% Entered on Nov 1, 2007 \version "2.11.34" %#(set-global-staff-size 17) \paper { % #(set-paper-size "a4") % #(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##t ragged-bottom = ##f } \header { title = "Nº. 2. Russian Air." subtitle = "" subsubtitle = "60 National Airs of Different Nations" composer = \markup{\column \right-align {\line {Felix Horetzky} 1796-1870}} meter = "" % MUTOPIA mutopiatitle = "Nº. 2. Russian Air." mutopiacomposer = "HoretzkyF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #268" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/11/04-1091" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% %% Source & comments %% %% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796. %% Little is known about he came to the guitar. He traveled to Vienna %% to study under master guitarrist, Mauro Giuliani. He traveled %% extensively in Europe as a concert performer and teacher. He wrote %% between 100 and 150 pieces for the guitar. He died in Edinburgh %% on October 6, 1870. %% %% This piece is from #268, "60 National Airs of Different Nations", %% in the Boije collection and is in the public domain. %% %% Publisher: Chappell (London), no date given. %% %% Carl Boije (1849-1923) was an amateur guitarist whose vast collection %% was donated to the State Library of Sweden after his death. %% %% The dynamic markings for the most part follow the original score; obvious %% notation errors have been corrected. %% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \include "english.ly" %%%% shortcuts dol = \markup { \smaller\italic "dolce."} cres = \markup{\smaller\italic"cresc:"} cress = \markup{\tiny\smaller\italic"cresc:"} espr = \markup{\smaller\italic"espres:"} rit = \markup{\smaller\italic"ritart:"} atem = \markup{\smaller\italic"a tempo:"} smz = \markup{\smaller\italic"smorz:"} % smorzando showTup = { \override TupletNumber #'transparent = ##f \override TupletBracket #'transparent = ##f } hideTup = { \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"} cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } fin = \markup {\smaller \bold \italic "Fine."} I = \once \override NoteColumn #'ignore-collision = ##t %% End shortcuts %%%%%%%%%% %% Reminders % % \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5) % \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 ) % %%%%%%%%%% upper = \relative c''{ \set Staff.instrumentName=\markup{ \column {\smaller\bold "Nº. 2 " \smaller\smaller\italic "ALLEGRETTO. "}} 8 | d8 cs16 b a8 b16 cs | d8 | 4-> -> | 8 | fs e d! b | a d 8. fs16 | d4 r | \bar "||" d8 d cs b | a'4-> g-> | cs,8 cs fs8. e16 | e4-> d-> | fs8 fs e d | %% work-around- could not adjust stem length of first %% stem using usual overrides so put 3 voices together %% repeated below for similar problems. << {d4 c} \\ {\voiceThree \once \override Beam #'positions = #'(1.0 . 1.6) g8 b g4} \\ {\voiceTwo e4 e,} >> fs'8 b 8. cs16 | b4 r | << { fs8.-> e16}\\ {\voiceTwo \I \once \override Beam #'positions = #'(-2.0 . -2.4) g,8 a \I \once \override Beam #'positions = #'(-2.0 . -2.4) g8. a16 }\\ {\voiceTwo \once \override DynamicText #'extra-offset = #'(-3.2 . 3.5) a,4_\mf a}\\ {\voiceFour s4 cs'} >> %% 18-19 workaround << {d2 }\\ {\voiceThree \override Beam #'positions = #'(1.0 . 1.4) fs,8 a fs a}\\ {\voiceTwo d,2 } >> << { 4 fs8. e16}\\ {\voiceFour \override Beam #'positions = #'(-2.6 . -2.0) g,8 a a}\\ {\voiceTwo a,4 a} >> d'2 | e8 g fs e | | fs, 8. 16 | 2 | 8 | a4 g8. e16 | a,8 d fs8.e16 | d2 } middle = \relative c'' { \override Staff.NoteCollision #'merge-differently-headed = ##t %% middle voice can interfere... use the following % \override Stem #'length-fraction = #0.6 s2*4 | s8 b,[ cs ds] | s2*4 b'8\rest b\rest | s2*4 | s2*2 | s2 | s2*2 | s2 | {\override Stem #'length-fraction = #0.6 cs4 as }| s2*7 | } lower = \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \once \override DynamicText #'extra-offset = #'(-2.2 . 3.5) d8_\p a b cs | 4 | | | e,2 | 4 | | r | \once \override TextScript #'extra-offset = #'( 1.2 . 1.7 ) _\dol | e e | | | | s2 | fs,4 | r | s2 | s2*2 | 2 | as,4 fs | g e | fs4.. fs16 | b2 | \once \override DynamicText #'extra-offset = #'(-3.2 . 3.5) a4._\f a'8 | 8 d, 4 | | 2 } staffClassicalGuitar = \new Staff { \time 2/4 \key d \major \set Staff.connectArpeggios = ##t \set Staff.midiInstrument="acoustic guitar (nylon)" << \new Voice = A { \voiceOne \upper } \new Voice = B { \voiceTwo \middle } \new Voice = C { \voiceFour \lower } >> \bar "||" %% "|." } \score { << \staffClassicalGuitar >> } \layout {\context { \Staff \consists Span_arpeggio_engraver } } \score { %% \unfoldRepeats \staffClassicalGuitar \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 90 4) } \context { \Voice \remove "Dynamic_performer" } } }