\version "2.14.2" \header { title = "24 Studies for the Guitar" mutopiatitle = "24 Studies for the Guitar, No. 13" source = "Statens musikbibliotek - The Music Library of Sweden" composer = "Mauro Giuliani" opus = "Op. 100" piece = "No. 13. Caprice" mutopiacomposer = "GiulianiM" mutopiainstrument = "Guitar" style = "Classical" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Glen Larsen" maintainerEmail = "glenl at glx.com" footer = "Mutopia-2011/12/12-1809" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-0.5 MutopiaProject \hspace #-0.5 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-0.5 LilyPond \hspace #-0.5 \teeny .org } by \maintainer \hspace #-0.6 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \layout { indent = 60\pt short-indent = 0\pt ragged-last-bottom = ##t } %showLastLength = r2.*5 %mbreak = \break mbreak = {} keyTime = { \key g \major \time 3/4 } upperVoice = \relative c' { \voiceOne r8 e,[ g b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | r8 dis,[ a' b c\> b\! ] | r8 dis,[ a' b c\> b\! ] | \mbreak r8 e,[ g b c_(\> b)\! ] | r8 a[ c fis g_(\> fis)\! ] | r8 g,[ b e fis_(\> e)\! ] | dis8[ c b a g fis] | r8 e[ g b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | \mbreak r8 d,[ a' c d_(\> c)\! ] | r8 d,[ a' c d_(\> c)\! ] | r8 d,[ g b c_(\> b)\! ] | a8[ b c d e fis] | r8 g[ d b d g] | \mbreak g,2 r4 | r8 b[ d d e_(\> d)\! ] | r8 b[ d d e_(\> d)\! ] | gis,8^\markup{"I"} [ e, b' e g b] | e8_( [ f) e d c b] | r8 c[ e e f_(\> e)\! ] | \mbreak r8 cis[ e e fis!_(\> e)\! ] | ais,^\markup{"II"} [ fis, cis' fis ais c] | fis_( [ g) fis e d cis] | r8 8[ 8] d,[ 8] | r8 8[ 8] fis[ 8] | \mbreak r8 8[ 8 8] d,[ 8] | r8 8[ 8 8] fis[ 8] | r8 b8^\markup{"I"} [ ais b] c![ b] | a!8[ b] fis[ b] a[ b] | g8[ b] dis,[ b'] e,[ b'] | \mbreak g8[ b] fis[ b] e,[ b'] | r8 b8[ ais b c b] | a!8[ b] fis[ b] a[ b] | g8[ b] fis[ b] e,[ b'] | g8[ b] fis[ b] e,[ b'] | r8 dis,8[ fis b ais b] | \mbreak r8 e,[ g b ais b] | r8 dis,[ fis b ais b] | r8 e,[ g b ais b] | r8 dis,[ fis b ais b] | r8 dis,[ fis b ais b] | \mbreak r8 e,[ g b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | r8 dis,[ a'! b c_(\> b)\! ] | r8 dis,[ a' b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | \mbreak r8 a[ c fis g_(\> fis)\! ] | r8 g,[ b e fis_(\> e)\! ] | dis8[ c b a g fis] | r8 e[ g b c_(\> b)\! ] | r8 gis[ b e fis_(\> e)\! ] | % f natural ? \mbreak r8 a,[ c e f_(\> e)\! ] | r8 g,![ cis e fis!_(\> e)\! ] | r8 g,[ b e g_(\> e)\! ] | r8 fis,[ a dis fis dis] | r8 e,[ g b c_(\> b)\! ] | \mbreak r8 dis,[ a' b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | r8 dis,[ a' b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | r8 b[ d e f_(\> e)\! ] | \mbreak r8 a,[ c e fis!_(\> e)\! ] | r8 g,[ b e] fis,[ dis'] | r8 e[ g b c_(\> b)\! ] | r8 dis,[ fis b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | \mbreak r8 dis,[ fis b c_(\> b)\! ] | r8 e,[ g b c_(\> b)\! ] | r8 b,[ d e f_(\> e)\! ] | r8 a,[ c e fis!_(\> e)\! ] | r8 g,[ b e] fis,[ dis'] | \mbreak r8 g,[ b e fis_(\> e)\! ] | r8^\markup{"III"} b[ e g a_(\> g)\! ] | r8^\markup{"VII"} e[ g b c_(\> b)\! ] | r8^\markup{"XII"} g[ b e fis_(\> e)\! ] | r8 g,[ b e g_(\> e)\! ] | \mbreak b,2\rest b4\rest | 4^\markup{"I"} 4 4 | 2. \bar "|." } lowerVoice = \relative c { \voiceTwo e,2.^\markup{"I"} | e2. | fis2. | fis2. | % g2. | a2. | b2. | b4 b\rest b\rest | e,2. | e2. | % fis2. | fis2. | g2. | d'2. | g2.^\markup{"III"} | % g2 r4 | g2. | f2. | r2. | r2. | a2. | % g2. | r2. | r2. | b,2 d4 | e2 fis4 | % g2 d4 | e2 fis4 | b,2. | a'4 fis a | g4 dis e | % g4 fis e | b2. | a'4 fis a | g4 fis e | g4 fis e | b4 a\rest a\rest | % \repeat unfold 5 { b4 a\rest a\rest | } % e2. | e2. | fis2. | fis2. | g2. | % a2. | b2. | b4 a\rest a\rest | e2. | d'2. | % c2. | ais2. | b2. | b2.^\markup{"II"} | e,2. | % fis2. | e2. | fis2. | e2. | gis2. | % a2. | b2 fis'4 | e,2.^\markup{"VII"} | b'2. | e,2. | % b'2. | e,2. | gis2. | a2. | b2 fis'4 | % \repeat unfold 5 { e,2. | } % e2 a4\rest | e'4\f b g | e2. } \score { << \new Staff = "Guitar" << \set Staff.instrumentName = #"Affettuoso." \set Staff.midiInstrument = #"acoustic guitar (nylon)" \clef "treble_8" \keyTime \context Voice = "upperVoice" \upperVoice \context Voice = "lowerVoice" \lowerVoice >> %{ \new TabStaff = "guitar tab" << \clef moderntab \context TabVoice = "upperVoice" \upperVoice \context TabVoice = "lowerVoice" \lowerVoice >> %} >> \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 96 4) } % Giuliani populated this with lots of decrescendi and no crescendi so ... % the dynamic performer is removed so you hear melody after the 3rd bar. \context { \Voice \remove "Dynamic_performer" } } }