\version "2.14.2" \header{ title = "Das Wohltemperierte Clavier I" subtitle = "Prelude 1" opus = "BWV 846" composer = "Johann Sebastian Bach (1685-1750)" %{ History: enteredby Shay Rojansky edited by Han-Wen Nienhuys edited by Tobias Erbsland version update by Javier Ruiz-Alma 9/11/2011 %} mutopiatitle = "Das Wohltemperierte Clavier I, Praeludium I" mutopiacomposer = "BachJS" mutopiaopus = "BWV 846" mutopiainstrument = "Harpsichord, Piano" source = "Unknown" style = "Baroque" maintainer = "Tobias Erbsland" maintainerEmail = "te@profzone.ch" lastupdated = "2005/Nov/16" copyright = "Public Domain" footer = "Mutopia-2011/09/12-5" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \paper { %#(set-paper-size "a4") %uncomment to test specific paper size %#(set-paper-size "letter") %uncomment to test specific paper size indent = 0.0 print-first-page-number = ##t evenHeaderMarkup = \oddHeaderMarkup %force pages to have same header (i.e. page number to right) ragged-last-bottom = ##f } \pointAndClickOff %% %% Define the left and the right hand in new variables %% right = { \transpose c c' { \time 4/4 \clef "violin" \tempo 4=60 \set Score.tempoHideNote = ##t r8 g16[ c'] e'[ g c' e'] r8 g16[ c'] e'[ g c' e'] |\noBreak r8 a16[ d'] f'[ a d' f'] r8 a16[ d'] f'[ a d' f'] |\noBreak r8 g16[ d'] f'[ g d' f'] r8 g16[ d'] f'[ g d' f'] | r8 g16[ c'] e'[ g c' e'] r8 g16[ c'] e'[ g c' e'] |\noBreak r8 a16[ e'] a'[ a e' a'] r8 a16[ e'] a'[ a e' a'] |\noBreak r8 fis16[ a] d'[ fis a d'] r8 fis16[ a] d'[ fis a d'] | r8 g16[ d'] g'[ g d' g'] r8 g16[ d'] g'[ g d' g'] |\noBreak r8 e16[ g] c'[ e g c'] r8 e16[ g] c'[ e g c'] |\noBreak r8 e16[ g] c'[ e g c'] r8 e16[ g] c'[ e g c'] | %% 10 r8 d16[ fis] c'[ d fis c'] r8 d16[ fis] c'[ d fis c'] |\noBreak r8 d16[ g] b[ d g b] r8 d16[ g] b[ d g b] |\noBreak r8 e16[ g] cis'[ e g cis'] r8 e16[ g] cis'[ e g cis'] | r8 d16[ a] d'[ d a d'] r8 d16[ a] d'[ d a d'] |\noBreak r8 d16[ f] b[ d f b] r8 d16[ f] b[ d f b] |\noBreak r8 c16[ g] c'[ c g c'] r8 c16[ g] c'[ c g c'] | r8 a,16[ c] f[ a, c f] r8 a,16[ c] f[ a, c f] |\noBreak r8 a,16[ c] f[ a, c f] r8 a,16[ c] f[ a, c f] |\noBreak r8 g,16[ b,] f[ g, b, f] r8 g,16[ b,] f[ g, b, f] | r8 g,16[ c] e[ g, c e] r8 g,16[ c] e[ g, c e] |\noBreak %% 20 r8 bes,16[ c] e[ bes, c e] r8 bes,16[ c] e[ bes, c e] |\noBreak r8 a,16[ c] e[ a, c e] r8 a,16[ c] e[ a, c e] | r8 a,16[ c] ees[ a, c