTITION, LA SORTIE MIDI OU LE CODAGE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A1. MELODIE: Notes %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% meloNote = \relative do'' { %1-14 R1*14 %15 r2 r4 la sib2 la4 sol la2. la4 sib2 sol %19 re' r r2 r4 re re2. sol4 sol2 mib4 do fa2. la,4 %24 sib2 r4 sib mib2. la,4 \appoggiatura do4 sib2 sib mib la,4. la8 %28 \appoggiatura do4 sib2 r4 sib re2. la4 \appoggiatura do8 sib4 sib r sol la2 fad sol r %33 R1 R1 R1 r2 r4 re sol2 r4 re %38 sol2 la4. la8 sib2 si4. si8 do2 r r2 r4 do %42 re2. sol,4 mib'2. do4 re2 re4 sol, mib'2 r %46 r r4 do reb2. sib4 la fa r do' reb2. do8[( sib)] %50 do2 r r r4 do, mib2. mib4 fa2. do4 mib4. re8 re4 r R1 %56 R1 r2 r4 do' re2. sib4 fa2. do'4 %60 re2. sib4 fa2. do'4 re2. re4 %63 fa2 do do4( \times 2/3 { si8[ do re] ) } do4 mi, fa2. fa4 %66 do'2. dod4 re2 sib4 sib8[( si)] do2. fa,4 %69 re'2. re8 re sol4. fa8 fa[( mib)] re[( do)] sib2 ~( sib8[ do]) re do sib2 r4 re %73 mib2 mib4. mib8 mib[( re)] re4 r re mib2 mib4. mib8 re2 r4 la sib la sib si8 si do2 dod4. dod8 %79 re1 r2 r4 fad, \bar "||" \key do \major si4 si r fad8 fad la4 sol8 sol sol2 r4 sol la la %84 si4 sol re mi8 fad sol2 r2 r2 r4 sol sol4 la8[( si)] do4 do8 dod re 4sol, mi' re8 do! %89 si4 mi, do' la8 la si4 mi, do' la8 la la4 sold8[( la)] si4 sol8 sol la4 re,8 re si'4 r8 sol %93 sol4 la8 si do4 re8 mi fa4 re8 si do4 r8 sol sol4 la8 si do4 re8 mi sol8[( fa)] re si do4 r4 %97 r2 r4 mi fa2 fa4. fa8 fa8[( mi)] mi4 r4 mi fa2 fa4. fa8 mi2 r4 si %102 do4 si do dod8 dod re2 red mi1 r2 r4 sold,4 dod2 r4 sold %107 la2 r4 la la2 la4. la8 re2. re4 re4 sib8 sol mi4 sib' la2 la4 la %112 re,2 r2 R1*3 r2 r4 re'4 %117 mib4. sib8 sib4 mib re4 re8 mib fa4 mib8 re mib2. re4 dod2 dod4 dod %121 re2 re4. sold,8 la2 la4. la8 re,2 r4 fa' solb2 solb4. solb8 solb8[( fa)] fa4 r4 fa %126 solb2 solb4. solb8 fa2 r2 fa2 fad4. fad8 sol!2 mib4. mib8 re2. re4 \bar "||" \key sib \major %131 sol,2 r2 r2 r4 re re2. re4 \appoggiatura la'8 sol4 sol r sol sol2^\markup { \bold \italic accelerando } la4. la8 %136 sib2 r4 sib sib2 do \appoggiatura mib8 re4 re4 r re re2 sol4. re8 %140 mib2 r2 R1 r2 r4 do4 do2. lab4 reb4. sib8 sol4 sib %145-148 lab4 r4 r2 r4^\markup { \bold \italic "Recit." } r16 lab16 lab sib do4 sib8 lab sol4 r8\fermata dod,8 re4 r4 R1 \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION meloNotePart = { \clef treble \time 4/4 \key sib \major \set autoBeaming = ##f \meloNote } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI meloNoteMidi = { \set Staff.midiInstrument = "trumpet" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 \meloNote } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A2. MELODIE: Dynamiques pour la sortie Midi %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% meloDynMidi = { %1-14 s1*14 %15-34 narrateur s1\f s1*19 %35-40 \PERE s1\mf s1*5 %41-50 \ENFANT s1\f s1*9 %51-56 \PERE s1\mf s1*5 %57-72 \ROIDESAULNES s1\mf s1*14 s2 %72-79 \ENFANT s2\f s1*7 %80-85 \PERE s1\mf s1*5 %86-96 \ROIDESAULNES s1\mp s1*10 %97-104 \ENFANT s1\f s1*7 %105-115 \PERE s1\mf s1*10 %116-123 \ROIDESAULNES s1\mf s1*6 s2\fff %123-131 \ENFANT s2\f s1*8 %132-148 \NARRATEUR s1\fff s1*2 %135-144 accelerando \tempoAccA s1 \tempoAccB s1 \tempoAccC s1 \tempoAccD s1 \tempoAccE s1 \tempoAccF s1 \tempoAccG s1 \tempoAccH s1 \tempoAccI s1 \tempoAccJ s1 %145 s1 \tempoRecit s1\mf s2 s4 \tempoAndante s4 s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-0.5 %15-32 Wer rei -- tet so spät durch Nacht und Wind? Es ist der Va -- ter mit sei -- nem Kind; Er hat den Kna -- ben wohl in dem Arm, Er faßt ihn si -- cher, er hält ihn warm. %36-54 Mein Sohn, was birgst du so bang dein Ge -- sicht? Siehst, Va -- ter, du den Erl -- kö -- nig nicht? Den Er -- len -- kö -- nig mit Kron' und Schweif? Mein Sohn, es ist ein Ne -- bel -- streif. %57-72 „Du lie -- bes Kind, komm, geh mit mir! Gar schö -- ne Spie -- le spiel' ich mit dir; Manch' bun -- te Blu -- men sind an dem Strand, Mei -- ne Mut -- ter hat manch gül -- den Ge -- wand.” %72-85 Mein Va -- ter, mein Va -- ter, und hö -- rest du nicht, Was Er -- len -- kö -- nig mir lei -- se ver -- spricht? Sei ru -- hig, blei -- be ru -- hig, mein Kind; In dür -- ren Blät -- ter säu -- selt der Wind. %86-96 „Willst, fei -- ner Kna -- be, du mit mir gehn? Mei -- ne Töch -- ter sol -- len dich war -- ten schön; Mei -- ne Töch -- ter füh -- ren den nächt -- li -- chen Reihn Und wie -- gen und tan -- zen und sin -- gen dich ein, Sie wie -- gen und tan -- zen und sin -- gen dich ein.” %97-112 Mein Va -- ter, mein Va -- ter, und siehst du nicht dort Erl -- kö -- nigs Töch -- ter am dü -- stern Ort? Mein Sohn, mein Sohn, ich seh' es ge -- nau: Es schei -- nen die al -- ten Wei -- den so grau. %116-131 „Ich lie -- be dich, mich reizt dei -- ne schö -- ne Ge -- stalt; Und bist du nicht wil -- lig, so brauch' ich Ge -- walt.” Mein Va -- ter, mein Va -- ter, jetzt faßt er mich an! Erl -- kö -- nig hat mir ein Leids ge -- tan! %132-147 Dem Va -- ter grau -- set's; er rei -- tet ge -- schwind, Er hält in Ar -- men das äch -- zen -- de Kind, Er -- reicht den Hof mit Mühe und Not; In sei -- nen Ar -- men das Kind war tot. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT: Notes %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHautNote = \relative do' { \noletSansCrochet %1 \tupletDown \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %2 \noletSansNombre \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %3 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %4 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %5 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %6 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %7 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %8 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %9 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %10 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %11 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %12 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %13 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %14 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %15 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %16 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %17 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %18 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %19 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %20 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %21 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %22 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %23 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %24 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %25 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %26 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %27 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %28 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %29 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %30 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %31 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %32 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %33 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %34 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %35 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %36 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %37 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %38 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %39 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %40 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %41 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %42 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %43 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %44 