% Created on ddd mmm dd yyyy
\version "2.11.34"
%#(set-global-staff-size 17)
\paper {
% #(set-paper-size "a4")
% #(set-paper-size "letter")
left-margin = 0.75 \in
line-width = 7.0 \in
between-system-padding = #2.0
between-system-space = #2.0
ragged-last-bottom = ##t
ragged-bottom = ##f
}
\header {
title = "Nº. 2. Rondo"
subtitle = ""
subsubtitle = "From '24 Pieces Progressives pour La Guitarre'"
composer = \markup{
\column{"Wenzel Thomas Matiegka" "(1773-1830)"}}
meter = ""
% MUTOPIA
mutopiatitle = "Nº. 2. Rondo"
mutopiacomposer = "MatiegkaWT"
mutopiapoet = ""
mutopiaopus = ""
mutopiainstrument = "Classical Guitar"
date = "unk"
source = "Boije collection #345"
style = "Classical"
copyright = "Public Domain"
maintainer = "Stan Sanderson"
moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/"
footer = "Mutopia-2007/10/23-1077"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%%%%%%%%%%%%%%%%%%%%
%% Source & comments
%% W. T. Matiegka was born in Choceň, Bohemia and died in Leopoldstadt.
%% He composed 33 guitar work in addition to works for other instruments.
%%
%% This piece is #345 in the Boije collection and is in the public domain
%%
%% Publisher unknown (illegible)
%%
%% Carl Boije (1849-1923) was an amateur guitarist whose vast collection
%% was donated to the State Library of Sweden after his death. Many of
%% the works in that collection have check marks which, one presumes, are
%% an indication of his personal preference. This piece is one of those
%% so marked.
%%
%% The dynamic markings for the most part follow the style of the
%% original score.
%%
%%%%%%%%%%%%%%%%%%%%
\include "english.ly"
%%%% shortcuts
% fingering orientations
sfol = \set fingeringOrientations = #'(left)
sfor = \set fingeringOrientations = #'(right)
sfod = \set fingeringOrientations = #'(down)
sfou = \set fingeringOrientations = #'(up)
% string number orientations
ssnol = \set stringNumberOrientations = #'(left) %(down right up)
ssnou = \set stringNumberOrientations = #'(up)
ssnod = \set stringNumberOrientations = #'(down)
ssnor = \set stringNumberOrientations = #'(right)
% position indicators
II = \markup {\smaller "II"}
IIa = \markup {\smaller \hspace #2.0 \bold "CII"}
III = \markup {\smaller "III"}
IV = \markup {\smaller "IV"}
V = \markup {\smaller "V"}
VII = \markup {\smaller "VII"}
VIII = \markup {\smaller "VIII"}
%% (alternates A)
loc = \markup{\smaller"loco."}
bpos = \markup{\smaller"2 pos:"}
cpos = \markup{\smaller"3 pos:"}
dpos = \markup{\smaller"4 pos:"}
epos = \markup{\smaller"5 pos:"}
gpos = \markup{\smaller"7 pos:"}
ipos = \markup{\smaller"9 pos:"}
eposd = \markup{\smaller\column{"5 pos:" "dol:"}}
%% Barres
%% use \startTextSpan and \stopTextSpan following barre number indication
dash = {
\override TextSpanner #'dash-period = #1.0
\override TextSpanner #'dash-fraction = #0.5 }
tsdn = \textSpannerDown
tsup = \textSpannerUp
tsB = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CII "}
tsC = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CIII "}
tsD = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CIV "}
tsE = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CV "}
tsF = \override TextSpanner #'bound-details #'left #'text = \markup{\smaller "CVI "}
% miscellaneous and reminders
harm = \once \override NoteHead #'style = #'harmonic
octavado = \markup { \smaller \italic "arm. 12" }
octavados= \markup {\smaller\italic\column {"arm." "12" }}
%\mark \markup {\smaller \smaller \musicglyph #"scripts.segno"}
%\markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"}
% \arpeggioUp \arpeggio
%segn = \markup { \smaller \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" }
dc = \markup{\smaller\bold "D.C."}
dol = \markup { \smaller "dol."}
I = \once \override NoteColumn #'ignore-collision = ##t
atemp = \markup{\smaller"a tempo"}
rit = \markup{\smaller"ritar:"}
cres = \markup{\smaller\italic"cresc:"}
cress = \markup{\tiny\italic"cresc:"}
% right-hand fingering...
dotI = \markup{\small"."}
dotII = \markup{\small":"}
dotIII = \markup{\bold\small"⋮"}
%% End shortcuts
upper = {
\relative c''{
\repeat volta 2 {
\mark\markup{\smaller\smaller Allegretto}
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.0)
e,16_\p g c e g8 g |
\acciaccatura {\slurDown g} f f d4 |
%% following measure places the grace slur on the top note.
