%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D296-AnDenMond.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "An den Mond", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" #(set-global-staff-size 19) \paper { line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) after-title-space = 60\mm indent = 28\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: An den Mond (D.296) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: An den Mond (D.296) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \fontsize #1.5 "An den Mond" } subsubtitle = " " poet = \markup { \hspace #19 \column { \center-column { \line { \fontsize #2 \bold "Johann Wolfgang von Goethe" } \line { \small "(1787-1862)" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.296 (1815)" } % MUTOPIA mutopiatitle = "An den Mond" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Wolfgang von Goethe" mutopiaopus = "D.296" mutopiainstrument = "Voice and Piano" date = "1815" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1581" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes B2: dynamiques % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=46 TEMPOFINA = \tempo 4=42 TEMPOFINB = \tempo 4=34 %----- TONALITÉS ET MESURES KEY = { \key lab \major } TIME = { \time 3/4 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Langsam. " } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "pan flute" \set Staff.midiMinimumVolume = #0.4 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.85 } IPIANOBAS = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.75 } %----- CHANGER DE PORTÉE STAFFDO = { \change Staff = pianoDown \voiceOne} STAFFUP = { \change Staff = pianoUp \voiceTwo } %----- DYNAMIQUE SPECIALE SFORZATO = \markup { \musicglyph #"scripts.sforzato" } CRESC = \markup { \bold \italic "cresc." } %----- REPOSITIONNEMENT DES MARKUP / SCRIPT TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poemeA = \lyricmode { \set fontSize = #-.5 %--- partie 1 Fül -- lest wie -- der Busch und Thal __ still mit Ne -- bel -- glanz, lö -- sest end -- lich auch ein -- mal mei -- ne See -- le ganz; __ brei -- test ü -- ber __ mein Ge -- fild __ lin -- dernd dei -- nen __ Blick, wie des Freun -- des Au -- ge __ mild __ ü -- ber mein __ Ges -- chick. %--- partie 3 Ich be -- sass es doch ein -- mal, __ was so köst -- lich ist! Dass man doch zu sei -- ner Qual Nim -- mer es ver -- gisst! __ Rau -- sche, Fluss, das __ Thal ent -- lang, __ oh -- ne Rast und oh -- ne Ruh, rau -- sche, flüs -- tre mei -- nem Sang __ Me -- lo -- di -- en zu, wenn du in der Win -- ter -- nacht wü -- thend ü -- ber -- schwillst, o -- der um die Früh -- lings -- pracht jun -- ger Knos -- pen __ quillst. Se -- lig, wer sich vor der Welt __ oh -- ne Hass ver -- schliesst, ei -- nen Freund am Bu -- sen __ hält