\version "2.11.62" \include "defs.lyi" pianoRight = \relative c' { #(override-auto-beam-setting '(end * * * *) 1 4) #(override-auto-beam-setting '(end * * * *) 2 4) #(override-auto-beam-setting '(end * * * *) 3 4) \key des \major 2\arpeggio 4\arpeggio | 2\arpeggio 4\arpeggio | 2\arpeggio 4\arpeggio | 2.\arpeggio | bes,2( beses4) | aes2 << {\times 2/3 {des8 }} \\ des4 >> | 2 << {\times 2/3 {des8 }} \\ des4 >> | 4( 2) | 2 4 | << {bes2( aes4)} \\ 2. >> | 4 | << {bes8( c)} \\ ges4 >> | << 2 \\ {bes4( aes)} >> r4 | des( cis) b | \clef bass << {\voiceOne a8( } \new Voice {\voiceTwo a4} >> \oneVoice 2) | 4\arpeggio \clef treble ( ) | \clef bass << {\voiceOne a,,8( } \new Voice {\voiceTwo a4} >> \oneVoice 2) | 4\arpeggio \clef treble ( ) | 4 \times 2/3 {bes,8 bes,} \times 2/3 { bes, } | \times 2/3 {aes, aes,} \times 2/3 { ges, } \times 2/3 {ges, ges,} | 4 \times 2/3 {f8 f} \times 2/3 { f } | \times 2/3 {ees ees,} \times 2/3 { des, } \times 2/3 {des, des,} | r4 \times 2/3 {8 c } \times 2/3 {c' r} | r4 \times 2/3 {8 c } \times 2/3 {c' r} | << {\voiceOne aes,,8( } \new Voice {\voiceTwo aes4} >> \oneVoice 2) | 8( ) << {ees'8.( bes16)} \\ {c,8( des)} >> | << {des'4 c4.( ges8)} \\ {ees2 des4} >> | << {bes'4 aes4.( des,8)} \\ {c2 bes4} >> | 2 4~ | << {des'4.( ges,8)} \\ ges2 >> | bes2 ges4~ | ges ees4.( bes8) | des2 \clef bass bes4~ | bes ges4.( des8) | f2 \times 2/3 {ees8( d des)} | \times 2/3 {c( des b)} \times 2/3 {c( des d)} \times 2/3 {ees( e f)} aes4-> \times 2/3 {g8( ges f)} \times 2/3 {ges( g aes)} << { \times 2/3 {ces8( beses aes} \times 2/3 {bes ces c)} \times 2/3 {des( c ces)} | \times 2/3 {bes8( c a} \times 2/3 {bes ces c)} \times 2/3 {des( c ces)} | \times 2/3 {bes8( c a} \times 2/3 {bes c des} \times 2/3 {ees e f)} | } \\ { fes,2 f4 | f2 f4 | f2. | } >> \times 2/3 {bes8( c bes} \times 2/3 {c bes c} \times 2/3 {bes a bes)} | \times 2/3 {beses8( aes beses} \times 2/3 {aes bes %NOTE: Workaround for Lilypond issue 110 \override Score.NonMusicalPaperColumn #'allow-loose-spacing = ##f aes)} \clef treble << { \times 2/3 {des8( ees f)} | f2 \times 2/3 {des8( ees f)} | f4 \times 2/3 {ges8( aes ges)} \times 2/3 {f( ges f)} | \times 2/3 {ees( f ees} \times 2/3 {d ees d)} \times 2/3 {des( ees des)} | 2 4 | } \\ { \times 2/3 {des8( c ces)} | \times 2/3 {bes8( ces bes} \times 2/3 {c bes des)} \times 2/3 {des8( c ces)} | \times 2/3 {bes( ces bes~)} bes4 ces | bes2 bes4 | \times 2/3 {c8( des ees} \times 2/3 {des c des~)} \times 2/3 {des8( c des)} | } >> | \revert Score.NonMusicalPaperColumn #'allow-loose-spacing \times 2/3 {bes8 bes} \times 2/3 { bes } \times 2/3 {aes, aes,} | \clef bass \times 2/3 { f } \times 2/3 {f f} \times 2/3 { ees, } | \times 2/3 {f f} \times 2/3 { f } \times 2/3 {f f} | \repeat tremolo 12 {bes32 ges} | \repeat tremolo 4 {32 ges} \repeat tremolo 8 {32 ges} | \repeat tremolo 12 {32 ges} | 8 r r4 \clef treble \times 2/3 {ees'8 c' aes'} | 8^( << {\voiceOne f8) f bes8.