\paper{ papersize = "letter" linewidth = 165 \mm indent = 8 \mm } #(set-global-staff-size 17) \version "2.2.1" \include "english.ly" \header { date = "189-?" source = "Sydney: Nicholson & Co., (189-?)" style = "Romantic" instrument = "" copyright = "Public Domain" maintainer = "Stan Sanderson" maintainerEmail = "physinfoman@ameritech.net" lastupdated = "5/25/2004" title = "Alice, Where Art Thou." subsubtitle = "Transcribed for the pianoforte by Joseph Ascher." poet = "" composer = "Joseph Ascher" opus = "1829-1869" mutopiainstrument = "Piano" mutopiacomposer = "AscherJ" moreinfo = "

This piece, an expansion of Ascher's popular Alice tune, is, I believe, typical of the repertory of the parlor performer. I suspect it exists on a piano roll somewhere.

The original is very dim; the transcription was as true as possible; corrections are welcome.

" tagline = "\\parbox{\\hsize}{\\thefooter\\quad\\small\\noindent\\hspace{\\stretch{1}} This music is part of the Mutopia project: \\hspace{\\stretch{1}} \\texttt{http://www.MutopiaProject.org/}\\\\ \\makebox[\\textwidth][c]{It has been typeset and placed in the public domain by " + \maintainer + ".} \\makebox[\\textwidth][c]{Unrestricted modification and redistribution is permitted and encouraged---copy this music and share it!}}" footer = "Mutopia-2004/05/25-449" } %%%%% %%%%% This piece, an expansion of Ascher's popular "Alice" tune, %%%%% is, I believe, typical of the repertory of the parlor performer. %%%%% I suspect it exists on a piano roll somewhere. %%%%% The original is very dim; the transcription was as true as %%%%% possible; corrections are welcome. %%%%% The limitations of Lilypond (especially with respect to slurs) %%%%% are apparent; however, its strengths, even at the development %%%%% stage, are amazing. %%%%% su = \stemUp sd = \stemDown sb = \stemBoth csu = \change Staff=upper csl = \change Staff=lower extraSpace = \once \override Score.SeparationItem #'padding = #0.5 upper = \notes\relative c'''' { \time 3/4 \key df \major \set subdivideBeams = ##t \set Score.beatLength = #(ly:make-moment 1 8) \override TupletBracket #'bracket-visibility = #'if-no-beam %% 1 \override Score.RehearsalMark #'self-alignment-X = #left \mark \markup {"" \raise #10.0 \bold \huge "Moderato Capriccioso."} \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { #(set-octavation 1) \once \override Slur #'beautiful = #3.5 \su g'32[( df bf]_\markup {\italic "L.H."} \sd g[ f e] #(set-octavation 0) \su g[ df bf] \sd g[ f e] \su g[ df bf] \sd g[ f e] \su g[ df bf] \change Staff=lower \sd g[ f e] \su g[ df bf] \sd g[ f e] \su g'[ df bf] \sd g[ f e]) } | %% 2 - 4 s2.| \set Score.beatLength = #(ly:make-moment 1 8) \change Staff= upper bf''''4^^(\( bf8.\) af16 g32[_\markup {\italic "rit."} f e df c bf af g]) | <<{g8 f ~ f2}\\{r4 8 r r4}>> | %% 5 - 6 r4 \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { #(set-octavation 1) \once \override Slur #'beautiful = #9.0 \su f'''32[( c af]_\markup \translate #(cons -3 -1){"" \italic "L.H."