\version "2.14.0" violinImA = \relative c' { \key e \minor % make room so the initial tempo mark does not climb over the 'flute' \once\override Staff.MultiMeasureRest #'minimum-length = #20 R1*7 \cueWhile "flute1mA" "flute" #UP { R1 r2 } %{%} r4 r16\ff d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r16 d8-> ef16-. a,16-. r8. r16 d8-> ef16-. | a,16-. r8. r4 r2 | R1*2 af'2:32 \p\< af2:32 \f\> af16\p r8. r4 r2 | 2:32\p\< 2:32\f\< 16\f r8. r4 16 r8. r4 16 r8. r4 16 r8. r4 16 ds8\< e fs g a bf16\! r ds\< e g b!16\sf r8. 16 r8. r2 b'1:32\fpp \barNumberCheck#allegroMolto b2:32\pp b2:32 c2:32 b8:32 g:32 e:32 b:32 b2:32 b2:32 b2:32 b16(\< g e g b\> e g fs) e2->\pp~ e2 ~ e2 b2 d2:32 d2:32 d2:32 | \acciaccatura b8 b,4.\ff ds8\< | fs b4.-> | c4.->\ffz a8 fs e4.-> | ds4.-> fs8\< | b ds4.-> | e4.->\ffz c8 b a4.-> | \barNumberCheck#47 c8:32\f a:32 g:32 fs:32 c'8:32 a:32 g:32 fs:32 e'8:32 c:32 b:32 a:32 e'8:32 c:32 b:32 a:32 e'16( c b a) a'(\< e d c | c'( b a e) e'( c b a) | fs'8:16\ff e:16 fs:16 e:16 fs8:16 e:16 fs:16 e:16 g8:16 e:16 g:16 e:16 g8:16 e:16 g:16 e:16 b'16( b,) b b b4:16\< b4.:16 ds16 ds | \barNumberCheck#rehearsalOne e2:16\fff e:16 e:16 e:16 g,8.->(\fz b16-.) b8-.( fs-.) g8.->(\fz b16-.) b8-.( fs-.) g8.->(\fz b16-.) b8-.( fs-.) e8.->(\fz g16-.) g8-.( d-.) c8.->(\fz e16-.) e8-.( b-.) a8.->(\fz c16-.) c8-.( g-.) | \acciaccatura fs fs'8.->(\fz a16-.) a8-.( e-.) d8.->(\fz fs16-.) fs8-.( c-.) b8.->(\fz d16-.) d8-.( a-.) g8.->(\fz b16-.) b8-.( fs-.) | \acciaccatura e e'8.->(\fz g16-.) g8-.( e-.) R2 e8.->(\fz g16-.) g8-.( e-.) R2 \barNumberCheck#rehearsalTwo e8.(\mf g16-.) g8-.( e-.) | r8 g(\ub fs e) r8 g(\db\> fs e) r8\! d(\ub\p cs c) b8.->(_\markup\whiteout\italic"sempre piĆ¹ diminuendo" d16-.) %{%} d8-.( b-.) |\noBreak r8 c( b a) b8.->( d16-.) d8-.( b-.) | r8 c( b a) r8 gs(\db a b) a8.( c16-.) c8-.( a-.) | r8 bf(\db\p a g) r8 bf( a g) r8 bf( a g) r8 bf( a g) \barNumberCheck#rehearsalThree \override PercentRepeatCounter #'direction = #DOWN << { d'2-\flageolet\ppp ~d2 ~d2 ~d2 ~d2 ~d2 ~d2 ~d2 } \tag#'part { \repeat percent 8 s2 } >> << \tag #'part { \bar "|" \partPageBreak s32 ^\markup\large { "Left blank for two-side booklet printing," " so page 1 can be detached" } \bar "" \partPageBreak s32 ^\markup\large{ "Left blank for two-side booklet printing," " so next pages can be laid open if page 1 was detached" } \bar "" \partPageBreak % rewind Timing to reprint the bar number \set Timing.measurePosition = #(ly:make-moment 0 16) d4*3/4(\db\ppp d'4 % put Timing back in sync with the music \set Timing.measurePosition = #(ly:make-moment 8 16) \bar"|" } \tag#'score \tag#'quote { d,4(\db\ppp d' | } s2 >> d,4 d') | d,4( d' d, d') | d,4( d' d, d') | d,4( d' d,8 d' bf16 a g d | bf8 ) d-. d(\< g) | r8 g-. g(ef) r8 d-. d( g) | r8 d'-.\db d( c) | gs16(\f b) b( gs)\> b4 | R2\! gs16(\f b) b( gs)\> b4 | R2\! gs16(\p b) b( gs) b4 | gs16( b) b( gs) b4 | a16(\< c) c( a) c4 | a16( c) c( a) c4 | c16( e) e( c) e4 | c16( e) e( c) e4 | \barNumberCheck#rehearsalFour e16(\f gs) gs( e) e( b) b( gs) gs( e') e( b) b( gs) gs( e)\> | e( b') b( gs) gs( e) e( b) b( gs') gs( e) e( b) b( gs) | g(\(\p b) b( g) g( b) b( g)\) g(\(\< b) b( g) g( b) b( g)\) g(\db\fz b) b-. g-. g(\> b) b-. g-. g( b) b-. g-. g( b) b-. g-. b8(-.\p d-.) d16( c b8) e16(\< g) g( e) g4 | d8(-.\! b-.) b16(\> c d8) b16(\( a) a4.--\) | g16(\pp b) b-. g-. g( b) b-. g-. g16(\< b) b-. g-. g( b) b-. g-. g16(\f b) b-. g-. g(\> b) b-. g-. g16( b) b-. g-. g( b) b-. g-. b8(-.\p d-.) d16( c b8) e16(\< g) g( e) g4-> | d8(-.\! b-.) b16(\> c d8) b16(\( a) a4.--\) | d8(-.\p b-.) b16(\> c d8) b16( a) a4.-- | b16( a) a4.-- b16( a) a4.-- | b4\(\pp c b\> c b\ub c b a \) | \barNumberCheck#rehearsalFive g2\ppp~g~g( fs) fs(g) | a4( fs8. e16) | g16(\< d b d g b d g) | g4.(\! g8-.) e8-.( d4.->) | g8.(\< b16 d8) d-. d2\> | d8.(\! e16 d8. c16) b8(\< d4.)\> | \times2/3{c8(\! d c} \times2/3{a fs e)} d2\< | \times2/3{c'8( d c} \times2/3{a fs e)} d2 | \repeat unfold 4 { a'16( b a8) } \repeat unfold 4 { d16( e d8) } | \acciaccatura d8 g2:16\ff g:16 g:16 | e16 e d d d d d d, | g g g b d d d d | 2:16 | 8 r 8 r b'2:16\fpp b:16\> b:16 s1*0\! \partPageBreak \barNumberCheck#rehearsalSix d8\ff r b4\fz->\db ~ | b8. g,16\ub g( b) b( g')\< | g8.( b16) \times2/3{ ds8 ds ds} | ds2\ffz ~ds8 r b4\fz\db ~ | b8. g,16 g( b) b( g') | g8.( b16 ds)\> ds-. ds-. ds-. | ds2 g,,8.\p\db-\markup\italic"leggiero" b16 g16(\> b g') g-. | g,8. b16 g16( b g') g-. | g,8.\pp b16 g16( b g') g-. | g,8. b16 g16( b g') g-. | s1*0\ppp \repeat unfold 4 gs2:32 gs2~gs gs2~gs gs8( b4 fs16 a) | gs8( b4 fs16 a) | e8( gs4 ds16 fs) | e8( gs4 ds16 fs) | cs8 r8 r4 | r4 r8 e,16-.\pp e-. cs'8( a) r4 | r4 r8 e16-.\< e-. c'!8( a) r4 | r4 r8 e16-. e-. c'!8( a) r4 | r4 r8 a16-. a-. \barNumberCheck#rehearsalSeven s1*0\fz \repeat unfold 4 {f'8.