\version "2.12.3" \header { mutopiatitle = "Suite Bergamasque: Clair de Lune" mutopiacomposer = "DebussyC" mutopiaopus = "L75" mutopiainstrument = "Piano" source = "E. Fromont (1905)" % Plate E. 1404 F. IMSLP #02907 style = "Modern" copyright = "Public Domain" maintainer = "Keith OHara" title = "Suite Bergamasque – Clair de Lune" composer = "Claude Debussy" footer = "Mutopia-2010/12/21-1778" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \pointAndClickOff \paper { %{ #(set-paper-size "letter") annotate-spacing = ##t ragged-bottom = ##t bottom-margin =12 %} #(layout-set-staff-size 18) between-system-padding = 1 ragged-last-bottom = ##f } % Definitios to override page-breaking myExplicitBreak = { \break } myExplicitPageBreak = { \pageBreak } \include "english.ly" % restrain the slope of the beams oflat = { \once\override Beam #'damping = #3 } % Change staff cu = { \change Staff = "upper" } cl = { \change Staff = "lower" } % Suspend collision resolution so notes line up lu = {\once \override NoteColumn #'ignore-collision = ##t } % simpler sustain commands sd = s8\sustainOn su = s8\sustainOff sv = s8\sustainOff\sustainOn \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \tempo"Andante très expressif" \slurUp \phrasingSlurUp r8\pp \cl \( \cu ~ 4. 4.\) ~ | \stemDown \tieDown s8*9 | \dynamicUp \stemUp r8 \lu 4 ~ 2. | \dynamicUp \stemDown s8*9_\markup\italic"con sordina" | 8\( 2.\) ~ | s8*9 | 2.~4. | s8*9 | 8\( \stemUp\tieUp\times 3/2 {df f~} \times 3/2 {f df~} | s4. bf'2._~ | 2.~4. | s8*9 | 8 2.\) ~ | bf8 s1 | 2.~4. | s8*9 | c8\( bf c bf ef bf af bf af ~ | gf2. gf4. | ef2. ef4. | df2. c4. | af8 gf af gf4. f4.\) ~ | ef2. ef4. | \clef bass df2. c4. | \clef bass bf2. a4. | f8\( f gf f bf f ef f ef ~ | df2.~df4. | bf2.^~bf4. | af2. gf4. | ef8 df ef df4. c4. | bf2. af4.| af2. gf4. | f2. \times 3/2 {ef8 af,~} | \barNumberCheck#9 r8 4 \stemNeutral\tieNeutral 4. \) ~ | s8*9 | s8*9 \clef treble | \stemNeutral \once\override Beam #'positions = #'(3 . 3.5) 8 \cu \cl \clef treble ~2. | \stemUp\tieUp 8\( ef f ef2.\) ~ | r8 4~2. | \clef bass r8 4 ~ 2. | \clef bass \stemDown 2. s4. | ef8\( 4. \) ~| s8 af4 s2. | r8 4 4. | 2. s4. | f8\( ef f ef4. df\) ~ | r8 4~2. | r8 4 ~ 2. | 2. s4. | df8\( \< \times 3/2 {\! ~} \times 3/2 { } | s8 af4 f'2. | r8 4 4.~8 r r | \tieDown af2.~af4. | f8 ef f \times 3/2 {ef df\>~} \times 3/2 {df[ bf]\)} s8*0\! | r8 4~2. | \tieUp r8 ef4 ~ \times 3/2 {ef8 df8 ~} df4. | <4~2.}>> | } rhUp = \relative c' \rhUpRed rhDown = \relative c' \rhDownGreen lhUp = \relative c' \lhUpBlue lhDown= \relative c' \lhDownGrey \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#15 \tempo"Tempo rubato" \stemNeutral \tieNeutral \times 3/2 {r8 --(~} -- -- %{ %} -- -- -- | s8*9 | \tieNeutral \times 3/2 {r8\pp \clef treble --~} -- -- %{ %} -- -- -- | 2. s4. | 8-- -- -- %{ %} \times 3/2 {-- --} 4.--)| s8*9 | 8-- -- -- %{ %} \times 3/2 {-- --} 4.--| s8*9 | \times 3/2 {r8 --\(~} -- -- %{ %} -- -- -- | \cl\stemUp bf2. s4. \cu\stemDown | \times 3/2 {r8 \clef treble --~} -- -- %{ %} -- -- -- | \clef bass 2. s4. | 8-- -- -- \times3/2{ -- \acciaccatura{\slurUp ef}-- } 4.--\)~| s8*9 | 8-- -- -- %{ %} \times 3/2 {-- --} 4.