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %45 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %46 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %47 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %48 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %49 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %50 \times 2/3 { 8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } %51 \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } %52 \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } %53 \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } \times 2/3 { fa8[ fa fa] } %54 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %55 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %56 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %57 \times 2/3 { re8[ re re] } \times 2/3 { re8[ re re] } \times 2/3 { do8[ do do] } \times 2/3 { do8[ do do] } %58 \stemUp \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %59 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %60 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %61 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %62 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %63 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %64 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %65 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %66 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %67 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %68 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %69 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %70 \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } \times 2/3 { r8 [ ] } \times 2/3 { r [ ] } %71 \times 2/3 { r8 re[ re] } \times 2/3 { r re[ re] } \times 2/3 { r8 do[ do] } \times 2/3 { r do[ do] } %72 \times 2/3 { \noletTraversantO \change Staff = down [ \change Staff = up ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %73 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %74 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %75 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %76 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %77 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %78 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %79 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %80 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \bar "||" \key do \major %81 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %82 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %83 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %84 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %85 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %86 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %87 \times 2/3 { sol,8[ do mi] } \times 2/3 {sol[ mi do] } \times 2/3 { sol8[ do mi] } \times 2/3 {sol[ mi do] } %88 \times 2/3 { sol8[ si fa'] } \times 2/3 { sol[ fa si,] } \times 2/3 { sol8[ do mi] } \times 2/3 {sol[ mi do] } %89 \times 2/3 { si8[ re mi] } \times 2/3 { sold[ mi re] } \times 2/3 { la8[ do mi] } \times 2/3 { la[ mi do] } %90 \times 2/3 { si8[ re mi] } \times 2/3 { sold[ mi re] } \times 2/3 { la8[ do mi] } \times 2/3 { la[ mi do] } %91 \times 2/3 { la8[ do re] } \times 2/3 { fad[ re do] } \times 2/3 { sol8[ si re] } \times 2/3 { sol[ re si] } %92 \times 2/3 { la8[ do re] } \times 2/3 { fad[ re do] } \times 2/3 { sol8[ si re] } \times 2/3 { sol[ re si] } %93 \times 2/3 { sol8[ si fa'!] } \times 2/3 { sol[ fa si,] } \times 2/3 { sol8[ do mi] } \times 2/3 {sol[ mi do] } %94 \times 2/3 { sol8[ re' fa] } \times 2/3 { sol[ fa re] } \times 2/3 { sol,8[ do mi] } \times 2/3 {sol[ mi do] } %95 \times 2/3 { sol8[ si fa'] } \times 2/3 { sol[ fa si,] } \times 2/3 { sol8[ do mi] } \times 2/3 {sol[ mi do] } %96 \times 2/3 { sol8[ re' fa] } \times 2/3 { sol[ fa re] } \times 2/3 { do8 [ ] } \times 2/3 { 8[ ] } %97 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %98 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %99 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %100 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %101 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %102 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %103 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %104 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %105 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %106 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %107 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %108 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %109 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %110 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %111 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %112 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %113 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %114 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %115 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %116 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %117 \stemNeutral \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %118 \times 2/3 { 8[ ] ] } \times 2/3 { 8[ ] ] } \times 2/3 { 8[ ] ] } \times 2/3 { 8[ ] ] } %119 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %120 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %121 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %122 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %123 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %124 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %125 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %126 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %127 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %128 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %129 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %130 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \bar "||" \key sib \major %131 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %132 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %133 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %134 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %135 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %136 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %137 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %138 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %139 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %140 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %141 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %142 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %143 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %144 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %145 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %146-148 2 r2 r8 4\fermata r8 r4 8^\markup { \bold \italic "Andante." } r8 4 r4 r2 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION pianoHautNotePart = { \clef treble \time 4/4 \key sib \major \set autoBeaming = ##f s1*0^\markup { { \bold \large { \hspace #-3.0 \italic "Schnell. " } } { (\smaller \general-align #Y #DOWN \note #"4" #1 = 152) } } \pianoHautNote } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI pianoHautNoteMidi = { \set Staff.midiInstrument = "acoustic grand" \unfoldRepeats { \pianoHautNote } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS: Notes %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %--------------------------------------------------------------------- A: 1-49: 1 VOIX pianoBasNoteA = \relative do { \noletSansCrochet %1 \tupletDown R1 \stemUp \times 2/3 { sol8_([ la sib] } \nombreNoletH \times 2/3 { do[ re mib]) } re4-| sib-| sol-| r r2 %4 \times 2/3 { sol8_([ la sib] } \nombreNoletH \times 2/3 { do[ re mib]) } re4-| sib-| sol-| r r2 2. 