% Created on ddd mmm dd yyyy \version "2.11.34" %#(set-global-staff-size 17) \paper { % #(set-paper-size "a4") % #(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##t ragged-bottom = ##f } \header { title = "Nº. 2. Rondo" subtitle = "" subsubtitle = "From '24 Pieces Progressives pour La Guitarre'" composer = \markup{ \column{"Wenzel Thomas Matiegka" "(1773-1830)"}} meter = "" % MUTOPIA mutopiatitle = "Nº. 2. Rondo" mutopiacomposer = "MatiegkaWT" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #345" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/10/23-1077" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%% %% Source & comments %% W. T. Matiegka was born in Choceň, Bohemia and died in Leopoldstadt. %% He composed 33 guitar work in addition to works for other instruments. %% %% This piece is #345 in the Boije collection and is in the public domain %% %% Publisher unknown (illegible) %% %% Carl Boije (1849-1923) was an amateur guitarist whose vast collection %% was donated to the State Library of Sweden after his death. Many of %% the works in that collection have check marks which, one presumes, are %% an indication of his personal preference. This piece is one of those %% so marked. %% %% The dynamic markings for the most part follow the style of the %% original score. %% %%%%%%%%%%%%%%%%%%%% \include "english.ly" %%%% shortcuts % fingering orientations sfol = \set fingeringOrientations = #'(left) sfor = \set fingeringOrientations = #'(right) sfod = \set fingeringOrientations = #'(down) sfou = \set fingeringOrientations = #'(up) % string number orientations ssnol = \set stringNumberOrientations = #'(left) %(down right up) ssnou = \set stringNumberOrientations = #'(up) ssnod = \set stringNumberOrientations = #'(down) ssnor = \set stringNumberOrientations = #'(right) % position indicators II = \markup {\smaller "II"} IIa = \markup {\smaller \hspace #2.0 \bold "CII"} III = \markup {\smaller "III"} IV = \markup {\smaller "IV"} V = \markup {\smaller "V"} VII = \markup {\smaller "VII"} VIII = \markup {\smaller "VIII"} %% (alternates A) loc = \markup{\smaller"loco."} bpos = \markup{\smaller"2 pos:"} cpos = \markup{\smaller"3 pos:"} dpos = \markup{\smaller"4 pos:"} epos = \markup{\smaller"5 pos:"} gpos = \markup{\smaller"7 pos:"} ipos = \markup{\smaller"9 pos:"} eposd = \markup{\smaller\column{"5 pos:" "dol:"}} %% Barres %% use \startTextSpan and \stopTextSpan following barre number indication dash = { \override TextSpanner #'dash-period = #1.0 \override TextSpanner #'dash-fraction = #0.5 } tsdn = \textSpannerDown tsup = \textSpannerUp tsB = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CII "} tsC = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CIII "} tsD = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CIV "} tsE = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CV "} tsF = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CVI "} % miscellaneous and reminders harm = \once \override NoteHead #'style = #'harmonic octavado = \markup { \smaller \italic "arm. 12" } octavados= \markup {\smaller\italic\column {"arm." "12" }} %\mark \markup {\smaller \smaller \musicglyph #"scripts.segno"} %\markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} % \arpeggioUp \arpeggio %segn = \markup { \smaller \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } dc = \markup{\smaller\bold "D.C."