-> f16 d-. c-. r8 } | s1*0\ff \repeat unfold 4 2:16 s1*0\fz \repeat unfold 4 {fs'8.-> fs16 d-. cs-. r8 } | s1*0\ff \repeat unfold 4 2:16 \repeat unfold 2 {c'8.->\fz c16 b-. a-. r8 } | c8.->\fz c16 bf-. af-. r8 | cf8.->\fz cf16 bf-. af-. r8 | cf16\ff bf r8 af16 gf r8 | f16 ef r8 d16 cf r8 | bf16 af r8 gf16 f r8 | ef16 d d cf cf bf bf ef | s1*0\ff \repeat unfold 4 ef''2:16 gf4(ff8 ef) ef4(df8 cf) b4(as8 a) a8\((g) fs!(b)\) \barNumberCheck#rehearsalEight \acciaccatura b8 g'2:16\ff g2:16 g2:16 g2:16 g4(f8 e) e4(d!8 c!) c4 b8(bf) bf(af) g(c) | af8.->(\fz c16-.) c8-.( g8-.) | af8.->(\fz c16-.) c8-.( g8-.) | af8.->(\fz df16-.) df8-.( af8-.) | a8.->(\fz d16-.) d8-.( a8-.) | \repeat unfold 5 \times2/3{bf8 ef bf(~} bf16 ef) ef(bf) | b(e) e(b) c(f) f(c) | fs8 r8 r4 R2*4\partPageBreak r4 cs,8.\pp cs16 b-. a-. r8 r4 R2 d8.\pp d16 c! bf r8 \repeat unfold 3 { d8. d16 c bf r8 } | s1*0\< \repeat unfold 3 { ds8. ds16 cs b r8 } | ds8. ds16 cs( b) b( b') | \barNumberCheck#rehearsalNine b2:32\fp b2:32\pp c!2:32 b8:32 g:32 e:32 b:32 | b2:32 b:32 b:32 b16(\< g e g b\> e g fs) | e2->\pp ~e ~ e( b) d16(\< g d4->) d8-. | d16( g d4->) d8-. | d16( g d4->) c16\db a | \acciaccatura b8 b,4.\ff ds8-.\< fs-. b4.->\fz c!4.\fz-> a8 fs8 ds4. | cs4.->\< e8-. a-. cs4.->\! d4.\fz-> b8 gs8 d4. | b''8.-.(\fz e16-.) e8-.( gs,-.) | gs8.-.(\fz b16-.) b8-.( e,-.) | e8.-.(\fz gs16-.) gs8-.( b,-.) | b8.-.(\fz e16-.) e8-.( gs,-.) | e'4. b8 gs\> e4. | e'4. b8 gs e4. | \barNumberCheck#rehearsalTen \key gs \minor b'8\p gs4.\> b8 gs4. | b8\pp gs4. b8 gs4. | b4(-\markup\italic"legato" gs as) b(\> ~ b2 as2) b2(\ppp cs b as4 b) b2( cs b as4 b) ds4(\ppp ds') ~ ds2 ~ ds2 cs4\( b4( ds2)\) ds,4\( ds' ~ ds2 cs4 b4 | gs8\)(ds) ds(gs) | r8 gs-.\< gs(e) | r ds-. ds(gs) | r8 ds'-.\db ds(cs) | a16(\f c) c(a) c4 R2 a16(\f c) c(a) c4 R2 a16(\p c) c(a) c4 | a16( c) c(a) c4 | \barNumberCheck#rehearsalEleven \set Staff.keySignature = #`() bf16(df)\< df(bf) df4 | bf16(df) df(bf) df4 | df16(f) f(df) f4 | \ottava#1 df16(f) f(df) f4 | f16(\ff c') c(a) a(f) f(c) | \ottava#0 c(f) f(c)\> c(bf) bf(a) | a(c) c(a) a(g) g(f) | a(g) g(f) f(c) c(a) | af(\p c) c-.( af-.) af(\< c) c-.( af-.) | af( c) c-.( af-.) af( c) c-.( af-.) | af(\mf c) c-.( af-.) af(\> c) c-.( af-.) | af( c) c-.( af-.) af( c) c-.( af-.) | \key af\major c8-.(\p ef-. ef16 ef c8) f16(\< af) af(f) af4\> | ef8-.( c-. c16 df ef8) c16( bf) bf4.->\! | af16(c) c-.(af-.) af(\< c) c-.(af-.) | af(c) c-.(af-.) af(c) c-.(af-.) | af(\fz c) c-.(af-.) af(\> c) c-.(af-.) | af(c) c-.(af-.) af(c) c-.(af-.) | c8-.(\p ef-. ef16 ef c8) f16(\< af) af(f) af4\> | ef8-.(\! c-. c16 df ef8) c16( bf) bf4.-> | ef8-.(\ub\> c-. c16 df ef8) c16( bf) bf4.-> | c16(\pp bf) bf4.-> | c16( bf) bf4.-> | c4\(\ppp df c df c\ub df c bf\) \partPageBreak \barNumberCheck#rehearsalTwelve af2 ~af ~af( g) | g2( af bf4 g) c8( af c ef) af4.( af8-.) f-.( ef4.) | af8.( c16 ef8) ef-. | ef2 ef8.( f16 ef8 df) c( ef4.) | \times2/3{df8( ef df} \times2/3{bf g f)} | ef2 \times2/3{df'8( ef df} \times2/3{bf g f)} | ef2 bf'16(\< c bf8) bf16( c bf8) bf16( c bf8) bf16( c bf8) | ef16( f ef8) ef16( f ef8) \ottava#1 ef16( f ef8) ef16( f ef8) | af2:16\f af2:16 af2:16\< af2:16 \barNumberCheck#rehearsalThirteen \key e \minor << s2\fff \repeat unfold 8 a!2:32 \tag#'part { \repeat percent 8 s2 } >> \ottava#0 a,,8.\fz c16 ef a r8 | c,8.\fz ef16 a c r8 | ef,8.\fz a16 d ef r8 | a,8.\fz c16 ef a r8 | \ottava#1 c8:16\ff b!:16 as:16 a:16 | gs:16 g:16 fs:16 f:16 | %\ottava#0 e:16 ef:16 d:16 cs:16 | c:16 b:16 a:16 fs:16 | e4.--->\fz g8-.\ub c-.\db e4.--->\fz\ub | g4.--->\fz\db fs8-.\ub f-. e4.--->\fz | e,4.--->\fz g8-.\ub c-.\db e4.--->\fz | g4.--->\fz fs8-. f-. e4.---> | \ottava#1 s1*0\fz \repeat unfold 4 {g8:16 fs:16 f:16 e:16 } b':16 as:16 a:16 gs:16 | g:16 fs:16 f:16 e:16 | %\ottava#0 ef:16 d:16 cs:16 c:16 | b:16 as:16 a:16 g!:16 | fs8.->\fz a16 c-. e-. r8 | g8.->\fz fs16 e-. ds-. r8 | e,8.->\fz g16 b-. e-. r8 | g8.-> fs16 e-. ds-. r8 | \ottava#1 e8.-> g16 b-. b,-. r8 | e8.-> g16 b-. b,-. r8 | \repeat unfold 4 { b'16\((b,) r b'-.\) } e,2:32\fff e:32 e:32 e:32 c'4:32 g:32 e:32 c:32 g4:16 e8:16 g:16 b:16 c:16 e:16 g:16 | b8 r e, r | r4 8[ r16 ] | \repeat unfold 3 { 8 r r4 } \ottava#0 \partPageBreak } violinIImA = \relative c' { \key e \minor \once\override Staff.MultiMeasureRest #'minimum-length = #20 R1*7 \cueWhile "flute1mA" "flute" #UP { R1 r2 } %{copy violinI %} r4 r16\ff d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r16 d8-> ef16-. a,16-. r8. r16 d8-> ef16-. | a,16-. r8. r4 r2 | R1*2 2:32 \p\< 2:32 \f\> 16\p r8. r4 r2 | es2:32\p\< es2:32\f\< r16 cs'8->\fz d16-. gs,16 r8. r16 cs8-> d16-. gs,16 r8. r16 css8-> ds16-. a16 r8. r16 d8-> ef16-. a,16 r8. 16 c\< c c c c c c c c c c cs cs cs 16\sf r8. 