\include "defs.lyi" pianoMvtIRight = \relative c'' { \key d \major a4 d4.( fis8 e d cis d) | e4.( cis8 a4) a | e'4.( g8 fis e d e) | e4( fis) r d8( fis) | a2 g8( fis e d) | cis8( b) b2 g'8( e) | a8.( fis16) d8 d d4 \acciaccatura fis16 e16 d e fis | d4 r8 a'16 fis g e cis a g' e cis' a | 4 r8 a16 fis g e cis a g' e cis' a | d, d' cis, cis' b, b' a, a' g, g' fis, fis' e, e' d, d' | 4 4 r a4 | d8 d fis16( g a fis) e4.( d8) | g8-. b,( cis d e8.) cis16 a8 a | d8 d fis16( g a fis) << \new Voice {\voiceOne e8.( fis16 e8 fis)} \new Voice {\voiceTwo r8 cis4( d8)} >> | 8( ) 4( 8) a | 8 << {fis16( g a fis) e4.( fis8)} \\ {d4 cis4.( d8)} >> | 8( ) << {e8.( cis16 a8) a} \\ {a4 cis,} >> | 8 << {fis16( g a fis)} \\ {d4} >> 8.( 16 8) | 8 ( ) a'16 fis g e a, cis' | d8 a16 fis g e a, cis' d a cis a d a cis a | d8 d,, d d d4 r | %A r8 \repeat unfold 7 {8} | r8 \repeat unfold 7 {8} | r8 \repeat unfold 7 {8} | r8 ( ) \repeat unfold 5 {8} | r8 \repeat unfold 3 {} r8 \repeat unfold 3 {} | r8 \repeat unfold 3 {} r8 ( ) -. | 8-. r -. r -. r -. r | 8 a''16 fis g e a, cis' d8 a16 fis g e a, cis' | d8 \repeat unfold 7 {} | e'16 cis d b e, gis' a8 e16 cis d b e, gis' | a8 \repeat unfold 3 {} \repeat unfold 4 {} | 8 d'16 gis 8 \trill d,16 gis b8 \trill | 4 r 2( | 8) \repeat unfold 3 {} r8 \repeat unfold 3 {8} | 8 e16 e' gis, gis' b, b' e, e' gis, gis' b, b' gis, gis' | e,8 e, e e4 r | %B \repeat unfold 2 { r8 \repeat unfold 3 {} r8 \repeat unfold 3 {} | \repeat unfold 2 { r8 \repeat unfold 3 {} } | } a'8 b16 cis d e fis gis a8 a16 e b'8 b16 e, | cis'8 \repeat unfold 3 {} r \repeat unfold 3 {} | r8 \repeat unfold 3 {} r \repeat unfold 3 {} | r8 \repeat unfold 3 {} r \repeat unfold 3 {} | 8 a'~ a16 cis b a gis b a gis fis a gis fis | e4 r r8 \repeat unfold 3 {} | r8 \threex r \threex | \repeat unfold 7 {} | << {s1(} {\repeat unfold 4 {16 e,} \repeat unfold 4 { e,}} >> %C a4) r8 e'16 cis d b gis e d' b gis' e | 4 r8 e16 cis d b gis e d' b gis' e | a a' cis, cis' a, a' eis, eis' fis, fis' a, a' fis, fis' cis, cis' | d,8 r d16 b' d, b' cis, a' cis, a' b, gis' b, gis' | \repeat unfold 2 { 4 r8 e16 cis d b gis e d' b gis' e | } a a' cis, cis' a, a' eis, eis' fis, fis' a, a' fis, fis' cis, cis' | d,8 r d16 b' d, b' cis, a' cis, a' b, gis' b, gis' | a a' cis, cis' a, a' eis, eis' fis, fis' a, a' fis, fis' cis, cis' | d,8 r d16 b' d, b' cis, a' cis, a' b, gis' b, gis' | 4 r r e | a4.( cis8 b a gis a) | b4.( gis8 e4) e | b'4.( d8 cis b a b) | b4( cis) r a8( cis | e2 d8 cis b a) | a( g) r g g( fis) r e | e( d) r fis r b r eis, | g( fis) r ais r b r eis, | g( fis) r ais r b r eis, | g( fis) r fis r fis r fis | %D fis4 r r2 | r4 c'16 a fis a \repeat unfold 4 {c a} | c4 r r2 | r8 \threex r \threex | r \threex r \threex | 4 r r d' | g4.( b8 a g fis g) | a4.( fis8 d4) d | a'4.