} \sd f[ df c] #(set-octavation 0) \su f[ c af] \sd f[ df c] \su f[ c af] \sd f[ df c] \su f[ c af] \change Staff=lower \sd f[ df c] | \su f[ c af] \sd f[ df c] \su f'[ c af] \sd f[ df c] \su f'[ c af] \sd f[ df c] \su f'[ c af] \sd f[ df c] \su f'[ c af] \sd f[ df c] \su f'[ c af] \sd f[ df c]) } | %% 7 - 11 \change Staff=upper s2 s32 \sd af''''16[(^^_\markup {"" \raise #-4.0 \italic "rit."}_\> g32 f ef d c]\! | c8 b) r4^\markup {"" \raise #3 \italic "Agitato ed un poco piu mosso"} \su 8.(_\mf_\< 16 | 8 )\! r4 \slurUp 8.(_\< 16 | \sd 8 )\! r4 8.(_\markup {"" \raise #-2.5 \italic "cresc."} 16) | \acciaccatura bf,8 4(^^_\markup {"" \raise #-3 \dynamic f \raise #-3 \italic "dim. e rall."} ~ 8.[ 16^^] ^^ ^^ ^^ ^^) | %% 12 - 14 (page 2) 8[(^^_\> ])\! r \su 8.(^\markup {"" \raise #1.5 \italic "dolce"}_\p 16 | 4\arpeggio \sd 4. ~ 8_\> | [ ])\! \su #(set-octavation 1) f'''32[(_\markup {\italic "legg."} ef df bf g ef df bf #(set-octavation 0) g ef df bf g ef df bf]) | \sb %% 15 - 17 \once \override Score.Hairpin #'extra-offset = #'(0 . +1.5) 4(\arpeggio_\<_ \markup {\italic "poco a poco accellerando"} \sd 4. ~ 8\! | [ ]) \su #(set-octavation 1) f'''32[( ef df bf g ef df bf #(set-octavation 0) g ef df bf g ef df bf]) | 4(\arpeggio_\markup {\italic "cresc."} \sd 4. 8\arpeggio | %% 18 - 20 \sd 8[\arpeggio )] \su #(set-octavation 1) f'''32[( ef c a f ef c a #(set-octavation 0) f ef c a f ef c a ]) | \sd 4(_\f 4. 8 | 8[ )] \su #(set-octavation 1) g'''32[( f_\markup {\italic "rit."} d b g f d b #(set-octavation 0) g f d b g f d b ]) | %% 21 - 22 \sd 8\arpeggio_\markup {\dynamic fff \italic "con fucco"} r \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { #(set-octavation 1) \once \override Slur #'beautiful = #4.0 \su e''32[( a g] \sd c,[ g e] #(set-octavation 0) \su e[ a g] \sd c,[ g e] \su e[ a g] \sd c,[ g e] \su e[ a g] \change Staff=lower \sd c,[ g e]) } \change Staff = upper| s2. | %% 23 - 25 r4^\markup {"" \raise #2 \italic "a tempo"} r8 \su 8[_\< ]\! | 16([ bf')] \sd \arpeggio([ df')] \arpeggio([ f')] \arpeggio([_\< bf')] \arpeggio([ df')] #(set-octavation 1) \arpeggio([ f')]\! | ([ bf')] ([_\< df')] \arpeggio([ f')] ([\!_\markup {\italic "rit."} f')] ([ f')] ([ f')] | %% 26 - 27 ef32[(_\markup {\dynamic f \italic "brillante"} f g af c, df d ef af, bf b c ef, f g af #(set-octavation 0) c, df! d ef af, bf! b c)] | \su ef,[( f g af c, df d ef af, bf b c ef, f g af c, df! d ef af, bf! b c]) | %% 28 - 29 \change Staff = lower ef,4^> 32[(^\markup {"" \raise #1 \italic "R.H."} ]) \sd ef[(_\markup \translate #(cons -4.5 0){"" \raise #-1 \italic "L.H."}_\< ef,]) \su [( ]) \sd ef[( ef,]) \change Staff = upper \su [( ]) \sd ef[( ef,]) \su [( ]) \sd ef[( ef,])\! | #(set-octavation 1) \su [( ])_\< \sd ef[( ef,]) \su [( ]) \sd ef[( ef,]) \su [( ]) \sd ef[( ef,]) \su [( ]) \sd ef[( ef,]) \su [( ]) \sd ef[( ef,]) \su [( ]) \sd ef[( ef,])\! | %% 30 - 31 ef'[( ef,] ef'[ ef,] ef'[ ef,] ef'[ ef,] ef'[ ef,] ef'[ ef,] ef'[_\markup {\center-align <\italic " " "cresc." \italic "molto ritenuto"> } ef,] ef'[ ef,] ef'[ ef,] e'[ e,] f'[ f,] g'[ g,] ) | %%% following is a workaround due to bug preventing midi from %%% timing properly with 16th notes (32nd notes would time o.k.) \acciaccatura {af16*1/2[ c16*1/2 ef16*1/2]} \once \override Staff.Beam #'damping = #0 af32^^[( f ef c af f ef c #(set-octavation 0) af' f ef c af f ef c af' f ef c af f ef c]) | %% 32 - 34 af'''[( f ef c af f ef c af' f ef c af f ef c af' f ef c \change Staff = lower \su af f ef c]) | \change Staff = upper r4 r8 af''[_-^\markup {\italic "parlando"} af_- af_-] | \acciaccatura c8 \slurDown bf8( af4) af8[(_- af_- af_-]) | %% 35 - 37 \acciaccatura c8 bf af4 af8[(_-_\< af_- af_-]) | \slurBoth \acciaccatura {af16[ c]} bf4(\! \override TupletBracket #'number-visibility = ##f \times 16/17 { \sd \once \override Slur #'beautiful = #3.5 bf32)[( af c ef af c ef gf bf^\markup {"" \raise #1.0 \smaller \italic "17"} af gf ef c af gf ef c]) }| bff2(_\markup {"" \raise #-3 \italic "rit." } ~ bff8[ af]) | \override TupletBracket #'number-visibility = ##t %% 38 - 42 \override Score.RehearsalMark #'self-alignment-X = #left \mark \markup {"" \raise #4.0 \bold \large "Andante con espress."} \acciaccatura {af,16[_\markup {\dynamic p \italic "cantabile"} df f]} af4( df4. ef8 | \acciaccatura {ef,16[ gf]} df'4 c2) | \acciaccatura {df,16[ af']} bf4( \acciaccatura c8 bf[ a bf c] | \acciaccatura {c,16[ f]} bf4 af) r8 af | \acciaccatura {bf,16[ d]} af'4( f'4. \acciaccatura {f16[ af]} gf8 | %% 43 - 48 \acciaccatura {gf,16[ bf]} f'4 ef4.) bf8( | \acciaccatura {ef,16[ gf_\markup {"" \raise #-3 {\dynamic p \italic "rit."}} af]} df4 \acciaccatura {c16[ df]} c8[ bf c8. af16]) | \acciaccatura {df,16[ f]_\markup {"" \raise #-3 \italic "a tempo"}} df'4 r r8 8 | 4\arpeggio(_\markup {\italic "armonioso"} 4.\arpeggio ~ 8 | 4\arpeggio ~ )_\< | \arpeggio(\! 8 | %% 49 - 56 4\arpeggio ~ ) r8 8( | 4\arpeggio \arpeggio 8\arpeggio[ \arpeggio]) | 4\arpeggio_\> 4.\arpeggio\! 8(\arpeggio_\p | 4\arpeggio 8[\arpeggio_\markup {"" \raise #-1.5 \italic "rit."} \arpeggio \arpeggio ]\arpeggio | 4\arpeggio)_\markup {"" \raise #-2 \italic "a tempo"} r r8 %% last note measure 53 on - <<{ s8 r4 r4 ^> ~ 2 4^> s4}\\ {f,8( df'4_\markup {"" \raise #-2 \italic "dolce"} c4.) f,8( c'4 bf) r8 f ~ ^\markup {"" \raise #1 \italic "con dolore"}}>> 8[( ]) | %% 57 - 59 4 r8 | <<{r4 r16 f'[( f' f] #(set-octavation 1) f') #(set-octavation 0) r r8}\\ {4 4. 8}>> | <<{r4 r16 f'[( f' f] #(set-octavation 1) f') #(set-octavation 0) r r8}\\{4 4. r8}>> %% 60 - 63 <<{gf'8[( f' ef, df' c, bf'])}\\{gf16[ gf'] f[ f,] ef[ ef'] df[ df,] c[ c'] bf[ bf,] }>> | \set PianoStaff.connectArpeggios = ##t 8\arpeggio #(set-octavation 1) 8[ _\< ]\! | \set PianoStaff.connectArpeggios = ##f <<{f'16[ f f f f f f f f f f f]}\\{af,4_> df4._> ef8_>}>> | <<{gf16[ gf gf gf gf gf gf gf gf gf gf gf]}\\{df4_> c2_>}>> | %% 64 - 66 <<{gf'16[ gf gf gf gf gf gf gf gf gf gf gf]}\\ {bf,4 \acciaccatura c8 bf[ a bf c]}>> | <<{gf'16[ gf gf gf f f f f f f f f]}\\ {bf,4 af4. 8}>> | #(set-octavation 0) \override Staff.NoteCollision #'merge-differently-dotted = ##t <<{f'4( 4. d8)}\\{ 16[ r ef r r ]}>> | %% 67 - 70 <<{d8[( ef] 4. ef8)}\\{ 16[ ef bf, r r ]}>> | <<{ef'4 df8[^^ c^^ bf^^ af^^]}\\ {16[ r df c, bf, ]}>> | 8^._\sfz s8 s4 s4 | <<{bf4.( c8[ df ef])}\\ {16[_\mf r r ]}>> | %% 71 - 74 <<{af4.( bf8[ c df)]}\\{16[ r r ]}>> | 8^.[_\f ^.]\arpeggio \set PianoStaff.connectArpeggios = ##t \arpeggio r\fermata \set PianoStaff.connectArpeggios = ##f r ( | ^.)[ ]\arpeggio \set PianoStaff.connectArpeggios = ##t \extraSpace \arpeggio r r ( | ^.) #(set-octavation 1) <<{\override Stem #'beamed-lengths = #'(6.6 5.8 5.0) af''8[( s f s df])}\\{af'16[ af' gf gf, f f' ef ef, df df']}>> | \set PianoStaff.connectArpeggios = ##f %% 75 - 78 %% 75 & 76 <<{c8.[( c16] bf8.[ bf16]) s8 s8 bf,[( gf' f' ef, df' c,])} \\{c'16[ c, c c' bf bf, bf bf' bf,^> bf' bf bf,] ~ bf8[_\p gf'16 gf' f f, ef ef' df df, c c']}>> | <<{bf8.[( bf16] af8.[ af16]) #(set-octavation 0) s8 s8}\\ {bf16[ bf, bf bf' af af, af af' af,,^> af' af af,]}>> | <<{bf4.^> c8[^\markup {\italic "cresc."} df ef]}\\ {\slurUp bf16[ bf'( bf bf' bf bf, c, c' df, df' ef, ef'])}>> | %% 79 - 82 <<{af,,4.^> bf8[ c df]}\\ {af16[ \slurUp af'( af af' af af, bf, bf' c, c' df, df'])}>> | 8\arpeggio #(set-octavation 1) af''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) | \csu \sd 8\arpeggio #(set-octavation 1) af'''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) | \csu \sd 8\arpeggio #(set-octavation 1) af'''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) | %% 83 - 85 \slurUp \once \override Slur #'beautiful = #4.0 af''16[(^\markup {"" \raise #3 \italic "leggiero"} \csu bf32_\markup {\italic "marcato"} c df ef f gf af bf c df ef f gf af bf c df ef #(set-octavation 1) f gf af bf] | \once \override Slur #'beautiful = #4.0 c[ df ef f gf ef c af gf ef c af #(set-octavation 0) gf ef c af gf ef c af \csl gf ef c af]) | \once \override Slur #'beautiful = #4.0 bf'16[( \csu c32 df ef f gf af bf c df ef f gf af bf c df ef f #(set-octavation 1) gf af bf c] | %% 86 - 88 \once \override Slur #'beautiful = #4.0 df[ ef f ef df af f ef f ef df af #(set-octavation 0) f ef df af f ef df af f ef df af]) | \once \override Slur #'beautiful = #4.0 \csl af'16[( bf32 d \csu f af bf d f af bf d #(set-octavation 1) f af bf d f af af af af af af af] | \once \override Slur #'beautiful = #4.0 af[ gf ef bf af gf ef bf af' gf ef bf #(set-octavation 0) af gf ef bf af' gf ef bf af gf ef bf ]) | %% 89 - 91 df[( ef f gf af bf c df ef f gf af bf c df ef #(set-octavation 1) f gf g af a bf b c] | df[ ef f ef df af f ef #(set-octavation 0) df af f ef df af f ef df \csl af f ef df af f df]) | \slurUp af''16[( \csu bf32 c df ef f gf af bf c df ef f gf af bf c df ef #(set-octavation 1) f gf af bf] | %% 92 - 94 c[ df ef f gf ef c af gf ef c af #(set-octavation 0) gf ef c af gf ef c af \csl gf ef c af]) | bf'16[( \csu c32 df ef f g a bf c df ef f g a bf c df ef f #(set-octavation 1) g a bf c] | df[ ef f ef df af f ef f ef df af #(set-octavation 0) f ef df af f ef df af f ef df af]) | %% 95 - 97 \csl af'16[( bf32 d \csu f af bf d f af bf d #(set-octavation 1) f af bf d f af af af af af af af] | af[ gf gf f f ef ef df df c c bf bf af af gf gf f f ef ef df df c] | #(set-octavation 0) c[ bf bf af af gf gf f f ef ef df df c c bf bf af af gf gf f f ef]) | %% 98 - 100 \once \override Slur #'beautiful = #4.5 \csl df16^^[ \csu ef32( f gf af bf c df ef f gf af bf c df ef f gf #(set-octavation 1) af bf c df ef] | f[ ef c a f ef c a #(set-octavation 0) f ef c a f' ef c a f ef c a \csl f a c f]) | \csl c16[( \csu #(set-octavation 1) f'''32 df bf f df bf #(set-octavation 0) f' df bf f df bf f' df bf f df bf \csl f \csu bf df f]) | %% 101 - 103 \csl f^^[( \csu gf g af a bf b c df d ef e f gf g af a bf b c df d ef e] | f[ a c a f c a c f c a f c a f' c a f c a \csl f \csu a c f]) | \csl s4 c32[( f, a c \csu f a c f a c #(set-octavation 1) f a f' f, f' f,]) #(set-octavation 0) | %% 104 - 106 \csl s4 bf,,,32[( f bf df \csu f bf df f bf df #(set-octavation 1) f bf f' f, f' f,]) | r \sd gf[( gf' gf,]) r f[( f' f,]) r ef[( ef' ef,]) r df[( df' df,]) r c[( c' c,]) r bf[( bf' bf,]) | 16\arpeggio[ #(set-octavation 0) ^.( ^. ^. ^. ^. ^.^. ^. ^. ^. ^.]) | %% 107 - 108 #(set-octavation 1) \set tupletSpannerDuration = #(ly:make-moment 1 8) \times 2/3 { 16[(^\markup {"" \raise #2.5 \italic "largamente"} ) ( ) ( ) ( ) ( ) ( )] | \override TupletBracket #'number-visibility = ##f [ ] | %% 109 - 110 [ ^^ ^^ ^^ ^^ ] | [ ] %% 111 - 112 \su ^^[ ] | [ ] | %% 113 - 114 [ ] | \sd [ ] | #(set-octavation 0) %% 115 - 117 [( #(set-octavation 1) gf, #(set-octavation 0) gf gf gf,) \csl \su c, \csu \sd ( ) \csl \su df, \csu \sd ( ) \csl \su ef, \csu \sd ( )] | [( #(set-octavation 1) f #(set-octavation 0) f f f,) \csl \su bf,_^ \csu \sd ( ) \csl \su c,_^ \csu \sd ( ) \csl \su df,_^ \csu \sd ( )] | [ #(set-octavation 1) ( af]) #(set-octavation 0) \csl \su \clef treble _.[ \csu \sd #(set-octavation 1) ( af)] #(set-octavation 0) \csl \su _.[ \csu \sd #(set-octavation 1) ( af)] #(set-octavation 0)\csl \su _.[ \clef bass \csu \sd ( af)] \csl \su _.[ \csu \sd ( af)] \csl \su _.[ \csu \sd ( af,)] | } %% 118 - 120 8\arpeggio \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { \csl \su \clef treble 16_.[ \csu \sd #(set-octavation 1) ( af)] #(set-octavation 0) \csl \su _.[ \csu \sd #(set-octavation 1) ( af)] #(set-octavation 0) \csl \su _.[ \clef bass \csu \sd ( af)] \csl \su _.[ \csu \sd ( af)] \csl \su _.[ \csu \sd ( af,)] } | 8 \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { \csl \su \clef treble 16_.[ \csu \sd #(set-octavation 1) (^\markup {""\raise #2 \italic "a tempo"} af)] #(set-octavation 0) \csl \su _.[ \csu \sd #(set-octavation 1) ( af)] #(set-octavation 0) \csl \su _.[ \csu \sd ( af)] \csl \su _.[ \clef bass \csu \sd ( af)] \csl \su _^[ \csu \sd ( af)] | \csl \su _^[ \csu \sd ( af)] \csl \su _^[ \csu \sd ( af)] \csl \su _^[ \csu \sd ( af)] \csl \su \slurDown [ ( af)] [ ( af)] [ ( af)] } | %% 121 \set subdivideBeams = ##f \times 6/11{ \slurUp \once \override Slur #'beautiful = #4.5 f32[(\sustainDown^\markup {"" \raise #8 \italic "a tempo"} af df_\markup {"" \raise #-4 \italic "trem."