16 r8. r2 b1:32\fpp \barNumberCheck#allegroMolto g'2:32\pp g2:32 g2:32 g8:32 e:32 b:32 g:32 \repeat unfold 3 { g8( e b' b,) } e4 r R2*3 r4 \times 2/3 { b8(\p\ub d g }| b g d' d,) b'( g d' d,) b'( g d' d,)| b4.\ff ds8\< | fs b4.-> | c4.->\ffz a8 fs e4.-> | ds4.-> fs8\< | b ds4.-> | e4.->\ffz c8 b a4.-> | \barNumberCheck#47 a,16(\f b) c c c4:16 a16( b) c c c4:16 c16( c) e e e4:16 c16( c) e e e4:16 e16( c b a) a'(\< e d c | c'( b a e) e'( c b a) | fs'8:16\ff e:16 fs:16 e:16 fs8:16 e:16 fs:16 e:16 g8:16 e:16 g:16 e:16 g8:16 e:16 g:16 e:16 b'16( b,) 4:16\< 2:16 | \barNumberCheck#59 2:16\fff :16 :16 :16 e8.->(\fz g16-.) g8-.( ds-.) e8.->(\fz g16-.) g8-.( ds-.) e16\fz b b8:16 b8:16 c8:16 b4.:16\fz a8:16 g4.:16\fz fs8:16 e4.:16\fz d8:16 | c16(\fz c' c8:16 c8:16 b8:16 a4.:16\fz g8:16 fs4.:16\fz e8:16 d4.:16\fz c8:16 | b16(\f\< e g as b4) R2\! bf,16(\f\< e g a bf4) R2\! \barNumberCheck#rehearsalTwo r8 b8(\mp g e) bf'4.( g8) | b4( d8\> g, c\p fs, fs4) | f4( b,8 d) c8.\> f16 f8-. c-. | f4(\pp b,8 d) c8. f16 f8-. c-. | b4( f' e a) | ef16( g ef g e g e g) ef16( g ef g e g e g) | ef16( g ef g e g e g) ef16( g ef g e g e g) | \barNumberCheck#rehearsalThree << { d2:16\ppp \repeat unfold 7 d:16 } \tag#'part { \repeat percent 8 s2 } >> << \tag #'part { \bar "|" \partPageBreak s32 ^\markup\large { "Left blank for two-side booklet printing," " so page 1 can be detached" } \bar "" \partPageBreak s32 ^\markup\large{ "Left blank for two-side booklet printing," " so next pages can be laid open if page 1 was detached" } \bar "" \partPageBreak % rewind Timing to reprint the bar number \set Timing.measurePosition = #(ly:make-moment 0 16) g8*1/2(\ppp bf8 % put Timing back in sync with the music \set Timing.measurePosition = #(ly:make-moment 4 16) } \tag#'score \tag#'quote { g8(\ppp bf } s4 >> bf16 a g8) | a16\(( c) c( a) c4->\) | bf8( g g16 a bf8) a16( bf a f g4->) | g8( bf bf16 a g8) a16\(( c) c( a) c4->\) | bf8( g g16 a bf8) a16( bf a f g a bf a) | bf8( d~d16\< c bf8) c\( ef16 c ef4\) | d8( f~f16 ef d8) ef\( g16 ef g4\) | b,16(\f gs) gs(\> b) b( gs gs( b) | b16(\p gs) gs( b) b( gs gs( b) | b16(\f gs) gs(\> b) b( gs gs( b) | b16(\p gs) gs( b) b( gs gs( b) | b16(\p d) d( b) d4 | b16( d) d( b) d4 | c16(\< e) e( c) d4 | c16( a') a( c,) a'4 | e16( g) g( e) g4 | e16( c') c( e,) c'4 | \barNumberCheck#rehearsalFour gs16(\f bs) bs( gs) gs( e) gs( e) e( gs) gs( e) e( b) b( gs)\> | gs( gs') gs( e) e( gs,) gs( e) gs( e') e( b) b( gs) gs( e) | b16-.\p g'-. g( b,) b-. g'-. g( b,) b-.\< g'-. g( b,) b-. g'-. g( b,) b-.\fz g'-. g( b,) b-.\> g'-. g( b,) b-. g'-. g( b,) b-.\! g'-. g( b,) g'8(-.\p b-.) b16( a g8) c16(\< e) e( c) e4 | b8(-.\! g-.) g16(\> a b8) g16(\( fs) fs4.--\) | b,16(\pp g') g-. b,-. b( g') g-. b,-. b16(\< g') g-. b,-. b( g') g-. b,-. b16(\f g') g-. b,-. b(\> g') g-. b,-. cs16( g') g-. cs,-. cs( g') g-. cs,-. g'8(-.\p b-.) b16( a g8) c16(\< e) e( c) e4-> | b8(-.\! g-.) g16(\> a b8) g16(\( fs) fs4.--\) | b8(-.\p g-.) g16(\> a b8) g16( fs) fs4.-- | g16( fs) fs4.-- g16( fs) fs4.-- | g4\(\pp e g\> e g\ub e d c \) | \barNumberCheck#rehearsalFive b2(\ppp~b e d) c(b) | a4( c) b2 | g'4.( g8-.) e8-.( d4.->) | g8.(\< b16 d8) d-.\! d2\> d8.(\! e16 d8. c16) b8(\< d4.)\> | \times2/3{c8(\! d c} \times2/3{a fs e)} d2\< | \times2/3{c'8( d c} \times2/3{a fs e)} d2 | \repeat unfold 4 { c'16( d c8) } \repeat unfold 4 { fs16( g fs8) } | \acciaccatura d8 2:16\ff :16 :16 | e16 e d d d d d d, | g b d g b b a a | b16 b a a b b a a | 8 r 8 r b,2:16\fpp b:16\> b:16 s1*0\! \partPageBreak \barNumberCheck#rehearsalSix b'8\ff r g4\fz->\db ~ | g4 b,4( ~ b16 g') g-. g-.\< g( b) b-. b-. | b2\ffz ~b8 r8 g4\fz ~g4 b,( b16 g') g-. g-.\> g( b) b-. b-. | b( g) g-. g-. g( b,) b-. b-. | \repeat tremolo 4 {g16(\p b)\>} \repeat tremolo 4 {g( b)} \repeat tremolo 4 {g(\pp b)} \repeat tremolo 4 {g( b)} s2*0\ppp \repeat unfold 4 e2:32 e2 ~e e ~e e8( gs4 ds8) | e8( gs4 ds8) | cs8( e4 b8) | cs8( e4 b8) | e,8(\pp cs16 e cs e cs e | cs\ub e b d a cs b d) | \repeat tremolo 4 {cs( e} | \set crescendoText = \markup\whiteout\italic"cresc. poco a poco" \set crescendoSpanner = #'text cs\ub e b d a\< cs b d) | %\noBreak \unset crescendoSpanner \repeat tremolo 4 {c( e} | c\ub e b d a c b d) \repeat tremolo 4 {c( e} | c\ub e b d a c e c) \barNumberCheck#rehearsalSeven s1*0\f^"sul G" \repeat unfold 4 { f8-> f16 f f8 r } | s1*0\ff \repeat unfold 4 2:16 s1*0\fz \repeat unfold 4 { fs8-> fs16 fs fs8 r } | s1*0\ff \repeat unfold 4 2:16 s1*0\fz \repeat unfold 2 { 4.:16 r8 } s1*0\fz \repeat unfold 2 { 4.:16 r8 } cf'8.->(\ff bf16-.) af8.->( gf16-.) | f8.->( ef16-.) d8.->( cf16-.) | bf8.->( af16-.) gf8.->( f16-.) | ef16 ef d d cf cf bf bf | 2:16\ff 2:16 2:16 2:16 gf4(ff8 ef) ef4(df8 cf) b4(as8 a) a8\((g) fs!(b)\) \barNumberCheck#rehearsalEight s2*0\ff \repeat unfold 4 2:16 g4(f8 e) e4(d!8 c!) c4 b8(bf) bf(af) g(c) | f8.->(\fz af16-.) af8-.