( c8 b a g a) | a4( b) 8( ) | e \sevenx | \twox {r \sevenx |} 4( ) r8 \threex g'-. | \twox {g16( a) g fis g( e) cis a} | fis'( g) fis e fis( d) fis( d) 4 r8 a | \twox {a16( b) a gis a( fis) d a} | g'( a) g fis g( e) cis e 4 r8 g | \twox {g16( a) g fis g( e) cis a} | 8 a16 a' b, b' a, a' g, g' fis, fis' e, e' d, d' | 8 a16 b \appoggiatura d16 cis8 b16 a d, d' a, a' fis, fis' d, d' | 8 a'16 b \appoggiatura d16 cis8 b16 a d, d' a, a' fis, fis' d, d' | 4 r r8 16( 8.) 16 | 4 r r8 16( 8.) 16 | 4 r8. 16 4 r8. 16 | 8 -. -. -. -. -. -. -. | %E \sevenx | \twox {r8 \sevenx } | r8 ( ) \fivex | r8 \threex r \threex | r8 \threex r ( ) -. | r r r r | a''16 fis g e a, cis' d8 a16 fis g e a, cis' | d8 \threex r \threex | d'16 b c a d, fis' g8 d16 b c a d, fis' | g8 \threex r \threex | 8 e'16 g b8 e16 g b8 | \threex r8 \threex | << {e2.( d4)} \\ b1 >> | 8 a16 a' cis, cis' e, e' a, a' cis, cis' e, e' cis, cis' | 8 a,, a a4 r | %F r8 \fivex ( ) | r8 \sevenx | r8 \fivex ( ) | a'16( g) fis-. g-. a8-. a-. a16( b) cis-. d-. a8-. a-. | \twox {b16( a) g-. fis-. e8-. r} | a16( g) fis-. g-. a8-. a-. a16( b) cis-. d-. a8-. a-. | b16( a) g-. fis-. e8-. r b'16( a) g-. fis-. e8-. a,-. | d-. d-. fis16( g a fis) e4.( fis8) | g8-. b,( cis d) e8.( cis16 a8) a-. | d8-. d-. fis16( g a fis) << \new Voice {\voiceOne e8.( fis16 e8 fis)} \new Voice {\voiceTwo r8 cis4( d8)} >> | 8( ) 4( 8) r | %G R1*2 | r2 r8 cis,4( d8) | b g( fis e) e4( fis8) a''16 fis | fis( g) e cis a e' a cis cis( d) a fis d fis a fis | fis( g) e cis a e' a cis cis( d) a fis d8 r | \twox {r8 \threex r8 \threex |} r8 4 r8 8( | 4) r8 8( ) -. -. -. | r8 \fourx \threex | << {s1(} {\fourx {16 a,} \fourx { g,}} >> | 4) r8 a'16 fis g e cis a g' e cis' a | 4 r8 a16 fis g e cis a g' e cis' a | #(set-octavation 1) d d' ais, ais' b, b' gis, gis' a, a' e, e' fis, fis' d, d' | #(set-octavation 0) 8 r r r r | 8 a16 fis g e a, cis' d8 a16 fis g e a, cis' | d8 a16 fis g e a, cis' \twox {d a cis a} | d8 d,, d d d4 r | } pianoMvtILeft = \relative c { \clef bass \key d \major r4 d8 \repeat unfold 7 {} | \repeat unfold 2 { a,8 \repeat unfold 7 {} | } r8 ( ) \repeat unfold 5 {} | \repeat unfold 2 {d fis a d} | g, b d g g, b e g | a, d \clef treble fis a << \new Voice {\voiceOne } \new Voice {\voiceTwo a,4 a} >> | \clef bass \repeat unfold 2 { \repeat unfold 2 {d,16 fis a d} \repeat unfold 2 {a, cis e a} | } 8 | 4 r2 | \clef treble d'4 r r8 a'16( b cis8 d) | b8-. g( e d cis e) a8-. g-. | fis4 d r8 a'( g fis | e4) r8 \clef bass a, d-. a-. d,-. r | 8 << {4.( 8)} \\ {r8 a( g fis)} >> | 8 g a d, cis e a g | fis4 r8 fis16 g a8 a,( g' fis) | e( g a 4) r8 | 4 r8 | 4 r | %A 4 r r2 | r4 a4-. e-. cis | a r r2 | r4 d'-. a-. fis-. | d r fis r | g r g2( | fis8) r d-. r a'-. r -. r | 4 r8 4 r8 | 4 r r | r8 4 r8 | 4 r r | 8 r r | 4 r 2( | 4) r r | r8 | \repeat unfold 4 {8} 4 r | %B \repeat unfold 2 {a,4 r cis r | b r e, r |} a8 b16 cis d e fis gis a8 a16 e b'8 b16 e, | cis'4 r r | r r | r r | 8 r | 4 r r | 4 r r | \repeat unfold 8 {e,8 e'} | %C \repeat unfold 2 { \repeat unfold 2 { \repeat unfold 