--| s8*9 | \barNumberCheck#19 \times 9/6 { 8[( %{ %} ]) } | s8*9^\markup\italic"peu à peu, cresc. et animé . . ." | r8*9/6 \stemDown \times 9/6 {gf8[ af c bf gf] } | << { \clef bass 2. s4.} %{ %} {s4*9/6 \stemUp 4*9/6 4*9/6 } >> | r8 -- -- %{ %} -- -- -- 4.-- | s8*9 | \stemUp r8 \stemNeutral --_( -- %{ %} -- -- -- 4.--) | \stemDown 2. s4. | \stemUp r8*9/6 \times 9/6 {8[( ]) } | s8*9/6 df''4. s8*9/6 gf4*9/6 | \stemUp r8*9/6 \stemDown \times 9/6 {gf8[ af df bf gf] } | << { 2. s4.} %{ %} {s8*9/6 \stemUp 4. s8*9/6 4*9/6 } >> | \stemNeutral r8 -- -- %{ %} -- -- -- 4.-- | s8*9 | \stemUp r8 \stemNeutral --_( -- %{ %} -- -- -- 4.--) | \stemDown 2. s4. | \stemUp r8*9/6 \times 9/6 {8[( ]) } | s8*9/6 4.*9/6 4*9/6 | \stemUp r8*9/6 \stemDown \times 9/6 {gf8[ af ef' df bf] } | << { 2. s4.} %{ %} {s8*9/6 \stemUp 4.*9/6 4*9/6 } >> | \stemNeutral r8 -- -- -- -- %{ %} -- -- -- -- | s8*9 | \stemUp r8 \clef treble --_( -- -- -- %{ %} -- -- -- --) | \stemDown 2. s4. | \stemNeutral \ottava #1 2.--\arpeggio 4.--\arpeggio | s8*9_\markup\whiteout\italic"diminuendo molto" | 2.--\arpeggio 4.--\arpeggio | s8*9 | 2.--\arpeggio \ottava #0 4.--\arpeggio | s8*9 | 2.--\arpeggio 4.--\arpeggio | s8*9 | \myExplicitPageBreak } rhUp = {\rhUp \relative c'' \rhUpRed} rhDown = {\rhDown \relative c \rhDownGreen} lhUp = {\lhUp \relative c' \lhUpBlue } lhDown= {\lhDown \relative c, \lhDownGrey } \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#27 \tempo"Un poco mosso" \newSpacingSection \stemUp 2.( 4 df8 ) | s8*9 \pp| \slurDown \phrasingSlurDown \dynamicUp \stemNeutral \clef bass df16\( af' df f\cu af df\) %{ %} \cl f,,\( c' f\cu af c f\) \cl af,,\( ff' af\cu cf ff af\) \cl | \clef bass \mergeDifferentlyDottedOn df4. f af | 2.( 4 af8 ) | s8*9 | df,,,16\( af' df f\cu af df\) %{ %} \cl f,,\( c' f\cu af c f\) \cl af,,\( ff' af\cu cf af' ff\) \cl | df,4. f af | 4(\< 8 4. 4 8) | s8*9 | df,,16( af' df f af df f af f df af f af f df af df af) | s8*9 | 8\!( 4.) r4. | s4. \slurUp\stemNeutral \cl g'8\( \cu\stemDown f df df8. bf\) | ef16( bf' ef g bf ef g ef bf g ef bf \stemDown ef, bf' ef g ef bf) | s8*9 | bf2.(\p c4 f8) | \stemDown s2. s4 af'16 f | \stemNeutral af16\(ef' gf bf\cu c gf'\)\cl gf,,\( df' gf bf\cu df gf\)\cl f,,\(\2.( 4 df8) | s8 \once\override TextScript #'outside-staff-priority = ##f %{%} s1^\markup\italic"cresc." | \clef bass df,,,16\( af' df f\cu af df\)\cl %{%} af,\( c f af\cu c f\)\cl cf,\( ff af\cu cf ff af\)\cl | df,4. f af | 2.( 4 af8) | s8*9 | df,,,16\( af' df f\cu af df\)\cl %{ %} af,\( c f af\cu c f\)\cl cf,\( ff af\cu cf af' ff\)\cl | df,4. f af | % Use flats so the reader can recognize this as d flat minor, % the same as in the previous measure } rhUp = {\rhUp \relative c' \rhUpRed} rhDown = {\rhDown \relative c' \rhDownGreen} lhUp = {\lhUp \relative c, \lhUpBlue } lhDown= {\lhDown \relative c, \lhDownGrey } \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#37 \tempo"En animant" \key cs \minor \mergeDifferentlyDottedOn \ottava #1 cs4( gs8) e'4( cs8) gs'4( e8) | cs8. cs,16 gs' e e'8. e,16 cs' gs gs'8. gs,16 e' b | \key cs \minor \clef treble \stemUp cs16\( e gs b8.\) e,16\( gs b cs8.\) gs16\( b cs e8.\) | b4.