} ef f af df ef \csu \sd f af df ef f af df ef f af #(set-octavation 1) df ef f ef df af f ef df af #(set-octavation 0) f' ef df af f ef df af f ef df af \csl \su f ef df af]) } %% 122 - 123 \times 4/5{ \slurUp \once \override Slur #'beautiful = #5.0 f32[(\sustainDown^\markup \translate #(cons -3 0){"" \raise #-4 \dynamic fff } af df ef f af df ef \csu \sd f af df ef f af df ef f #(set-octavation 1) af df ef] } f8[) #(set-octavation 0) ^^] | #(set-octavation 1) 8_\markup {"" \raise #-3 \dynamic rfz } #(set-octavation 0) r r r4 r8 \bar "|." } lower = \notes\relative c, { \time 3/4 \key df \major \set subdivideBeams = ##t \override TupletBracket #'bracket-visibility = #'if-no-beam %% 1 s4^\markup {"" \raise #2.0 \dynamic ff \raise #2.0 \italic "con fucco"} s s | %% 2-4 \set Score.beatLength = #(ly:make-moment 1 8) \su df4_^(^\markup {\italic "R.H."} df32[)( c_\< e g bf c e g bf c \change Staff=upper \sd e g bf c e g])\! | \change Staff=lower R2. | r4^\p 8\arpeggio\sustainDown r8 r4\sustainUp | %% 5 - 6 s4^\markup {"" \raise #2.0 \dynamic ff \raise #2.0 \italic "con fucco"} s s | s2. | %% 7 - 11 \su f,,8^^_\<^\markup {\italic "L.H."} ~ f32[( af c f af c f af c \change Staff=upper \sd f af c f])\! s32*7 \change Staff=lower | r4^\markup {"" \raise #2 \dynamic p \raise #2 \italic "a tempo"} 8\arpeggio_\rfz r8 r4 | r4 8\arpeggio_\rfz r8 r4 | r4 8\arpeggio_\rfz r8 r4 | R2. | %% 12 - 14 (page 2) r4^\markup {\italic "a tempo"} \slurUp \acciaccatura 8 8 r8 r4 | 8([\sustainDown ef' ef ef)]\sustainUp | <<{af,2.}\\{\slurUp af8[( ef' ef ef])}>> | %% 15 - 17 <<{af,2.}\\{\slurUp af8[(\sustainDown ef' ef ef])\sustainUp}>> | <<{af,2.}\\{\slurUp af8[(\sustainDown ef' ef ef])\sustainUp}>> | <<{af,2.}\\{\slurUp af8[(\sustainDown ef' ef ef])\sustainUp}>> | %% 18 - 20 <<{a,2.}\\{a8[( f' f f])}>> | (^^ f' f f) | g' g g | %% 21 - 22 \slurUp \acciaccatura8\sustainDown 8 s8 s4 s4 | \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { \su e32[ af g] \sd c,[ g e] \su e'32[ af g] \sd c,[ g e] \su e'32[ af g] \sd c,[ g e] \su e'32[ af g] \sd c,[ g e] \su e'32[ af g] \sd c,[ g e] \su e'32[ af g] \sd c,[ g e] } | %% 23 - 25 \su c4.^\markup {\italic "R.H."}_\rfz r8 r4 | \sd df8[( f'^\markup {"" \raise #2 \italic "cresc."} f f]) | [(^\markup {"" \raise #4 \italic "cresc."} f \arpeggio \clef treble \arpeggio \arpeggio]) \clef bass | %% 26 - 27 8 \clef treble \sd [^^ ^^ ^^ ^^ ^^] | \su [ \clef bass ] | %% 28-29 \sd 4_>^\markup {"" \raise #3 \italic "cresc."} s4 s4 | s4 s4 s4 | %% 30 - 31 R2. | 8[(^\markup {\dynamic f \italic "a tempo" \dynamic p} ef' ef ef]) | %% 32 - 34 af,8[( ef'^\markup {"" \raise #2.0 \italic "dim. e rit."