( e8-.) | f8.->(\fz af16-.) af8-.( e8-.) | f8.->(\fz df16-.) df8-.( f8-.) | fs8.->(\fz d16-.) d8-.( fs8-.) | \repeat unfold 5 \times2/3{gf8 ef gf(~} gf16 ef) ef(gf) | g(e) e(g) af(f) f(af) | 8 r r4 | r4 cs,8.\fz cs16\p | b-. a-. r8 r4 R2*5 s2*0\pp \repeat unfold 4 {bf,4:16 d:16} s2*0\< \repeat unfold 4 {b4:16 ds:16} \barNumberCheck#rehearsalNine \times4/6 {e16\fp g' g g g g} \times4/6 g4.:16 | g2:32\pp g:32 g8:32 e:32 b:32 g:32 | \repeat unfold 3 {g8( e b b')} e,4 r4 R2*3 \partPageBreak r4 \times2/3 {b8(\pp\db d g)} s2*0\< \repeat unfold 3 {b8( g d d')} \acciaccatura ds8 b,4.\ff ds8-.\< fs-. b4.->\fz c!4.\fz-> a8 fs8 ds4. | cs4.->\< e8-. a-. cs4.->\! d4.\fz-> b8 gs8 d4. | gs'8.-.(\fz b16-.) b8-.( e,-.) | e8.-.(\fz gs16-.) gs8-.( b,-.) | b8.-.(\fz e16-.) e8-.( gs,-.) | gs8.-.(\fz b16-.) b8-.( e,-.) | b'4. gs8 e\> b4. | b'4. gs8 e b4. | \barNumberCheck#rehearsalTen \key gs \minor e8\p e4.\> e8 e4. | b8\pp e4. e8 e4. | e4(-\markup\italic"legato" d8 e e4 d8\> e) (e4 es fs gs) gs2(\ppp as gs fs4 gs) gs2( as gs fs4 gs) ds4( ds') ~ ds2 ~ ds2 %\partPageBreak cs4\( b4( ds2)\) ds,4\( ds' ~ ds2 cs4 b4\) | b8-. ds-. ds16( cs b8) cs16( e) e(\< cs) e4 | ds8-. b-. b16( cs ds8) as16(cs) cs(as) cs4 | c16(\f a) a(c) c16( a) a(c) | c16(\p a) a(c) c16( a) a(c) | c16(\f a) a(c) c16( a) a(c) | c16(\p a) a(c) c16( a) a(c) | c16(\p ef) ef(c) ef4 | c16( ef) ef(c) ef4 | \barNumberCheck#rehearsalEleven \set Staff.keySignature = #`() df16(f)\< f(df) f4 | df16(bf') bf(df,) bf4 | f16(af) af(f) af4 | f16(df') df(f,) df'4 | f16(\ff c') c(a) a(f) f(c) | c(f) f(c)\> c(bf) bf(a) | a(c) c(a) a(g) g(f) | a(g) g(f) f(c) c(a) | c16-.\p af'-. af( c,) c-.\< af'-. af( c,) | c-. af'-. af( c,) c-. af'-. af( c,) | c-.\mf af'-. af( c,) c-.\> af'-. af( c,) | c-. af'-. af( c,) c-. af'-. af( c,) | \key af\major af'8-.(\p c-. c16 bf c8) df16(\< f) f(df) f4\> | c8-.( af-. af16 bf c8) af16( g) g4.->\! | c,16-. af'-. af( c,) c-. af'-. af( c,) | c-.\< af'-. af( c,) c-. af'-. af( c,) | c-.\fz af'-. af( c,) c-.\> af'-. af( c,) | c-. af'-. af( c,) c-. af'-. af( c,) | af'8-.(\p c-. c16 bf c8) df16(\< f) f(df) f4\> | c8-.(\! af-. af16 bf c8) af16( g) g4.->\! | c8-.(\ub\> af-. af16 bf c8) af16( g) g4.-> | af16(\pp g) g4.-> | af16( g) g4.-> | << {af4\(\ppp f af f af\ub f ef4 df\)} \\ {s2*3 ef2 } >>\partPageBreak \barNumberCheck#rehearsalTwelve << {ef2~ef(f)(ef) ef~ef} \\ {c2~c~c~c g( af)} >> f'4( df c4. ef8) | af4.( af8-.) f-.( ef4.) | af8.( c16 ef8) ef-. | ef2 ef8.( f16 ef8 df) c( ef4.) | \times2/3{df8( ef df} \times2/3{bf g f)} | ef2 \times2/3{df'8( ef df} \times2/3{bf g f)} | ef2 df'16(\< ef df8) df16( ef df8) df16( ef df8) df16( ef df8) | g16( af g8) g16( af g8) g16( af g8) g16( af g8) | 2:16\f 2:16 2:16\< 2:16 \barNumberCheck#rehearsalThirteen \key e \minor \override PercentRepeatCounter #'padding = #2 << s2\fff { \repeat unfold 4 2:32 \repeat unfold 4 2:32 } \tag#'part { \repeat percent 4 s2 \repeat percent 4 s2 } >> \revert PercentRepeatCounter #'padding a,,8.\fz c16\ub ef a r8 | c,8.\fz ef16\ub a c r8 | ef,8.\fz a16\ub d ef r8 | a,8.\fz c16\ub ef a r8 | c8:16\ff b!:16 as:16 a:16 | gs:16 g:16 fs:16 f:16 | e:16 ef:16 d:16 cs:16 | c:16 b:16 a:16 fs:16 | e4.--->\fz g8-.\ub c-.\db e4.--->\fz\ub | g4.--->\fz\db fs8-.\ub f-. e4.--->\fz | e,4.--->\fz g8-.\ub c-.\db e4.--->\fz | g4.--->\fz fs8-. f-. e4.---> | s1*0\fz \repeat unfold 4 {g8:16 fs:16 f:16 e:16 } b':16 as:16 a:16 gs:16 | g:16 fs:16 f:16 e:16 | ef:16 d:16 cs:16 c:16 | b:16 as:16 a:16 g!:16 | fs8.->\fz a16 c-. e-. r8 | g8.->\fz fs16 e-. ds-. r8 | e,8.->\fz g16 b-. e-. r8 | g8.-> fs16 e-. ds-. r8 | e8.-> g16 b-. b,-. r8 | e8.-> g16 b-. b,-. r8 | \repeat unfold 4 { b'16\((b,) r b'-.\) } 2:32\fff :32 :32 :32 c'4:32 g:32 e:32 c:32 g4:16 e8:16 g:16 b:16 c:16 e:16 g:16 | b8 r r | r4 8[ r16 ] | \repeat unfold 3 { 8 r r4 } \partPageBreak } violamA = \relative c' { \clef alto \key e \minor g2(\pp fs4 f) e2( ef4 d) cs( c) <> r <> r <> r r4 r2 R1*3 \trCueWhile "flute1mA" "flute 8va" #UP c { R1 r2 } %{%}r4 r16\ff d'8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r16 d8-> ef16-. a,16-. r8. r16 d8-> ef16-. | a,16-. r8. r4 r2 | R1 \repeat unfold 2 \repeat tremolo 8 {d,32(\pp f!)} d8.->\< f16\ub af16 bf8. cf8.->\f\>\db af16 gf16 f8.\! \repeat tremolo 8 {d32(\pp f!)} \repeat tremolo 8 {d32( af')} es8.->\< gs16\ub b!16 cs8. d8.->\f\>\db b16 a16 gs8.\! r16\f cs8-> d16-. gs,16 r8. r16 cs8-> d16-. gs,16 r8. r16 css8-> ds16-. a16 r8. r16 d8-> ef16-. a,16 r8. 16 bf'\< bf bf bf bf bf bf 16\sf r8. 16 r8. r2 R1 \barNumberCheck#allegroMolto e'2:32\pp e2:32 e2:32 e8:32 b:32 g:32 e:32 b2:32 b2:32 b2:32 2:32 2:32 2:32 2:32 2:32 d2:32 d2:32 d2:32 b4.\ff ds8\< | fs b,4.-> | c4.->\ffz a8 fs e4.-> | ds4.-> fs8\< | b ds4.-> | e4.->\ffz c8 b a4.