4 1 sol4 r r2 %9 \noletSansNombre \times 2/3 { sol8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| sol r r2 \times 2/3 { sol8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| sol r r2 \set doubleSlurs = ##t 1( %14 ) \set doubleSlurs = ##f \times 2/3 { re8_([ fad sol] } \times 2/3 { la[ si dod]) } re2 ~ re1 \times 2/3 { re,8_([ fad sol] } \times 2/3 { la[ si dod]) } re2 ~ re1 %19 \times 2/3 { re,8_([ fad sol] } \times 2/3 { la[ si dod]) } re2 ~ re1 1( do2.) mib4 fa r fa, r %24 \stemNeutral \times 2/3 { sib'8 ^([do re] } \tupletUp \times 2/3 { mib[ fa solb]) } fa4-| sib,-| sib,1 \tupletDown \times 2/3 { sib'8 ^([do re] } \tupletUp \times 2/3 { mib[ fa solb]) } fa4-| sib,-| sib,1 %28 \tupletDown \times 2/3 { sib'8 ^([do re] } \tupletUp \times 2/3 { mib[ fa solb]) } fa4-| sib,-| fad1( sol4-|) r mib-| r do-| r re-| r sol, r r2 %33 \stemUp \times 2/3 { sol'8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| sol r r2 \times 2/3 { sol8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| sol r r2 R1 %38 R1 r2 sol-> \times 2/3 { do,8_([ mib fa] } \times 2/3 { sol[ la si]) } do2 \times 2/3 { do,8_([ mib fa] } \times 2/3 { sol[ la si]) } do2 ~ %42 do1 \times 2/3 { do,8_([ mib fa] } \times 2/3 { sol[ la si]) } do2 ~ do1 \times 2/3 { do,8_([ mib fa] } \times 2/3 { sol[ la si]) } do2 %46 \times 2/3 { fa,8_([ la sib!] } \times 2/3 { do[ re mi]) } \stemDown fa2 ~ fa1 \stemUp \times 2/3 { fa,8_([ la sib] } \times 2/3 { do[ re mi]) } \stemDown fa2 ~ fa1 } %--------------------------------------------------------------------- B: 50-71: 2 VOIX pianoBasNoteB = { << \context Voice = pianoBasHaut { \voiceOne \relative do { \noletSansCrochet \noletSansNombre \set autoBeaming = ##f %50 \noletTraversantL \times 2/3 { 8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %51 \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %52 \noletTraversant \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %53 \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %54 \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %55 \noletTraversantL \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } \times 2/3 { fa8 fa fa } %56 \times 2/3 { sol8 sol sol } \times 2/3 { sol8 sol sol } \noletNormal \times 2/3 { sol8 sol \noletTraversantL sol } \times 2/3 { sol8 sol sol } %57 \times 2/3 { 8 } \times 2/3 { 8 } \times 2/3 { 8 } \times 2/3 { 8 } %58 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %59 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %60 \noletTraversant \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %61 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %62 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %63 \times 2/3 { s8 la la } \times 2/3 { s8 la la } \times 2/3 { s8 la la } \times 2/3 { s8 la la } %64 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %65 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %66 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %67 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %68 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %69 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } %70 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 sol sol } \times 2/3 { s8 sol sol } %71 \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \times 2/3 { s8 } \noletNormal } } \context Voice = pianoBasBas { \voiceTwo \relative do,, { \noletSansCrochet %50-55 \stemDown \slurDown \noletSansNombre \times 2/3 { fa8([ la sib] } \times 2/3 { do8[ re mi]) } fa2 ~ fa1 R1 R1 sib1 r4 sib_. fa4_. re_. %56-60 mib4_. r do4_. r fa4_. r fa4_. r 8 r r r r 8 r r r r 8 r r r r %61-65 8 r r r r 8 r r r r 8 r r r r 8 r r r r 8 r r r r %66-71 8 r r r r 8 r r r r 8 r r r r 8 r r r r 8 r r r r fa8 r fa r fa r fa r } } >> } %--------------------------------------------------------------------- C: 72-148: 1 VOIX pianoBasNoteC = \relative do { \noletSansCrochet \noletSansNombre %72 \stemDown 4 r r \set doubleSlurs = ##t ( %73 2) \stemNeutral r4 ( 2) \set doubleSlurs = ##f r4 fad'\( sol fad sol sold\) la2\( lad %79 si!1\) ~ si4 mi,!