\version "2.16.1" \header { title = "2. Intermezzo" composer = "J. Brahms" opus = "Op. 118, No. 2" mutopiatitle = "2. Intermezzo" mutopiacomposer = "BrahmsJ" mutopiaopus = "Op. 118, No. 2" mutopiainstrument = "Piano" date = "19th C." source = "N. Simrock, 1892" style = "Romantic" copyright = "Public Domain" maintainer = "Aron Fay" maintainerEmail = "mutopia.5.uigrad@spamgourmet.com" maintainerWeb = "http://www.uigrad.com/mutopia" footer = "Mutopia-2013/03/23-535" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } } % TODO: Reduce distance between slur and tuplet bracket e.g. in bar 49 u = { \change Staff = up \voiceTwo } m = { \change Staff = down \voiceOne } upper = \transpose c c' { \time 3/4 \clef violin \key a \major \partial 4 << \context Voice = UpTop { \voiceOne \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn cis'8( b) | 2 cis'8( b) | 2\arpeggio a8.\(( b16) | b8.( e'16) e'4 d' | \) cis'8( b) | % measure 5, v1 2 cis'8( b) | 2 cis'8.\(( dis'16) | dis'8.( e'16) e'4 | \) cis'8( b) | % measure 9, v1 2 cis'8( b) | 2\arpeggio 8.\(( 16) | 8.( 16) 4 \) | ( ) cis'8( b) | % measure 13, v1 2 cis'8( b) | 2 8.\(( 16) | 8.( 16) 4 8( a)\) | 4( ) e( | % measure 17, v1 fis e) e( | fis e) e\( | b a gis | e\) a\( | % measure 21, v1 b a\) a\( | c' a\) | fis'!\( c'4. a8\) | gis2\( fis8 e8 | % measure 25, v1 gis2\)\(^\markup { \italic "legato" } a4 | ais2 gis8 fis | b2 bis4 | cis'2 b!8 a~ | % measure 29, v1 4. \) << { cis'4 b8 } \\ gis!4. >> | 2\arpeggio 4_\markup { \italic "espress." } | gis( fis) e8( d | cis4 b,) a | g( f) e8^\markup { \italic calando } ( d | c4 b,) gis'!8( a' | % measure 35, v1 2) gis'8( a' | b2) b8.( cis'16) | cis'8.( d'16) d'8( cis' d' gis) | 4( ) a \( | % measure 39, v1 b a \) a\( | b a \) a( | d'->) cis'4.( b8 | gis4 a) a( | % measure 43, v1 b a) a( | b a) ( | fis'->) d'4.( b8) | gis4( a) e~->^\markup { \bold \italic "più lento" } | e2 e4~-> | e2 cis'4~\( | % \bar "||" % measure 49, v1 \repeat volta 2 { cis'8 fis' e'4 d' | cis' b8 d' gis' fis' | b4 a8 cis' fis' e' | a gis e' d' b gis\) | % measure 53, v1 \( a' gis'4 fis' | e' a8 cis' e' d' | cis'4 fis8 gis a fis | eis4 gis4._\markup { \italic \large "rit." } cis'8~\)\( | } % measure 57, v1 cis'8^\markup { \bold \italic "più lento" } fis' 4 | | ~ | cis'2~ | % measure 61, v1 cis'8\)\( fis' 4 | | cis'2~ | cis'4\) cis'4.\fermata r8 | % measure 65, v1 \tempo "Tempo I" r4 cis'( fis' | e' d') r | d' cis' r | cis' b r | % measure 69, v1 cis'8 (cis'' b' a' gis' fis' | e'4) a8( cis' e' d') | cis'4 fis8( ais cis' b) | a!( fis d bis, cis \m eis,!) | % measure 73, v1 \u \oneVoice r4 \times 2/3 { r8 a,([ cis] fis a cis') } | 4( ) r4 | d( cis) s4 | \voiceOne cis'4.