% Entered on Nov 12-13, 2007
\version "2.11.34"
%#(set-global-staff-size 17)
\paper {
% #(set-paper-size "a4")
% #(set-paper-size "letter")
left-margin = 0.75 \in
line-width = 7.0 \in
% between-system-padding = #4.0
between-system-space = #22.0
ragged-last-bottom = ##t
ragged-bottom = ##f
}
\header {
title = "Nº. 60. Care Pupille By Blangini."
subtitle = ""
subsubtitle = "60 National Airs of Different Nations"
composer = \markup{\column \right-align
{\line {Felix Horetzky} 1796-1870}}
meter = ""
% MUTOPIA
mutopiatitle = "Nº. 60. Care Pupille By Blangini."
mutopiacomposer = "HoretzkyF"
mutopiapoet = ""
mutopiaopus = ""
mutopiainstrument = "Classical Guitar"
date = "unk"
source = "Boije collection #268"
style = "Classical"
copyright = "Public Domain"
maintainer = "Stan Sanderson"
moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/"
footer = "Mutopia-2007/11/17-1157"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%
%% Source & comments
%%
%% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796.
%% Little is known about he came to the guitar. He traveled to Vienna
%% to study under master guitarrist, Mauro Giuliani. He traveled
%% extensively in Europe as a concert performer and teacher. He wrote
%% between 100 and 150 pieces for the guitar. He died in Edinburgh
%% on October 6, 1870.
%%
%% This piece is from #268, "60 National Airs of Different Nations",
%% in the Boije collection and is in the public domain.
%%
%%
%% Publisher: Chappell (London), no date given.
%%
%% Carl Boije (1849-1923) was an amateur guitarist whose vast collection
%% was donated to the State Library of Sweden after his death.
%%
%% The dynamic markings for the most part follow the original score; obvious
%% notation errors have been corrected.
%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\include "english.ly"
%%%% shortcuts
dol = \markup { \smaller\italic "dolce."}
cres = \markup{\smaller\italic"cresc:"}
cress = \markup{\tiny\smaller\italic"cresc:"}
espr = \markup{\smaller\italic"espres:"}
rit = \markup{\smaller\italic"ritard:"}
atem = \markup{\smaller\italic"a tempo:"}
smz = \markup{\smaller\italic"smorz:"} % smorzando
showTup = { \override TupletNumber #'transparent = ##f
\override TupletBracket #'transparent = ##f }
hideTup = { \override TupletNumber #'transparent = ##t
\override TupletBracket #'transparent = ##t }
seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"}
cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"}
toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" }
fin = \markup {\smaller \bold \italic "Fine."}
I = \once \override NoteColumn #'ignore-collision = ##t
sdu = \once \override Stem #'direction = #UP
sdd = \once \override Stem #'direction = #DOWN
sd = \slurDown
su = \slurUp
sstm = \override Stem #'length-fraction = #0.6
%% End shortcuts
%%%%%%%%%%
%% Reminders
%
% \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5)
% \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 )
% \once \override Stem #'length-fraction = #0.8
% \once \override Beam #'positions = #'(-2.2 . -3.0)
%
%%%%%%%%%%
upper = \relative c''{
\set Staff.instrumentName=\markup{ \center-align
{\smaller\bold "Nº. 60. " \smaller\smaller\italic "ANDANTINO "
\tiny\smaller\italic "CON MOTO. "}}
4. \grace{\sd fs16[( g])} 8 |
4. 4 r8 |
d4. e4 e8 |
4 r8 |
4.
\once \override Beam #'positions = #'( 5.3 . 5.3)
8[ \grace {\override Stem #'length-fraction = #0.7
a16[( g]) \su} 8 ] |
4-> 8 |
\set doubleSlurs = ##t
( ) ( ) |
\set doubleSlurs = ##f
4 r8 r4 r8 |
4.