2 {a,16 cis e a} \repeat unfold 2 {e,16 gis b e} | } 8 | 16 8 16 8 | } | 16 8 16 8 | \repeat unfold 2 { 8 \repeat unfold 7 {} | } \repeat unfold 2 { 8 \repeat unfold 7 {} | } \repeat unfold 2 {} \repeat unfold 6 {} | a, \repeat unfold 4 {} \repeat unfold 3 {} | r r r r | r r r r | r r r r | r r r r | r r r r | %D 4 r r2 | 4 \repeat unfold 6 {8} | 4 r r2 | g,2( f | e ees | d4) \twox 8 \twox \twox | g, \sevenx | \twox {d, \sevenx |} \twox \twox b4 b, | r r2 | r4 b-. fis-. dis-. | b-. r r2 | r4 e'-. e,-. r | \fourx {a16 e' cis e} | \twox {\fourx {a, fis' d fis} |} a, e' cis e a, g' e g \twox {a, e' cis e} | \fourx {a,16 e' cis e} | d8 | \twox { a'16 b \appoggiatura d16 cis8 b16 a 8 |} 8 cis16( e 8.) 16 4 r | r8 cis,16( e 8.) 16 4 r | r8. 16 8. 16 8. 16 8. 16 | 4 r r2 | %E 4 r r2 | r4 a-. e-. cis-. | a-. r r2 | r4 d'-. a-. fis-. | d r fis r | g r 2( | 8 r r a r r | 4 r8 4 r8 | 4 r 2( | 4) r8 4 r8 | 4 r a, r | g r8 8 4 r8 | 4 r g, r | << {g'2( e)} \\ {g,4 g2( gis4)} >> | 8 | 4 r | %F a4 r r2 | d4 r r2 | a4 r r2 | d8 \clef treble \threex \clef bass fis, \clef treble \threex | \clef bass e,8 \clef treble \threex \clef bass a, \clef treble \threex | \clef bass d,8 \clef treble \threex \clef bass fis, \clef treble \threex | \clef bass e,8 \clef treble \threex \clef bass a, \clef treble \twox | 4 r r8 a16( b cis8 d) | b-. g( e d) cis( e a) g-. | fis4 d r8 a'8( g fis) | e4 r8 \clef bass a,-. d-. a-. d,-. r | %G d4 r r8 a'16( b cis8 d) | b-. g( e d) cis( e a) g-. | fis4 d r8 a'8( g fis) | e8 r r a,-. d-. a-. d,-. r | a'16 e' cis e a, g' e g \twox {d a' fis a} | a,16 e' cis e a, g' e g d a' fis a 8 r | \twox {a,4( g fis2) |} b4( a g) r8 ( | 4) r8 8( 4) r | r a,-. fis-. d-. | \fourx {a'8 a'} | \twox {\twox {d,16 fis a d} \twox {a, cis e a}} | 8 | 16 8 16 8 | 4 r8 4 r8 | 4 r8 | -. -. 4 r4 | } pianoMvtIDynamics = { s4_\markup{\dynamic p \italic {con molta espressione}} s1*4 s1\< | s4 s2.\! s1 | s\ff | s1*2 | s2. s4\p | s1*3 | s2.. s8\f | s1*6 | %A s1\p | s1*6 | s8 s2..\f | s1\p | s8 s2..\f | s1\p | s8 s2..\f | s2 s\p | s1 | s\f | s | %B s1\p | s1*3 | s1\ff | s1\p | s1*2 | s1\f | s2 s\p | s1 | s4 s2._\markup{\italic cresc.} | \set crescendoText = \markup {\italic "più cresc. al"} \set crescendoSpanner = #'dashed-line s1\< | %C s4 s2.\ff | s1*9 | s8 s2..\p | s1_\markup {\italic espressivo} s1*6 | s4. s8_\markup {\italic cresc.} s2 | s1\< | s\> | %D s1\! | s4 s2.\ff | s1 | s1\p | s1 | s4\< s2 s4\p | s1*7 | s2 s\f | s1*11 | s8 s\p\> s2. | s1\pp | s1*5 | s8 s2.._\markup {\italic cresc.} | s8 s2..\f | s8 s2..\p | s8 s2..\f | s8 s2..\p | s8 s2..\f | s8 s2..\p | s1_\markup {\italic cresc.} | s8 s2..\f | s1 | %F s1\p | s1*2 | s1_\markup {\italic grazioso} | s1*7 | %G s1*3 | s2.. s8\f | s1*2 | s1\p | s1 | s4 s2._\markup {\italic cresc.} | \set crescendoText = \markup {\italic "più cresc. al"} \set crescendoSpanner = #'dashed-line s1\< | s1*2 | s1\ff | s1*6 | } pianoMvtIPedals = { }