} dol = \markup { \smaller "dol."} I = \once \override NoteColumn #'ignore-collision = ##t atemp = \markup{\smaller"a tempo"} rit = \markup{\smaller"ritar:"} cres = \markup{\smaller\italic"cresc:"} cress = \markup{\tiny\italic"cresc:"} % right-hand fingering... dotI = \markup{\small"."} dotII = \markup{\small":"} dotIII = \markup{\bold\small"⋮"} %% End shortcuts upper = { \relative c''{ \repeat volta 2 { \mark\markup{\smaller\smaller Allegretto} \once \override DynamicText #'extra-offset = #'(-2.0 . 3.0) e,16_\p g c e g8 g | \acciaccatura {\slurDown g} f f d4 | %% following measure places the grace slur on the top note. e8_\f c <<{\oneVoice \acciaccatura{\slurDown\stemUp g'} \stemUp f[ \I e]}\\ {\stemUp \autoBeamOff \I 4*1/2 4*1/2}>> %% crude, but it works. b g r | \once \override DynamicText #'extra-offset = #'(-2.0 . 3.0) e16_\p g c e g8 g | \slurDown g16( f) e( f) d4 | 8[ ] | _\p 4 | } \repeat volta 2 { \once \override DynamicText #'extra-offset = #'(-2.0 . 3.0) 8_\p 4 | 8 4 | 8[ ] | 16 c( b) a g8. g16 | \once \override DynamicText #'extra-offset = #'(-2.5 . 4.5) 8_\f 4 | 8 4 | 8[ ] | d[ g_\dol g g] | \acciaccatura{g}fs8.[ e16 d8 ] | 8.[ 16 8 ] | \acciaccatura{g}fs8.[ e16 d8 ] | 8.[ 16 8 ] | \acciaccatura{g}fs8.[ e16 d8 ] | b[ d-> c d->] | b[ d-> c d->] | b[ c b c] | b[ c d e] | f[ e-> f e->] | 16 e( d) c_. b_. a( g) f_. | \once \override DynamicText #'extra-offset = #'(-2.0 . 3.0) e_\p g c e g8 g | g16( f) e( f) d4 | e8[_\f ] | 16 c( b) a_. g_. f( e) d_. | r g c e r g, c g' | r g, b f' r g, b f' | 8 r16 r r | r c g e c8 r | } \repeat volta 2 { a'4 r8 | 4 r8 | e c^\> a\! | gs b e r | 4 r8 | 4 r8 | | a[ c a] r | } \repeat volta 2 { 8[ g' e ] | [ g' f ] | [ e c ] | [ e' d ] | a[ e' c a] | gs[ e' b gs] | a[ e, ] | a,[ ] r | } \once \override DynamicText #'extra-offset = #'(-2.0 . 2.5) e,16_\p g c e g8 g | \acciaccatura {\slurDown g} f f d4 | e8 \times 2/3{r16 \once \override DynamicText #'extra-offset = #'(-0.0 . 4.0) g,_\f c}\times 2/3 {r g f'} \times 2/3 {r g, e'} | 16 c b a g r r8 | r16 g_\p c e g8 g | g16( f) e( f) d4 | \times 2/3 {r16 g, e'} \times 2/3 {r g, c} \times 2/3 {r a d} \times 2/3 {r g, b} | 8 r | 4 | 8 4 | \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t \times 2/3 {r16 g, f'} \times 2/3 {r g, f'} \times 2/3 {r g, e'} \times 2/3 {r g, e'} | \times 2/3 {r16 g, d'} \times 2/3 {r %% following puts the cresc: inside the notes \once\override TextScript #'outside-staff-priority = ##f \once \override TextScript #'extra-offset = #'( -1.0 . -2.5 ) g,_\cress c} \times 2/3 {r g b} \times 2/3 {r g c} | 8 r | 8 4 | \times 2/3 {r16 g, f'} \times 2/3 {r g, d'} \times 2/3 {r g, e'} \times 2/3 {r g, c} | d8 g16. g32 g8 | \acciaccatura{g8} fs8. e16 d8 c | 8.[ 16 8] g | \acciaccatura{g8} fs8. e16 d8 c | b16 g c a 8 g | \acciaccatura{g8} fs8. e16 d8 c | \override TupletNumber #'transparent = ##f \override TupletBracket #'transparent = ##f b \times 2/3 {r16 d g,}\times 2/3 {r16 d' a} \times 2/3 {r16 c a} | \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t \times 2/3 {r16 b g} \times 2/3 {r d' g,} \times 2/3 {r d' a} \times 2/3 {r c a} | \times 2/3 {r16 b g} \times 2/3 {r c a} \times 2/3 {r d b} \times 2/3 {r e c} | \times 2/3 {r16 f d} \times 2/3 {r e cs} \times 2/3 {r f d} \times 2/3 {r e cs} | 8 r r_\p \times 2/3 {r16 e cs} | 8 r r_\pp \times 2/3 {r16 e cs} | \times 2/3 {r f d} \times 2/3 {c[ e c] b[ d b] a[ c a] } \times 2/3 { g[ b g] f[_\cres a f] e[ g e] d[ b' g] } | r16 g c e g4 | \acciaccatura{g8} f f d4 | e8[ ] | 16 c b a g r r8 | r16 g c e r g, c g' | r g, b f' r d, g d' | %% bug- in following run, 16th bar aligns with left side of note %% \set stemLeftBeamCount = #1 is the workaround. 