\paper{ papersize = "letter"
linewidth = 165 \mm
indent = 8 \mm
}
#(set-global-staff-size 17)
\version "2.2.1"
\include "english.ly"
\header {
date = "189-?"
source = "Sydney: Nicholson & Co., (189-?)"
style = "Romantic"
instrument = ""
copyright = "Public Domain"
maintainer = "Stan Sanderson"
maintainerEmail = "physinfoman@ameritech.net"
lastupdated = "5/25/2004"
title = "Alice, Where Art Thou."
subsubtitle = "Transcribed for the pianoforte by Joseph Ascher."
poet = ""
composer = "Joseph Ascher"
opus = "1829-1869"
mutopiainstrument = "Piano"
mutopiacomposer = "AscherJ"
moreinfo = "
This piece, an expansion of Ascher's popular Alice tune, is, I believe, typical of the repertory of the parlor performer. I suspect it exists on a piano roll somewhere.
The original is very dim; the transcription was as true as possible; corrections are welcome.
"
tagline = "\\parbox{\\hsize}{\\thefooter\\quad\\small\\noindent\\hspace{\\stretch{1}} This music is part of the Mutopia project: \\hspace{\\stretch{1}} \\texttt{http://www.MutopiaProject.org/}\\\\ \\makebox[\\textwidth][c]{It has been typeset and placed in the public domain by " + \maintainer + ".} \\makebox[\\textwidth][c]{Unrestricted modification and redistribution is permitted and encouraged---copy this music and share it!}}"
footer = "Mutopia-2004/05/25-449"
}
%%%%%
%%%%% This piece, an expansion of Ascher's popular "Alice" tune,
%%%%% is, I believe, typical of the repertory of the parlor performer.
%%%%% I suspect it exists on a piano roll somewhere.
%%%%% The original is very dim; the transcription was as true as
%%%%% possible; corrections are welcome.
%%%%% The limitations of Lilypond (especially with respect to slurs)
%%%%% are apparent; however, its strengths, even at the development
%%%%% stage, are amazing.
%%%%%
su = \stemUp
sd = \stemDown
sb = \stemBoth
csu = \change Staff=upper
csl = \change Staff=lower
extraSpace = \once \override Score.SeparationItem #'padding = #0.5
upper = \notes\relative c'''' { \time 3/4 \key df \major
\set subdivideBeams = ##t
\set Score.beatLength = #(ly:make-moment 1 8)
\override TupletBracket #'bracket-visibility = #'if-no-beam
%% 1
\override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup {"" \raise #10.0 \bold \huge "Moderato Capriccioso."}
\set tupletSpannerDuration = #(ly:make-moment 1 16)
\times 2/3
{ #(set-octavation 1)
\once \override Slur #'beautiful = #3.5
\su g'32[( df bf]_\markup {\italic "L.H."} \sd g[ f e]
#(set-octavation 0)
\su g[ df bf] \sd g[ f e]
\su g[ df bf] \sd g[ f e]
\su g[ df bf] \change Staff=lower \sd g[ f e]
\su g[ df bf]
\sd g[ f e] \su g'[ df bf]
\sd g[ f e]) } |
%% 2 - 4
s2.| \set Score.beatLength = #(ly:make-moment 1 8)
\change Staff= upper
bf''''4^^(\( bf8.\) af16 g32[_\markup {\italic "rit."} f e df c bf af g]) |
<<{g8 f ~ f2}\\{r4 8 r r4}>> |
%% 5 - 6
r4 \set tupletSpannerDuration = #(ly:make-moment 1 16)
\times 2/3
{ #(set-octavation 1)
\once \override Slur #'beautiful = #9.0
\su f'''32[( c af]_\markup \translate #(cons -3 -1){"" \italic "L.H."} \sd f[ df c]
#(set-octavation 0)
\su f[ c af] \sd f[ df c]
\su f[ c af] \sd f[ df c]
\su f[ c af] \change Staff=lower \sd f[ df c] |
\su f[ c af] \sd f[ df c]
\su f'[ c af] \sd f[ df c]
\su f'[ c af] \sd f[ df c]
\su f'[ c af] \sd f[ df c]
\su f'[ c af] \sd f[ df c]
\su f'[ c af] \sd f[ df c]) } |
%% 7 - 11
\change Staff=upper
s2 s32
\sd af''''16[(^^_\markup {"" \raise #-4.0 \italic "rit."}_\> g32 f ef d c]\! |
c8 b) r4^\markup {"" \raise #3 \italic "Agitato ed un poco piu mosso"}
\su 8.(_\mf_\< 16 |
8 )\! r4 \slurUp 8.(_\< 16 |
\sd 8 )\! r4 8.(_\markup {"" \raise #-2.5 \italic "cresc."} 16) |
\acciaccatura bf,8 4(^^_\markup {"" \raise #-3 \dynamic f \raise #-3 \italic "dim. e rall."}
~ 8.[ 16^^]
^^ ^^ ^^ ^^) |
%% 12 - 14 (page 2)
8[(^^_\> ])\! r \su
8.(^\markup {"" \raise #1.5 \italic "dolce"}_\p 16 |
4\arpeggio \sd 4. ~ 8_\> |
[ ])\! \su
#(set-octavation 1)
f'''32[(_\markup {\italic "legg."} ef df bf g ef df bf
#(set-octavation 0)
g ef df bf g ef df bf]) | \sb
%% 15 - 17
\once \override Score.Hairpin #'extra-offset = #'(0 . +1.5)
4(\arpeggio_\<_
\markup {\italic "poco a poco accellerando"}
\sd 4. ~ 8\! |
[ ]) \su
#(set-octavation 1)
f'''32[( ef df bf g ef df bf
#(set-octavation 0)
g ef df bf g ef df bf]) |
4(\arpeggio_\markup {\italic "cresc."} \sd 4. 8\arpeggio |
%% 18 - 20
\sd 8[\arpeggio )] \su
#(set-octavation 1)
f'''32[( ef c a f ef c a
#(set-octavation 0)
f ef c a f ef c a ]) |
\sd 4(_\f 4. 8 |
8[ )] \su
#(set-octavation 1)
g'''32[( f_\markup {\italic "rit."} d b g f d b
#(set-octavation 0)
g f d b g f d b ]) |
%% 21 - 22
\sd 8\arpeggio_\markup {\dynamic fff \italic "con fucco"} r
\set tupletSpannerDuration = #(ly:make-moment 1 16)
\times 2/3
{ #(set-octavation 1) \once \override Slur #'beautiful = #4.0
\su e''32[( a g] \sd c,[ g e]
#(set-octavation 0)
\su e[ a g] \sd c,[ g e]
\su e[ a g] \sd c,[ g e]
\su e[ a g] \change Staff=lower \sd c,[ g e]) }
\change Staff = upper| s2. |
%% 23 - 25
r4^\markup {"" \raise #2 \italic "a tempo"} r8 \su 8[_\< ]\! |
16([ bf')] \sd \arpeggio([ df')]
\arpeggio([ f')] \arpeggio([_\< bf')]
\arpeggio([ df')]
#(set-octavation 1)
\arpeggio([ f')]\! |
([ bf')] ([_\< df')]
\arpeggio([ f')] ([\!_\markup {\italic "rit."} f')]
([ f')] ([ f')] |
%% 26 - 27
ef32[(_\markup {\dynamic f \italic "brillante"} f g af c, df d ef af,
bf b c ef, f g af
#(set-octavation 0)
c, df! d ef af, bf! b c)] |
\su ef,[( f g af c, df d ef af, bf b c ef, f g af
c, df! d ef af, bf! b c]) |
%% 28 - 29
\change Staff = lower
ef,4^> 32[(^\markup {"" \raise #1 \italic "R.H."} ])
\sd ef[(_\markup \translate #(cons -4.5 0){"" \raise #-1 \italic "L.H."}_\< ef,])
\su [( ]) \sd ef[( ef,])
\change Staff = upper
\su [( ]) \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])\! |
#(set-octavation 1)
\su [( ])_\< \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])
\su [( ]) \sd ef[( ef,])\! |
%% 30 - 31
ef'[( ef,] ef'[ ef,] ef'[ ef,] ef'[ ef,]
ef'[ ef,] ef'[ ef,] ef'[_\markup {\center-align
<\italic " " "cresc." \italic "molto ritenuto"> } ef,] ef'[ ef,]
ef'[ ef,] e'[ e,] f'[ f,] g'[ g,] ) |
%%% following is a workaround due to bug preventing midi from
%%% timing properly with 16th notes (32nd notes would time o.k.)
\acciaccatura {af16*1/2[ c16*1/2 ef16*1/2]}
\once \override Staff.Beam #'damping = #0
af32^^[( f ef c af f ef c
#(set-octavation 0)
af' f ef c af f ef c af' f ef c af f ef c]) |
%% 32 - 34
af'''[( f ef c af f ef c af' f ef c af f ef c af' f ef c
\change Staff = lower
\su af f ef c]) |
\change Staff = upper r4 r8 af''[_-^\markup {\italic "parlando"}
af_- af_-] |
\acciaccatura c8 \slurDown bf8( af4) af8[(_- af_- af_-]) |
%% 35 - 37
\acciaccatura c8 bf af4 af8[(_-_\< af_- af_-]) | \slurBoth
\acciaccatura {af16[ c]} bf4(\!
\override TupletBracket #'number-visibility = ##f
\times 16/17 { \sd \once \override Slur #'beautiful = #3.5
bf32)[( af c ef af c ef gf bf^\markup {"" \raise #1.0 \smaller \italic "17"}
af gf ef c af gf ef c]) }|
bff2(_\markup {"" \raise #-3 \italic "rit." } ~ bff8[ af]) |
\override TupletBracket #'number-visibility = ##t
%% 38 - 42
\override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup {"" \raise #4.0 \bold \large "Andante con espress."}
\acciaccatura {af,16[_\markup {\dynamic p \italic "cantabile"} df f]} af4( df4. ef8 |
\acciaccatura {ef,16[ gf]} df'4 c2) |
\acciaccatura {df,16[ af']} bf4( \acciaccatura c8 bf[ a bf c] |
\acciaccatura {c,16[ f]} bf4 af) r8 af |
\acciaccatura {bf,16[ d]} af'4( f'4. \acciaccatura {f16[ af]} gf8 |
%% 43 - 48
\acciaccatura {gf,16[ bf]} f'4 ef4.) bf8( |
\acciaccatura {ef,16[ gf_\markup {"" \raise #-3 {\dynamic p \italic "rit."}} af]} df4
\acciaccatura {c16[ df]} c8[ bf c8. af16]) |
\acciaccatura {df,16[ f]_\markup {"" \raise #-3 \italic "a tempo"}} df'4 r r8 8 |
4\arpeggio(_\markup {\italic "armonioso"} 4.\arpeggio ~ 8 |
4\arpeggio ~ )_\< |
\arpeggio(\! 8 |
%% 49 - 56
4\arpeggio ~ ) r8 8( |
4\arpeggio \arpeggio
8\arpeggio[ \arpeggio]) |
4\arpeggio_\> 4.\arpeggio\!
8(\arpeggio_\p |
4\arpeggio 8[\arpeggio_\markup {"" \raise #-1.5 \italic "rit."} \arpeggio
\arpeggio ]\arpeggio |
4\arpeggio)_\markup {"" \raise #-2 \italic "a tempo"} r r8
%% last note measure 53 on -
<<{ s8 r4 r4 ^> ~ 2 4^> s4}\\
{f,8( df'4_\markup {"" \raise #-2 \italic "dolce"} c4.) f,8( c'4 bf)
r8 f ~ ^\markup {"" \raise #1 \italic "con dolore"}}>>
8[( ]) |
%% 57 - 59
4 r8 |
<<{r4 r16 f'[( f' f] #(set-octavation 1)
f') #(set-octavation 0) r r8}\\
{4 4. 8}>> |
<<{r4 r16 f'[( f' f] #(set-octavation 1)
f') #(set-octavation 0) r r8}\\{4 4. r8}>>
%% 60 - 63
<<{gf'8[( f' ef, df' c, bf'])}\\{gf16[ gf'] f[ f,] ef[ ef']
df[ df,] c[ c'] bf[ bf,] }>> |
\set PianoStaff.connectArpeggios = ##t
8\arpeggio #(set-octavation 1)
8[ _\< ]\! |
\set PianoStaff.connectArpeggios = ##f
<<{f'16[ f f f f f f f f f f f]}\\{af,4_> df4._> ef8_>}>> |
<<{gf16[ gf gf gf gf gf gf gf gf gf gf gf]}\\{df4_> c2_>}>> |
%% 64 - 66
<<{gf'16[ gf gf gf gf gf gf gf gf gf gf gf]}\\
{bf,4 \acciaccatura c8 bf[ a bf c]}>> |
<<{gf'16[ gf gf gf f f f f f f f f]}\\
{bf,4 af4. 8}>> | #(set-octavation 0)
\override Staff.NoteCollision #'merge-differently-dotted = ##t
<<{f'4( 4. d8)}\\{ 16[ r
ef r r ]}>> |
%% 67 - 70
<<{d8[( ef] 4. ef8)}\\{
16[ ef bf, r r
]}>> |
<<{ef'4 df8[^^ c^^ bf^^ af^^]}\\
{16[ r df c, bf,
]}>> |
8^._\sfz s8 s4 s4 |
<<{bf4.( c8[ df ef])}\\
{16[_\mf r r
]}>> |
%% 71 - 74
<<{af4.( bf8[ c df)]}\\{16[ r r
]}>> |
8^.[_\f ^.]\arpeggio
\set PianoStaff.connectArpeggios = ##t
\arpeggio r\fermata
\set PianoStaff.connectArpeggios = ##f r ( |
^.)[ ]\arpeggio
\set PianoStaff.connectArpeggios = ##t
\extraSpace \arpeggio
r r ( |
^.) #(set-octavation 1)
<<{\override Stem #'beamed-lengths = #'(6.6 5.8 5.0)
af''8[( s f s df])}\\{af'16[ af' gf gf, f f' ef ef, df df']}>> |
\set PianoStaff.connectArpeggios = ##f
%% 75 - 78
%% 75 & 76
<<{c8.[( c16] bf8.[ bf16]) s8 s8 bf,[( gf' f' ef, df' c,])}
\\{c'16[ c, c c' bf bf, bf bf' bf,^> bf' bf bf,] ~
bf8[_\p gf'16 gf' f f, ef ef' df df, c c']}>> |
<<{bf8.[( bf16] af8.[ af16]) #(set-octavation 0) s8 s8}\\
{bf16[ bf, bf bf' af af, af af' af,,^> af' af af,]}>> |
<<{bf4.^> c8[^\markup {\italic "cresc."} df ef]}\\
{\slurUp bf16[ bf'( bf bf' bf bf, c, c' df, df' ef, ef'])}>> |
%% 79 - 82
<<{af,,4.^> bf8[ c df]}\\
{af16[ \slurUp af'( af af' af af, bf, bf' c, c' df, df'])}>> |
8\arpeggio #(set-octavation 1)
af''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) |
\csu \sd 8\arpeggio #(set-octavation 1)
af'''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) |
\csu \sd 8\arpeggio #(set-octavation 1)
af'''16[( af, #(set-octavation 0) af af, af af, \csl \su af, af, af af,]) |
%% 83 - 85
\slurUp \once \override Slur #'beautiful = #4.0
af''16[(^\markup {"" \raise #3 \italic "leggiero"}
\csu bf32_\markup {\italic "marcato"} c df ef f gf af bf c df ef f gf af bf c df ef
