\version "2.14.2" \header { title = "24 Studies for the Guitar" mutopiatitle = "24 Studies for the Guitar, No. 17" source = "Statens musikbibliotek - The Music Library of Sweden" composer = "Mauro Giuliani" opus = "Op. 100" piece = "No. 17. Prelude." mutopiacomposer = "GiulianiM" mutopiainstrument = "Guitar" style = "Classical" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Glen Larsen" maintainerEmail = "glenl at glx.com" footer = "Mutopia-2012/01/14-1817" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-0.5 MutopiaProject \hspace #-0.5 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-0.5 LilyPond \hspace #-0.5 \teeny .org } by \maintainer \hspace #-0.6 . \hspace #0.5 Copyright © 2012. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } % As a prelude, Giuliani chose to write without bar lines or a time % signature, allowing the musician to play 'a piacere' or 'at your % pleasure.' There is a closing bar line so the bar engraver is not % removed, the bars are simply made invisible until the end. \layout { indent = 60\pt short-indent = 0\pt ragged-last-bottom = ##t \context { \Staff \remove Time_signature_engraver } \context { \Score \remove Bar_number_engraver } } %mbreak = \break mbreak = {} posI = \markup{"I"} posII = \markup{"II"} posIII = \markup{"III"} posIV = \markup{"IV"} posV = \markup{"V"} posVI = \markup{"VI"} posVII = \markup{"VII"} posVIII = \markup{"VIII"} global = { \time 4/4 \key c \major \override Staff.BarLine #'transparent = ##t } upperVoice = \relative c { \voiceOne \slurDown a16^\markup{\italic "a piacere"} [ a' c e b' c^\posV b a] a8^\posII [ ^\markup{\italic tenuto} gis8] g8^\posI [ \trill f] | f^\trill[ e] e^\trill[ d] d^\trill[ c c c] | \mbreak b8[ c16( b) ais] b[ c( d) e f( e) g( f) e d( c) | b16 a] gis8[ e] dis16([ fis) a c dis fis a( c) ] s8 | \mbreak s8 a,,16[ c e a c e a^\posVIII c e f] r4 | 4^\posIV 8[^\posV c'16 a e(^\posI a) c, e a, c e, a c, e] a,4^\fermata \override Staff.BarLine #'transparent = ##f \bar "|." } lowerVoice = \relative c { \voiceTwo a4 s4 4 | 4 s4 | 4 s4*3 | s4*4 | e,4 s4 s4 e4 | r4 a4 s2 } \score { << \new Staff = "Guitar" << \set Staff.midiInstrument = #"acoustic guitar (nylon)" \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn \clef "treble_8" \global \context Voice = "upperVoice" \upperVoice \context Voice = "lowerVoice" \lowerVoice >> %{ \new TabStaff = "guitar tab" << \clef moderntab \global \context TabVoice = "upperVoice" \upperVoice \context TabVoice = "lowerVoice" \lowerVoice >> %} >> \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 100 4) } } }