} ef ef]) | \su 4\sustainDown^\markup {"" \raise #2.0 \dynamic p "" \raise #2.0 \italic "a tempo"} r4 r4 | \sd r4 8^. r8 r4 | %% 35 - 37 r4 8^. r8 r4 | r \acciaccatura {\override Stem #'beamed-lengths = #'(3.6 4.2) af,16[ af']} \extraSpace 8\arpeggio^\markup \translate #(cons -3 0){\dynamic p } r^\markup {"" \raise #2.0 \italic "con delicatezza"} r4 | R2. | %% 38 - 42 8[(\sustainDown af' af af)]\sustainUp | [(\sustainDown af' af af)]\sustainUp | [(\sustainDown gf gf gf)]\sustainUp | [(\sustainDown f f f)]\sustainUp | [(\sustainDown bf'_\markup {"" \raise #-2 \italic "simile"} bf bf)] | %% 43 - 48 [( bf' bf bf)] | [( af' af, af)] | [( af' af af)] | [( af' af af)] | [( af af af)] | [( g g, g,)] | %% 49 - 54 [( f f f]) | [( bf' bf bf]) | [( bf' bf bf]) | [( af' af af]) | [( af' af af]) | f,[( f' f f]) | %% 55 - 59 f,[( f' f f]) | f,[( f' f' f, f' f,]) | f,[( f' f' f, f' f,]) | \once \override Score.Hairpin #'extra-offset = #'(0 . +1.5) f,[(^\< f' \! \once \override Score.Hairpin #'extra-offset = #'(0 . +4.0) f f])^\< | f,[( f' \! f f]) | %% 60 - 63 <<{a8[ bf c df ef e]}\\{f,2.}>> | 8\arpeggio r^\markup {""\raise #2 \italic "rit."} r4 f4 | 8[(^\markup {""\raise #3 {\dynamic p \italic "a tempo"}} af' af af]) | [( af' af af]) | %% 64 - 66 [( af' af af]) | [( af' af af]) | ^.^\markup {""\raise #3.5 \italic "poco animato"} ^. ^. ^. ^. ^. | %% 67 - 70 ^.[ ^.^\markup {""\raise #0 \italic "cresc."} ^. ^. ^. ^.] | ^.[ ^.^\< ^. ^. ^.\! ^.] | \phrasingSlurDown \arpeggio\sustainDown^\ff \su 16[\( \sd \csu (^\markup {"" \raise #2.5 \italic "sonore"} \su \csl \sd \csu \su \csl \sd \csu \su \csl \sd \csu \su \csl \) \sd \csu ]) | \phrasingSlurBoth \csl 8^.[\sustainUp ^. ^. ^.^\< ^. ^.]\! | %% 71 - 74 ^.[ ^.^\markup {\italic "cresc."} ^. ^. ^.^\markup {\italic "rit."}^\< ^.]\! | ^.[\sustainDown ^.]\arpeggio \clef treble \arpeggio r\fermata\sustainUp r4 \clef bass | 8[\sustainDown ]\arpeggio \clef treble \extraSpace \arpeggio r r4\sustainUp \clef bass | 8^.[(\arpeggio^\markup {"" \raise #4 {\dynamic p \italic "a tempo"}} f f f]) | %% 75 - 78 [( gf gf ^\mf gf]) | [( gf gf gf]) | [( f f ^\mf f ]) | [( gf gf gf]) | %% 79 - 82 [( af af^\markup {"" \raise #4 \italic "rit."} af]) | \slurUp \acciaccatura 8\sustainDown \extraSpace _\sfz^. r r4 s8. s16\sustainUp | \acciaccatura 8\sustainDown \extraSpace _\sfz^. r r4 s8. s16\sustainUp | 8\arpeggio\sustainDown^\markup {\dynamic f \italic "molto rit."} r r4 s8. s16\sustainUp | \slurBoth \break %% 83 - 85 <<{\sd af''4^\markup {"" \translate #(cons -4 -3) {\center-align <\italic "a tempo" \italic "R.H.">}} \su df4.^>^\markup {\italic "il canto"} ef8^>^\< }\\{df,,8[ gf^\markup {"" \translate #(cons -6 -2) {\italic "L.H."}} ef']}>> | <<{df4^> c2^>\!}\\{df,,8[ gf ] r}>> | <<{bf'4^>^\markup {"" \translate #(cons -4 -3){\italic "R.H."}} \acciaccatura c8^\markup {\italic "L.H."} bf[( a bf c])}\\{df,,[ ] ~ 2}>> | %% 86 - 88 \override Staff.NoteCollision #'merge-differently-dotted = ##t <<{bf'4(^\> af4.\! af8)}\\{\arpeggio[ af' af]}>> | <<{af4(^\markup {"" \translate #(cons -4 -3){\italic "R.H."}} f'4.^\markup {"" \translate #(cons -4 -3){\italic "L.H."}} gf8)}\\{bf,,,8[ bf' gf']}>> | <<{f4^>( ef4.^> bf8)}\\{\arpeggio[ ef' bf']}>> | %% 89 - 91 <<{df4 c8[( df c8. af16])}\\{\slurUp af,,8[ ] ~ 2}>> <<{df'4^\markup {\italic "molto cresc."