#(set-octavation 1) f gf af bf] |
\once \override Slur #'beautiful = #4.0
c[ df ef f gf ef c af gf ef c af #(set-octavation 0)
gf ef c af gf ef c af \csl gf ef c af]) |
\once \override Slur #'beautiful = #4.0
bf'16[( \csu c32 df ef f gf af bf c df ef f gf af bf c df ef f
#(set-octavation 1) gf af bf c] |
%% 86 - 88
\once \override Slur #'beautiful = #4.0
df[ ef f ef df af f ef f ef df af #(set-octavation 0)
f ef df af f ef df af f ef df af]) |
\once \override Slur #'beautiful = #4.0
\csl af'16[( bf32 d \csu f af bf d f af bf d #(set-octavation 1)
f af bf d f af af af af af af af] |
\once \override Slur #'beautiful = #4.0
af[ gf ef bf af gf ef bf af' gf ef bf
#(set-octavation 0) af gf ef bf af' gf ef bf af gf ef bf ]) |
%% 89 - 91
df[( ef f gf af bf c df ef f gf af bf c df ef #(set-octavation 1)
f gf g af a bf b c] |
df[ ef f ef df af f ef #(set-octavation 0)
df af f ef df af f ef df \csl af f ef df af f df]) |
\slurUp
af''16[( \csu bf32 c df ef f gf af bf c df ef f gf af bf c df ef
#(set-octavation 1) f gf af bf] |
%% 92 - 94
c[ df ef f gf ef c af gf ef c af #(set-octavation 0)
gf ef c af gf ef c af \csl gf ef c af]) |
bf'16[( \csu c32 df ef f g a bf c df ef f g a bf c df ef f
#(set-octavation 1) g a bf c] |
df[ ef f ef df af f ef f ef df af #(set-octavation 0)
f ef df af f ef df af f ef df af]) |
%% 95 - 97
\csl af'16[( bf32 d \csu f af bf d f af bf d #(set-octavation 1)
f af bf d f af af af af af af af] |
af[ gf gf f f ef ef df df c c bf bf af af gf gf f f ef ef df df c] |
#(set-octavation 0)
c[ bf bf af af gf gf f f ef ef df df c c bf bf af af gf gf f f ef]) |
%% 98 - 100
\once \override Slur #'beautiful = #4.5
\csl df16^^[ \csu ef32( f gf af bf c df ef f gf af bf c df ef f gf
#(set-octavation 1) af bf c df ef] |
f[ ef c a f ef c a #(set-octavation 0) f ef c a f' ef c a f ef c a
\csl f a c f]) |
\csl c16[( \csu #(set-octavation 1) f'''32 df bf f df bf #(set-octavation 0)
f' df bf f df bf f' df bf f df bf \csl f \csu bf df f]) |
%% 101 - 103
\csl f^^[( \csu gf g af a bf b c df d ef e f gf g af a bf b c df d ef e] |
f[ a c a f c a c f c a f c a f' c a f c a \csl f \csu a c f]) |
\csl s4 c32[( f, a c \csu f a c f a c #(set-octavation 1) f a f' f, f' f,])
#(set-octavation 0) |
%% 104 - 106
\csl s4 bf,,,32[( f bf df \csu f bf df f bf df #(set-octavation 1) f bf
f' f, f' f,]) |
r \sd gf[( gf' gf,]) r f[( f' f,]) r ef[( ef' ef,]) r df[( df' df,])
r c[( c' c,]) r bf[( bf' bf,]) |
16\arpeggio[ #(set-octavation 0)
^.( ^. ^. ^. ^.
^.^. ^. ^. ^. ^.]) |
%% 107 - 108
#(set-octavation 1)
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\times 2/3 {
16[(^\markup {"" \raise #2.5 \italic "largamente"} )
( )
( )
( )
( )
( )] |
\override TupletBracket #'number-visibility = ##f
[
] |
%% 109 - 110
[
^^
^^
^^
^^