^\markup\italic"più cresc." cs e | gs4.( fs2.) | s8*9 | \stemNeutral gs,16\( a cs\cu gs' cs a\)\cl fs,\( a cs\cu fs cs' a\)\cl fs,\( a cs\cu fs cs' a\)\cl | gs4. fs es | fs2.( a4 cs8) | s8*9 | fs,16\( a cs\cu fs cs' a\)\cl fs,\( a cs\cu fs cs' a\)\cl e,\( a cs e\cu cs' cs,\)\cl | e4. ds cs | \ottava #0 fs,,2.( a4 cs8) | s8*9 | b,16\( ds fs\cu fs cs' a\)\cl a,\( cs e \cu fs cs' a\)\cl gs,\( cs e a\cu e' a\)\cl | b4. a gs | \ottava #1 8\( \times 3/2{ ~} \) | s8*9 \f \ottava #0 | fs,,16^( cs' e fs a cs e fs e cs a fs) e( fs e cs a fs) | \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn fs2. ~ fs4. | 8\( ^~ \) | \dimTextDim s2.\>a,,4.\! | \clef bass fs,16( cs' e fs a cs e cs a fs e cs) fs,( cs' fs, cs' fs, cs') | s8*9 | } rhUp = {\rhUp \relative c''' \rhUpRed} rhDown = {\rhDown \relative c''' \rhDownGreen} lhUp = {\lhUp \relative c' \lhUpBlue } lhDown= {\lhDown \relative c' \lhDownGrey } \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#43 \tempo"Calmato" \key df \major \tieUp 2.( 4 8) | \slurDown gf4(\pp af8 bf4 df8 c4.) | \key df \major af16( ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef' | s8*9 | 2.( 4 8) ~ | gf4( af8 bf4 df8 c4.) | af,16 ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef' af, ef') | s8*9 | 8( 4. ) | s4. df8 bf df bf c ef | af,16( ef af ef' af, ef' af ef af ef' af, ef af ef af, ef' af, ef) | s8*9 | 8( 4. ) | s4. df8 bf df bf c ef | af16( ef af ef' af, ef' af ef af ef' af, ef af ef af ef af ef) | s8*9 | \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn 2.( gf4 bf8) | \slurNeutral\stemDown ef'16 ef,( gf bf gf ef) r ef( gf bf gf ef) s4. | \clef treble \stemUp df'2. \stemNeutral c16_\( ef gf bf \cu c ef\) \cl | gf4_( af8 bf4 df8 c4.) | 2.( gf4 bf8) | \slurNeutral\stemDown ef'16 ef,( gf bf gf ef) r ef( gf bf gf ef) s4. | \stemUp df,2. \stemNeutral c16_\( ef gf bf \cu c ef\) \cl | gf4_( af8 bf4 df8 c4.) | \ottava #1 2.^\( ~ ef4. ~ | s8*9 | \phrasingSlurUp gf,16\( bf df\cu ef gf bf\)\cl gf,16\( bf df\cu ef gf c\)\cl gf,16\( bf df\cu ef gf bf\)\cl | gf'2.~gf4. | 4. df ef\) \ottava #0 | s8*9 | gf,16\( a df\cu ef gf a\)\cl gf,16\( a df\cu ef gf cf\)\cl gf,16\( a df\cu ef gf a\)\cl | gf2.~gf4. | \myExplicitPageBreak } rhUp = {\rhUp \relative c' \rhUpRed} rhDown = {\rhDown \relative c' \rhDownGreen} lhUp = {\lhUp \relative c \lhUpBlue } lhDown= {\lhDown \relative c' \lhDownGrey } \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#51 \tempo"a Tempo 1º" \newSpacingSection \stemNeutral r4._\markup\dynamic"ppp" \ottava #1 4.\( f4. ~ | \stemDown \tieDown s8*9 | \stemUp f16_\( af c f af c \cu\hideNotes af'4.\) \unHideNotes\cl r4. | f2._- f4._- | f8 2.\) ~ | s8*9 | f,,16( a c ef f a) r4. r4.| f2._- f4._- | \stemUp 8\( \times 3/2 { ~} \times 3/2 { ~} | s4. bf'2._~ | f,16( af bf df f af) r4. r4.| f2._- f4._- | \tieUp 8 2.\) | bf8 s1 | ef,16( gf af c ef gf) r4. r4.| ef2._- ef4._- | \barNumberCheck#55 \ottava #0 r8 \( bf ef bf af bf af ~ | s4. gf f ~ | df,16 ef gf bf df ef r4. 4.\arpeggio | \slurDown df2.( c4.) | af8 4. \) ~ | f8 s1 | \clef bass c,16 gf' bf c ef gf bf4. | c,2.( f4.) | f8\( f bf f ef f ef ~ | s4. df df | \clef treble af16 bf df f af bf r4. 4.\arpeggio | af2.( gf4.) | ef8 4. 