e8_\f c
<<{\oneVoice \acciaccatura{\slurDown\stemUp g'}
\stemUp f[ \I e]}\\
{\stemUp \autoBeamOff \I 4*1/2 4*1/2}>>
%% crude, but it works.
b g r |
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.0)
e16_\p g c e g8 g |
\slurDown g16( f) e( f) d4 |
8[ ] |
_\p 4 |
}
\repeat volta 2 {
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.0)
8_\p 4 |
8 4 |
8[ ] |
16 c( b) a g8. g16 |
\once \override DynamicText #'extra-offset = #'(-2.5 . 4.5)
8_\f 4 |
8 4 |
8[ ] |
d[ g_\dol g g] |
\acciaccatura{g}fs8.[ e16 d8 ] |
8.[ 16 8 ] |
\acciaccatura{g}fs8.[ e16 d8 ] |
8.[ 16 8 ] |
\acciaccatura{g}fs8.[ e16 d8 ] |
b[ d-> c d->] |
b[ d-> c d->] |
b[ c b c] |
b[ c d e] |
f[ e-> f e->] |
16 e( d) c_. b_. a( g) f_. |
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.0)
e_\p g c e g8 g |
g16( f) e( f) d4 |
e8[_\f ] |
16 c( b) a_. g_. f( e) d_. |
r g c e r g, c g' |
r g, b f' r g, b f' |
8 r16 r r |
r c g e c8 r |
}
\repeat volta 2 {
a'4 r8 |
4 r8 |
e c^\> a\! |
gs b e r |
4 r8 |
4 r8 |
|
a[ c a] r |
}
\repeat volta 2 {
8[ g' e ] |
[ g' f ] |
[ e c ] |
[ e' d ] |
a[ e' c a] |
gs[ e' b gs] |
a[ e, ] |
a,[ ] r |
}
\once \override DynamicText #'extra-offset = #'(-2.0 . 2.5)
e,16_\p g c e g8 g |
\acciaccatura {\slurDown g} f f d4 |
e8 \times 2/3{r16
\once \override DynamicText #'extra-offset = #'(-0.0 . 4.0)
g,_\f c}\times 2/3 {r g f'} \times 2/3 {r g, e'} |
16 c b a g r r8 |
r16 g_\p c e g8 g |
g16( f) e( f) d4 |
\times 2/3 {r16 g, e'} \times 2/3 {r g, c}
\times 2/3 {r a d} \times 2/3 {r g, b} |
8 r |
4 |
8 4 |
\override TupletNumber #'transparent = ##t
\override TupletBracket #'transparent = ##t
\times 2/3 {r16 g, f'} \times 2/3 {r g, f'}
\times 2/3 {r g, e'} \times 2/3 {r g, e'} |
\times 2/3 {r16 g, d'} \times 2/3 {r
%% following puts the cresc: inside the notes
\once\override TextScript #'outside-staff-priority = ##f
\once \override TextScript #'extra-offset = #'( -1.0 . -2.5 )
g,_\cress c} \times 2/3 {r g b} \times 2/3 {r g c} |
8 r |
8 4 |
\times 2/3 {r16 g, f'} \times 2/3 {r g, d'}
\times 2/3 {r g, e'} \times 2/3 {r g, c} |
d8 g16. g32 g8 |
\acciaccatura{g8} fs8. e16 d8 c |
8.[ 16 8] g |
\acciaccatura{g8} fs8. e16 d8 c |
b16 g c a 8 g |
\acciaccatura{g8} fs8. e16 d8 c |
\override TupletNumber #'transparent = ##f
\override TupletBracket #'transparent = ##f
b \times 2/3 {r16 d g,}\times 2/3 {r16 d' a}
\times 2/3 {r16 c a} |
\override TupletNumber #'transparent = ##t
\override TupletBracket #'transparent = ##t
\times 2/3 {r16 b g} \times 2/3 {r d' g,}
\times 2/3 {r d' a} \times 2/3 {r c a} |
\times 2/3 {r16 b g} \times 2/3 {r c a}
\times 2/3 {r d b} \times 2/3 {r e c} |
\times 2/3 {r16 f d} \times 2/3 {r e cs}
\times 2/3 {r f d} \times 2/3 {r e cs} |
8 r r_\p \times 2/3 {r16 e cs} |
8 r r_\pp \times 2/3 {r16 e cs} |
\times 2/3 {r f d} \times 2/3 {c[ e c] b[ d b] a[ c a] }
\times 2/3 { g[ b g] f[_\cres a f] e[ g e] d[ b' g] } |
r16 g c e g4 |
\acciaccatura{g8} f f d4 |
e8[ ] |
16 c b a g r r8 |
r16 g c e r g, c g' |
r g, b f' r d, g d' |
%% bug- in following run, 16th bar aligns with left side of note
%% \set stemLeftBeamCount = #1 is the workaround.