-> | \barNumberCheck#47 fs16(\f g) a a a4:16 fs16( g) a a a4:16 a16( b) c c c4:16 a16( b) c c c4:16 <<{ c16( d) e-. e-. c16(\< d) e-. e-. c16( d) e-. e-. c16( d) e-. e-.\! }\\{ a,16( b) c-. c-. a16( b) c-. c-. a16( b) c-. c-. a16( b) c-. c-. }>> fs8:16\ff e:16 fs:16 e:16 fs8:16 d:16 fs:16 e:16 g8:16 e:16 g:16 e:16 g8:16 e:16 g:16 e:16 b:16 cs:16 ds:16\< e:16 es:16 fs:16 ds:16 b:16 | \acciaccatura e8 e'2:16\fff e:16 e:16 e:16 b16(\fz b,) b b b4:16 b'16(\fz b,) b b b4:16 g'4.:16\fz a8:16 g4.:16\fz fs8:16 e4.:16\fz d8:16 c4.:16\fz b8:16 a16(\fz a') a a a a g g fs4.:16\fz e8:16 d4.:16\fz c8:16 b4.:16\fz a8:16 2\ffz g8(\mf b) b16(\ub a g8) | 2\ffz g8(\mf bf) bf16(\ub a g8) | \barNumberCheck#rehearsalTwo \repeat tremolo 4 {e16(\mp g} | \repeat tremolo 4 {e16 g)} | \repeat tremolo 4 {d16(\> g} | \repeat tremolo 4 {d16\p fs)} | \repeat tremolo 4 {d16( f} | \repeat tremolo 4 {f16 a)} | \repeat tremolo 4 {d,16(\pp f} | \repeat tremolo 4 {f16 a)} | \repeat tremolo 4 {d,16( f} | \repeat tremolo 4 {e16 a)} | ef16(\pp g ef g e g e g) | ef16( g ef g e g e g) | ef16( g ef g e g e g) | ef16( g ef g e g e g) | \barNumberCheck#rehearsalThree bf8\ppp r8 r4 | R2*7 \repeat tremolo 4 {d,16(\ppp bf'} \repeat tremolo 4 {d,16 a')} \repeat tremolo 4 {d,16( bf'} d, a' d, a' d, bf' d, bf') \repeat tremolo 4 {d,16( bf'} \repeat tremolo 4 {d,16 a')} \repeat tremolo 4 {d,16( bf'} d, a' d, a' d, bf' d, bf') \repeat unfold 4 {g16-. g'16-.} \repeat tremolo 4 {g,16\<^\markup\italic"non legato" g'16} \repeat tremolo 4 {g,16 g'16} \repeat tremolo 4 {g,16 g'16} \repeat tremolo 4 {gs,16(\f\> b16)} \repeat tremolo 4 {gs16(\p b16)} \repeat tremolo 4 {gs16(\f\> b16)} \repeat tremolo 4 {gs16(\p b16)} \repeat tremolo 4 {gs16( b16)} \repeat tremolo 4 {gs16( b16)} \repeat tremolo 4 {e,16(\< a16)} \repeat tremolo 4 {f16( a16)} \repeat tremolo 4 {e16( g16)} \repeat tremolo 4 {e16( a16)} \barNumberCheck#rehearsalFour b16-.\f e-. e-. b'-. b-. e-. e-. b-. | b,16-. e-. e-. b'-. b-. e-. e-. b-. | e,,16-. b'-. b-.\> e-. e-. b'-. b-. e,-. | e,16-. b'-. b-. e-. e,-. b'-. b-. e-. | \partPageBreak \times4/6 2.:8 \p\< \times4/6 2.:8 \times4/6 2.:8 \fz\> \times4/6 2.:8 8(\p d8 8 d8) 8( d,8 8 d,8) 8( d,8 8\> d,8) << { d'( d, d' d,) } \\ { c'( d, c' d,) } >> \times2/3 { 4.:8 \pp} \times2/3 { :8 } \times2/3 { :8\< } \times2/3 { :8 } | \times2/3 {g4.:8 \f} << \times2/3 {g8 g g} \\ \times2/3 {fs8 fs e} >> \times 4/6 2.:8 \> 8(\p d8 8 d8) c'8(\< d,8 c' d,8) b'8( d,8 b' d,8) c'8(\> d,8 c' d,8) b'8( d,8 b' d,8) \repeat unfold 3 { c'8( d,8 c' d,8) } | c'4(\pp a c\> a c\ub a8 g fs2) \barNumberCheck#rehearsalFive g2(\ppp ~g b~b) d,~d | e4( d8 fs g2) \repeat tremolo 4 {g16( b16} \repeat tremolo 4 {g16 b16)} \repeat tremolo 4 {g16( b16)} \repeat tremolo 4 {fs16( b16)} \repeat tremolo 4 {fs16( c'16)} \repeat tremolo 4 {g16( b16)} e,16( a e a fs c' fs, c') | \repeat tremolo 4 {g16(\< b16)} e,16( a e a fs a fs a) | \repeat tremolo 4 {g16( b16)} \repeat tremolo 4 {g16( a16)} \repeat tremolo 4 {g16( a16)} \repeat tremolo 4 {c16( d16)} \repeat tremolo 4 {c16( d16)} 2:16\ff 2:16 :16 :16 \clef treble 16 g' g fs fs | g g fs fs g g fs fs | g8 r %\tag #'part \clef alto %{%} r | b r r4 R2*2 \tag #'part \break \barNumberCheck#rehearsalSix %\clef treble g''8 r \tag #'part \clef alto %{%} b,4->\fz\ub ~b g( ~ g16 b) b-. b-. b( g') g-. g-. | g2\fz ~g8 r8 b,4\fz\ub ~b g( ~ g16 b) b-. b-.\> b( g') g-. g-. | g( b,) b-. b-. b( g) g-. g-. | \tag #'score \clef alto \repeat tremolo 4 {ds16(\p g)\>} \repeat tremolo 4 {ds( g)} \repeat tremolo 4 {ds(\pp g)} \repeat tremolo 4 {ds( g)} e4\ppp r4 R2*3 \repeat tremolo 4 {gs16(\p b} \repeat tremolo 4 {gs( b)} \repeat tremolo 4 {gs(\p b} \repeat tremolo 4 {gs( b)} gs16(b) b(e) e(b) b(fs) | gs16(b) b(e) e(b) b(fs) | e16(gs) gs(cs) cs(gs) gs(ds)| e16(gs) gs(cs) cs(gs) gs(ds)| cs8\(\pp e16 cs e cs e cs e\ub cs d b cs a d b\) | \set crescendoText = \markup\whiteout\italic"cresc. poco a poco" \set crescendoSpanner = #'text e16\( cs e cs e cs e cs | e\ub cs d b cs\< a d b\) | \unset crescendoSpanner e16\( c e c e c e c | e\ub c d b c a d b\) | e16\( c e c e c e c | e\ub c d b c a c e\) | \barNumberCheck#rehearsalSeven s2*0\f << \repeat unfold 4 {a,8:16 d:16 c:16 a:16 } \\ \repeat unfold 4 {f8:16 bf:16 a:16 f:16 } >> s2*0\ff \repeat unfold 4 2:16 s2*0\f << \repeat unfold 4 {a8:16 d:16 cs:16 a:16 } \\ \repeat unfold 4 {fs8:16 b:16 a:16 fs:16 } >> s2*0\ff \repeat unfold 4 2:16 16\fz r8 \repeat unfold 4 16 16\fz r8 \repeat unfold 4 16 16\fz r8 \repeat unfold 4 16 16\fz r8 \repeat unfold 4 16 cf'16\ff bf r8 af16 gf r8 | f16 ef r8 d16 cf r8 | bf16 af r8 gf16 f r8 | ef16 d d cf' cf bf bf ef, | 2:16\ff 2:16 2:16 2:16 d,16( fs! b!) b-. fs( b ds) ds-. | \repeat unfold 3 {ds,16( fs b) b-. fs( b ds) ds-. } \barNumberCheck#rehearsalEight 2:16\ff 2:16 2:16 2:16 \repeat unfold 4 { e,16( g c) c-. g( c e) e-. } 4:16\ff 8:16 8:16 | 4:16\ff 8:16 8:16 | 2:16 2:16 \repeat unfold 6 { 8 r } r r | r r4 R2*7 \partPageBreak s2*0\pp \repeat unfold 4 af2:16 s2*0\< \repeat unfold 4 a2:16 \barNumberCheck#rehearsalNine \times4/6 {g16\fp e'' e e e e} \times4/6 e4.:16 | e2:32\pp e:32 e8:32 b:32 g:32 e:32 | b2:32 b:32 b:32 :32 :32\pp :32 << {e'4:32 c8:32 e:32} \\ g,2:32 >> 2:32 d:32 d:32\< d:32 \acciaccatura ds8 b4.\ff ds,8-.\< fs-. b4.->\fz c!4.\fz-> a8 fs8 ds4. | cs4.->\< e8-. a-. cs4.->\! d4.\fz-> b8 gs8 d4. | \clef treble e''8.-.(\fz gs16-.) gs8-.( b,-.) | b8.-.(\fz e16-.) e8-.( gs,-.) | \clef alto gs8.-.(\fz b16-.) b8-.( e,-.) | e8.-.(\fz gs16-.) gs8-.( b,-.) | gs'4. e8 b\> gs4. | gs'4. e8 b gs4. | \barNumberCheck#rehearsalTen \key gs \minor gs8\p b4.\> gs8 b4. | gs8\pp b4. gs8 b4. | gs4(-\markup\italic"legato" b as gs)\> gs4( g fs es) ds(\ppp ds' ~ds2 ~ds) ds,4( ds' ~ds2 ~ds) ds,4( ds') ds2 \repeat unfold 2 { \repeat tremolo 4 {b16( ds,} \repeat tremolo 4 {as' ds,)} \repeat tremolo 4 {b'( ds,} as' ds, as' ds, b' ds, b' ds,) } gs2:16 gs:16\< gs:16 gs:16 \repeat tremolo 4 {a16(\f c)} \repeat tremolo 4 {a(\p c)} \repeat tremolo 4 {a(\f c)} \repeat tremolo 4 {a(\p c)} \repeat tremolo 4 {a(\p c)} \repeat tremolo 4 {a( c)} \barNumberCheck#rehearsalEleven \set Staff.keySignature = #`() \repeat tremolo 4 {f,16( bf)\<} \repeat tremolo 4 {gf( bf)} \repeat tremolo 4 {f( af)} \repeat tremolo 4 {f( bf)} 2:16\ff :16\> :16 :16 << {s2\p\< s2 s2\mf\> s2} \repeat unfold 4 \times4/6 2.:8 >> \key af\major \repeat tremolo 4 {c16(\p ef} \repeat tremolo 4 {df f)} \repeat tremolo 4 {c16( ef\>} \repeat tremolo 4 {df ef)} \times2/3 4.:8 \times2/3 4.:8 | \times2/3 4.:8\< \times2/3 4.:8 | \times2/3 af4.:8\fz s2*0\> <<\times2/3{af8 af af} \\ \times2/3{g g f}>> \times4/6 2.:8 \repeat tremolo 4 {c'16(\p ef} \repeat tremolo 4 {df16 ef)} \repeat tremolo 4 {c16( ef} \repeat tremolo 4 {df16 ef)} \repeat tremolo 4 {c16( ef\>} \repeat tremolo 4 {df16 ef)} \repeat tremolo 4 {c16(\pp ef} \repeat tremolo 4 {df16 ef)} df4\(\ppp bf df bf df\ub bf8 af g2\) \barNumberCheck#rehearsalTwelve <<{c2~c~c~c df( c)} \\ {af2~af~af( g) ef~ef} >> f4( bf ef,4. c'8) | \repeat tremolo 4 {af16( c} \repeat tremolo 4 {af16 c)} \repeat tremolo 4 {af16( c} \repeat tremolo 4 {g16 c)} \repeat tremolo 4 {g16( df'} \repeat tremolo 4 {af16 c)} f,16( bf f bf) (g df' g, df') \repeat tremolo 4 {af16( c)} f,16( bf f bf) (g\< df' g, df') \repeat tremolo 4 {af16( c)} \repeat tremolo 4 {af16( bf)} \repeat tremolo 4 {af16( bf)} \repeat tremolo 4 {df16( ef)} \repeat tremolo 4 {df16( ef)} 2:16\f :16 :16\< :16 \barNumberCheck#rehearsalThirteen \key e\minor 2:16\fff :16 :16 :16 \repeat unfold 4 2:16 4 r8 \repeat unfold 3 {4 r8 }| 2:16\ff \repeat unfold 3 :16 16\fz 4:16 | 2:16 <<{ c'2:16 c:16 b:16 b:16 c:16 c:16 } \\ { \repeat unfold 6 2:16 }>> s2*0\fz \repeat unfold 4 { c'8:16 d:16 ds:16 e:16 } 8 r r r r | 8 r r r r | 2:16 4:16 :16 4:16 :16 8 r r | << {s2*4 s2*4\ff} { \repeat unfold 4 {g'4:16 g8:16 fs:16 } \repeat unfold 4 g2:16 } \\ { \repeat unfold 4 {e4:16 e8:16 ds:16 } \repeat unfold 4 e2:16 } >> \repeat unfold 4 2:16 8 r r | r4 8[\ub r16 ] \repeat unfold 3 {8 r8 r4} \partPageBreak } cellomA = \relative c { \clef bass \key e \minor s1*0\pp e'4( ~ e16 d8 e16 b2) | c4(~ c16 b8 c16 g2) | a4(~ a16 g8 a16) b8-. r c-. r | b8-. r r4 r2 R1*3 \trCueWhile "flute1mA" "flute 15ma" #UP c, { R1 r2 } r4 r16\ff d,8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r16 d8-> ef16-. a,16-. r8. r16 d8-> ef16-. | a,2(\fp\> c4 ef,) | gf2(\pp f4 ef) | bf'1\pp | d,8.->\< f16\ub af16 bf8. cf8.->\f\>\db af16 gf16 f8.\! bf1\pp es,8.->\< gs16\ub b16 cs8. d8.->\f\>\db b16 a16 gs8.\! 16\f r8. r4 16 r8. r4 | 16 r8. r4 16 r8. r4 | c8-> g''-> e->\< c-> bf-> g-> \once\override TupletBracket #'padding = #2 \cueWhile "trombone1mA" "trombones" #UP \times 2/3{ e-> cs-> as->} | b16\sf r8. b16 r8. r2 R1 %\partPageBreak \barNumberCheck#allegroMolto e4\pp^\pizz r R2 c4 r e4 r e8(\pp^\arco g b b,) e( g b b,) e( g b b,) e2 | e2:16 e2:16 c:16 g':16 g8( b d d,) g8( b d d,) g8( b d d,) b4.\ff ds8\< | fs b4.-> | c4.->\ffz a8 fs e4.-> | ds4.-> fs8\< | b ds4.-> | e4.->\ffz c8 b a4.-> | \barNumberCheck#47 a,2\f a'\fz a, a'\fz a,4 a'\< a, a' | gs,8\fz a4.-> gs8\fz a4.-> a8\fz bf4.-> a8\fz bf4.-> | b8-. cs-. ds-.\\fff g8-. b8-. e4.-> | g4\fz e8-. c-. b-. e,4.-> | e4 r8 b e4 r8 b e4 r | r4 r8 e\f a,4 r r r8 a\f d4 r r r8 d\f g,4 r4 | r4 r8 g\f cs2\ffz g'8(\mf b) b16( a g8) | c,!2\ffz g'8(\mf bf) bf16( a g8) \barNumberCheck#rehearsalTwo cs,2(\mp c) b2(\> a)\p gs2(\> a) gs(\pp a) b( c) cs2\pp ~cs ~cs ~cs ( \barNumberCheck#rehearsalThree d8)\ppp r r4 R2*7 %\partPageBreak << s1^\pizz \ppp \repeat unfold 8 { 4 } \tag#'part { \repeat percent 8 s2 } >> g8-.