4. | s8*9 | f16( af bf df f af) r4. \clef bass 4. | f2. \times 3/2{ef8 af,} | \barNumberCheck#59 \ottava #0 r8 4 \stemNeutral 4. \) ~ | s8*9 | \stemNeutral\tieUp \once\override Beam #'positions = #'(3 . 3.5) 8[ \cu \cl \clef treble ]~2. | s4. cf'2._> | \stemUp 8( ef f ef2.) ~ | r8 4~2. | \clef bass \stemUp r8 4 ~ 2. | 2. s4. | ef8( 4. ) ~| r8 af4 s2. | \slurUp r8 4 4. df | << {af2. s4.} {s4. cf'2.} >> | f8( ef f ef4. df) | r8 4~2. | r8 ef4~ef4. df4. | << {bf,2. s4.} {s8 4~2.} >> | r8 df,( ef 4. 4.) | \slurDown s8 af,4( df4.) s | s8*9 | f,2.~f4. | r8 gf( af 4. 4.) | s8 4( gf4.) s | s8*9 | ef2.*1/2 ef'4.^( ef') | r8 bf( c 4. 4.) | s8 4( af4.) s | \times 3/2 {af,8\( ef'8}\clef treble \stemNeutral af''4. \clef bass af,,\) | af,,2. s4. | } rhUp = {\rhUp \relative c''' \rhUpRed} rhDown = {\rhDown \relative c'' \rhDownGreen} lhUp = {\lhUp \relative c' \lhUpBlue } lhDown= {\lhDown \relative c' \lhDownGrey } \parallelMusic #'(rhUpRed rhDownGreen lhUpBlue lhDownGrey) { \barNumberCheck#66 r4\ppp^\markup\italic"morendo jusqu'à la fin" s8 r4 s8 r4 s8 | s8*9 | \slurDown\phrasingSlurDown\stemNeutral df16\( af' df f\cu af df\)\cl f,,\( c' f\cu af c f\)\cl df,,\( af' df f\cu af df\)\cl | df4. f df | r4 s8 cf4.( df) | s4 s8 af4. ff | f,,16\( c'f \cu af c f\)\cl\stemUp af,,\(ff' af cf ff gf af4.\) | f4. af2. | r4 s8 r4 s8 r4 s8 | s8*9 | \stemNeutral df,,16\( af' df f\cu af df\)\cl f,,\( c' f\cu af c f\)\cl df,,\( af' df f\cu af df\)\cl | df4. f df | r4 s8 \ottava #1 cf'4.( df) | s4 s8 af'2. | f,,16\( c' f\cu af c f\)\cl\stemUp\clef treble af,,\(cf ff af cf ff~ff4.\) | f4. af2. | cf4.( df ff) | af2. s4. | af,,16\( cf ff af cf ff~ff4.\) \clef bass af,,,4. | af2. s4. | s8*9 | \tieNeutral 2. ~ 4. | df,16\( af' df f! af df \clef treble f8 af df f af df\) | df,,2. s4. | s8*9 | 2.\arpeggio r4. | 2.\arpeggio r4. | s8*9 | } rhUp = {\rhUp \relative c'' \rhUpRed} rhDown = {\rhDown \relative c'' \rhDownGreen} lhUp = {\lhUp \relative c, \lhUpBlue } lhDown= {\lhDown \relative c, \lhDownGrey } \score { \new PianoStaff << \override Score.SpacingSpanner #'shortest-duration-space = #1.7 % The 'piano' accidental style has extraNaturals false by default %\set PianoStaff.extraNatural = ##f #(set-accidental-style 'piano 'Score) \set PianoStaff.printKeyCancellation = ##f \override PianoStaff.DynamicLineSpanner #'staff-padding = #2 \override PianoStaff.DynamicText #'self-alignment-X = #LEFT \new Staff = "upper" << \key df \major \time 9/8 \override PianoStaff.PhrasingSlur #'height-limit = #5 \new Voice = "red" { %{colorize } \override NoteHead #'color = #red %} \rhUp } \new Voice = "green" { %{colorize } \override NoteHead #'color = #green %} \rhDown } \new Voice = "dynamics" { } >> \new Staff = "lower" << \key df \major \time 9/8 \new Voice = "blue" { %{colorize } \override NoteHead #'color = #blue %} \lhUp } \new Voice = "grey" { %{colorize } \override NoteHead #'color = #grey %} \lhDown \bar "|." } \new Voice = "pedal" { \set Staff.pedalSustainStyle = #'bracket } >> >> \layout { \context { \Score %\consists "Span_arpeggio_engraver" } } \midi { %% Remove the dynamics from the midi output \context { \Voice \remove "Dynamic_performer" } } }