\fermata( b8) cis'^\markup { \italic { a tempo } }([ b]) | % measure 77, v1 2 cis'8( b) | 2\arpeggio 8.( 16) | 8.( 16) 8( ) | 4( ) cis'8( b) | % measure 81, v1 2 cis'8( b) | b'4.( a'8[ gis'8. fis'16]) | 8.( e'16) 8( cis') ( ) | 4( ) e( | % measure 85, v1 fis e) e( | fis e) e\( | b a gis | e\) a\( | % measure 89, v1 b a\) a\( | c' a\) | fis'\( c'4. a8\) | gis2\( fis8 e8 | % measure 93, v1 gis2\)\(^\markup { \italic "legato" } a4 | ais2 gis8 fis | b2 bis4 | cis'2 b!8 a~ | % measure 97, v1 4.\) << { cis'4( b8) } \\ gis4. >> | 2\arpeggio 4_\markup { \italic "espress." } | gis( fis) e8( d) | cis4( b,) | g( f^\markup { \italic calando } ) e8( d) | c4( b,) gis'!8( a') | % measure 103, v1 2 gis'8( a') | b2 b8.( cis'16) | cis'8.( d'16) d'8( cis' d' gis) | 4( ) a \( | % measure 107, v1 b( a)\) a\( | b a \) a( | d'->) cis'4.( b8) | gis4( a) a( | % measure 111, v1 b a) a( | b a) ( | fis'->) d'4.( b8 | gis4 a) e->~^\markup { \bold \italic "più lento" } | e2 e4~ | e2 \bar "|." } \context Voice = UpBottom { \voiceTwo a8 gis | fis8[( d8) \m a,8( fis,)] \u a8 gis | s2 fis4 | fis | s4 s8. s16 e4_\markup { \italic "dolce" } | % measure 5, v2 a8[( d8) \m a,8( fis,)] \u 4 | s2 4 | s4 | s s a8 gis8 | % measure 9, v2 fis8[( d8) \m a,8( fis,)] \u a gis | s2 a4 | gis gis8( a) s4 | s s e_\markup { \italic "dolce" } | % measure 13, v2 fis8[( d8) \m a,8( fis,)] \u 4 | s2. | s4 bis8( cis') a,4 | s2 4~ | % measure 17, v2 2 4~ | 2 4~ | 4 ( | d2) 4~ | % measure 21, v2 2 4~ | 2_\markup { \italic "cresc." } s4 | s2. | s2. | % measure 25, v2 gis8( b, gis, \m e, c a,) | \u ais( cis ais, \m e, e cis) | \u b( d b, \m e, dis bis,) | \u cis'( e cis \m e, g cis) | % measure 29, v2 \u a( d \m a, e,, e, gis,!) | \u s2 s4 | 2 4 | 2 4_\markup { \italic "dim." } | 2 4 | 2 4_\markup { \italic "dolce" }~( | % measure 35, v2 a8 gis a fis) 4~( | 8 gis fis) 4 | | s2 4~ | % measure 39, v2 fis2 4~ | 2 4~ | 2 | d4 cis ~ | % measure 43, v2 2 4~ | 2 s4 | s2. | 2 cis8( b,) | s2 cis8( b,) | 2\arpeggio s4 | % measure 49, v2 \repeat volta 2 { s2. | s2. | s2. | s2. | % measure 53, v2 s2. | gis4-.( fis-.) r4 | e-.( dis-.) r | cis s2 | } % measure 57, v2 4 s2 | s2. | s2. | s4 cis!8 eis ais gis | % measure 61, v2 fis!4 s2 | s2. | s4 | 4. cis8~_\markup { \italic {espress.} }( | % measure 65, v2 cis8 fis) s2 | s2. | s2. | s2. | % measure 69, v2 s2. | s2. | s2. | s2. | % measure 73, v2 s2. | \voiceTwo a2 s4 | \m \oneVoice \tupletDown e,,4~ \times 2/3 { e,,8[ e,( a,] cis \u \voiceTwo e a~) } | 2_\markup { \italic { dolce } } 4 | % measure 77, v2 fis8[( d8) \m a,8( fis,)] \u a gis | s2. | s2. | s2 e4_\markup { \italic "dolce" } | % measure 81, v2 a8[( d8) \m a,8( fis,)] \u 4 | 8. 16 | 8. 16 e4 s | s2 4~ | % measure 85, v2 2 4~ | 2 4~ | 4 ( | d2) 4~ | % measure 89, v2 2 4~ | 2_\markup { \italic "cresc." } s4 | s2. | s2. | % measure 93, v2 gis8( b, gis, \m e, c a,) | \u ais( cis ais, \m e, e cis) | \u b( d b, \m e, dis bis,) | \u cis'( e cis \m e, g cis) | % measure 97, v2 \u a( d \m a, e,, e, gis,!) | \u s2 s4 | 2 \m 4 | 2 \u 4_\markup { \italic "dim." } | 2 \m 4 | 2 \u 4_\markup { \italic "dolce" }~ | % measure 103, v2 a8 gis a fis 4~ | 8 gis fis 4 | | s2 4~ | % measure 107, v2 fis2 4~ | 2 4( | ) 2 | d4 cis ~ | % measure 111, v2 2 4~ | 2 s4 | s2. | 2 cis8( b,) | s2 cis8( b,) | 2\arpeggio } >> } lower = { \time 3/4 \clef bass \key a \major \partial 4 << \context Voice = DownTop { \voiceThree \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn s4 | s4 s4 s4 | s4 s4 s4 | s4 s4 s4 | s4 e8( fis) g4 | % measure 5, v3 s4 s4 s4 | s4 s4 s4 | s4 s4 b, | e,8( b,4 e8)~ e4 | % measure 9, v3 s4 s4 s4 | s4 s4 s4 | s4 s4 s4 | s4 e8( fis) g4 | % measure 13, v3 s4 s4 s4 | s4 s4 s4 | b,8[( gis)] fis[( a)] b,8[( fis)] | e,[( b, e b,)] e,( g, | % measure 17, v3 c[ e c g,]) e,( g, | cis[ e cis g,]) b, e | gis4 a b | a,8[ e gis e] a,[\( c | % measure 21, v3 f a f c\)] f,[\( c | dis a dis c\)] dis,\( c | a dis a c' fis' c'\) | a\( c' a e c a,\) % measure 25, v3 e,4 s2 | e,4 s2 | e,4 s2 | e,4 s2 | % measure 29, v3 fis,4 s2 | s2 a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8 s4 | % measure 35, v3 s2. | s2. | s2. | a,8([ e a gis]) fis8 [(a | % measure 39, v3 cis' a fis e)] e[( fis | a fis d cis)] b,[( d | fis a)] e [(gis b d')] a,4 s fis, | % measure 43, v3 s2 d,4 | s2 b,,4 | s2. | s2 gis4 | 2 gis4 | s2. | % measure 49, v3 \repeat volta 2 { s4 (cis' fis' | e'-. d'-.) r | d'-.( cis'-.) r | cis'-.( b-.) r | % measure 53, v3 r cis' a' | s2. | s2. | s2. | } % measure 57, v3 s2. | s2. | s2. | s2. | % measure 61, v3 s2. | s2. | s2. | s2. | % measure 65, v3 s4 e'! d'!^\markup { \italic { cresc. } } | cis' b8([ \u d' a' gis']) | \m b4 a8([ \u cis' gis' fis']) | \m a([ gis \u e' d' b gis]) | % measure 69, v3 \m r4 cis'8[ \u cis'' b' a'] | gis'4 fis' r | e' d' r | cis' a gis | % measure 73, v3 \m \voiceOne ( ) \oneVoice r | s \tupletDown \times 2/3 { r8 fis,([ a, d fis \u a~]) } | a2 \m s4 | s2. | % measure 77, v3 s4 s4 s4 | s4 s4 s4 | 8([ ]) ([ ]) s4 | s4 e8( fis) g4 | % measure 81, v3 s4 s4 s4 | s4 s4 s4 | b,8[ e] e[ fis] fis[ a] | e,[ b, e b,] e, g, | % measure 85, v3 c[ e c g,] e, g, | cis[ e cis g,] b, e | gis4 a b | a,8[ e gis e] a,[\( c | % measure 89, v3 f a f c\)] f,[\( c | dis a dis c\)] dis,\( c | a dis a c' fis' c'\) | a\( c' a e c a,\) % measure 93, v3 e,4 s2 | e,4 s2 | e,4 s2 | e,4 s2 | % measure 97, v3 fis,4 s2 | \voiceThree s2 a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8~ a,4~ | a,8 a,4 a,8 s4 | % measure 103, v3 s2. | s2. | s2. | a,8([ e a gis]) fis8 [(a | % measure 107, v3 cis' a fis e)] e[( fis | a fis d cis)] b,[( d | fis a)] e [(gis b d')] a,4 s fis, | % measure 111, v3 s2 d,4 | s2 b,,4 | s2. | s2 gis4 | 2 gis4 | s2 } \context Voice = DownBottom { \override TupletBracket #'outside-staff-priority = #'0 4 | a,, s4 | a,,8[( d) a,( fis,)] d,( d) | 8[( b)] [( a)] b,,( d) | e,[( e)] \voiceFour e4 e4 | % measure 5, v4 \oneVoice fis,4 s4 e,4 | dis,8[( b,)] [( b)] ( a) | [( gis)] [( a)] \voiceFour b, fis | e,2 a,4 | % measure 9, v4 \oneVoice a,, s4 | a,,8[( d) a,( fis,)] d,( d) | 8[( b)] [( a)] b,,( d) | e,[( e)] \voiceFour e4 e4 | % measure 13, v4 \oneVoice fis,4 s4 e,4 | dis,8[( b,)] [( b)] ( a) | \voiceFour gis,4 a, b, | e,2 e,4~ | % measure 17, v4 e,2 e,4~ | e,2 e,4\( | gis8 e a e b e | a,2 a,4\)~ | % measure 21, v4 a,2 f,4~ | f,2 dis,4 | s2. | s2. | % measure 25, v4 s2. | s2. | s2. | s2. | % measure 29, v4 s2. | d,8([ fis ]) cis,8( b,, | d,2) cis,8( b,, | d,2) cis,8( b,, | d,2) c,8( b,, | d,2) \oneVoice 4 | % measure 35, v4 8( a) 4 | 8([ a)] e,( e) | [ cis'] [ b] [ e] | \voiceFour a,2 a,4~ | % measure 39, v4 a,2 a,4~ | a,2 a,4~ | a,4 a,2 | a,8[( e a gis,)] fis,[( cis | % measure 43, v4 a cis fis, e,)] d,[( a, | fis a, d, cis,)] b,,[( b, | d fis a d' fis' d')] | e,( cis e a) e,,4 | e,,8[( e, a, d)] e,( d) | 2\arpeggio r4 | % measure 49, v4 \repeat volta 2 { \times 2/3 { fis,8([ cis a] cis' a fis fis' a fis) } | \times 2/3 { e'([ a fis] d' a fis b, fis a) } | \times 2/3 { d'([ a fis] cis' a fis cis e a) } | \times 2/3 { cis'([ fis d] b fis gis, cis eis b) } | % measure 53, v4 \times 2/3 { fis,([ a fis] cis' a fis a' a fis) } | \times 2/3 { d,([ a, d fis a d]) fis,( d a) } | \times 2/3 { gis,([ e gis]) gis,( dis fis bis fis dis) } | \times 2/3 { cis,([ gis, cis eis gis b] } eis'8) r | } % measure 57, v4 4\( | | | \) | % measure 61, v4 \( | | | \) 4.\fermata r8 | % measure 65, v4 \times 2/3 { fis,8_\markup { \italic { tre corde } } ([ cis a!]) e'([ a fis]) d'([ a fis]) } | \times 2/3 { cis'([ a fis]) b([ fis b,] b,, b, d) } | \times 2/3 { b([ fis cis]) a([ fis a,] a,, a, cis) } | 4 \times 2/3 { gis,8([ b fis]) cis,([ eis cis]) } | % measure 69, v4 \times 2/3 { fis,8([ cis a] cis'[ a fis] a[ fis cis]) } | \times 2/3 { d,([ a, d] fis[ a