\once \override Beam #'positions = #'( 4.3 . 4.3)
8[ \grace{\override Stem #'length-fraction = #0.7
\sd f16[( e])} 8 ] |
4 8 4 r8 |
4.->
\once \override Beam #'positions = #'( 6.0 . 5.6)
8[ \grace{\override Stem #'length-fraction = #0.7
bf16[( a])} 8 ] |
4 8 4 r8 |
4.
\once \override Beam #'positions = #'( 4.3 . 4.3)
8[ \grace{\override Stem #'length-fraction = #0.7
f16[( e]) \su } 8 ] |
4 8 4 r8 |
\I 4. \I 4 \I 8 |
4.( 8)
\once \override TextScript #'extra-offset = #'( -1.0 . -0.0 )
_\rit |
4. \grace{\sd fs16[( g])\su} 8 |
4. |
d4. e4 e8 |
\set doubleSlurs = ##t
( ) 4 r8 |
\set doubleSlurs = ##f
4. \grace{\sd g16[( a])\su} 8 |
4. 8[ -> 16 ] |
8[ -> 16 ] 8[ -> 16 ] |
d4 \once \override TextScript #'extra-offset = #'( -1.6 . -0.0 )
r8_\fin \bar "||" \break
a8 a a |
a8. b16 a8 \I g'4.-> |
4. a,8 a a |
a8. b16 a8 \I g'4.-> |
fs4. fs8 fs fs |
fs8. g16 fs8 fs fs fs |
fs8. g16 fs8 fs fs fs |
fs8. g16 fs8 fs fs fs |
fs4. d8 d d |
d e d \I c'4.-> |
4. d,8 d d |
d8. e16 d8 \I c'4.-> |
b4. 8 |
|
4 r8 8 |
\grace g16 8 |
4. 8 |
\grace g16 8 |
4.\fermata 16[ _\rit
\once \override TextScript #'extra-offset = #'( -1.2 . -0.3 )]
_\markup{\smaller\bold\italic "D.C."}|
}
lower = \relative c' {
\override Staff.NoteCollision #'merge-differently-headed = ##t
\set fingeringOrientations = #'(left)
d4. d |
d r4 r8 |
fs4. a4 a8 |
d,4 g8 a4 r8 |
d,4. d |
d d |
a d |
a'8 e cs a4 r8 |
a4. a |
a a4 r8 |
a4. a |
a a4 r8 |
a4. a |
a a4 r8 |
<<{
\override Stem #'length-fraction = #0.6
\override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
bf8_\< d e f d bf\!}
\\{bf2.}>> |
a4. ~ a4 r8 |
d4. d |
d d |
fs a4 a8 |
d,4 g8 a4 r8 |
d,4. d |
d g |
a, a |
4 r8
\once \override DynamicText #'extra-offset = #'(-2.5 . 2.5)
4._\f |
<<{\sstm a8. a16 a8}\\{cs,4.}>> |
d |
<<{\sstm a8 a a}\\{cs,4.}>> |
4.
\once \override DynamicText #'extra-offset = #'(-1.5 . 0.5)
4._\p
4. |
|
|
|
<<{\sstm d8 d d}\\{fs,4.}>> |
g4. |
<<{\sstm d8 d d}\\{fs,4.}>> |
4. g, |
g gs, |
a4 r8 a4. |
a a |
a a |
a a |
a_\fermata r4 r8
}
staffClassicalGuitar = \new Staff {
\time 6/8
\key d \major
\set Staff.connectArpeggios = ##t
\set Staff.midiInstrument="acoustic guitar (nylon)"
\override Staff.NoteCollision #'merge-differently-dotted = ##t
\override Staff.NoteCollision #'merge-differently-headed = ##t
<<
\new Voice = A { \voiceOne \upper }
\new Voice = C { \voiceFour \lower }
>>
\bar "||" %% "|."
}
\score {
<<
\staffClassicalGuitar
>>
}
\layout {\context {
\Staff
\consists Span_arpeggio_engraver
} }
\score {
\unfoldRepeats
\staffClassicalGuitar
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 4)
}
\context {
\Voice
\remove "Dynamic_performer"
}
}
}