8[ r16 \set stemLeftBeamCount = #1 r r ] | 8 4 | 8 4 | 8^\cres 4 | 8 4 | 8 4 | 8 < f c a> 4 | 8 4 | 8 4 | r16 e,_\p g c r e, g c | r d, g d' r d, g d' | r g,_\cres c e r g, c e | r g, b f' r g, b f' | r g,_\f c g' r g, c g' | r a, c f r a, c f | r g, c e r g, c e | r f, g b r f g b | 4 d8._\p g16 | e8[ g d g] | c,4 d8. g16 | e8[ g d g] | c, r d8. e16 | c8 r_\rit d8. e16 | c8 r_\ff 4^\atemp | r } } lower = { \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \repeat volta 2 { r8 c[ e c] | r d[ b g] | r e'[ d c] | b4 r | r8 c[ e c]| r d[ b g] | \once \override DynamicText #'extra-offset = #'(-2.5 . 5.5) c[_\f e, f g] | c4 r } \repeat volta 2 { b8 b b4 | c8 c c4 | d8[ d c c] | b4 r | b8[ g b g] | c[ g c g] | d'[ b c e] | g4 r8 | 4 r8 d, | g,4 r8 g' | 4 r8 d, | g,4 r8 g' | 4 r8 d, | g[ d a' d,] | g[ d a' d,] | g16_\cres d a' d, g d a' d, | g8_\p[ a b c] | d16 g, cs g d' g, cs g | g8 r b,4\rest | r8 c[ e c] | r d[ b g] | r e'[ d c] | b4 g\rest | \once \override DynamicText #'extra-offset = #'(-2.0 . 3.5) c\f e | d b| c8[ e, f g] | c4 c8 r | } \repeat volta 2 { \once \override DynamicText #'extra-offset = #'(-2.0 . 3.5) a8_\p[ e' c a] | e[ e' b e,] | a4 r8 f' | \once \override DynamicText #'extra-offset = #'(-2.5 . 3.5) e_\f[ b e,] r | \once \override DynamicText #'extra-offset = #'(-2.0 . 3.5) a8_\p[ e' c a] | e[ e' b e,] | \once \override DynamicText #'extra-offset = #'(-2.0 . 4.0) a_\f[ e' e, e'] | a,[ a' a,] r | } \repeat volta 2 { \once \override DynamicText #'extra-offset = #'(-2.0 . 2.0) e'4_\p r8 e | d4 r8 d | c4 r8 c | b4 r8 b | \once \override DynamicText #'extra-offset = #'(-2.0 . 4.5) a8_\f[ e' c a] | e[ e' b e,] | a[ e' e, e'] | a,4 r4 | } r8 c[ e c] | r d[ b g] | c[ e d c] | b4 r16 f'( e d) | c4 e8 c | r d[ b g] | \once \override DynamicText #'extra-offset = #'(-2.25 . 3.5) c8[_\f e, f g] | c4 r | \once \override DynamicText #'extra-offset = #'(-2.0 . 3.0) b8_\p b b4 | c8 c c4 | d8[ d c c] | b[ a g a] | \once \override DynamicText #'extra-offset = #'(-2.5 . 3.5) b[_\f g b g] | c[ g c g] | d'[ b c e] | g4 r8 g | 4 r8 | g,4 r8 | 4 r8 | g,4 r8 | 4 r8 | g d d d | d[ d d d] | d[ d d g] | g[ g g g] | g s s g | g s s g | g r r4 | s4 s4 | c,4 e8 c | r8 d[ b g] | r e'[ d c] | b4 r16 f'( e) d-. | \override DynamicText #'extra-offset = #'(-2. . 2.5) c4_\f e | d b | c8[ e, f g] | c8[ g c g] | b[ g b g] | c[ g c g] | d'[ g, d' g,] | e'_\f[ e, e' e,] | f'[ f, f' f,] | g'[ g, g' g,] | f'[ g, f' g,] | c4 g | b g | c g | d' g, | e' e, | f' f, | g g | g g | c g' | c g | e g | c g | e8 r g4 | e8 r g4 | e8 s c4 | c r | } } staffClassicalGuitar = \new Staff { \time 2/4 \key c \major \set Staff.midiInstrument="acoustic guitar (nylon)" << \override Staff.NoteCollision #'merge-differently-headed = ##t \new Voice = A { \voiceOne \upper } \new Voice = C { \voiceFour \lower } \bar "|." >> } \score { << \staffClassicalGuitar >> } \layout { } \score { \unfoldRepeats \staffClassicalGuitar \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } } }