\paper { linewidth = 7.0 \in topmargin = .5 \in bottommargin = 0.5 \in aftertitlespace = .5 \in footsep = .5 \in } %%% From the music book entitled "Parlor Gems" (a Choice Selection %%% of Music, Instrumental and Vocal, by the %%% Best Composers, to which is added original %%% Charades for Parlor Performance %%% by C. M. Cady. %%% Published in 1878 by C. M. Cady, 107 Duane St., New York. \header { title = "Les Deux Anges" composer = "Jacques (Jacob) Blumenthal" arranger = "Varied by Albert W. Berg" poet = "" instrument = "" source = "C. M. Cady, Pub. 1878" copyright = "Public Domain" enteredby = "Stan Sanderson" maintainerEmail = "physinfoman@ameritech.net" lastupdated = "3/1/2005" % % These are headers used by the Mutopia Project % http://www.mutopiaproject.org/ mutopiatitle = "Les Deux Anges" mutopiacomposer = "Blumenthal J" mutopiapoet = "" mutopiainstrument = "Piano" date = "1829-1908" source = "C. M. Cady, Pub. 1878" maintainer = "Stan Sanderson" maintainerEmail = "physinfoman@ameritech.net" maintainerWeb = "" lastupdated = "10/17/2005" footer = "Mutopia-2005/10/24-611" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \include "english.ly" \version "2.6.0" #(set-global-staff-size 18) upper = \relative c'' { \time 4/4 \key g \major %% 1-4 4^\markup {\column {"THEMA." " " \italic \small "Andante."}} _\markup {\italic \small \column {"Legato con" "Espres."}} | 2 | 4 | 2 | %% 5-8 4 | 2 | 4 <<{a8. b16}\\{4}>> | 2 4 r | %% 9-12 | 2 | 4 8. 16 4 <<{e8. fs16}\\{4}>> | 2 4. c8 | %% 13-16 4 | 2 | 4 <<{a8. b16}\\{4}>> | 2 4 r | %% 17-20 4_| _| ^| r | 4_| ^| ^| r | 4( <<{a8. b16}\\{fs4}>> | 2 g4) r^\markup {\column {\italic \small " VARIATION." " "}} | \bar "|." %% 21-24 \set tupletSpannerDuration = #(ly:make-moment 1 4 ) \times 2/3 { b8( e d) b( e d) (b e d) b( a' g) | d( a' g) d( a' g) b,( g' e d b a) | g( e' d) g,( e' d) a( e' d c b a) | g\( e fs \appoggiatura {g16[ a]} g8 fs g a\) d,( e fs g a) | %% 25-28 b8( e d) b( e d) (b e d) b( a' g) | d( a' g) d( a' g) b,( g' e d b a) | g( e' d) g,( e' d) b( e d) a( e' d) | \acciaccatura g,8 g'( d b g d b) } r2 | %% 29-32 4 | 2 | s4 \set tupletSpannerDuration = #(ly:make-moment 1 4 ) \times 2/3 {a8( d fs a d fs)} <<{\times 2/3 {e( fs e)}}\\ {4}>> | \set tupletSpannerDuration = #(ly:make-moment 1 4 ) \times 2/3 { 8( g fs e d cs c b a gs a as) | %% 33-36 b( e d) b( e d) b( e d) b( a' g) | d( a' g) c,( a' g) b,( g' e d b a) | g( e' d) g,( e' d) b( e d) a( e' d) | \acciaccatura g,8\( g' d b g d b\) } r2 | %% 37-40 \times 2/3{d8( b'a} d4)^| \times 2/3{d8( b' a} d4)^| | \times 2/3{d,,8( a' g} d'4)^| \times 2/3{ d8( a' g} d'4)^| | \set tupletSpannerDuration = #(ly:make-moment 1 4 ) \times 2/3 {a,8( fs' e) a,( f' ef) a,( ef' d) fs,( b a) | g( b d g b d} g4)^| r8\fermata s8 | \bar "|." \break %% %% Finale %% %% 41-44 \time 6/8 \partial 8 d,,8^\markup {\column {"FINALE." " " \italic \small "Allegretto."}} | 4 8 4 8 | 4 8 4. | 4 8 4 8 | %% 45-48 4 8 16_| d, e fs g a | 4 8 4 8 | 4 8 4. | 8 d <<{8 }\\{fs4.}>> | %% 49-52 \set doubleSlurs = ##t 4. ~ 8 r d | \set doubleSlurs = ##f 16_^ d, cs d _^ d _^ d cs d _^ d | _^ d, cs d _^ d, _^ d, cs d fs a | _^ a gs a _^ a _^ cs _^ cs _^ cs | %% 53-56 ^^ cs d( fs a g fs e d e c d) | 4 8 < b g d>4 8 | 4 8 4. | 8 d <<{ }\\{fs4.