\version "2.8.0" %#(set-default-paper-size "a4") %#(set-default-paper-size "letter") #(set-global-staff-size 18) \header{ title="Die Kunst der Fuge" piece=\markup{\hspace #10 \bold \huge "Contrapunctus XII - Canon alla Ottava"} opus="BWV 1080" composer="Johann Sebastian BACH (1685 - 1750)" mutopiatitle = "Die Kunst der Fuge, Contrapunctus XII - Canon alla Ottava" mutopiacomposer = "BachJS" mutopiaopus = "BWV 1080" mutopiainstrument = "Harpsichord, Piano" date = "?-1750" source = "Breitkopf & Härtel, 1885" style = "Baroque" copyright = "Public Domain" maintainer = "Arnaud Gossart" maintainerEmail = "arnaud.gossart@tiscali.fr" maintainerWeb = "http://arnaud.gossart.chez-alice.fr/" lastupdated = "2006/Apr/28" footer = "Mutopia-2006/04/28-746" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } % Some macros %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% autoBeam = {#(override-auto-beam-setting '(end * * * *) 3 16) #(override-auto-beam-setting '(end * * * *) 6 16)} higher = \override Script #'padding = #1 % Right hand %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% right = \relative c''{ \autoBeam a8. d,16 cis d e d e %1 f e f g f g a g a bes8-. r16 a8-. r16 g8-. r16 \appoggiatura g8 f8.~ f8 e16 f8 g16 \repeat volta 2{ a8 g'16 f8 a,16 g8 e'16 %5 d8 f,16 e8 d'16 cis8 e,16 e d cis d e f g a bes bes a g a b cis d e f f d e e cis d d b c c a bes! bes g a a f g %10 \appoggiatura g8 f8.~ f16 g a bes a g \appoggiatura d'8 cis8.~ cis16 d e f e d \higher gis4.~\downprall gis8. a8 r16 r8 cis,16 d8 e16 a, b cis d e f g,8.~ %15 g16 g' f e d cis d8.~ d16 b cis d e f e f d cis d e a,8.~ a16 bes g f g e f a d c bes a bes d g cis, e a, bes a g %20 f g e f8 d'16 g,8 f16 e a g f e d cis8.\prallprall d8 r16 r8. r8. R1*9/16 d'8. a16 gis a b a b %25 c b cis d cis d e d e f8-. r16 e8-. r16 d8-. r16 \appoggiatura d8 cis8.~ cis8 a16 b8 cis16 d c! b c8 a'16 gis8 d16 e8 g!16 f e d cis8 bes'16 %30 a f d d g c, c f bes, bes a g a cis e g f e f e d e d c d c b c d e d e f e f g f d a' bes, e g a, d f %35 g, cis e f, a g bes a cis! d e f gis,4.\lineprall a8 r16 r8 b16 c8 a16 d8 f16 f e d c d b e8.[ a,8.] r8. %40 a e'16 f e d e d c d c b c b a b a gis8-. r16 a8-. r16 b8-. r16 \appoggiatura b8 c8.~ c8 d16 c8 b!16 a e a c a c e8 gis,16 %45 a8 f'16 g,!8 e'16 f,8 d'16 e, b' d c b a gis d' f e d c b a gis a e b' c b a e'8.~ e16 b! d d( c) a' c,( b) g' b,( a) f' %50 a,( gis) b e,8 r16 r8. r d'~ d16 c d e d c b c d e fis gis a e c d g! b, c f a, b e d c b a b a gis %55 a gis fis gis e gis b e d c b a d8.~ d16 c b c8-. r16 f8-. r16 e8-. r16 d8 gis,16 a8 c16 f,8.\prallmordent e8 r16 r8. r %60 r16 d e f g f e8.~ e16 f g a bes a g a g f g f e f e d e d cis8-. r16 d8-. r16 e8-. r16 f8.~ f8 a16 g8\prall f16 %65 g f e cis'4.\downmordent d16 bes g' c,! a f' bes, g e' a, g e' a, f d' g, e cis' d a f d e f e f d e8.~ e16 f g f g e %70 f8-. r16 e8-. r16 d8-. r16 cis8-. r16 d8-. r16 e8-. r16 f e d bes' a g cis8 r16 r g d cis d e a, b cis! d g, bes c! f, a bes e, g %75 a a' g f d' c bes a bes a8. d,16 cis d e d e f e f g f g a g a bes8-. r16 a8-. r16 g8-. r16 \appoggiatura g8 f8.~ f8 e16 f8 g16 %80 } a8 g'16 f8 a,16 g8 e'16 d8 f,16 e8 d'16 cis8 e,16 e d cis d e f g a bes bes a g a b cis d e f f d e e cis d d b c %85 c a bes! bes g a a f g \appoggiatura g8 f8.~ f16 g a bes a g \appoggiatura d'8 cis8.~ cis16 d e f e d gis4.~\downprall gis8. a8 r16 r8 cis,16 d8 e16 %90 a, b cis d e f g,8.~ g16 g' f e d cis d8.~ d16 b cis d e f e f d cis d e a,8.~ a16 bes g f g e f a d c bes a %95 bes d g cis, e a, bes a g f g e f8 d'16 g,8 f16 e a g f e d cis8.\prallprall d8\fermata r16 r8 bes'16 a8 f'16 g, a bes a cis e g f e %100 a8 cis,16 d e f bes, ees d cis d e! a,8 r16 \clef bass a,,8 r16 d,4. r8. \bar "|." } % Left hand %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% left = \relative c'{ \autoBeam R1*9/16*4 %1 to 4 \repeat volta 2{ a8. d,16 cis d e d e %5 f e f g f g a g a bes8-. r16 a8-. r16 g8-. r16 \appoggiatura g8 f8.~ f8 e16 f8 g16 a8 g'16 f8 a,16 g8 e'16 d8 f,16 e8 d'16 cis8 e,16 %10 e d cis d e f g a bes bes a g a b cis d e f f d e e cis d d b c c a bes! bes g a a f g \appoggiatura g8 f8.~ f16 g a bes a g %15 \appoggiatura d'8 cis8.~ cis16 d e f e d \clef treble gis4.~\downprall gis8. a8 r16 r8 cis,16 d8 e16 a, b cis d e f g,8.~ g16 g' f e d cis d8.~ %20 d16 b cis d e f e f d cis d e \clef bass a,8.~ a16 bes g f g e f a d c bes a bes d g cis, e a, bes a g f g e f8 d'16 g,8 f16 %25 e a g f e d cis8.\prallprall d8 r16 r8. r R1*9/16 d'8. a16 gis a b a b c b cis d cis! d e d e %30 f8-. r16 e8-. r16 d8-. r16 \clef treble \appoggiatura d8 cis8.~ cis8 a16 b8 cis16 d c! b c8 a'16 gis8 d16 e8 g!16 f e d cis8 bes'16 a f d d g c, c f bes, %35 bes a g a cis e g f e f e d e d c d c b c d e d e f e f g f d a' bes, e g a, d f g, cis e f, a g bes a cis! %40 d e f g,4.\lineprall a8 r16 r8 b16 c8 a16 d8 f16 f e d c d b e8.[ a,] r a e'16 f e d e d %45 c d c b c b a b a gis8-. r16 \clef bass a8-. r16 b8-. r16 c8.~ c8 d16 c8 b16 a e a c a c e8 gis,16 a8 f'16 g,!8 e'16 f,8 d'16 %50 e, b' d c b a gis d' f e d c b a gis a e b' c b a \clef treble e'8.~ e16 b d d( c) a' c,( b) g' b,( a) f' a,( gis) b e,8 r16 r8. %55 r d'~ d16 c d e d c b c d e fis gis a e c d g! b, c f a, \clef bass b e d c b a b a gis a gis fis gis e gis b e d %60 c b a d8.~ d16 c b c8-. r16 f8-. r16 e8-. r16 d8 gis,16 a8 c16 f,8.\prallprall e8 r16 r8. r r16 d e f g f e8.~ %65 e16 f g a bes a g a g f g f e f e d e d cis8-. r16 d8-. r16 e8-. r16 f8.~ f8 a16 g8\prall f16 g f e cis'4.\prallmordent %70 d16 bes g' c,! a f' bes, g e' a, g e' a, f d' g, e cis' d a f d e f e f d e8.~ e16 f g f g e f8-. r16 e8-. r16 d8-. r16 %75 cis8-. r16 d8-. r16 e8-. r16 f e d bes' a g cis8 r16 r g d cis d e a, b cis! d g, bes c! f, a bes e, g a a' g f d' c bes a bes %80 } a8. d,16 cis d e d e f e f g f g a g a bes8-. r16 a8-. r16 g8-. r16 \appoggiatura g8 f8.~ f8 e16 f8 g16 a8 g'16 f8 a,16 g8 e'16 %85 d8 f,16 e8 d'16 cis8 e,16 e d cis d e f g a bes bes a g a b cis d e f f d e e cis d d b c c a bes! bes g a a f g %90 \appoggiatura g8 f8.~ f16 g a bes a g \appoggiatura d'8 cis8.~ cis16 d e f e d \higher gis4.~\downprall gis8. a8 r16 r8 cis,16 d8 e16 a, b cis d e f g,8.~ %95 g16 g' f e d cis d8.~ d16 b cis d e f e f d cis d e a,8.~ a16 bes g f g e f a d c bes a bes d g cis, e a, bes a g %100 f g e f8 d'16 g,8 f16 e a g f e d cis8.\prallprall d4. r8. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % Score %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% global = {\time 9/16 \key d \minor} \score{ \context PianoStaff << \context Staff = "Upper" {\global \clef treble \right} \context Staff = "Lower" {\global \clef bass \left} >> \layout{} } \score{ \unfoldRepeats \context PianoStaff << \context Staff = "Upper" { %\set Staff.midiInstrument=harpsichord \global \clef treble \right} \context Staff = "Lower" { %\set Staff.midiInstrument=harpsichord \global \clef bass \left} >> \midi{\tempo 4=90} }