} r r^\ff}\\{\acciaccatura df,,8 4 r r8 r16 r32 df32}>> | <<{af''4 df4.^> ef8^> }\\{df,,,8[ gf ef']}>> | %% 92 - 94 <<{df4^> c2^>}\\{8\arpeggio[ c' ] r}>> | <<{bf'4 bf8[( a bf c])}\\{[ ] ~ 2}>> | <<{bf'4( af4. af8)}\\{\arpeggio[ af' af]}>> | %% 95 - 97 <<{\sd af4 \sb af'4^\markup {\italic "cresc."} gf8^>[ f^>]^\markup {\italic "rit."}}\\ {bf,,,8^>[ bf' af''^>] 4. }>> | % 96 - 97 <<{f'4^>^\markup {\italic "a tempo"} ef4.^> bf8( df4^> c8[^\p bf c af])^\markup {\italic "rit."}}\\ {\arpeggio[ ef' ^\markup {\italic "dim."} bf'] 8\arpeggio af,] ~ 2}>> | %% 98 - 100 <<{df'4^> r r8 df8}\\{8[\arpeggio \slurUp af( ]) r r4}>> | <<{df'4^> c4.^> f,8}\\{f,8[ c' ] r}>> | <<{c'4^> bf4.^> f8^>}\\{f,8[ bf' f]}>> | %% 101 - 103 <<{f'4^> ef8[( df c bf])}\\{f,8[ f' ]}>> | <<{bf'8[ a] c4 r8 f,}\\{2 ~ 8 r}>> | <<{df'4^^( c4.^>) \sd f,8^^^\markup {"" \raise #2.5 \center-align <\italic "poco rit.">}} \\{\once \override Slur #'beautiful = #4.5 r16 f,,32[( a c f a c] \sd f32) s32 s16 s8 s4}>> | %% 104 - 106 <<{c'4^^(^\markup {"" \raise #0.5 \italic "cresc."} bf4.)^^ bf8} \\{\once \override Slur #'beautiful = #5.5 r16 f,,32[( bf df f bf df] f) s32 s16 s8 s4}>> | <<{a8[( bf c df ef e])}\\{f,2.}>> | 16^.\arpeggio[^\rfz f'^.(^\ff f^. f^. f^. f^. f^. f^. f^. f^.^\markup {"" \raise #2.5 \italic "rit."} f^. f^.]) | %% 107 - 108 \set tupletSpannerDuration = #(ly:make-moment 1 8) \times 2/3 { df,,[(^\markup \translate #(cons -4 0) {"" \raise #1.5 {\dynamic p \italic "a tempo."}} af'' df f df af) f'( df af) f'( df af) f'( df af) f'( df af)] | \override TupletBracket #'number-visibility = ##f [( af c gf' c, af) gf'( c, af) gf'( c, af) gf'( c, af) gf'( c, af)] | %% 109 - 110 [( af' c af' c, af) af'(^\markup \translate #(cons 2 0){ "" \raise #-1 \italic "rit."} c, af) af'( c, af) af'( c, af) af'( c, af)] | [( af' df f df af) f'( df af) f'( df af) f'( df af) f'( df af)] | %% 111 - 112 [^\markup {"" \raise #3 \dynamic p } ] | [ ^\markup {\italic "cresc."} ] | %% 113 - 114 [^\markup { "" \raise #4 {\dynamic f \italic "largamente"}} ^\markup {\italic "cresc."} ] | [^\markup \translate #(cons -3 0) {"" \raise #2.5 {\dynamic fff \italic "strepitoso"}} ] | } %% 115 - 117 8^\rfz_\rfz r _\rfz c_^[ df_^ ef_^] | ^\rfz_\f r _\rfz bf_^[ c_^ df_^] | \acciaccatura \sustainDown _\rfz s s4 s8 s16 s16\sustainUp | %% 118 - 120 \acciaccatura 8\sustainDown 8^.^\markup {\center-align <\italic "molto rit.">} s s4 s8 s16 s16\sustainUp | \acciaccatura 8\sustainDown^\markup \translate #(cons -2.5 0) {"" \raise #3 \dynamic fff } ^^ s s4 s8 s16 s16\sustainUp | s8 s s \set tupletSpannerDuration = #(ly:make-moment 1 16) \times 2/3 { af,,16^\markup {"" \raise #4.5 {\italic \center-align <"rit." "piu"> \dynamic f }} s8 af16 s8 af16 s8 }| %% 121 - 123 \repeat "tremolo" 12{ 32^\markup \translate #(cons -4 0) {"" \raise #3 \dynamic fff } df32 } | \repeat "tremolo" 8{ 32 df32 } 8^^[\sustainDown ^^] | \su 8_. r\sustainUp r r4 r8 | } \score { \context PianoStaff << \context Staff=upper \upper \context Staff=lower << \clef bass \lower >> >> \paper { } \midi { \tempo 4=60 } }