d] fis ais d) } | \times 2/3 { b,,([ fis, b,] d[ fis b,] d g b,) } | \times 2/3 { cis,([ cis a,] fis[ cis cis,]) eis( b, cis,) } | % measure 73, v4 fis,2 s4 | s2 | s2. | e2~\fermata 4 % measure 77, v4 a,, s4 | a,,8[( d) a,( fis,)] d,( d) | d4 cis b,,8( d) | e,[( e)] e4 e4 | % measure 81, v4 fis,4 s4 e,4 | 8[( dis)] [( fis)] ( b) | gis,4 a, b, | e,2 e,4~ | % measure 85, v4 e,2 e,4~ | e,2 e,4\( | gis8 e a e b e | a,2 a,4\)~ | % measure 89, v4 a,2 f,4~ | f,2 dis,4 | s2. | s2. | % measure 93, v4 s2. | s2. | s2. | s2. | % measure 97, v4 s2. | d,8([ fis ]) cis,8( b,, | d,2) cis,8( b,, | d,2) cis,8( b,, | d,2) c,8( b,, | d,2) 4 | % measure 103, v4 8( a) 4 | 8([ a)] e,( e) | [ cis'] [ b] [ e] | a,2 a,4~ | % measure 107, v4 a,2 a,4~ | a,2 a,4~ | a,4 a,2 | a,8[( e a gis,)] fis,[( cis | % measure 111, v4 a cis fis, e,)] d,[( a, | fis a, d, cis,)] b,,[( b, | d fis a d' fis' d')] | e,( cis e a) e,,4 | e,,8[( e, a, d)] e,( d) | 2\arpeggio } >> } dynamics = { \override Dynamics.Hairpin #'height = #0.5 % default is 0.66 \partial 4 s4\p | s s s | s s s\< | s\! s\> s | s s8.\! s16\p s4 | % measure 5 s2. | s2 s4\< | s\! s\> s | s s\! s\pp | % measure 9 s2. | s2 s4\< | s\! s s\> | s s\! s | % measure 13 s2. | s2 s4\< | s\! s s\> | s\! s s\p | % measure 17 s2. | s2. | s2. | s2. | % measure 21 s2. | s2. | s2. | s2. | % measure 25 s2. | s2. | s2. | s2. | % measure 29 s2. | s2. | s2. | s2 s4\p | s2 s4\> | s2\! s4 | % measure 35 s16\< s16\! s16 s16 s16\> s16 s16\! s16 s8 s8 | s16\< s16\! s16 s16 s16\> s16 s16\! s16 s8 s8 | s2. | s2. | % measure 39 s2. | s2. | s2. | s2. | % measure 43 s8\< s8 s8 s8 s8 s8 | s8 s8 s8 s8 s8 s8\! | s8 s8 s8 s8 s8 s8\> | s8 s8 s8 s8\! s8\p s8 | s2. | s4 s4 s4\p | % measure 49 \repeat volta 2 { s2. | s2. | s2. | s2. | % measure 53 s8\< s8\! s8\> s8 s8\! s8 | s8 s8 s8 s8 s8 s8 | s8 s8 s8 s8 s8\> s8 | s8 s8 s8 s8\! s8 s8 | } \crescTextCresc \set crescendoText = \markup { \italic "rit." } % measure 57 s4\pp s4 s4 | s4 s4 s4 | s4 s4 s4 | s8 s8\< s8 s8 s8 s8\! | \set crescendoText = \markup { \italic "rit." } % measure 61 s4\pp s4 s4 | s4 s4 s4 | s4\< s4 s4 | s8 s8 s8 s8 s8\! s8 | % measure 65 s2. | s2. | s2. | s2. | % measure 69 s2.\f | s2. | s2. | s2. | % measure 73 s8 s8 s8\> s8 s8 s8\! | \set crescendoText = \markup { \italic "rit." } s8\p s8\< s8 s8 s8 s8 | s2. | s8\! s8 s8 s8 s8\pp s8 | \crescHairpin % measure 77 s2. | s8 s8 s8 s8 s8\f s8 | s2. | s8\> s8 s8 s8\! s8 s8 | % measure 81 s2. | s8 s8 s8\< s8 s8 s8 | s8\! s8 s8\> s8 s8 s8\! | s2. | % measure 85 s2. | s2. | s2. | s2. | % measure 89 s2. | s2. | s2. | s2. | % measure 93 s2. | s2. | s2. | s2. | % measure 