-| fad-| fad-| \bar "||" \key do \major si,1 mi,1 ~ mi4 mi-| do-| do-| %84 re-. r re-. r sol2 re4 si sol2 la4 si 8 r r r r 8 r r r r %89 8 r r la r la r 8 r r la r la r 8 r r sol r sol r 8 r r sol r sol r %93 4 r8 8 4 r8 8 4 r8 8 do4 r8 8 4 r8 8 4 r8 8 4 r8 8 4 r4 %97 r2 r4 \set doubleSlurs = ##t _>( 2) 2 r4 4_>( 2) \set doubleSlurs = ##f 2 r4 sold'\( %102 la4 sold la lad\) si2\( sid dod1\)~ dod4 fad,-| sold-| sold-| dod,2 r2 %107 R1 1^\( re2\) r2 1 2 %112 4 r4 r2 \tupletUp \times 2/3 { re'8([ mi fa] } \times 2/3 { sol[ la sib]) } la4-| fa-| re4 r4 r2 \times 2/3 { re8([ mi fa] } \times 2/3 { sol[ la sib]) } la4-| fa-| re4 r4 r2 %117 1 1 1 1 %121 1 2 2 r4 \set doubleSlurs = ##t _>( 2) 2 r4 _>( %126 2) \set doubleSlurs = ##f 2 r2 2 2 2 \bar "||" \key sib \major %131 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %132 \stemUp \times 2/3 { sol'8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| %133 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %134 \stemUp \times 2/3 { sol'8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| %135 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %136 \stemUp \times 2/3 { sol'8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| %137 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %138 \stemUp \times 2/3 { sol'8_([ la sib] } \times 2/3 { do[ re mib]) } re4-| sib-| %139 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %140 \times 2/3 { do8_([ re mib] } \times 2/3 { fa[ sol lab]) } sol4-| mib-| %141-142 2 4-. 4-. 4-. 4-. 4-. 4-. %143 \stemDown \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %144 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %145 \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } \times 2/3 { 8[ ] } %146-148 2 r2 \stemUp r8 4\fermata r8 r4 8 r8 4 r4 r2 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION pianoBasNotePart = { \clef bass \time 4/4 \key sib \major \set autoBeaming = ##f \pianoBasNoteA \pianoBasNoteB \pianoBasNoteC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI pianoBasNoteMidi = { \set Staff.midiInstrument = "acoustic grand" \unfoldRepeats { \pianoBasNoteA \pianoBasNoteB \pianoBasNoteC } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO: Dynamiques pour la sortie Partition %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% DYNAMIQUES COMMUNES pianoDynPart = { \override DynamicTextSpanner #'dash-period = #-1.0 %1-5 s1\f s1*4 %6-12 s2.\cr \times 2/3 { s4 s8\! } s2.\decr \times 2/3 { s4 s8\! } s1*5 %13-24 \dynamD s1\pp s1*11 %25-26 \pinceD s4\decr \times 2/3 { s4 s8\! } s2 s1 %27-28 \pinceD s4\decr \times 2/3 { s4 s8\! } s2 s1 %29-31 \pinceD s4\decr \times 2/3 { s4 s8\! } s2 s1*2 %32-34 \dynamDB s1\f s1*2 %35-37 \dynamD s1\pp s1*2 %38-43 \cresDDDD s2\cr s2\! s1 s1\f s1-\ppAdLib s1*2 %44-47 \pinceD s2.\decr \times 2/3 { s4 s8\! } \dynamD s1\mf \dynamD s1\p s1 %48-55 \dynamD s1\mf s1*7 %56-57 s2 \setTextDecresc s4\decr s4\! s1 %58-71 \dynamD s1\pp s1*13 %72-75 s2 s2\f s1*3 %76-77 s2 s2\p s1 %78-80 \setTextDecresc s2\decr s2\! \pinceDD s2.\cr \times 2/3 { s8 s8\! s8 } s4\decr \times 2/3 { s4 s8\! } s2 %81-84 s1*4 %85 \pinceDD s2.\cr \times 2/3 { s8 s8\! s8 } s2.\decr \dynamD s4\!\ppp %87-95 s1*9 %96-97 s2. \times 2/3 { s4\f\decr s8\! } s1 %98-102 s1*5 %103-105 \setTextDecresc s2\decr s2\! s4 s2\cr \times 2/3 { s4 s8\! } s4\decr \times 2/3 { s4 s8\! } s2 s1*2 %108-111 \pinceD s4\decr \times 2/3 { s4 s8\! } s2 s1 \cresDDDD s2\cr s2\! s1 %112-114 \dynamD \pinceD s2\ff\decr s4 \times 2/3 { s4 s8\! } s1*2 %115-122 \dynamD s1\p s1 \dynamD s1\pp s1*5 %123-127 \dynamD \pinceD s2\fff\decr s8 s4.