}>> | %% 57-60 16 d d d d d <<{r}\\{^|}>> d d d d d | <<{r}\\{^|}>> d d d d d d d d | g d' d d d d <<{r}\\{^|}>> d d d d d | <<{r}\\{^|}>> d d d d d d d d | %% 61-64 g( d' b g d b) d d d | g( d' b g d b) s4. | s8 r r 4. | 2.\fermata | } lower = \relative c { \time 4/4 \key g \major \clef bass %% 1-4 g4^\p g' g, g' | g, g' g, g' | d, d' d, d' | g, \slurDown g8.( b16 d4 d,) | \slurNeutral %% 5-8 g4 g' g, g' | g, g' g, g' | d, d' d, d' | d, d' g, r | %% 9-12 d d' cs d | fs g8. bf,16 d4 d, | a' a'2 a,4 | a' a, d4. r8 | %% 13-16 g,4 g' g, g' | g, g' g, g' | d, d' d, d' | d, d' g, r | %% 17-20 d_| ^| \clef treble _| r | \clef bass g,,_| ^| \clef treble _| r | \clef bass c,, c' d, | 2( 4) r | %% 21-24 g4 \clef treble d' g | r4 | \clef bass b, d, d, | r | %% 25-28 g4 \clef treble d' g | r4 | \clef bass b, d, d' | r g^| r | %% 29-32 \set tupletSpannerDuration = #(ly:make-moment 1 4 ) \times 2/3 { d8( b' a) d,( b' a) cs,( b' a) d,(b' a) | fs( e fs g bf, c d a fs} d4) | \times 2/3 {a'8( d fs)} r4 r 4( | 8) r r4 r2 | %% 33-36 g,4 \clef treble d' g | r4 | \clef bass b, d, b' | 4 r g^| r | %% 37-40 r4 ^| r \clef treble _| | r4 \clef bass ^| r \clef treble | \clef bass d,_| \clef treble ( ) %% d is b in original \clef bass ( | ) d( )^| r8\fermata s8 | %% %% Finale %% %% 41-44 \time 6/8 r8 | g16( d' cs d cs d) g,( d' cs! d cs d) | g,( e' ds e ds e) g,( d' cs d cs d) | d,( b' as b as b) d,( d' cs d cs d) | %% 45-48 g,( d' cs d cs d) d,8 r r | g,16( g' fs g fs g) g,( g' fs g fs g) | g,16( g' fs g fs g) g,( g' fs g fs g) | d,( d' cs d cs d) d,( d' cs d cs d) | %% 49-52 g,( d' cs d as b g8) r r | d4 d'8 d,4 d'8 | fs4 g8 d4 r8 | a4 a'8 a,4 a'8 | %% 53-56 d,4 r8 r4 r8 | g,16( g' fs g fs g) g,( g' fs g fs g) | g,16( g' fs g fs g) g,( g' fs g fs g) | d,( d' cs d cs d) d,( d' cs d cs d) | %% 57-60 g8^| r r s r r | s r r | r r s r r | s r r \clef treble | %% 61-64 r r \clef bass | r r <<{16 d, d, d,}\\ {8 }>> | <<{g'8}\\{}>> r r 4. | 2.\fermata | } dynamics = { s1 | s1 | s1 | s1 | s4\< s2 s4\! | s1 | %% 1-6 s1 | s1 | s1 | s1 | s4\mf s4\< s4 s4\! | s1 | %% 7-12 s4\< s2 s4\! | s4\> s2 s4\! | s1 |s1 | s4\f s2. | %% 13-17 s1 | s4^\markup {\italic \small Dim.} s2. | s1 |%% 18-20 s4\p s2. | s1 |s1 | s1 | s1 | s1 | s1 | s1 | %% 21-28 s4\f s2. | s1 | s4 s4-\markup {\small \italic cresc.} s4 s4\sf | s4\> s2 s4\! | %% 29-32 s1 | s1 | s1 | s1 | s4\f s2. |s1 | s1 | s4 s4-\< s4\! s4 | %% 37-40 s8\p | s2. | s2. | s2. | s2. | s2. | s2. | s2. | %% 41-48 s2. | s2. | s2. | s2. | s4\> s4 s4\! | s2. | s2. | s2. | %% 49-56 s4. s8^\markup {\small \italic m.g.} s4 | s8^\markup {\small \italic m.g.} s4. s4 | s4. s8^\markup {\small \italic m.g.} s4 | s8^\markup {\small \italic m.g.} s4. s4 | %% 57-60 s2. | s2. | s4 s8\ff s4. | s2. | %% 61-end } \score { \context PianoStaff << \set PianoStaff.instrument = \markup{\small "Piano" " " " "} \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower \lower >> \layout { \context { \type "Engraver_group_engraver" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6.5 } } \midi { \context { \type "Performer_group_performer" \name Dynamics \consists "Span_dynamic_performer" \consists "Dynamic_performer" } \context { \PianoStaff \accepts Dynamics } } }