%%% Hinweise zum Editieren auf Deutsch: %%%
%%%
% Um eine etwas bessere midi-Ausgabe zu erzeugen, kann man folgendes tun:
% 1. alle Zeilen, die mit "% no-midi" enden, auskommentieren.
% 2. alle Zeilen, die mit "% MIDI" enden, einkommentieren.
% Die so erzeugte Datei "letter-PS-chopin-25-02-i.midi" sollte man dann unter
% Die anschlie�end durch die �bersetzung mit lilypond erzeugte Datei
% "letter-PS-chopin-25-02-i.midi"
% sollte man dann unter einem anderen Namen, z.B.
% "midi-PS-chopin-op-25-02-i.midi",
% speichern, bevor man die Schritte 1. und 2. wieder raeckgaengig macht,
% um wieder den korrekten Notentext zu erhalten.
%%%
% Die vertikale Position der Zeilen ist nicht immer automatisch optimal,
% deshalb habe ich eine Fein-Einstellung vorgenommen mit:
% (Y-offset . 52)
% Das geht natuerlich nur im Zusammenhang mit:
% \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
% Da bei allen Zeilenwechseln ohnehin schon eine Festlegung der
% Systemhoehe existiert:
% #'((fixed-alignment-extra-space . -8.5))
% brauchte ich nur noch den Wert fuer Y-offset an der richtigen Stelle
% einzufuegen, also z.B. jeweils die 2. Zeile der Zeilen:
% \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
% #'((fixed-alignment-extra-space . -8.5))
% durch z.B. folgende zu ersetzen:
% #'((fixed-alignment-extra-space . -8.5) (Y-offset . 52))
% Dabei habe ich aber die urspruengliche Zeile stehen lassen und
% auskommentiert.
% Wenn man also nun diese Datei veraendern moechte, dann sollte man die
% auskommentierten Zeilen einkommentieren und die anderen
% auskommentieren. Die entsprechenden Zeilen sind leicht direkt
% anzusprechen, da ich sie am Ende markiert habe mit:
% % mit Zeilen-Korrektur
% bzw.
% % ohne Zeilen-Korrektur
%%% Tips for editing in English: %%%
%%%
% To get a little better midi-output, you can do the following:
% 1. outcomment all lines, which end with "% no-midi".
% 2. incomment all lines, which end with "% MIDI".
% After compiling again with lilypond the generated file
% "letter-PS-chopin-25-02-i.midi"
% should be copied under another name, par example
% "midi-PS-chopin-op-25-02-i.midi",
% before doing step 1 and 2 vice versa to get the correct score again.
%%%
% The vertical position of the staff-lines isn't always created very
% fine by lilypond, so I've fine-tuned them with:
% (Y-offset . 52)
% This is only possible together with:
% \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
% Since I've determined the height for each System-line with:
% #'((fixed-alignment-extra-space . -8.5))
% there was only to add the number for the Y-offset at the correct
% point, par example the second of the following two lines:
% \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
% #'((fixed-alignment-extra-space . -8.5))
% to change with:
% #'((fixed-alignment-extra-space . -8.5) (Y-offset . 52))
% The old lines I've leaved and commented out.
% Now if somebody wishes to change this file for his own purposes, he
% should the outcommented lines incomment and the others outcomment. The
% concerning lines are easily to find, because they are marked at the
% end with:
% % mit Zeilen-Korrektur
% btw.
% % ohne Zeilen-Korrektur
% Anmerkung zum Notentext auf Deutsch:
% Das "dim. e piu rit." (Takt 66-67) habe ich ersetzt durch ein "dim.", aus
% folgenden zwei Gruenden:
%
% 1. Nach dem letzten "a tempo" steht ja vorher kein "rit.", wodurch ein "piu"
% unmoeglich wird.
%
% 2. Nur Konrad Hansen schreibt genauso wie Herrmann Scholz, die folgenden fuenf
% Ausgaben haben nur "dim.":
% Die vier Fassungen, die unter
% veroeffentlicht sind,
% und G. Henle.
% Notes to the notation-text in English:
% I've changed the "dim. e piu rit." (Bar 66-67) by "dim." for the following two
% reason:
%
% 1. After the last "a tempo" there was no "rit." before, so a "piu rit." is
% impossible.
%
% 2. Only Konrad Hansen writes exactly like Herrmann Scholz, the following five
% editions have simply "dim.":
% The four versions, which are published under
% ,
% and G. Henle.
%lastupdated = #(strftime "Fassung vom %d. %B %Y, %H:%M Uhr" (localtime (current-time)))
footer = #(strftime "Mutopia-%Y/%B/%d-xxx" (localtime (current-time)))
\version "2.8.1"
\header {
filename = "letter-PS-chopin-25-02-i.ly"
title = \markup \fontsize #1 { "Etüde f-moll" }
%subsubtitle = \lastupdated
composer = \markup \large { "Frédéric Chopin (1810 - 1849)" }
opus = \markup \center-align { \fontsize #-11 " " \normalsize "Opus 25 Nr. 2" }
enteredby = "Roland Goretzki"
mutopiatitle = "Etüde f-moll"
mutopiacomposer = "ChopinFF"
mutopiaopus = "Op. 25, No. 2"
mutopiainstrument = "Piano"
date = "1832-1837"
source = "Peters, Herrmann Scholtz, 1900b"
style = "Romantic"
copyright = "Public Domain"
maintainer = "Roland Goretzki"
maintainerEmail = "roland@roland-goretzki.de"
maintainerWeb = "http://www.roland-goretzki.de/"
lastupdated = "2006/May/09"
footer = "Mutopia-2006/05/10-757"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
global = {
\key f \minor
\time 2/2
\partial 4
s4
s1*69
\bar "|."