\! s1*4 %128-130 s2\sf s2\sf s2\sf s2\sf s2\sf s2\sf %131-134 \dynamG s1\f s1*3 %135-138 s2 \cresD s4\cr s4\! s1*3 %139-140 s2\decr \times 2/3 { s4 s8\! } s4 \dynamD s1\ff %141-144 s2 s2\cr s2. \times 2/3 { s4 s8\! } s1\sf s1\sf %145-148 s2.\fp\decr \times 2/3 { s4 s8\! } \dynamD s1\pp s8 s4\p s8 s4 s8\f s8 s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% DYNAMIQUES SUPPLEMENTAIRES POUR LA PORTEE DU BAS pianoBasDynPart = { %1 s1 s1\f %3-14 s1*12 %15-18 s2 \pinceH s4\decr \times 2/3 { s4 s8\! } s1 s2 \pinceH s4\decr \times 2/3 { s4 s8\! } s1 %19-49 s1*31 %50-53 \pinceMontante \pinceDDDD s4\decr s4\! s2 s1*3 %54-71 s4\decr \times 2/3 { s4 s8\! } s2 s1*17 %72-75 s2. \pinceD \times 2/3 { s4\decr s8\! } s1 s2. \pinceD s8\decr s8 s4\! s4 s2 %76-148 s1*73 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO: Dynamiques pour la sortie Midi %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% DYNAMIQUES POUR LA PORTEE DU HAUT pianoHautDynMidi = { %1-5 s1\f s1*4 %6-11 s1\cr s1\!\decr s1\!\f s1*4 %13-14 s1\pp s1 %15-24 s1*10 %25-34 s2\mp\decr s2\!\pp s1 s2\mp\decr s2\!\pp s1 s2\mp\decr s2\!\pp s1 %31-34 s1 s1\f s1*2 %35-37 s1\pp s1 s1 %38-43 s1\cr s1 s1\!\f s1 s1*2 %44-48 s1\decr s1\!\mf s1\p s1 s1\mf %49-55 s1*7 %56-57 s2 s2\decr s1 %58-71 s1\!\pp s1*13 %72-77 s2 s2\f s1*3 s2 s2\p s1 %78-80 s1\decr s1\!\pp\cr s2\!\mf\decr s2\!\p %81-84 s1*4 %85 s1\cr s2.\!\decr s4\!\ppp %87-95 s1*9 %96-97 s2 s8 s4.\f\decr s1\!\mp %98-102 s1*5 %103-107 s2\decr s2\!\pp s4 s2.\cr s2\!\mf\decr s2\!\p s1*2 %108-114 s2\decr s2\!\pp s1 s1\cr s1 s1\!\ff\decr s1\!\f s1 %115-122 s1\p s1 s1\pp s1*5 %123-127 s2.\fff\decr s4\!\f s1*4 %128-131 s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s1 %132-134 s1*3 %135-138 s2 s2\cr s1*3 %139-140 s2.\!\ff\decr s4\!\f s1 %141-148 s2 s2\cr s2.\!\ff s4 s4\sf s2.\f s4\sf s2.\f s8\ff s8\f s2.\decr s1\!\pp s8 s4\p s4. s8\f s8 s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% DYNAMIQUES POUR LA PORTEE DU BAS pianoBasDynMidi = { %1-5 s1\f s1*4 %6-11 s1\cr s1\!\decr s1\!\f s1*4 %13-14 s1\p s1 %15-24 s2\cr s2\!\mf\decr s2\!\p s2 s2\cr s2\!\mf\decr s2\!\p s2 s1*6 %25-34 s2\mp\decr s2\!\pp s1 s2\mp\decr s2\!\pp s1 s2\mp\decr s2\!\pp s1 %31-34 s1 s1\f s1*2 %35-37 s1\pp s1 s1 %38-43 s1\cr s1 s1\!\f s1 s1*2 %44-48 s1\decr s1\!\mf s1\p s1 s1\f %49-55 s1 s2\decr s2\!\p s1\f s1 s1 s2\decr s2\!\p s1\f %56-57 s2 s2\decr s1 %58-71 s1\!\pp s1*13 %72-77 s2 s2\f\decr s2\!\mp s2\f s2 s2\decr s2\!\mp s2\f s2 s2\p s1 %78-80 s1\decr s1\!\pp\cr s2\!\decr s2\!\p %81-84 s1*4 %85 s1\cr s2.\!\decr s4\!\ppp %87-95 s1*9 %96-97 s2 s8 s4.\f\decr s1\!\mp %98-102 s1*5 %103-107 s2\decr s2\!\p s4 s2.\cr s2\!\decr s2\!\p s1*2 %108-114 s2\decr s2\!\pp s1 s1\cr s1 s1\!\ff\decr s1\!\f s1 %115-122 s1\p s1 s1\pp s1*5 %123-127 s2.\fff\decr s4\!\f s1*4 %128-131 s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s4\sf s4\f s1 %132-134 s1*3 %135-138 s2 s2\cr s1*3 %139-140 s2.\!\ff\decr s4\!\f s1 %141-148 s2 s2\cr s2.\!\ff s4 s4\sf s2.\f s4\sf s2.\f s8\ff s8\f s2.\decr s1\!\pp s8 s4\p s8 s4\fermata s8\f s8 s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "mel" << \meloNotePart >> \new Lyrics \lyricsto "mel" \poeme \new PianoStaff << \new Staff = "up" << \pianoHautNotePart >> \new Dynamics = "dynamics" \pianoDynPart \new Staff = "down" << \pianoBasNotePart >> \new Dynamics = "downdyn" \pianoBasDynPart >> >> \layout { \context { \RemoveEmptyStaffContext } \context { \Score \override VerticalAxisGroup #'remove-first = ##t \override SpacingSpanner #'spacing-increment = #1.0 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "mel" << \meloNoteMidi \meloDynMidi >> \new PianoStaff << \new Staff = "up" << \pianoHautNoteMidi \pianoHautDynMidi >> \new Staff = "down" << \pianoBasNoteMidi \pianoBasDynMidi >> >> >> \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 152 4) } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FIN DU FICHIER Erlkoenig.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%