( f16)} \new Voice {\voiceTwo des4 } >> | \oneVoice 4 << {ges'4.( des8)} \\ {2} >> | 2 << {4 | | } \\ { \times 2/3 {des,,8( f des)} | \times 2/3 {ees( aes ees)} \times 2/3 {ges( bes ges)} \times 2/3 {bes( ees bes)} | } >> r2 | R2.*4 | \clef bass 4 4.( 8) | 2 \clef treble \set tieWaitForNote = ##t \times 2/3 {\change Staff=LH \stemUp des'8 \change Staff=RH aes'~ f'~} | << \new Voice {\voiceOne des'2.\fermata} {\voiceTwo 2.} >> | } pianoLeft = \relative c { \key des \major \clef bass 2\arpeggio 4\arpeggio | 2\arpeggio 4\arpeggio | 2\arpeggio 4\arpeggio | 2.\arpeggio | << {ees4( des c) | c8.( des16) des4} \\ {ges,2. | f2} >> 4 | 2-> 4 | << {des2( d4)} \\ ges,2. >> | 2 4 | 2. | 4 << 4 \\ {aes,8 ges} >> | 4 | r8 des,( aes' des f aes) | R2. | \times 2/3 {r8 a,( e} \times 2/3 {a, e' a} \times 2/3 {a e' a,)} | \override Score.NonMusicalPaperColumn #'allow-loose-spacing = ##f \times 2/3 {e( b' e)} \clef treble << {b''2->} \\ {g4( e)} >> | \revert Score.NonMusicalPaperColumn #'allow-loose-spacing \clef bass \times 2/3 {r8 a,,( e} \times 2/3 {a, e' a} \times 2/3 {a e' a,)} | \override Score.NonMusicalPaperColumn #'allow-loose-spacing = ##f \times 2/3 {c,( g' c)} \clef treble << {bes''2->} \\ {g4( e)} >> | \revert Score.NonMusicalPaperColumn #'allow-loose-spacing \clef bass << { \times 2/3 {r8 ees, c'} \times 2/3 {ges' c, ees,} \times 2/3 {ees' ces d,} | \times 2/3 {ees'8 bes ees,} \times 2/3 {bes' ees, aes,} aes8 r | \times 2/3 {r8 g' bes} \times 2/3 {des bes g} \times 2/3 {c a ges} | \times 2/3 {f8 bes f} \times 2/3 {bes f des} \times 2/3 {f des aes} | } \\ { aes2.~ | aes4 s s | aes2.~ | aes4 s s | } >> << { \times 2/3 {bes8 c'~_(} 2) | \times 2/3 {a,8 c'~_(} 2) | } \\ { bes,2. | a | } >> \times 2/3 {r8 aes( ees} \times 2/3 {aes, ees' aes} \times 2/3 {aes ees' aes)} | << { 2.\arpeggio | \times 2/3 {aes,8( ees' c'} \times 2/3 {ees, c' ees,} \times 2/3 {aes, f' des')} | \times 2/3 {aes,8( ges' ees'} \times 2/3 {ges, ees' ges,} \times 2/3 {aes, g' des')} | } \\ { r8 ees,( \times 2/3 {aes,8 ees' ges} \times 2/3 {bes ges ees)} | aes,2 aes4 | aes2 aes4 | } >> aes8( aes' \times 2/3 {c8 aes c)} << {\voiceOne a4(} \new Voice {\voiceTwo \times 2/3 {a8 c a}} >> \oneVoice | \times 2/3 {c8 