}
#(set-global-staff-size 20)
#(set-default-paper-size "letter") % letter
\paper{ % letter
top-margin = .6\cm % letter
page-top-space = .8\cm % letter
left-margin = 1\cm % letter
line-width = 19.79\cm % letter
paper-width = 8.5\in % letter
paper-height = 11\in % letter
before-title-space = 0\cm % letter
%after-title-space = 1\cm % letter
printfirst-page-number = ##f % letter
print-page-number = ##t % letter
%between-system-space = 1\cm % letter
between-system-padding = #.7 % letter
ragged-bottom=##f % letter
ragged-last-bottom=##f % letter
bottom-margin = .6\cm % letter
} % letter
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% Beginn des Definitionsteils %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
%
TriolenZahlOben = \override TupletBracket #'direction = #1
TriolenZahlUnten = \override TupletBracket #'direction = #-1
KlammerWeg = \override TupletBracket #'bracket-visibility = ##f
TriolenZahlWeg = \override TupletNumber #'transparent = ##t
TriolenZahl = \override TupletNumber #'transparent = ##f
%
HalbeSpanner = \set tupletSpannerDuration = #(ly:make-moment 1 2)
ViertelSpanner = \set tupletSpannerDuration = #(ly:make-moment 1 4)
ViertelBalken = \set Staff.beatLength = #(ly:make-moment 1 4)
%
oben = \change Staff = up
unten = \change Staff = down
%
Extraspace = \once\override Score.SeparationItem #'padding = #.2
HalbExtraSpace = \once\override Score.SeparationItem #'padding = #.5
%
KlammerR = \markup { \fontsize #'-2 \musicglyph #"accidentals.rightparen" }
KlammerL = \markup { \fontsize #'-2 \musicglyph #"accidentals.leftparen" }
KlammerPaar = \markup { \fontsize #'-2 {
\musicglyph #"accidentals.leftparen" \hspace #1 \musicglyph #"accidentals.rightparen" } }
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Text verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Text dx dy #:optional once)
(ly:export (mus:override 'Bottom 'TextScript 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Keil verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Keil dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Hairpin 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Bogen verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Bogen dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Slur 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% PhrasierungsBogenKurve %%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (PhrasierungsBogenKurve dy #:optional once)
(ly:export (mus:override 'Bottom 'PhrasingSlur 'height-limit dy once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% BogenKurve %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (BogenKurve dy #:optional once)
(ly:export (mus:override 'Bottom 'Slur 'height-limit dy once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% KlammerZahl verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (KlammerZahl dx dy #:optional once)
(ly:export (mus:override 'Bottom 'TupletBracket 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Finger verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Finger dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Fingering 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Dynamik verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Dynamik dx dy #:optional once)
(ly:export (mus:override 'Bottom 'DynamicText 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Akzent verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Akzent dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Script 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%% Triole verschieben %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (Triole dx dy #:optional once)
(ly:export (mus:override 'Bottom 'TupletNumber 'extra-offset (cons dx dy) once)))
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% %
%%%%%%%%% Ende des Definitionsteils %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% Beginn der einzelnen Stimmen:
rechts = \relative c'{
\set Staff.midiMinimumVolume = #-.5
\set Staff.midiMaximumVolume = #1
\context Voice = "rechts"
\override GrandStaff.InstrumentName #'extra-offset = #'(-1.7 . -.6)
\override GrandStaff.InstrumentName #'font-size = #'3
\set GrandStaff.instrument = \markup { \number { 14 \hspace #-1 . } }
\once\override Score.RehearsalMark #'extra-offset = #'(0 . 3.5)
\override Score.RehearsalMark #'self-alignment-X = #'-1
\mark \markup { Presto { (
\fontsize #'-2 { \general-align #Y #DOWN \note #"2" #.8 = 112 } ) } }
%%%%%%%%%%%%%%%%%%%%%%
%%% Beginn : %%%
%
\set Staff.extraNatural = ##f
#(BogenKurve 5 #f)
#(Text -.4 1.8 #t)
#(Dynamik 0 -2.5 #t)
\once\override Voice.DynamicText #'transparent = ##t
c'4%N
-3%F
_2%F
_\markup { \fontsize #'-2 \musicglyph #"accidentals.leftparen" }
\p
(
% _______________ % Auftakt __ >
\KlammerWeg\ViertelBalken\ViertelSpanner\TriolenZahlOben
\times 2/3 {
\override Fingering #'avoid-slur = #'inside
#(Text -9.5 -.4 #t)
c8%N
-2%F
_1%F
-\markup { \dynamic p \italic { molto \hspace #'-.04 legato } }
des%N
_4%F
h%N
_2%F
c%N
_1%F
es%N
des%N
#(Triole 0 1.6 #t)
c%N
-1%F
des%N
-3%F
_4%F
h!%N
-1%F
_2%F
#(Triole 0 1.6 #t)
c%N
-2%F
_1%F
fis%N
-4%F
g%N
% _______________ % Takt 1 __ >
\TriolenZahlWeg
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
es%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\markup { \fontsize #'-2 \musicglyph #"accidentals.rightparen" }
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 2 __ >
%\Axpiano
e%N
f%N
e%N
dis%N
e%N
-1%F
g%N
-2%F
b%N
-3%F
c%N
b%N
a%N
-1%F
b%N
-2%F
des!%N
% _______________ % Takt 3 __ >
c%N
-3%F
des%N
c%N
h%N
c%N
g%N
-1%F
%\Axforget
as%N
-2%F
%\Axdefault\Axpiano
b%N
-4%F
as%N
-3%F
g%N
as%N
e%N
% _______________ % Takt 4 __ >
f%N
-2%F
g%N
-4%F
f%N
-3%F
e%N
f%N
c%N
des%N
-2%F
es%N
-4%F
des%N
-3%F
c%N
des%N
h%N
% _______________ % Takt 5 __ >
c%N
-2%F
des%N
-4%F
c%N
-3%F
h%N
c%N
g%N
as%N
-2%F
b%N
-4%F
as%N
-3%F
g%N
as%N
f%N
-2%F
% _______________ % Takt 6 __ >
e%N
-1%F
g%N
b%N
des%N
-4%F
e%N
-1%F
g%N
b%N
-3%F
des%N
-5%F
c%N
b%N
as%N
g%N
% _______________ % Takt 7 __ >
b%N
-3%F
c%N
as%N
g%N
-1%F
as%N
-4%F
f%N
-2%F
e%N
-1%F
g%N
-3%F
f%N
e%N
f%N
-4%F
des!%N
-2%F
% _______________ % Takt 8 __ >
c%N
-1%F
#(Text -.4 1.8 #t)
des%N
-3%F
_4%F
_\markup { \fontsize #'-2 \musicglyph #"accidentals.leftparen" }
h%N
-1%F
_2%F
c%N
-2%F
_1%F
es%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
fis%N
-4%F
g%N
% _______________ % Takt 9 __ >
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\markup { \fontsize #'-2 \musicglyph #"accidentals.rightparen" }
es%N
des%N
c%N
-1%F
des%N
-3%F
h%N
-1%F
c%N
-2%F
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 10 __ >
es!%N
f%N
es%N
d%N
es%N
g%N
-1%F
b%N
-3%F
c%N
b%N
a%N
-1%F
b%N
f'%N
% _______________ % Takt 11 __ >
es%N
f%N
es%N
-3%F
d%N
es%N
h%N
-1%F
c%N
-2%F
des%N
-4%F
c%N
-3%F
h%N
c%N
g%N
% _______________ % Takt 12 __ >
as%N
-2%F
b!%N
-4%F
as%N
-3%F
g%N
as%N
e%N
f%N
-2%F
g%N
-4%F
f%N
-3%F
e%N
f%N
-4%F
des%N
-2%F
% _______________ % Takt 13 __ >
c%N
-1%F
des%N
-3%F
b%N
-2%F
g%N
-1%F
as%N
b%N
c%N
-1%F
des%N
es%N
f%N
-1%F
g%N
as%N
% _______________ % Takt 14 __ >
g%N
as%N
f%N
es%N
-3%F
f%N
des%N
c%N
des%N
-4%F
b%N
-2%F
c%N
-5%F
f,%N
-1%F
g%N
% _______________ % Takt 15 __ >
as%N
b%N
as%N
g%N
as%N
a%N
-1%F
b%N
-2%F
c%N
-4%F
b%N
-3%F
c%N
-5%F
f,!%N
-1%F
g%N
% _______________ % Takt 16 __ >
as!%N
b%N
as%N
g%N
as%N
a%N
-1%F
b%N
-2%F
c%N
-4%F
b%N
-3%F
c%N
-5%F
f,!%N
g%N
% _______________ % Takt 17 __ >
as!%N
-3%F
b%N
-4%F
as%N
-2%F
g%N
as%N
b%N
#(Text -.4 2 #t)
c%N
-4%F
_1%F
_\KlammerPaar
des%N
-3%F
c%N
h%N
c%N
des%N
% _______________ % Takt 18 __ >
c%N
-1%F
des%N
-3%F
c%N
-2%F
h%N
c%N
des%N
c%N
-1%F
#(Text -.4 1.8 #t)
des%N
-3%F
_4%F
_\KlammerL
c%N
-2%F
_2%F
des%N
_3%F
c%N
-1%F
_1%F
des%N
-3%F
_2%F
)
% _______________ % Takt 19 __ >
c%N
-2%F
_1%F
(
des%N
-3%F
_4%F
h%N
_2%F
c%N
_1%F
es%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
fis%N
-4%F
g%N
% _______________ % Takt 20 __ >
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\KlammerR
es%N
des%N
c%N
-1%F
des%N
-3%F
h%N
-1%F
c%N
-2%F
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 21 __ >
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
e%N
f%N
e%N
dis%N
e%N
-1%F
g%N
-2%F
b%N
-3%F
c%N
b%N
a%N
-1%F
b%N
des!%N
% _______________ % Takt 22 __ >
c%N
-3%F
des%N
c%N
h%N
c%N
g%N
-1%F
as%N
-2%F
b%N
-4%F
as%N
-3%F
g%N
as%N
e%N
% _______________ % Takt 23 __ >
f%N
-2%F
g%N
-4%F
f%N
-3%F
e%N
f%N
c%N
des%N
-2%F
es%N
-4%F
des%N
-3%F
c%N
des%N
h%N
% _______________ % Takt 24 __ >
c%N
-2%F
des%N
-4%F
c%N
-3%F
h%N
c%N
g%N
as%N
-2%F
b%N
-4%F
as%N
-3%F
g%N
as%N
f%N
-2%F
% _______________ % Takt 25 __ >
e%N
-1%F
g%N
b%N
des%N
-4%F
e%N
-1%F
g%N
b%N
-3%F
des%N
-5%F
c%N
b%N
as%N
g%N
% _______________ % Takt 26 __ >
b%N
-3%F
c%N
as%N
g%N
-1%F
as%N
-4%F
f%N
-2%F
e%N
-1%F
g%N
-3%F
f%N
e%N
f%N
-4%F
des%N
-2%F
% _______________ % Takt 27 __ >
c%N
-1%F
#(Text -.4 1.8 #t)
des%N
-3%F
_4%F
_\KlammerL
h%N
-1%F
_2%F
c%N
-2%F
_1%F
es!%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
fis%N
-4%F
g%N
% _______________ % Takt 28 __ >
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\KlammerR
es%N
des%N
c%N
-1%F
des%N
-3%F
h%N
-1%F
c%N
-2%F
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 29 __ >
es!%N
f%N
es%N
d%N
es%N
g%N
-1%F
b%N
c%N
b%N
a%N
-1%F
b%N
f'%N
% _______________ % Takt 30 __ >
es%N
f%N
es%N
-3%F
d%N
es%N
h%N
-1%F
c%N
-2%F
des%N
-4%F
c%N
-3%F
h%N
c%N
g%N
% _______________ % Takt 31 __ >
as%N
-2%F
b!%N
-4%F
as%N
-3%F
g%N
as%N
e%N
f%N
-2%F
g%N
-4%F
f%N
-3%F
e%N
f%N
-4%F
des%N
-2%F
% _______________ % Takt 32 __ >
c%N
-1%F
des%N
-3%F
b%N
-2%F
g%N
-1%F
as%N
b%N
c%N
-1%F
des%N
es%N
f%N
-1%F
g%N
as%N
% _______________ % Takt 33 __ >
g%N
as%N
f%N
es%N
-3%F
f%N
des%N
c%N
des%N
-4%F
b%N
-2%F
c%N
-5%F
f,%N
-1%F
g%N
% _______________ % Takt 34 __ >
as%N
b%N
as%N
g%N
as%N
a%N
-1%F
b%N
-2%F
c%N
-4%F
b%N
-3%F
c%N
-5%F
f,!%N
-1%F
g%N
% _______________ % Takt 35 __ >
as!%N
b%N
as%N
g%N
as%N
a%N
-1%F
b%N
-2%F
c%N
-4%F
b%N
-3%F
c%N
-5%F
f,!%N
g%N
% _______________ % Takt 36 __ >
as!%N
-3%F
b%N
-4%F
as%N
-2%F
g%N
as%N
b%N
c%N
-1%F
des%N
-3%F
c%N
-2%F
h%N
c%N
des%N
% _______________ % Takt 37 __ >
es%N
f%N
-5%F
es%N
-3%F
f%N
-4%F
es%N
des%N
c%N
-1%F
des%N
-3%F
c%N
-2%F
des%N
-4%F
g,!%N
-1%F
a%N
% _______________ % Takt 38 __ >
b%N
c%N
b%N
a%N
b%N
h%N
-1%F
c%N
-2%F
des%N
-4%F
c%N
-3%F
des%N
-4%F
g,!%N
-1%F
a%N
% _______________ % Takt 39 __ >
b!%N
c%N
b%N
a%N
b%N
h%N
-1%F
c%N
-2%F
des%N
-4%F
c%N
-3%F
des%N
-4%F
g,!%N
-1%F
a%N
% _______________ % Takt 40 __ >
b%N
c%N
b%N
a%N
b%N
c%N
-1%F
d%N
-2%F
es%N
-4%F
d%N
-3%F
cis%N
-2%F
d%N
-1%F
es%N
% _______________ % Takt 41 __ >
f%N
g%N
-4%F
f%N
-3%F
g%N
-5%F
f%N
es%N
d%N
es%N
d%N
es%N
-4%F
a,%N
-1%F
h%N
% _______________ % Takt 42 __ >
c%N
des!%N
c%N
h%N
c%N
-1%F
#(Text -.4 2 #t)
g'%N
-5%F
_2%F
_\KlammerPaar
as%N
-3%F
b!%N
as%N
g%N
as%N
e%N
% _______________ % Takt 43 __ >
f%N
-3%F
g%N
-5%F
f%N
-4%F
es!%N
des%N
c%N
b%N
-4%F
as%N
g%N
f%N
g%N
as%N
% _______________ % Takt 44 __ >
g%N
-1%F
des'%N
-4%F
c%N
h%N
-2%F
c%N
-1%F
#(Text -.4 2 #t)
g'%N
-5%F
_2%F
_\KlammerPaar
as%N
-3%F
b!%N
as%N
g%N
as%N
e%N
% _______________ % Takt 45 __ >
f%N
-3%F
g%N
-5%F
f%N
-4%F
es!%N
des%N
c%N
b%N
-4%F
as%N
g%N
f%N
g%N
as%N
% _______________ % Takt 46 __ >
g%N
-1%F
g'%N
f%N
e%N
des%N
c%N
b%N
-4%F
as%N
g%N
f%N
g%N
as%N
% _______________ % Takt 47 __ >
g%N
-1%F
g'%N
f%N
e%N
des%N
c%N
b%N
-4%F
as%N
g%N
f%N
g%N
as%N
% _______________ % Takt 48 __ >
g%N
-1%F
des'%N
-3%F
c%N
h%N
c%N
des%N
c%N
-1%F
des%N
-3%F
c%N
-2%F
h%N
c%N
des%N
% _______________ % Takt 49 __ >
c%N
-1%F
des%N
-3%F
c%N
-2%F
h%N
c%N
des%N
c%N
-1%F
des%N
-3%F
c%N
-2%F
des%N
c%N
-1%F
\override Fingering #'avoid-slur = #'outside
#(Text -.4 1.8 #t)
des%N
-3%F
_2%F
_\KlammerL
)
% _______________ % Takt 50 __ >
c8%N
-2%F
_1%F
(
\override Fingering #'avoid-slur = #'inside
des%N
_4%F
h%N
_2%F
c%N
_1%F
es%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
% Vor dem folgenden h sollte ein Auflösungszeichen stehen:
h%N
-1%F
_2%F
c%N
_1%F
-2%F
fis%N
-4%F
g%N
% _______________ % Takt 51 __ >
\TriolenZahlWeg
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
es%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\KlammerR
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 52 __ >
%\Axpiano
e%N
f%N
e%N
dis%N
e%N
-1%F
g%N
-2%F
b%N
-3%F
c%N
b%N
a%N
-1%F
b%N
des!%N
% _______________ % Takt 53 __ >
c%N
-3%F
des%N
c%N
h%N
c%N
g%N
-1%F
%\Axforget
as%N
-2%F
%\Axdefault\Axpiano
b%N
-4%F
as%N
-3%F
g%N
as%N
e%N
% _______________ % Takt 54 __ >
f%N
-2%F
g%N
-4%F
f%N
-3%F
e%N
f%N
c%N
des%N
-2%F
es%N
-4%F
des%N
-3%F
c%N
des%N
h%N
% _______________ % Takt 55 __ >
c%N
-2%F
des%N
-4%F
c%N
-3%F
h%N
c%N
g%N
as%N
-2%F
b%N
-4%F
as%N
-3%F
g%N
as%N
f%N
-2%F
% _______________ % Takt 56 __ >
e%N
-1%F
g%N
b%N
des%N
-4%F
e%N
-1%F
g%N
\override Fingering #'avoid-slur = #'outside
#(Text 0 1.3 #t)
b%N
-3%F
^\markup { \italic { poco rit. } }
)
\override Fingering #'avoid-slur = #'outside
des-.%N
-5%F
(
c-.%N
b-.%N
as-.%N
g-.%N
)
% _______________ % Takt 57 __ >
#(Finger -.6 -2.1 #t)
#(Text -1 -.6 #t)
#(BogenKurve 4 #t)
b%N
-3%F
^\markup { \italic { a tempo } }
(
\override Fingering #'avoid-slur = #'inside
c%N
as%N
g%N
-1%F
as%N
-4%F
f%N
-2%F
e%N
-1%F
g%N
-3%F
f%N
e%N
f%N
-4%F
des%N
-2%F
% _______________ % Takt 58 __ >
c%N
-1%F
#(Text -.4 1.8 #t)
des%N
-3%F
_4%F
_\KlammerL
h%N
-1%F
_2%F
c%N
-2%F
_1%F
es!%N
des%N
c%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
c%N
-2%F
_1%F
fis%N
-4%F
g%N
% _______________ % Takt 59 __ >
c,%N
-1%F
des%N
-3%F
_4%F
h%N
-1%F
_2%F
#(Text 1.6 1.8 #t)
c%N
-2%F
_1%F
_\KlammerR
es%N
des%N
c%N
-1%F
des%N
-3%F
h%N
-1%F
c%N
-2%F
as'%N
-5%F
f%N
-4%F
% _______________ % Takt 60 __ >
e%N
f%N
e%N
dis%N
e%N
-1%F
g%N
b%N
-3%F
c%N
b%N
a%N
-1%F
b%N
des!%N
% _______________ % Takt 61 __ >
c%N
-1%F
as'%N
-4%F
g%N
ges%N
f%N
e%N
-3%F
es%N
d%N
des%N
-3%F
c%N
ces%N
b%N
-4%F
% _______________ % Takt 62 __ >
a%N
as%N
g%N
f'%N
-5%F
des%N
-3%F
b%N
-2%F
g%N
-1%F
#(Text -.4 2 #t)
f%N
-5%F
_4%F
_\KlammerPaar
des%N
-3%F
b%N
-2%F
g%N
-1%F
des'%N
-3%F
% _______________ % Takt 63 __ >
c%N
des%N
h%N
-1%F
c%N
-4%F
as%N
-2%F
b%N
c%N
-1%F
des%N
-3%F
c%N
-2%F
des%N
f%N
-5%F
es%N
% _______________ % Takt 64 __ >
c%N
-1%F
des%N
-4%F
% Vor dem folgenden b sollte kein Vorzeichen stehen:
b!%N
-2%F
c%N
-3%F
es%N
-5%F
des%N
b%N
-2%F
c%N
as%N
-1%F
b%N
-3%F
des%N
-5%F
c%N
#(Akzent 0 2 #t)
#(Bogen 0 3 #t)
% _______________ % Takt 65 __ >
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=110
\override Fingering #'avoid-slur = #'outside
f,%N
^>
)
#(PhrasierungsBogenKurve 7 #t)
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=108
c''%N
-5%F
\(
\override Fingering #'avoid-slur = #'inside
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=105
b%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=102
as%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=98
g%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=94
f%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=90
es%N
-3%F
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=85
des%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=80
c%N
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=75
b%N
-2%F
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=70
c%N
-1%F
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=65
des%N
% _______________ % Takt 66 __ >
c%N
c'%N
-5%F
b%N
as%N
g%N
f%N
es%N
-3%F
des%N
c%N
b%N
-2%F
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=35
c%N
-3%F
\once\override Score.MetronomeMark #'transparent = ##t \tempo 2=10
%%%% ------------------------------------------ --- % MIDI
%%%% BEGINN AUSTAUSCH - BLOCK M I D I --- % MIDI
%%%% --- % MIDI
%\times 2/3 { % % MIDI
%\once\override Score.MetronomeMark % % MIDI
%#'transparent = ##t \tempo 2=35 % % MIDI
%es16 % % MIDI
%\once\override Score.MetronomeMark % % MIDI
%#'transparent = ##t \tempo 2=15 % % MIDI
%des16. % % MIDI
%\once\override Score.MetronomeMark % % MIDI
%#'transparent = ##t \tempo 2=8 % % MIDI
%c32 % % MIDI
%\once\override Score.MetronomeMark % % MIDI
%#'transparent = ##t \tempo 2=50 % % MIDI
%} } % % MIDI
%\stemUp % MIDI
%\override Fingering #'avoid-slur = #'inside % MIDI
%#(Dynamik .5 -2.4 #t) % MIDI
%c2-\f % MIDI
%\arpeggio % MIDI
%c4-\p c-\pp % MIDI
%%%% --- % MIDI
%%%% Ende AUSTAUSCH - BLOCK M I D I --- % MIDI
%%%% ------------------------------------------ --- % MIDI
%%% ------------------------------------------ --- % no-midi
%%% BEGINN AUSTAUSCH - BLOCK nicht-midi --- % no-midi
%%% --- % no-midi
\override Slur #'direction = #1 % % no-midi
\override Fingering #'avoid-slur = #'outside % % no-midi
\set fontSize = #-2 % % no-midi
#(Bogen -.2 1.5 #t) % % no-midi
\grace % % no-midi
es%N % % no-midi
-5%F % % no-midi
( % % no-midi
\Extraspace % % no-midi
<< { % % no-midi
\unset fontSize % % no-midi
des%N % % no-midi
\once\override Score.MetronomeMark % no-midi
#'transparent = ##t \tempo 2=50 % no-midi
} { % % no-midi
s16%N % % no-midi
\Extraspace % % no-midi
\set fontSize = #-2 % % no-midi
\grace % % no-midi
c8%N % % no-midi
-3%F % % no-midi
) % % no-midi
} >> } % % no-midi
\unset fontSize % % no-midi
% _______________ % Takt 67 __ >
\stemUp % no-midi
\override Fingering #'avoid-slur = #'inside % no-midi
#(Dynamik .5 -2.4 #t) % no-midi
c2%N % no-midi
-4%F % no-midi
-\pp % no-midi
\arpeggio % no-midi
c4%N % no-midi
-5%F % no-midi
c%N % no-midi
-4%F % no-midi
%%% --- % no-midi
%%% Ende AUSTAUSCH - BLOCK nicht-midi --- % no-midi
%%% ------------------------------------------ --- % no-midi
#(Finger .8 6.3 #t)
#(Akzent 0 .5 #t)
c1%N
_5%F
^\fermata
\)
% _______________ % Takt 68 - % Takt 69 __ >
}
piano = \markup { \fontsize #-1.2 \dynamic p }
pp = \markup { \fontsize #-1.2 \dynamic pp }
forte = \markup { \fontsize #-1.2 \dynamic f }
cresc = \markup { \italic cresc. }
dim = \markup { \italic dim. }
rit = \markup { \italic rit. }
keile = \relative c'{
\stemUp
\override Score.DynamicTextSpanner #'font-size = #'0
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
s4
\times 2/3 {
\TriolenZahlWeg\KlammerWeg\ViertelBalken\ViertelSpanner
\hideNotes
g8
\unHideNotes
s s s s s s s s s s s % Takt 1
#(Keil 2 4 #f)
s s s s s s s s s s s s % Takt 2
s^\< s s s s s s s s s s \! s % Takt 3
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -8.5) (Y-offset . 52)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -8.5)) % ohne Zeilen-Korrektur
#(Keil 2 4 #f)
s^\> s s s s s s s s s s s % Takt 4
s s s s s s s s s s s \! s % Takt 5
s s s s s s s s s s s s % Takt 6
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -7))
#(Keil 2.5 4.7 #f)
s^\< s s s s s s s s s s \! s % Takt 7
#(Keil 1.8 4.7 #f)
s^\> s s s s s s s s s s \! s % Takt 8
s s s s s s s s s s s s % Takt 9
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -6))
s s s s s s s s s s s s % Takt 10
#(Keil 2 3.5 #f)
s^\< s s s s s s s s s s \! s % Takt 11
#(Keil -1 3.5 #f)
s s^\> s s s s s s s s s s % Takt 12
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -9.5))
s s s s s s s s s s s \! s % Takt 13
#(Keil 2 3.2 #f)
s s s s^\< s s s s s s s \! s % Takt 14
s^\> s s s s s s s s s s \! s % Takt 15
#(Dynamik .5 2.9 #f)
s^\p s s s s s s s s s s s % Takt 16
\break\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -11))
s s s s s s s s s s s s % Takt 17
#(Text 0 2.8 #f)
s^\cresc s s s s s s s s s s s % Takt 18
#(Text 0 2 #f)
s s s s s^\dim s s s s s s s % Takt 19
\break\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -6.5))
s s s s s s s s s s s s % Takt 20
s s s s s s s s s s s s % Takt 21
#(Keil 2 3 #f)
s^\< s s s s s s s s s s \! s % Takt 22
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -10) (Y-offset . 87.4)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -10)) % ohne Zeilen-Korrektur
#(Keil -1.5 3 #f)
s s^\> s s s s s s s s s s % Takt 23
s s s s s s s s s s s s \! % Takt 24
s s s s s s s s s s s s % Takt 25
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -7.5))
#(Keil 2 3.9 #f)
s^\< s s s s s s s s s s \! s % Takt 26
s^\> s s s s s s s s s s \! s % Takt 27
s s s s s s s s s s s s % Takt 28
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -6))
s s s s s s s s s s s s % Takt 29
#(Keil 2 3.7 #t)
s^\< s s s s s s s s s s \! s % Takt 30
#(Keil -2 3.7 #f)
s s^\> s s s s s s s s s s % Takt 31
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -8) (Y-offset . 31.5)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -8)) % ohne Zeilen-Korrektur
s s s s s s s s s s s s \! % Takt 32
#(Keil 2 3.6 #f)
s s s s^\< s s s s s s s \! s % Takt 33
s^\> s s s s s s s s s \! s s % Takt 34
#(Dynamik .5 3.4 #t)
s^\p s s s s s s s s s s s % Takt 35
\break\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -8) (Y-offset . 60)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -8)) % ohne Zeilen-Korrektur
#(Text 0 2.8 #t)
s2^\markup { \italic { poco \hspace #7.2 a
\hspace #7.2 poco \hspace #7.2 cresc. } } s s % Takt 36
s8 s s s s s s
#(Keil -2 3.6 #t) s^\< s s s s % Takt 37
#(Keil 0 3.6 #f)
s s s \! s^\> s s s s s s s s \! % Takt 38
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -8) (Y-offset . 89)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -8)) % ohne Zeilen-Korrektur
\setTextCresc
\override DynamicTextSpanner #'extra-offset = #'(1 . 3)
\set crescendoText = \markup { \raise #'-.5 \italic "cre" \hspace #3 }
\override DynamicTextSpanner #'dash-period = #'7
\override DynamicTextSpanner #'dash-fraction = #'.1
s s s s s s s^\< s s s s s \! % Takt 39
\setTextCresc
\override DynamicTextSpanner #'extra-offset = #'(-1.3 . 3)
\set crescendoText = \markup { \raise #'-.5 \italic "scen" \hspace #2 }
s s^\< s s s s s s s s \!
#(Text 0 3.5 #t)
s^\markup { \italic do } s % Takt 40
#(Keil -1.3 3.2 #f)
s s s s s^\< s s s s s s s % Takt 41
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -7))
#(Keil 2.7 3.3 #f)
s s s \! ^\> s s s s s s s s \! s % Takt 42
#(Dynamik .5 2.7 #t)
#(Keil 3.3 3.9 #f)
s^\f s s s^\< s s s \! s s s s s % Takt 43
#(Keil 2 3.9 #f)
s^\> s s s s s s s s s s \! s % Takt 44
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -2))
#(Dynamik 0 4.4 #t)
#(Keil 2 4.9 #f)
s^\p s s s^\< s s s s \! s s s s % Takt 45
#(Keil 2 4.9 #f)
s^\> s s s s \! s s s s s s s % Takt 46
\setTextCresc
\override DynamicTextSpanner #'extra-offset = #'(0 . 4.3)
\override DynamicTextSpanner #'dash-period = #'10
\set crescendoText = \markup { \raise #-.5 \italic "smorz." \hspace #1 }
s s s s s s s s s s^\< s s % Takt 47
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -4))
s s s s s s s s s s s s % Takt 48
s s s \! s s s s
#(Keil -3 3.6 #t)
s^\< s s s s % Takt 49
#(Keil 0 3.6 #f)
s s s s \!^\> s s s s s s s s \! % Takt 50
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . 2))
#(Text 0 4.5 #t)
s^\markup { \italic { sempre \hspace #2.6 piano } }
s s s s s s s s s s s % Takt 51
s s s s s s s s s s s s % Takt 52
#(Keil 1.7 5 #f)
s^\< s s s s s s s s s s \! s % Takt 53
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -4))
#(Keil 2 4.3 #f)
s^\> s s s s s s s s s s s % Takt 54
s s s s s s s s s s \! s s % Takt 55
s s s s s s s s s s s s % Takt 56
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -5))
#(Keil -1.5 4.8 #f)
s s s s s^\< s s s s s s s \! % Takt 57
#(Keil 1.5 4.8 #f)
s^\> s s s s s s s s s s \! s % Takt 58
s s s s s s s s s s s s % Takt 59
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -5))
s s s s s s s s s s s s % Takt 60
#(Keil 2 3.4 #f)
s^\< s s s s s s s s s s \! s % Takt 61
#(Text 1 2.8 #t)
s^\markup { \italic poco \hspace #1 \dynamic rfz }
s s s s s s s s s s s % Takt 62
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . -7))
#(Keil .2 3.4 #f)
s s s s^\> s s s s s s s \! s % Takt 63
#(Dynamik 0 3 #t)
s^\p s s s s s s s s s s s % Takt 64
s s s s s s s s s s s s % Takt 65
\overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details
#'((fixed-alignment-extra-space . -3) (Y-offset . 97.5)) % mit Zeilen-Korrektur
%#'((fixed-alignment-extra-space . -3)) % ohne Zeilen-Korrektur
\setTextCresc
\override DynamicTextSpanner #'extra-offset = #'(0 . 4.2)
\override DynamicTextSpanner #'dash-period = #'8.4
\override DynamicTextSpanner #'dash-fraction = #'.13
\set crescendoText = \markup { \raise #-.5 { \italic "dim." \hspace #.3 } }
s s s s s s s s s s^\< s s % Takt 66
s s s s s s s s s s s s \! % Takt 67
}
s1 % Takt 68
s % Takt 69
}
PH = \sustainUp
PR = \sustainDown
pedal = \relative c'{
\override Staff.SustainPedal #'extra-offset = #'(.2 . -.2)
\stemUp
s4
s16 \PR s s s s s s s s s s s s s s \PH s % Takt 1
s \PR s s s s s s s s s s s s s s \PH s % Takt 2
s \PR s s s s s s s s s s s s s s \PH s % Takt 3
s \PR s s s s s s s s s s s s s s \PH s % Takt 4
s \PR s s s s s s s s s s s s s s \PH s % Takt 5
s \PR s s s s s s s s s s s s s s \PH s % Takt 6
s \PR s s s s s s s s s s s s s s \PH s % Takt 7
s \PR s s s s s s s s s \PH s s s s s s % Takt 8
s \PR s s s s s s s s s s s s s s \PH s % Takt 9
s \PR s s s s s s s s s s s s s s \PH s % Takt 10
s \PR s s s s s s s s s s s s s s \PH s % Takt 11
s \PR s s s s s s s s s s s s s s \PH s % Takt 12
s \PR s s s s s s s s s s s s s s \PH s % Takt 13
s \PR s s s s s s s s s s s s s s \PH s % Takt 14
s \PR s s s s s s s s s s s s s s \PH s % Takt 15
\override Staff.SustainPedal #'extra-offset = #'(1 . -.5)
s \PR s s s s s s \PH s s s s s s s s s % Takt 16
s \PR s s s s s s \PH s s s s s s s s s % Takt 17
s \PR s s s s s s \PH s s \PR s s s s s s s % Takt 18
s s s s s s s s s s s s s s s \PH s % Takt 19
\revert Staff.SustainPedal #'extra-offset
s \PR s s s s s s s s s s s s s s \PH s % Takt 20
s \PR s s s s s s s s s s s s s s \PH s % Takt 21
s \PR s s s s s s s s s s s s s s \PH s % Takt 22
s \PR s s s s s s s s s s s s s s \PH s % Takt 23
s \PR s s s s s s s s s s s s s s \PH s % Takt 24
s \PR s s s s s s s s s s s s s s \PH s % Takt 25
s \PR s s s s s s s s s s s s s s \PH s % Takt 26
\override Staff.SustainPedal #'extra-offset = #'(.4 . -.5)
s \PR s s s s s s s s s \PH s s s s s s % Takt 27
\revert Staff.SustainPedal #'extra-offset
s \PR s s s s s s s s s s s s s \PH s s % Takt 28
s \PR s s s s s s s s s s s s s s \PH s % Takt 29
s \PR s s s s s s s s s s s s s s \PH s % Takt 30
s \PR s s s s s s s s s s s s s s \PH s % Takt 31
s \PR s s s s s s s s s s s s s s \PH s % Takt 32
s \PR s s s s s s s s s s s s s s \PH s % Takt 33
s \PR s s s s s s s s s s s s s s \PH s % Takt 34
\override Staff.SustainPedal #'extra-offset = #'(1 . -1)
s \PR s s s s s s \PH s s s s s s s s s % Takt 35
s \PR s s s s s s \PH s s s s s s s s s % Takt 36
s \PR s s s s s s \PH s s \PR s s s s s s s % Takt 37
s s s s s s s \PH s s \PR s s s s s s \PH s % Takt 38
s \PR s s s s s s \PH s
\revert Staff.SustainPedal #'extra-offset
s s s s s s s s % Takt 39
s \PR s s s s s s \PH s s s s s s s s s % Takt 40
\override Staff.SustainPedal #'extra-offset = #'(.3 . -1)
s \PR s s s s s s \PH s s \PR s s s s s s s % Takt 41
s s s s s s s \PH s
\revert Staff.SustainPedal #'extra-offset
s \PR s s s s s s \PH s % Takt 42
s \PR s s s s s s \PH s s s s s s s s s % Takt 43
s \PR s s s s s s s s s s s s s s \PH s % Takt 44
s \PR s s s s s s \PH s s s s s s s s s % Takt 45
s \PR s s s s s s s s s s s s s s \PH s % Takt 46
\override Staff.SustainPedal #'extra-offset = #'(0 . -.5)
s \PR s s s s s s \PH s s \PR s s s s s s \PH s % Takt 47
s \PR s s s s s s \PH s s \PR s s s s s s \PH s % Takt 48
s \PR s s s s s s s s s s s s s s s % Takt 49
\revert Staff.SustainPedal #'extra-offset
s s s s s s s s s s s s s s s s \PH % Takt 50
s \PR s s s s s s s s s s s s s s \PH s % Takt 51
s \PR s s s s s s s s s s s s s s \PH s % Takt 52
s \PR s s s s s s s s s s s s s s \PH s % Takt 53
s \PR s s s s s s s s s s s s s s \PH s % Takt 54
s \PR s s s s s s s s s s s s s s \PH s % Takt 55
s \PR s s s s s s s s s s s s s s \PH s % Takt 56
s \PR s s s s s s s s s s s s s s \PH s % Takt 57
s \PR s s s s s s \PH s s s s s s s s s % Takt 58
s \PR s s s s s s s s s s s s s s \PH s % Takt 59
s \PR s s s s s s s s s s s s s s \PH s % Takt 60
s \PR s s s s s s s s s s s s s s \PH s % Takt 61
s \PR s s s s s s s s s s s s s s \PH s % Takt 62
s \PR s s s s s s s s s s s s s s \PH s % Takt 63
s \PR s s s s s s \PH s s s s s s s s s % Takt 64
\override Staff.SustainPedal #'extra-offset = #'(0 . -1.3)
s \PR s s s s s \PH s s s s s s s s s s % Takt 65
s \PR s s s s s s \PH s s \PR s s s s s s \PH s % Takt 66
s \PR s s s s s s \PH s s \PR s s s s s s \PH s % Takt 67
s \PR s s s s s s s s s s s s s s s % Takt 68
s s s s s s s s s s s s s \PH s s s % Takt 69
}
links = \relative c{
\context Voice = "links"
\set Staff.midiMinimumVolume = #-.5
\set Staff.midiMaximumVolume = #1
\once\override Voice.DynamicText #'transparent = ##t
r4^\ppp
% _______________ % Auftakt __ >
\KlammerWeg\ViertelBalken\HalbeSpanner\TriolenZahlOben
\times 2/3 {
\override Slur #'ratio = #'1
#(BogenKurve 4 #f)
#(KlammerZahl .3 -.5 #f)
e%N
(
g'%N
c,%N
_2%F
)
#(KlammerZahl .3 -.4 #t)
b!%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 1 __ >
f,%N
(
as'%N
c,%N
_2%F
)
#(KlammerZahl .3 -.4 #t)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 2 __ >
\TriolenZahlUnten
#(Triole 0 2 #t)
\override Slur #'ratio = #'.25
#(BogenKurve 3 #f)
#(KlammerZahl -1 -6 #t)
\clef violin
g%N
(
\once\override Stem #'direction = #1
b'%N
e,%N
_2%F
)
#(Triole 0 1 #t)
#(KlammerZahl -.5 -6 #f)
des!%N
_3%F
(
\once\override Stem #'direction = #1
b'%N
e,%N
)
% _______________ % Takt 3 __ >
#(Triole 0 1.6 #t)
as,%N
(
as'%N
f%N
)
#(Triole 0 1 #t)
c%N
_4%F
(
as'%N
f%N
)
% _______________ % Takt 4 __ >
\TriolenZahlOben
\override Slur #'ratio = #'1
#(BogenKurve 4 #f)
#(KlammerZahl -.2 -.3 #f)
\clef bass
b,,%N
(
des'%N
g,%N
_2%F
)
#(KlammerZahl .3 -.3 #t)
f%N
_3%F
(
des'%N
g,%N
)
% _______________ % Takt 5 __ >
c,%N
(
c'%N
as%N
)
#(KlammerZahl .3 -.3 #t)
f%N
_3%F
(
c'%N
as%N
)
% _______________ % Takt 6 __ >
#(Bogen 0 .2 #t)
c,%N
(
e'%N
b%N
)
#(KlammerZahl .3 -.3 #t)
g%N
_4%F
(
e'%N
b%N
)
% _______________ % Takt 7 __ >
\override TupletNumber #'avoid-slur = #'outside
\TriolenZahlWeg
#(Bogen 0 -.3 #f)
f%N
(
f'%N
c%N
)
as%N
_4%F
(
f'%N
des%N
)
% _______________ % Takt 8 __ >
e,%N
(
g'%N
c,%N
)
b%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 9 __ >
f,%N
(
as'%N
c,%N
)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 10 __ >
\override Slur #'ratio = #'.25
\clef violin
#(Bogen 0 0 #f)
g%N
(
\once\override Stem #'direction = #1
b'%N
es,!%N
)
des!%N
_3%F
(
\once\override Stem #'direction = #1
b'%N
es,%N
)
% _______________ % Takt 11 __ >
#(BogenKurve 3 #f)
#(Bogen 0 0 #f)
as,%N
(
as'%N
es%N
)
c%N
_3%F
(
as'%N
es%N
)
% _______________ % Takt 12 __ >
\clef bass
\override Slur #'ratio = #'1
#(Bogen 0 -.3 #f)
des,%N
(
f'%N
b,%N
)
as%N
_3%F
(
f'%N
b,%N
)
% _______________ % Takt 13 __ >
es,%N
(
es'%N
c%N
)
as%N
_3%F
(
es'%N
c%N
)
% _______________ % Takt 14 __ >
es,%N
(
es'%N
des%N
)
g,%N
_4%F
(
es'%N
des%N
)
% _______________ % Takt 15 __ >
as,%N
(
c'%N
es,%N
_3%F
)
fes%N
_2%F
->
(
des'%N
es,%N
)
% _______________ % Takt 16 __ >
as,%N
(
c'%N
es,%N
)
fes%N
->
(
des'%N
es,%N
)
% _______________ % Takt 17 __ >
as,%N
(
c'%N
es,%N
_4%F
)
#(Bogen 0 0 #f)
c%N
(
g'%N
_3%F
b%N
_2%F
}
% _______________ % Takt 18 __ >
e%N
)
r%N
r2%N
% _______________ % Takt 19 __ >
\KlammerWeg\ViertelBalken\HalbeSpanner\TriolenZahlOben
\times 2/3 {
#(Bogen 0 -.4 #f)
e,4%N
(
g'%N
c,%N
_2%F
)
b%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 20 __ >
f,%N
(
as'%N
c,%N
_2%F
)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 21 __ >
\clef violin
\override Slur #'ratio = #'.25
#(Bogen 0 0 #f)
g%N
(
\once\override Stem #'direction = #1
b'%N
e,%N
_2%F
)
des!%N
_3%F
(
\once\override Stem #'direction = #1
b'%N
e,%N
)
% _______________ % Takt 22 __ >
as,%N
(
as'%N
f%N
)
c%N
_4%F
(
as'%N
f%N
)
% _______________ % Takt 23 __ >
\clef bass
\override Slur #'ratio = #'1
b,,%N
(
des'%N
g,%N
_2%F
)
f%N
_3%F
(
des'%N
g,%N
)
% _______________ % Takt 24 __ >
c,%N
(
c'%N
as%N
)
f%N
_3%F
(
c'%N
as%N
)
% _______________ % Takt 25 __ >
c,%N
(
e'%N
b%N
)
g%N
_4%F
(
e'%N
b%N
)
% _______________ % Takt 26 __ >
#(Bogen 0 -.4 #f)
f%N
(
f'%N
c%N
)
#(Bogen 0 0 #f)
as%N
_4%F
(
f'%N
des%N
)
% _______________ % Takt 27 __ >
#(Bogen 0 -.4 #f)
e,%N
(
g'%N
c,%N
)
b%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 28 __ >
f,%N
(
as'%N
c,%N
)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 29 __ >
\clef violin
\override Slur #'ratio = #'.25
#(Bogen 0 0 #f)
g%N
(
\once\override Stem #'direction = #1
b'%N
es,!%N
)
des!%N
_3%F
(
\once\override Stem #'direction = #1
b'%N
es,%N
)
% _______________ % Takt 30 __ >
as,%N
(
as'%N
es%N
)
c%N
_3%F
(
as'%N
es%N
)
% _______________ % Takt 31 __ >
\clef bass
\override Slur #'ratio = #'1
des,%N
(
f'%N
b,%N
)
as%N
_3%F
(
f'%N
b,%N
)
% _______________ % Takt 32 __ >
es,%N
(
es'%N
c%N
)
as%N
_3%F
(
es'%N
c%N
)
% _______________ % Takt 33 __ >
es,%N
(
es'%N
des%N
)
g,%N
_4%F
(
es'%N
des%N
)
% _______________ % Takt 34 __ >
as,%N
(
c'%N
es,%N
_3%F
)
fes%N
_2%F
->
(
des'%N
es,%N
)
% _______________ % Takt 35 __ >
as,%N
(
c'%N
es,%N
)
fes%N
->
(
des'%N
es,%N
)
% _______________ % Takt 36 __ >
as,%N
(
c'%N
es,%N
_2%F
)
ges,%N
(
es''%N
b%N
)
% _______________ % Takt 37 __ >
ges%N
_4%F
(
es'%N
b%N
)
f%N
_4%F
(
es'%N
a,%N
)
% _______________ % Takt 38 __ >
b,%N
(
des'%N
f,%N
_3%F
)
ges%N
_2%F
->
(
es'%N
f,%N
)
% _______________ % Takt 39 __ >
b,%N
(
des'%N
f,%N
)
ges%N
->
(
es'%N
f,%N
)
% _______________ % Takt 40 __ >
b,%N
(
des'%N
f,%N
_2%F
)
as,!%N
(
c'%N
f,%N
)
% _______________ % Takt 41 __ >
d%N
_3%F
(
c'%N
f,%N
)
g,%N
(
h'%N
f%N
)
% _______________ % Takt 42 __ >
c%N
(
e'%N
b!%N
)
as%N
_3%F
(
f'%N
c%N
)
% _______________ % Takt 43 __ >
c,%N
(
des'%N
as%N
)
f%N
_3%F
(
des'%N
as%N
)
% _______________ % Takt 44 __ >
c,%N
(
e'%N
b!%N
)
as%N
_3%F
(
f'%N
c%N
)
% _______________ % Takt 45 __ >
c,%N
(
des'%N
as%N
)
f%N
_3%F
(
des'%N
as%N
)
% _______________ % Takt 46 __ >
c,%N
(
e'%N
g,%N
_2%F
)
f%N
(
des'%N
as%N
)
% _______________ % Takt 47 __ >
c,%N
(
e'%N
g,%N
_2%F
)
f%N
(
des'%N
as%N
)
% _______________ % Takt 48 __ >
c,%N
(
g'%N
e'%N
)
}
r2
% _______________ % Takt 49 __ >
r1
% _______________ % Takt 50 __ >
\KlammerWeg\ViertelBalken\HalbeSpanner\TriolenZahlOben
\times 2/3 {
#(Bogen 0 -.4 #f)
e,4%N
(
g'%N
c,%N
_2%F
)
b%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 51 __ >
f,%N
(
as'%N
c,%N
_2%F
)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 52 __ >
\clef violin
\override Slur #'ratio = #'.25
#(Bogen 0 0 #f)
g%N
(
\once\override Stem #'direction = #1
b'%N
e,%N
^2%F
)
des!%N
^3%F
(
\once\override Stem #'direction = #1
b'%N
e,%N
)
% _______________ % Takt 53 __ >
as,%N
(
as'%N
f%N
)
c%N
_4%F
(
as'%N
f%N
)
% _______________ % Takt 54 __ >
\clef bass
\override Slur #'ratio = #'1
b,,%N
(
des'%N
g,%N
_2%F
)
f%N
_3%F
(
des'%N
g,%N
)
% _______________ % Takt 55 __ >
c,%N
(
c'%N
as%N
)
f%N
_3%F
(
c'%N
as%N
)
% _______________ % Takt 56 __ >
c,%N
(
e'%N
b%N
)
g%N
_4%F
(
e'%N
b%N
)
% _______________ % Takt 57 __ >
\TriolenZahlWeg
f%N
(
f'%N
c%N
)
as%N
_4%F
(
f'%N
des%N
)
% _______________ % Takt 58 __ >
#(Bogen 0 -.4 #f)
e,%N
(
g'%N
c,%N
)
b%N
_3%F
(
g'%N
c,%N
)
% _______________ % Takt 59 __ >
f,%N
(
as'%N
c,%N
)
as%N
_4%F
(
as'%N
c,%N
)
% _______________ % Takt 60 __ >
\clef violin
\override Slur #'ratio = #'.25
#(Bogen 0 0 #f)
g%N
(
\once\override Stem #'direction = #1
b'%N
e,%N
)
des!%N
_3%F
(
\once\override Stem #'direction = #1
b'%N
e,%N
)
% _______________ % Takt 61 __ >
as,%N
(
as'%N
f%N
)
c%N
_4%F
(
as'%N
f%N
)
% _______________ % Takt 62 __ >
\clef bass
\override Slur #'ratio = #'1
b,,%N
(
des'%N
g,%N
)
f%N
_3%F
(
des'%N
g,%N
)
% _______________ % Takt 63 __ >
c,%N
(
f'%N
c%N
)
as%N
_3%F
(
f'%N
des%N
)
% _______________ % Takt 64 __ >
c,%N
(
es'!%N
g,%N
_3%F
)
f%N
(
des'%N
e,%N
)
% _______________ % Takt 65 __ >
f%N
(
as'%N
c,%N
_2%F
)
b%N
_3%F
(
g'%N
des%N
)
% _______________ % Takt 66 __ >
f,%N
(
as'%N
c,%N
_2%F
)
b%N
_3%F
(
g'%N
des%N
)
}
% _______________ % Takt 67 __ >
\HalbExtraSpace
<< { \tieNeutral
\set fingeringOrientations = #'(left)
#(Finger -1 0 #t)
1
\arpeggio
~
#(Akzent 0 .8 #t)
%N
^\fermata
} \\ { \oben \tieDown
\set fingeringOrientations = #'(left)
#(Finger -1 .2 #t)
~
%N
} >>
% _______________ % Takt 69 __ >
}
%%%%%%%% Ende der einzelnen Stimmen
\score{
\context PianoStaff
<<
\set PianoStaff.connectArpeggios = ##t
\context Staff = "up" <<
\global
\clef violin
\rechts
>>
\context Staff = "down" <<
\global
\clef bass
\links
\keile
\pedal
>>
>>
\layout{
\context { \Score \override SpacingSpanner #'spacing-increment = #1.2 }
\context {
\PianoStaff
\override VerticalAlignment #'forced-distance = #15.6
}
}
\midi {
\tempo 2=112
\context { \Voice
%\remove "Dynamic_performer"
\remove "Span_dynamic_performer"
}
}
}