^\arco bf-. bf16(\< a g8) | a16( c) c( a) c4-> | bf8-. d-. d16( c bf8) | c16( ef) ef( c) ef4-> | d2\f\> ~ d\p ds2\f\> ~ ds\p e8^\pizz b' e r8 e,8 b' e r8 | a,,8 e' a r8 | f,8 c' f r8 | c8 g' c r8 | a,8 e' a r8 | \barNumberCheck#rehearsalFour \partPageBreak 2:16\f :16 :16 2*7/8:16\> s2*1/8\! e'4(\p\< ds) fs( e) g(\fz\> fs8 e) cs2 << \repeat unfold 4 { d8 r \times 2/3{ d d d } } {s2*2\p s2*15/8\> s2*1/8\! } >> s1*0\! b'2\pp ~ b\< b cs\ffz\> d4\p g ~ g2\< ~ g4\> d4 ~ d2 ~ d ~ d ~ d ~ d d,\pp ~d\> ~d ~d \barNumberCheck#rehearsalFive g2\ppp ~g( e)( b) a4( d g,2) a4( d g,2) g2 ~g e b' a4( d, g2) a4( b) b'8(\< g d b) a( c) d( c') b8( g d b) g'\(( e) c( a)\) g'\(( e) c( a)\) c'\(( a) fs( d)\) c'\(( a) fs( d)\) | g4.\ff g8 e d4. | g8. b16 d8-. d-. d4 r8 d,8 g d g d g d g d | g r fs r b, r r4 R2*2 \barNumberCheck#rehearsalSix g'8.\ff\< b16 ds8-. ds-. ds2\fz b8 r8 g4\fz~ | g8 g, g16(b) b(g') | g8.\< b16 \times2/3{ds8 ds ds\!} | ds2\fz ~ds\> ~ds << ds~ { s4\p s4\> } >> ds2 ~ds\pp ~ds e4 r4 R2*3 %\partPageBreak e2\ppp~e e~e | e4^\pizz r8 b8 e4 r8 b | cs4 r8 gs cs4 r8 gs^\arco | \repeat unfold 2 { a8.->\fp a16 fs-.\> e-. r8 R2\! } a8.->\puf a16 f-.\> e-. r8 R2\! a8.->\f a16 f-.\> e-. r8 R2\! \barNumberCheck#rehearsalSeven s2*0\f^\div << \repeat unfold 4 {a8( d) c( a)} \\ \repeat unfold 4 {f8( bf) a( f)} >> c4.\ff ef8 fs a4.-> c-> a8 fs ds4. s2*0\f^\div << \repeat unfold 4 {a'8( d) cs( a)} \\ \repeat unfold 4 {fs8( b) a( fs)} >> ds4.\ff fs8 a c!4.-> ds-> c!8 a fs4. ds8 r ds'8.\fz ds16| ds,8 r ds'8.\fz ds16| d,8 r d'8.\fz d16| d,8 r d'8. d16| \tag #'part \clef tenor cf'8.[ bf16] af8. gf16 f8. ef16 d!8. cf16 | \tag #'part \clef bass bf8. af16 gf8. f16 ef16 ef d! d cf cf bf bf | ef4.\ff gf8 bf ef4.-> gf4-> ef8 cf bf ef,4. | ds,16( fs! b!) b-. fs( b ds) ds-. | \repeat unfold 3 {ds,16(\db fs b) b-. fs( b ds) ds-. } \barNumberCheck#rehearsalEight e4.\ff g8 b e4.-> g4-> e8 c b e,4. s2*0\db \repeat unfold 4 { e,16( g c) c-. g( c e) e-. } f4\ff r8 c | f4 r8 c | f4 r8 c | fs4 r8 c | \repeat unfold 6 {c r} cs r d r ds r r4 R2*7 \partPageBreak s2*0\pp \repeat unfold 4 f2:16 s2*0\< \repeat unfold 4 fs2:16 \barNumberCheck#rehearsalNine s2*0\f e8 r8 r4 e8\pp-\pizz r r4 | c4 r e r | e8(-\arco g b b,) e( g b b,) e( g b b,) | e2 d2:32\pp e2:32 c:32 g':32 e8( g b b,) e(\< g b b,) e( g b b,) | \acciaccatura ds8 b4.\ff ds8-.\< fs-. b4.->\fz c!4.\fz-> a8 fs8 ds4. | cs4.->\< e8-. a-. cs4.->\! d4.\fz-> b8 gs8 d4. | d'4.\fz b8 gs d4. d'4.\fz b8 gs d4. | d8. e16 e8-. d-. | d8.\> e16 e8-. d-. | d8. e16 e8-. d-. | d8. e16 e8-. d-. | \barNumberCheck#rehearsalTen \key gs\minor d8.\p e16 e8-. d-. | d8.\> e16 e8-. d-. | d8.\pp e16 e8-. d-. | d8. e16 e8-. d-. | d8. e16 e8-. d-. | d8. e16 e8-.\> d-. | d2~d ds(\ppp ds') ~ds ds,( ds') ~ds ds,( ds') | << s2\ppp {\repeat unfold 7 { 2 ~ } } \tag#'part { \repeat percent 8 s2 } >> %\partPageBreak gs,8-. b-. b16( as gs8) as16(cs) cs(\< as) cs4 | b8-. ds-. ds16( cs b8) cs16( e) e(cs) e4 | ds2\f\> ~ds\p e\f\>~e\p f,8\p^\pizz c' f r | f, c' f r| \barNumberCheck#rehearsalEleven \set Staff.keySignature = #`() bf,8\< f' bf r | gf, df' gf r | df af' df r | bf, f' bf r\! | f,2:16\ff f:16\> f:16 f:16 f'4(\p\< e) g(f) af(\mf g8 f) d2\fz\> \key af\major ef4(\p ef') ~ ef2 ~ ef\> ~ ef c\mp\< ~c c\fz d\fz\> \override PercentRepeatCounter #'direction = #DOWN \override PercentRepeatCounter #'padding = #0.5 << s2*4\p s2*4\> {\repeat unfold 7 { ef2 ~ } ef } \tag #'part { \repeat percent 8 s2 } >> \revert PercentRepeatCounter #'direction \revert PercentRepeatCounter #'padding ef,2\ppp ~ef~ef~ef \barNumberCheck#rehearsalTwelve af2~af f2( c)( bf4 ef, af2) df4( ef af,2) ~af ~af f2( c')( bf4 ef, af2) df4(ef) c'8( af) ef(c) bf-.\< df-. ef-. df'-. | c( af) ef(c) | af'8( f df bf) af'( f df bf) df'( bf g ef) df'( bf g ef) | af,2\f ~af gf2\< ~gf \barNumberCheck#rehearsalThirteen \key e\minor << {e2:32\fff \repeat unfold 7 e:32 } \tag #'part {\repeat percent 8 s2} >> \repeat unfold 4 { f4 r8 f' } | b,2:16\ff \repeat unfold 3 b:16 c\fz ~c a\fz ~a g\fz ~g a\fz ~a s2*0\fz \repeat unfold 4 {c8:16[ d:16 ds:16 e:16]} g,8 r a r b r c r d r e r fs r g r | a4-> a,8-. r b'4-> b,8-. r | c'8( b) g-. e-. a, r b r | \repeat unfold 2 { e8 b'e b } \repeat unfold 4 {e,8 b} e4.->\ff g8 b e4.-> g4-> e8 c g e4 c8 | g8 e c' g e' c g' e | c'4 b8 g e c b g | e8 r e' r | r4 e8[( r16 e]) \repeat unfold 3 {e8 r8 r4} \partPageBreak } bassmA = \relative c { \clef "bass_8" \key e \minor e2(\pp d) c2( b) a2 e8-. r a-. r e8-. r r4 r2 R1*3 \tag #'part \clef treble \cueWhile "flute1mA" "flute" #UP { R1 r2 } \tag #'part \clef "bass_8" r4 r16\ff d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r4 r4 r16 d8-> ef16-. | a,16-. r8. r16 d8-> ef16-. a,16-. r8. r16 d8-> ef16-. | a,2(\fp\> c4 ef,) | gf2(\pp f4 ef) | bf'4--\pp bf-- bf-- bf-- | bf16 r8. r4 r2 | bf4--\pp bf-- bf-- bf-- | bf16 r8. r4 r2 | b!16\f r8. r4 b16 r8. r4 b16 r8. r4 c16 r8. r4 | c8-> g''-> e->\< c-> bf-> g-> \once\override TupletBracket #'padding = #2 \trCueWhile "trombone1mA" "trombones" #UP c \times 2/3{ e-> cs-> as->} b16\sf r8. b16 r8. r2 R1 \barNumberCheck#allegroMolto e4\pp^\pizz r R2 c4 r e4 r e4 r8 b e4 r8 b e4 r8 b e4 r | e4 r e r c r g' r | g4 r8 d g4 r8 d g4 r8 d | b4.