ees] r8 a,16[ c] ees[ a, c ees] |\noBreak r8 b,16[ c] d[ b, c d] r8 b,16[ c] d[ b, c d] |\noBreak r8 g,16[ b,] d[ g, b, d] r8 g,16[ b,] d[ g, b, d] | r8 g,16[ c] e[ g, c e] r8 g,16[ c] e[ g, c e] |\noBreak r8 g,16[ c] f[ g, c f] r8 g,16[ c] f[ g, c f] |\noBreak r8 g,16[ b,] f[ g, b, f] r8 g,16[ b,] f[ g, b, f] | r8 a,16[ c] fis[ a, c fis] r8 a,16[ c] fis[ a, c fis] |\noBreak r8 g,16[ c] g[ g, c g] r8 g,16[ c] g[ g, c g] |\noBreak %% 30 r8 g,16[ c] f[ g, c f] r8 g,16[ c] f[ g, c f] | r8 g,16[ b,] f[ g, b, f] r8 g,16[ b,] f[ g, b, f] |\noBreak r8 g,16[ bes,] e[ g, bes, e] r8 g,16[ bes,] e[ g, bes, e] | \clef "bass" % easier to read r8 f,16[ a,] c[ f c a,] c[ a, f, a,] f,[ d, f, d,] | \clef "violin" r8 g16[ b] d'[ f' d' b] d'[ b g b] d[ f e d] |\noBreak 1\fermata\arpeggio } } left = { \clef "bass" << { %% 0 r16 e'8. ~ e'4 r16 e'8. ~ e'4 | r16 d'8. ~ d'4 r16 d'8. ~ d'4 | r16 d'8. ~ d'4 r16 d'8. ~ d'4 | r16 e'8. ~ e'4 r16 e'8. ~ e'4 | r16 e'8. ~ e'4 r16 e'8. ~ e'4 | r16 d'8. ~ d'4 r16 d'8. ~ d'4 | r16 d'8. ~ d'4 r16 d'8. ~ d'4 | r16 c'8. ~ c'4 r16 c'8. ~ c'4 | r16 c'8. ~ c'4 r16 c'8. ~ c'4 | %% 10 r16 a8. ~ a4 r16 a8. ~ a4 | r16 b8. ~ b4 r16 b8. ~ b4 | r16 bes8. ~ bes4 r16 bes8. ~ bes4 | r16 a8. ~ a4 r16 a8. ~ a4 | r16 aes8. ~ aes4 r16 aes8. ~ aes4 | r16 g8. ~ g4 r16 g8. ~ g4 | r16 f8. ~ f4 r16 f8. ~ f4 | r16 f8. ~ f4 r16 f8. ~ f4 | r16 d8. ~ d4 r16 d8. ~ d4 | r16 e8. ~ e4 r16 e8. ~ e4 | %% 20 r16 g8. ~ g4 r16 g8. ~ g4 | r16 f8. ~ f4 r16 f8. ~ f4 | r16 c8. ~ c4 r16 c8. ~ c4 | r16 f8. ~ f4 r16 f8. ~ f4 | r16 f8. ~ f4 r16 f8. ~ f4 | r16 e8. ~ e4 r16 e8. ~ e4 | r16 d8. ~ d4 r16 d8. ~ d4 | r16 d8. ~ d4 r16 d8. ~ d4 | r16 ees8. ~ ees4 r16 ees8. ~ ees4 | r16 e!8. ~ e4 r16 e8. ~ e4 | %% 30 r16 d8. ~ d4 r16 d8. ~ d4 | r16 d8. ~ d4 r16 d8. ~ d4 | r16 c8. ~ c4 r16 c8. ~ c4 | r16 c8. ~ c4 ~ c2 | r16 b,8. ~ b,4 ~ b,2 | c1\arpeggio } \\ { %% 0 c'2 c' | c' c' | b b | c' c' | c' c' | c' c' | b b | b b | a a | %% 10 d2 d | g g | g g | f f | f f | e e | e e | d d | g, g, | c c | %% 20 c c | f, f, | fis, fis, | aes, aes, | g, g, | g, g, | g, g, | g, g, | g, g, | g, g, | %% 30 g, g, | g, g, | c, c, | c,1 | c, | c,\arpeggio_\markup{\teeny " "}_\fermata } >> \bar "|." } %% %% Bring the two hands together %% \score { \context PianoStaff << \set PianoStaff.connectArpeggios = ##t \context Staff = "upper" \right \context Staff = "lower" \left >> \layout { } \midi { } }