8[ r16 \set stemLeftBeamCount = #1 r
r ] |
8 4 |
8 4 |
8^\cres 4 |
8 4 |
8 4 |
8 < f c a> 4 |
8 4 |
8 4 |
r16 e,_\p g c r e, g c |
r d, g d' r d, g d' |
r g,_\cres c e r g, c e |
r g, b f' r g, b f' |
r g,_\f c g' r g, c g' |
r a, c f r a, c f |
r g, c e r g, c e |
r f, g b r f g b |
4 d8._\p g16 |
e8[ g d g] |
c,4 d8. g16 |
e8[ g d g] |
c, r d8. e16 |
c8 r_\rit d8. e16 |
c8 r_\ff 4^\atemp |
r
}
}
lower = {
\relative c' {
\override Staff.NoteCollision
#'merge-differently-headed = ##t
\repeat volta 2 {
r8 c[ e c] |
r d[ b g] |
r e'[ d c] |
b4 r |
r8 c[ e c]|
r d[ b g] |
\once \override DynamicText #'extra-offset = #'(-2.5 . 5.5)
c[_\f e, f g] |
c4 r
}
\repeat volta 2 {
b8 b b4 |
c8 c c4 |
d8[ d c c] |
b4 r |
b8[ g b g] |
c[ g c g] |
d'[ b c e] |
g4 r8 |
4 r8 d, |
g,4 r8 g' |
4 r8 d, |
g,4 r8 g' |
4 r8 d, |
g[ d a' d,] |
g[ d a' d,] |
g16_\cres d a' d, g d a' d, |
g8_\p[ a b c] |
d16 g, cs g d' g, cs g |
g8 r b,4\rest |
r8 c[ e c] |
r d[ b g] |
r e'[ d c] |
b4 g\rest |
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.5)
c\f e |
d b|
c8[ e, f g] |
c4 c8 r |
}
\repeat volta 2 {
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.5)
a8_\p[ e' c a] |
e[ e' b e,] |
a4 r8 f' |
\once \override DynamicText #'extra-offset = #'(-2.5 . 3.5)
e_\f[ b e,] r |
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.5)
a8_\p[ e' c a] |
e[ e' b e,] |
\once \override DynamicText #'extra-offset = #'(-2.0 . 4.0)
a_\f[ e' e, e'] |
a,[ a' a,] r |
}
\repeat volta 2 {
\once \override DynamicText #'extra-offset = #'(-2.0 . 2.0)
e'4_\p r8 e |
d4 r8 d |
c4 r8 c |
b4 r8 b |
\once \override DynamicText #'extra-offset = #'(-2.0 . 4.5)
a8_\f[ e' c a] |
e[ e' b e,] |
a[ e' e, e'] |
a,4 r4 |
}
r8 c[ e c] |
r d[ b g] |
c[ e d c] |
b4 r16 f'( e d) |
c4 e8 c |
r d[ b g] |
\once \override DynamicText #'extra-offset = #'(-2.25 . 3.5)
c8[_\f e, f g] |
c4 r |
\once \override DynamicText #'extra-offset = #'(-2.0 . 3.0)
b8_\p b b4 |
c8 c c4 |
d8[ d c c] |
b[ a g a] |
\once \override DynamicText #'extra-offset = #'(-2.5 . 3.5)
b[_\f g b g] |
c[ g c g] |
d'[ b c e] |
g4 r8 g |
4 r8 |
g,4 r8 |
4 r8 |
g,4 r8 |
4 r8 |
g d d d |
d[ d d d] |
d[ d d g] |
g[ g g g] |
g s s g |
g s s g |
g r r4 |
s4 s4 |
c,4 e8 c |
r8 d[ b g] |
r e'[ d c] |
b4 r16 f'( e) d-. |
\override DynamicText #'extra-offset = #'(-2. . 2.5)
c4_\f e |
d b |
c8[ e, f g] |
c8[ g c g] |
b[ g b g] |
c[ g c g] |
d'[ g, d' g,] |
e'_\f[ e, e' e,] |
f'[ f, f' f,] |
g'[ g, g' g,] |
f'[ g, f' g,] |
c4 g |
b g |
c g |
d' g, |
e' e, |
f' f, |
g g |
g g |
c g' |
c g |
e g |
c g |
e8 r g4 |
e8 r g4 |
e8 s c4 |
c r |
}
}
staffClassicalGuitar = \new Staff {
\time 2/4
\key c \major
\set Staff.midiInstrument="acoustic guitar (nylon)"
<<
\override Staff.NoteCollision
#'merge-differently-headed = ##t
\new Voice = A { \voiceOne \upper }
\new Voice = C { \voiceFour \lower }
\bar "|."
>>
}
\score {
<<
\staffClassicalGuitar
>>
}
\layout { }
\score {
\unfoldRepeats
\staffClassicalGuitar
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 4)
}
}
}