97 s2. | s2. | s2. | s8 s8 s8 s8\p s8 s8 | s8 s8 s8 s8 s8\> s8 | s8 s8 s8\! s8 s8 s8 | % measure 103 s16\< s16\! s16 s16 s16\> s16\! s16 s16 s8 s8 | s16\< s16\! s16 s16 s16\> s16\! s16 s16 s8\< s8 | s8 s8 s8 s8 s8 s8\! | s2. | % measure 107 s2. | s2. | s2. | s2. | % measure 111 s8\< s8 s8 s8 s8 s8 | s8 s8 s8 s8 s8 s8\! | s8 s8 s8 s8 s8 s8\> | s8 s8 s8 s8\! s8\p s8 | s2. | s2 } dynamicsB = { \override Dynamics.Hairpin #'height = #0.5 \partial 4 s4 | s2. | s2. | s2. | s2. | % measure 5 s2. | s2. | s2. | s2. | % measure 9 s2. | s2. | s2. | s2. | % measure 13 s2. | s2. | s2. | s8 s8 s8 s8 s8\< s8\! | % measure 17 s8\> s8\! s8 s8 s8\< s8\! | s8\> s8\! s8 s8 s8 s8 | s8 s8 s8\< s8 s8\! s8 | s8\> s8\! s8 s8 s8\< s8\! | % measure 21 s8\> s8\! s8 s8 s8\< s8\! | s8\> s8\! s8 s8 s8 s8 | s2. | s2. | % measure 25 s2. | s2. | s2. | s2.\< | % measure 29 s8 s s s s s\! | s2. | s2. | s2. | % measure 33 s2. | s2. | s2. | s2. | s2. | s8 s8 s8 s8 s8^\markup { \italic { "cresc. un poco animato" } }\< s8\! | % measure 39 s8\> s8\! s8 s8 s8\< s8\! | s8\> s8\! s8 s8 s8 s8 | s2. | s2. | \crescTextCresc \set crescendoText = \markup { \italic "rit." } % measure 43 s2. | s2. | s4 s4\< s4 | s4 s4\! s4 | s2. | s2. | % measure 49 \repeat volta 2 { s2. | s2. | s2. | s2. | % measure 53 s2. | s2. | s2. | s2. | } % measure 57 s2. | s2. | s2. | s2. | % measure 61 s2. | s2. | s2. | s2. | % measure 65 s4 s4\p s4 | s2. | s2. | s2. | % measure 69 s2. | s2. | s2. | s2. | % measure 73 s2. | s2. | s2. | s2. | % measure 77 s2. | s2. | s2. | s2. | % measure 81 s2. | s2. | s2. | s2. | % measure 85 s2. | s2. | s2. | s2. | % measure 89 s2. | s2. | s2. | s2. | % measure 93 s2. | s2. | s2. | s2. | % measure 97 s2. | s2. | s2. | s2. | s2. | s2. | % measure 103 s2. | s2. | s2. | \crescHairpin s16 s16 s16 s16 s16 s16 s16 s16 s16^\markup { \italic { "cresc. un poco animato" } }\< s16 s16\! s16 | % measure 107 s16\> s16 s16\! s16 s16 s16 s16 s16 s16\< s16 s16\! s16 | s16\> s16 s16\! s16 s16 s16 s16 s16 s16 s16 s16 s16 | s2. | s2. | \crescTextCresc \set crescendoText = \markup { \italic "rit." } % measure 111 s2. | s2. | s8 s8 s8\< s8 s8 s8 | s8 s8 s8 s8\! s8 s8 | s8 s8 s8 s8 s8\> s8\! | s2 } \score { \context PianoStaff << \set PianoStaff.connectArpeggios = ##t \context Dynamics = "dynamicsB" \dynamicsB \context Staff = "up" \upper \context Dynamics = "dynamics" \dynamics \context Staff = "down" \lower % \context Dynamics = "pedal" \pedal >> \layout { } } \score { \unfoldRepeats \context PianoStaff << \context Staff = "up" \upper \context Staff = "down" \lower >> \midi { \tempo 4 = 80 } }