und mit dem ge -- niesst, __ was, von Men -- schen nicht ge -- wusst o -- der nicht be -- dacht, durch das La -- by -- rinth der Brust wan -- delt __ in der Nacht, wan -- delt __ in der Nacht. } poemeB = \lyricmode { \set fontSize = #-.5 %--- partie 2 Je -- den Nach -- klang fühlt mein Herz __ froh und trü -- ber Zeit, wand -- le zwi -- schen Freud’ und Schmerz in der Ein -- sam -- keit. Flie -- sse, flie -- sse, __ lie -- ber Fluss! __ Nim -- mer werd’ ich __ froh, so ver -- rausch -- te Scherz und __ Kuss, und die Treu -- e so. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% chantA = \relative do'' { %--- 0 \partial 4 r4 %--- 1-5 R2.*4 r4 r } chantB = \relative do'' { %--- 5 \bar "|:" mib8. fa16 fa4. mib8 reb sib lab4( sol) lab8 sib do8. reb16 sib4 mib8. fa16 fa4. mib8 reb sib %--- 10 lab4 sol8 lab do8. sib16 sib4( lab) r R2. r4 r reb8. do16 sib4. do16[ reb] mib8. reb16 reb4( do) fa8. do16 %--- 10 reb8 fa16[ mib] do4 do8. do16 mib4. reb8 sib reb16[ do] sib4( lab) la8. la16 la4.( sib8[ reb8.]) sol,16 lab2 r4 R2. r4 r \bar ":|" } chantC = \relative do'' { %--- 22 mib8. fa16 \set Score.currentBarNumber = #23 fa4. mib8 reb sib lab4( sol) lab8 sib do8. reb16 sib4 mib8. fa16 fa4. mib8 reb sib %--- 27 lab4 sol8 lab do8. sib16 sib4( lab) r R2. r4 r reb8. dob16 sib4. dob16[ reb] mib8. reb16 %--- 32 reb4( dob) fab8. mib16 reb4. reb8 solb8. fab16 mib2 mib8. mib16 fab4. fab8 fa8. fa16 %--- 36 solb4( mib) dob8. reb16 mib2~ mib8 reb do!4 do8. do16 do8 do mib8. reb16 reb4 mib8. lab,16 %--- 40 solb'8. fab16 fab4 fab8. reb16 sib4. sib8 do!16[ mib] reb[ do] sib4 sib8 reb do16[ mib] reb[ do] sib4 r r %--- 44 r4 r mib8. fa!16 fa4. mib8 reb sib lab4( sol) lab8 sib do8. reb16 sib4 mib8. fa16 fa4. mib8 mib16[ reb] reb[ sib] %--- 49 lab4 sol8 lab do8. sib16 sib4( lab) mib8. mib16 mib4. mib8 mib8 fa16[ sol] lab2 la8. la16 sib8 sol lab4 solb8. solb16 %--- 54-60 fa4. fa8 sol! mi fa2 mib!4~ mib4. reb16[ do] sib8 mib lab,4 r mib''~ mib4. reb16[ do] sib8 mib lab,2 r4 R2.^\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef treble \KEY \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Singstimme." \chantA \chantB \chantC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEY \TIME \ICHANT \chantA \chantB \chantB \chantC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. CHANT : DYNAMIQUES PARTITION/MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTITION dynPartChant = { } %%%%%%%%%%%%%%%%%%%% MIDI dynMidiChant = { s4\pp } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoHautIA = \relative do'' { \voiceOne %--- 0 \partial 4 do8.([ lab16] %--- 1-5 do4 sib8) sib8\rest reb8.([ sib16] reb4 do8) sib8\rest fa'8.([ reb16] fa4. fab8[ mib reb]) do16([ mib reb sib] lab4 sol) << { \voiceOne sib4( lab) } \\ { \voiceThree mib2 } >> } pianoHautIB = \relative do'' { \voiceOne %--- 5 mib8.([ fa16] fa4. mib8[ reb sib]) \oneVoice lab4( sol) lab8([ sib]) do8.([ reb16] sib4) \voiceOne mib8.([ fa16]) fa4.( mib8[ reb sib]) %--- 10 lab4 sol8([ lab 8. 16]) << { \voiceOne sib'4( lab) } \\ { \voiceThree mib2 } >> \voiceOne do'8.([ lab16]) do4( sib8) sib8\rest fa'8.([ re16] fa4 mib8) sib8\rest reb!8.[ do16] sib4.( do16[ reb] mib8[ reb]) reb4( do) fa8.([ do16] %--- 16-22 reb8 fa16[ mib]) do4 do( mib4.) ( reb8 sib[ reb16 do]) sib4( lab) \oneVoice 8.[ 16] 4.^( 8 4) 2 8.[ 16] 4.( 8[ 8. 16]) 2 \bar ":|" } pianoHautIC = \relative do'' { \voiceOne %--- 22 mib8.([ fa16] fa4. mib8[ reb sib]) \oneVoice lab4( sol) lab8([ sib]) do8.([ reb16] sib4) \voiceOne mib8.([ fa16]) fa4.( mib8[ reb sib]) %--- 27 lab4 sol8([ lab 8. 16]) << { \voiceOne sib'4( lab) } \\ { \voiceThree mib2 } >> \voiceOne do'8.([ lab16] do4 sib8) sib8\rest fa'8.([ re16] fa4 mib8) sib8\rest reb8.[ dob16] sib4. dob16[ reb] mib8.[ reb16] %--- 32 reb4( dob) fab8.[ mib16] reb!4. reb8[ solb8. fab16] \oneVoice 8[ mib'16 dob] solb[ dob mib dob] solb[ dob mib dob] solb[ reb' fab reb] solb,[ reb' fab reb] solb,[ re' fa re] %--- 36 solb,[ mib' solb mib] solb,[ dob mib dob] mib,[ lab dob lab] solb[ dob mib dob] solb[ dob mib dob] fab,[ solb sib solb] solb[ la do! la] solb[ la do la] solb[ la do la] fab[ lab! reb lab] fab[ lab reb lab] solb[ lab mib' lab,] %--- 40 fab[ lab fab' lab,] fab[ lab fab' lab,] fab[ sib reb sib] mib,[ sol sib sol] mib[ sol sib sol] mib[ do' sib lab] \voiceOne sib4.( reb8) do16[ mib reb do] sib4~ sib16([ reb do sib] fa'8.[ fab16] %--- 44 mib2) \oneVoice 8.([ 16]) 4.( 8 ]) \set doubleSlurs = ##t 4( ) \set doubleSlurs = ##f 8([ ] 8.[ 16] 4) 8.([ 16]) 4.( 8) 16([ ]) ([ ]) %--- 49 4( 8[ 8. 16]) \set doubleSlurs = ##t 4( ) \set doubleSlurs = ##f \voiceOne reb8.([ do16]) sib4.( do16[ reb] mib8[ reb]) reb4( do) fa8.([do16] reb8[ fa16 mib] do4) do( %--- 54-60 mib4. reb8 sib[ reb16 do]) sib4( lab) \oneVoice 8.[ 16] \set doubleSlurs = ##t 4.( 8) \set doubleSlurs = ##f \voiceOne reb'8.([ sol,16]) \oneVoice 2 8.[ 16] 4.( 8[ 8. 16]) 2 4 2.^\fermata } pianoHautIPart = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIB \pianoHautIC } pianoHautIMidi = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIB \pianoHautIB \pianoHautIC } %%%%%%%%%%%%%%%%%%%% VOIX II pianoHautIIA = \relative do' { \voiceTwo %--- 0 \partial 4 fa4( %--- 1-5 mib4~ mib8) s8 sol4 sol4( lab8) s8 lab4 sib2. lab8[ fa] mib4 reb4( do) } pianoHautIIB = \relative do' { \voiceTwo %--- 5 mib8.[ fa16] fa4. mib8[ \STAFFDO ] \STAFFUP s2. s2 mib'8.[ fa16] fa4. mib8[ \STAFFDO ] \STAFFUP %--- 10 s2. reb'4 do fa( mib4~) mib8 s lab4 lab4( sol8) s mib4 mib2 mib4 mib2 fa4 %--- 16 fa8[ ] mib4 solb( fa2) sol4 sol4( lab) s4 s2.*3 s2 } pianoHautIIC = \relative do' { \voiceTwo %--- 22 mib8.[ fa16] fa4. mib8[ \STAFFDO ] \STAFFUP s2. s2 mib'8.[ fa16] fa4. mib8[ \STAFFDO ] \STAFFUP %--- 27 s2. reb'4( do) fa mib4~ mib8 s lab4 lab4( sol8) s mib4 mib2 mib4 %--- 32 mib2 solb4 solb2 solb4 s2.*8 %--- 42 mib2 mib4 mib2 fa8.[ fab16] mib2 s4 s2.*5 %--- 50 s2 mib4 mib2 mib4 mib2 4 fa8[ ] mib4 solb %--- 54-60 fa2 sol!4 sol4 lab s4 s2 4 s2.*4 } pianoHautIIPart = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIB \pianoHautIIC } pianoHautIIMidi = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIB \pianoHautIIB \pianoHautIIC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef treble \KEY \TIME \set autoBeaming = ##f << \pianoHautIPart \pianoHautIIPart >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEY \TIME \IPIANOHAUT << \pianoHautIMidi \pianoHautIIMidi >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoBasIA = \relative do' { \voiceOne %--- 0 \partial 4 lab8.\([ do16] %--- 1-5 lab4( sol8)\) s sib8.\([ reb16] sib4( lab8)\) s reb8.([ fa16] reb2 mib8.[ fab16]) \oneVoice 8[ ] 4 \voiceOne sol4( lab) } pianoBasIB = \relative do' { \oneVoice %--- 5 s4 s2. << { \voiceOne lab4( sol) } \\ { \voiceThree mib2 } >> \voiceOne 8([ ]) 8.([ 16] 4) s4 s2. %--- 10 lab4 sol8([ lab 8. sol16]) sol4( lab) lab8.([ do16]) lab4( sol8) s8 dob8.[ sib16] s2 8.[ 16] 4. 16[ ] 8[ ] 4( ) mib'( %--- 16 reb8)[ reb] do4 la( sib2) reb8([ sib16 do]) reb4( do) 8.[ 16] 4.( 8) sib4 2 8.[ 16] 4.( 8 4) do2 } pianoBasIC = \relative do' { \oneVoice %--- 22 s4 s2. << { \voiceOne lab4( sol) } \\ { \voiceThree mib2 } >> \voiceOne 8([ ]) 8.([ 16] 4) s4 s2. %--- 27 lab4 sol8([ lab 8. sol16]) sol4( lab) lab8.[ do16] lab4( sol8) s8 dob8.[ sib16] sib4~ sib8 s 8.[ 16] 4. 16[ ] 8[ ] %--- 32 4( dob) \clef treble 8.[ 16] 4. 8[ 8. 16] \oneVoice 2 4 2 4 %--- 36 2 \clef bass 8.([ 16]) 2 4 2. 2 4 %--- 40 \voiceOne lab'2 sib4 \oneVoice 2 4 2 4 2 4~ %--- 44 2 \voiceOne mib'8.([ fa!16]) fa4.( mib8[ reb sib]) << { \voiceOne lab4( sol) } \\ { \voiceThree mib2 } >> \voiceOne lab8([ sib] 8.[ 16] 4) mib'8.([ fa16]) fa4.( mib8[ reb sib]) %--- 49 4( 8[ do'8. reb16]) 4( do) 8.([ 16]) 4.( 16[ ] 8[ ]) 4( do) mib s2 la,4 %--- 54-60 sib2 reb8[ sib16 do] reb4( do) 8.[ 16] 4.( 8) s4 2 8.[ 16] 4.( 8) s4 s2.*2 } pianoBasIPart = \context Staff \new Voice { \voiceOne \pianoBasIA \pianoBasIB \pianoBasIC } pianoBasIMidi = \context Staff \new Voice { \voiceOne \pianoBasIA \pianoBasIB \pianoBasIB \pianoBasIC } %%%%%%%%%%%%%%%%%%%% VOIX II pianoBasIIA = \relative do { \voiceTwo %--- 0 \partial 4 re4( %--- 1-5 mib4~ mib8) reb8\rest mi4( fa4~) fa8 reb8\rest fa4( sol2.) s2. 2 } pianoBasIIB = \relative do' { \voiceTwo %--- 5 4 2 fa8[ reb] do4( sib) do8[ reb] mib2 4 2 fa8[ reb] %--- 10 4 8[ mib8. mib16] 2 re4( mib4~) mib8 re8\rest re8.[ fa16] \oneVoice 4~ 8 r \voiceTwo mib4 mib2 mib8[ fa16 sol] lab2 4( %--- 16 8)[ ] 4 mib~ mib2 mi4 fa2 do8.[ do16] reb2 mib4 lab,2 do8.