a c)} \times 2/3 {bes( des bes} \times 2/3 {des bes des)} | \times 2/3 {c8( ees c} \times 2/3 {ees c ees)} \times 2/3 {bes( des bes} | \times 2/3 {des bes des)} \times 2/3 {ges,( bes ges} \times 2/3 {bes ges ees)} | \times 2/3 {ees8( ges ees} \times 2/3 {ges ees ges)} \times 2/3 {c,( ees c} | \times 2/3 {ees c ees)} \times 2/3 {bes( des bes} \times 2/3 {des bes ges)} | \repeat tremolo 6 {ges16 bes} | \repeat tremolo 6 {ges16 a} | \repeat tremolo 6 {beses16 des} | \repeat tremolo 4 {g,16 des'} 4 | 2 4 | 2. | << { ees4( des c) | c8( des) des4 } \\ { ges,2. | f2 } >> 4 | 2 4 | << {des2 d4} \\ {ges,2.} >> | 2 4 | 2 4 | \times 2/3 {ges8 des' ges,} \times 2/3 {ces ges ces} \times 2/3 {f, des' f,} | \times 2/3 {des' ges, des'} \times 2/3 {ges, des' ges,} \times 2/3 {c ges c} | \times 2/3 {f, c' f,} \times 2/3 {des'-> f, des'} \times 2/3 {f, d'-> f,} | \repeat tremolo 12 {ees32 ees'} | \repeat tremolo 12 {ees,32 ees'} | \repeat tremolo 12 {aes,,32 aes'} | \times 2/3 {8 aes, aes'} \times 2/3 {aes ges' c} s4 | \times 2/3 {f,8( aes, des,} \times 2/3 {aes' des, aes'} \times 2/3 {des, aes' des,)} | \times 2/3 {aes'( des, aes'} \times 2/3 {des, aes' des,} \times 2/3 {aes' des, aes')} | \times 2/3 {des,( aes' f'} \times 2/3 {aes des f)} 4 | | << \new Voice { } { %TODO: This is fixed in 2.11.20 remove the '%' when it comes out. \change Staff=RH \times 2/3 {des''8( f des} \change Staff=LH \clef treble \times 2/3 {bes8 f des} \times 2/3 {f bes des} | } >> f4) r r | R2.*3 | \clef bass 4 4.( 8) | << { des2 } \\ { des,4 \times 2/3 {des8 aes' f'} } >> des'4~ | des2.\fermata | } pianoDynamics = { \dimTextDim s2.*2\f\> | \dimHairpin s2.*2\p | s4 s2\> | s2\! s4\< | s2\! s4\< | s2.\! | s2.\< | s2.\f | s2 s4\> | s4\mf-\collaParte s s\> | s2.\p %a tempo s2. | s4\mf s2\< | s4\f s2\> | s4\p s2\< | s4\! s2\< | s2.\f | s2. | s4 s2\> | s2.\! | \crescTextCresc \once \override DynamicTextSpanner #'dash-period = #-1.0 s4\p s2\< | \crescHairpin s2. | s4\mf s2\< | s2.\! | \dimTextDim \once \override DynamicTextSpanner #'dash-period = #-1.0 s2.\> | \dimHairpin s2.\! | s2.*2 | \crescTextCresc \once \override DynamicTextSpanner #'dash-period = #-1.0 s2.\< | \crescHairpin s2.*3 | s2.\f-\agitato | s2.\< | s4\! s2\< | s2\> s4\p-\tranquillo | s2.*2 | s4 s2\> | s2\! s4\< | s2\> s4\< | s4\! \crescTextCresc \once \override DynamicTextSpanner #'dash-period = #-1.0 s2\< | \crescHairpin s2. | s2 s4\ff | s2.-\legato | s2.\f | s2.\mf | \crescTextCresc s2.\p\< | \crescHairpin s2. | s2.\f\> | s2.\p-\collaParte | %a tempo s2.*9 | s2.\mf | s4 s2\> | s2.\! | } pianoPedals = { }