\ff^\arco ds8\< | fs b4.-> | c4.->\ffz a8 fs e4.-> | ds4.-> fs8\< | b ds4.-> | e4.->\ffz c8 b a4.-> | \barNumberCheck#47 a,2\f a'\fz a, a'\fz a,4 a'\< a, a' | gs,8\fz a4.-> gs8\fz a4.-> a8\fz bf4.-> a8\fz bf4.-> | b8-. cs-. ds-.\\fff g8-. b8-. e4.-> | g4\fz e8-. c-. b-. e,4.-> | e4 r8 b e4 r8 b e4 r | r4 r8 e\f a,4 r r r8 a\f d4 r r r8 d\f g,4 r4 | r4 r8 g\f | cs2\ffz R2 c!\ffz R2 \barNumberCheck#rehearsalTwo cs'4^\pizz \mp r c r b\> r a\p r gs\> r a r gs\pp r a r b r c r cs r R2*3 | \barNumberCheck#rehearsalThree d8\ppp r r4 R2*11 \tag#'part \clef treble \cueWhile "violin2mA" "violin II" #UP R2*4 \tag#'part \clef "bass_8" g,,8-.^\arco -\ub bf-.\db bf16(\<\ub a g8) | a16(\db c) c(\ub a) c4->\db | bf8-.\db d-. d16( c bf8) | c16( ef) ef( c) ef4-> | d2\f\> ~ d\p ds2\f\> ~ ds\p e4.\p e8 e4. e8 a,4.\< a8 f4. f8 c'4. c8 a4. a8 | \partPageBreak \barNumberCheck#rehearsalFour e2:16\f e:16 e:16 e2*7/8:16\> s2*1/8\! e'4(\p\< ds) fs( e) g(\fz\> fs8 e) cs2 << \repeat unfold 4 { d8 r \times 2/3{ d d d } } {s2*2\p s2*15/8\> s2*1/8\!} >> s1*0\! ds4(\pp e) fs(\< e) g(\f fs8 e) ef2\ffz\> << \repeat unfold 8 { d8 r \times 2/3{ d d d } } {s2\pp s2\< s2*6\>} >> d8\pp r8 r4 R2*3 \barNumberCheck#rehearsalFive \tag#'part \clef treble \cueWhile "flute1mA" "flute" #UP R2*8 \tag#'part \clef "bass_8" g4^\pizz \pp r g r e r b r a d g,2 | c4 d | b'8(^\arco \< g d b) a(c) d(c') | b8( g d b) g'\(( e) c(a)\) g'\((e) c(a)\) | c'\((a) fs(d)\) c'\((a) fs(d)\) | g4.\ff g8 e d4. | g8.\db b16\ub d8-. d-. | d4 r8 d, | \repeat unfold 4 { g8 d } g8 r fs r b, r r4 R2*2 \barNumberCheck#rehearsalSix g'8.\db\ff\< b16\ub ds8-. ds-. | ds2\fz b8 r8 g4\fz~ | g8 g, g16(b) b(g') | g8.\<\db b16 \times2/3{ds8\ub ds ds\!} | ds2\fz ~ds\> ~ds ~ds4\p r4 | R2*7 e4\ppp^\pizz r R2*15 \barNumberCheck#rehearsalSeven c,4\db\f r8 c16\db c\ub | \repeat unfold 3 {c4 r8 c16 c} c4.\ff ef8 fs a4.->\! c-> a8 fs ds4. s2*0\f \repeat unfold 4 {cs4 r8 cs16 cs} ds4.\ff fs8 a c!4.->\! ds-> c!8 a fs4. ds8 r ds'8.\fz ds16| ds,8 r ds'8.\fz ds16| d,8 r d'8.\fz d16| d,8 r d'8. d16| d8 r af'8.\ff gf16 f8. ef16 d!8. cf16 | bf8. af16 gf8. f16 | ef8-. d!-. cf-. bf-. | ef4.\ff gf8 bf ef4.-> gf4-> ef8 cf bf ef,4. | \repeat unfold 3 { ds4-> fs-> } ds4-> fs8\db b, | \barNumberCheck#rehearsalEight e4.\ff g8 b e4.-> g4-> e8 c b e,4. s2*0\db \repeat unfold 3 { e4-> g-> } e4-> g8\db c, | f4\ff r8 c | f4 r8 c | f4 r8 c | fs4 r8 c | \repeat unfold 6 {c r} cs r d r ds r r4 R2*8 \partPageBreak bf4\pp^\pizz r8 d f af4 r8 | bf4 d8 f fs\< ds b r | r8 ds8 b fs | b a fs ds | b a fs b | \barNumberCheck#rehearsalNine e,8\f r8 r4 e'8\pp r r4 | c4 r e r | e4 r8 b8 e4 r8 b e4 r8 b8 | e4 r | e\pp r e r c r g' r | g4 r8 d g4\< r8 d g4 r8 d | b4.\ff ds8-.\< fs-. b4.->\fz c!4.\fz-> a8 fs8 ds4. | cs4.->\< e8-. a-. cs4.->\! d4.\fz-> b8 gs8 d4. | d'4.\fz b8 gs d4. d'4.\fz b8 gs d4. | d8. e16 e8-. d-. | d8.\> e16 e8-. d-. | d8. e16 e8-. d-. | d8. e16 e8-. d-. | \barNumberCheck#rehearsalTen \key gs\minor d8.\p e16 e8-. d-. | d8.\> e16 e8-. d-. | d8.\pp e16 e8-. d-. | d8. e16 e8-. d-. | d8-. r8 r4 R2*3 ds8^\pizz r8 r4 | r4 ds'8\ppp ds, \repeat unfold 3 { R2 r4 ds'8 ds, } \repeat unfold 4 {gs8 r gs, r R2 } gs8-.\pp^\arco b-. b16( as gs8) as16(cs) cs(\< as) cs4 | b8-. ds-. ds16( cs b8) cs16( e) e(cs) e4 | ds2\f\> ~ds\p e\f\>~e\p f\p ~f \barNumberCheck#rehearsalEleven \set Staff.keySignature = #`() bf,2\< gf df' bf2*7/8 s2*1/8\! f2:16\ff f:16\> f:16 f:16 f'4(\p\< e) g(f) af(\mf g8 f) d2\fz\> \key af\major << {s2*2\p s2\> s2} \repeat unfold 4 { ef8 r \times2/3{ ef ef ef } } >> e4(\mp\< f) g(f) af->(\fz g8 f) | ff2\fz\> << {s2*4\p s2*4\>} \repeat unfold 8{ ef8 r \times2/3{ ef ef ef } } \tag #'part {\repeat percent 8 s2} >> ef8\ppp r r4 R2*3 \barNumberCheck#rehearsalTwelve R2*8 af4\pp^\pizz r af r f r c r bf ef af, r | df(\ub^\arco ef) c'8(af) ef(c) | bf-.\< df-. ef-. df'-. | c8(af) ef(c) | af'( f ef bf) af'( f df bf) df'( bf g ef) df'( bf g ef) | af,2\f ~af gf2\< ~gf \barNumberCheck#rehearsalThirteen \key e\minor << {e2:32\fff \repeat unfold 7 e:32 } \tag #'part {\repeat percent 8 s2} >> \repeat unfold 4 { f4 r8 f' } | b,2:16\ff \repeat unfold 3 b:16 c\fz ~c a\fz ~a g\fz ~g a\fz ~a \repeat unfold 4 { a4 r4 } g8 r a r b r c r d r e r fs r g r | \partPageBreak a4-> a,8-. r b'4-> b,8-. r | c'8( b) g-. e-. a, r b r | \repeat unfold 2 { e8 b'e b } \repeat unfold 4 {e,8 b} e4.->\ff g8 b e4.-> g4-> e8 c g e4 c8 | g8 e c' g e' c g' e | c'4 b8 g e c b g | e8 r e'\db r | r4 e8[\ub( r16 e]) \repeat unfold 3 {e8 r8 r4} }