[ do16] reb2 mib4 lab2 } pianoBasIIC = \relative do' { \voiceTwo %--- 22 4 2 fa8[ reb] do4( sib) do8[ reb] mib2 4 2 fa8[ reb] %--- 27 4 8[ mib8. mib16] 2 re4( mib4~) mib8 re8\rest re8.[ fa16] mib4~ mib8 re8\rest mib4 mib2 mib8[ fa16 sol] %--- 32 lab2 \clef treble solb4 solb2 solb8[ lab16 sib] s2.*6 %--- 40 2. s2.*3 %--- 44 s2 4 2 8[ ] do4( sib) 8[ ] mib2 4 2 8[ ] %--- 49 do4 sib8[ do 8. 16] mib4( lab) mib mib2 mib8[ fa16 sol] lab2 4 8[ ] 4 mib %--- 54-60 mib2 mi4 fa2 do8.[ do16] reb2 4 lab,2 do8.[ do16] reb2 4 2 4 2.^\fermata } pianoBasIIPart = \context Staff \new Voice { \voiceTwo \pianoBasIIA \pianoBasIIB \pianoBasIIC } pianoBasIIMidi = \context Staff \new Voice { \voiceTwo \pianoBasIIA \pianoBasIIB \pianoBasIIB \pianoBasIIC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEY \TIME \set autoBeaming = ##f << \pianoBasIPart \pianoBasIIPart >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBas = { \KEY \TIME \IPIANOBAS << \pianoBasIMidi \pianoBasIIMidi >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { %--- 0 s4\pp %--- 1 s2.*5 %--- 6 \TSCREXO #'(1 . 1) s4-\SFORZATO s2 s2.*3 %--- 10 s2 \TSCREXO #'(1 . 1) s4-\SFORZATO s2.*6 %--- 17 \PINEXO #'(3 . 0) s4.\decr s8\! s4 s2. s2\decr s4\! s2. s4.\decr s16\! s16 s4 %--- 22 s2.*13 %--- 35 \PINEXO #'(1.5 . 0) s2\cr s8 s16\! s16 s2.*2 s2\cr s8. s16\! \TSCREXO #'(0 . 1.5) s2.-\CRESC s2\decr s4\!\p s2.*2 %--- 43 s2 s8.\decr s16\! s2.*13 %--- 57-60 s2 s4\ppp s2.*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPianoA = { \TEMPOBASE %--- 0 s4\pp %--- 1-5 s2.*4 s2 } dynMidiPianoB = { %--- 5 s4 s2.*11 %--- 17 s4.\mp\decr s8\!\pp s4 s2. s2\mp\decr s4\!\pp s2. s4.\mf\decr s8\!\pp s4 %--- 22 s2 } dynMidiPianoC = { %--- 22 s4 s2.*12 %--- 35 s2\cr s8. s16\!\mp s2.*2 s2.\cr s2. s2\!\mf\decr s4\!\p %--- 41 s2.*3 s2 s4\pp %--- 45 s2.*12 %--- 57-60 s2 s4\ppp s2 \TEMPOFINA s4 s2 \TEMPOFINB s4 s2. } dynMidiPiano = { \dynMidiPianoA \dynMidiPianoB \dynMidiPianoB \dynMidiPianoC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "chant" << \notePartChant \dynPartChant >> \new Lyrics \lyricsto "chant" \poemeA \new Lyrics \lyricsto "chant" \poemeB \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte." \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1.2 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 1) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %{ -------------------- -------------------- %} %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME \partial 2 s2 } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPiano >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPiano >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBas \dynMidiPiano >> } >> \midi { } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D296-AnDenMond.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%